Description
The Hollywood studio strike began on March 12, 1945 when the Conference of Studio Unions (CSU), led by Herbert Sorrell, went
on strike to protest the studios' delay in granting a contract renewal for interior decorators despite opposition from the
larger, more established International Alliance of Theatrical Stage Employees and Moving Picture Operators of the United States
and Canada (IATSE). At the end of October, the National Labor Relations Board ruled in favor of CSU, and the studios and IATSE
gave way. In early 1946, CSU tried to negotiate a new wage contract with the studios, but disagreements led to another strike
in the summer of 1946. IATSE sent their employees to keep the studios open, and the Screen Actors Guild and 24 other Hollywood
unions denounced the strike as a jurisdictional dispute, affirming their right to cross the picket lines. CSU's failure to
close the studios led to a vote in October 1947 by the painters union which broke the strike. The collection consists of scrapbooks,
including clippings, photographs, a book, and ephemera concerning the Hollywood Studio Strike, compiled by H.K. Sorrell, and
material relating to the hearings on the strike conducted in Los Angeles by the Special Subcommittee of the U.S. House of
Representatives' Committee on Education and Labor.
Background
The Hollywood studio strike began on March 12, 1945 when the Conference of Studio Unions (CSU), consisting of nine unions
and nearly ten thousand workers led by Herbert Sorrell, went on strike to protest the studios' delay in granting a contract
renewal for interior decorators despite opposition from the larger, more established International Alliance of Theatrical
Stage Employees and Moving Picture Operators of the United States and Canada (IATSE). In early October 1945, CSU concentrated
its pickets at Warner Brothers; a series of fights ensued and police, studio guards, and IATSE forced the strikers to retreat.
At the end of October, the National Labor Relations Board ruled in favor of CSU, and the studios and IATSE gave way. In early
1946, CSU tried to negotiate a new wage contract with the studios, but disagreements led to another strike in the summer of
1946. IATSE sent their employees to keep the studios open, provoking more armed clashes. The Screen Actors Guild and 24 other
Hollywood unions denounced the strike as a jurisdictional dispute, affirming their right to cross the picket lines. CSU's
failure to close the studios led to a vote in October 1947 by the painters union which broke the strike; CSU disintegrated
and faded away.
Extent
1 box (0.5 linear ft.)
1 oversize box
Restrictions
Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including
copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds
the copyright and pursue the
copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Availability
COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access.