Series 1 Film Screenplays 1924-2005
Scope and Content Note
Subseries A. 1920's 1924-1929
Ella Cinders. Screenwriter: Louis Stevens 1926
Fast Company. Release dialogue script. Screenwriter: Florence Ryerson 1929
Monsieur Beaucaire. Copy of annotated version. probably 1924
The Wild Party. Continuity and dialogue. Screenwriter: E. Lloyd Sheldon 1929
Subseries B. 1930's 1930-1939
A Man From Wyoming. Release dialogue script. Screenwriter: Albert Shelby Le Vino and John V.A. Weaver 1930
Anything Goes 1936
Blonde Trouble. Release dialogue script. 1937
Blonde Venus. Release dialogue script. 1932
Bluebeard's Eigth Wife. Release dialogue script. 2 copies. 1938
Cradle Song. Release dialogue script. 1933
Dark Victory. Screenwriter: Casey Robinson probably 1938
Desert Gold. Release dialogue script. Screenwriter: Stuart Anthony and Robert Yost 1936
Dude Ranch. Release dialogue script. Screenwriter: Percy Heath, Grover Jones and Lloyd Corrigan 1931
Easy Living. Release dialogue script. Screenwriter: Preston Sturges 1937
Give Me Your Heart. Final. Screenwriter: Casey Robinson 1936
I'm No Angel. First white script. Paramount Studios stamp on cover. Screenwriter: Mae West 1933
Invitation to Happiness. Release dialogue script. 1939
Jamaica Inn. Release dialogue script. Screenwriter: Sidney Gilliat and Joan Harrison 1939
Love Me Tonight. First white script. Paramount Studios stamp on cover. Screenwriter: Samuel Hoffenstein, Waldemar Young and George Marion, Jr. 1932
Madame Racketeer. Release dialogue script. Screenwriter: Malcolm Stuart Boylan and Harvey Gates 1932
Madison Square Garden. Release dialogue script. Screenwriter: Allen Rivkin and P.J. Wolfson 1932
Murder on a Bridle Path. Auction slip enclosed: "a Xerox copy probably created around 1970. A lot of work for a nothing film. Mint condition." Screenwriter: Dorothy Yost 1936
Murder on the Blackboard. Cutting continuity. Auction slip enclosed: "Max Steiner war musical director on this film, and Walter Plunkett did the costumes. This is a studio xerox of the cutting continuity, created around 1970. Mint condition." Screenwriter: Willis Goldbeck 1934
Rendezvous at Midnight 1934
The Beachcomber. 2 copies. Release dialogue script. Screenwriter: Bartlett Cormack 1938
The Cat and the Canary. Release dialogue script. Screenwriter: Walter DeLeon and Lynn Starling 1939
The Crusades. Release dialogue script. 1935
The Hatchet Man (aka The Honorable Mr. Wong). Final. Screenwriter: J. Grubb Alexander 1931
The Magnificent Fraud. Release dialogue script. Screenwriter: Gilbert Gabriel and Walter Ferris 1939
The Old Fashioned Way. 2 copies. Original Paramount cover and stamp. 1934
The Old Maid. Parts 1, 2, 3 revised final. Photocopy (possibly from copy at USC). Screenwriter: Casey Robinson 1939
The Penquin Pool Murder. Cutting continuity. Auction slip enclosed: "A Xerox copy of the original cutting continuity. Mint condition." Screenwriter: Willis Goldbeck 1932
The Petrified Forest. Revised final. Auction slip enclosed: ""A xerox script done by the studio around 1970." 1935
The Roaring Twenties. Continuity and dialogue. Screenwriter: Jerry Wald, Richard Macaulay and Robert Rosson probably 1939
The Sisters. Dialogue transcript. Screenwriter: Milton Krims 1938
The Sisters. Revised final. Screenwriter: Milton Krims 1938
The Way to Love. Release dialogue script. 1933
The Working Man. Final. Screenwriter: Charles Kenyon 1932
The World Moves On. Part 1 revised final. Screenwriter: Jerry Wald and Richard Mccaulay 1939
Tillie and Gus (or Odds are Even). First script. 2 copies. Original Paramount cover and stamp. Screenwriter: Walter DeLeon and Francis Martin 1933
Union Pacific. Details shots and dialogue. Screenwriter: Walter DeLeon, C. Gardner Sullivan, and Jesse Lasky, Jr. 1939
We Shall Meet Again. Part 1 final. Note included w/ script "pgs. 78 and 79 missing in USC copy xeroxed from (scenes 111 through beginning of 116)." Screenwriter: Warren Duff 1939
Dark Victory. Part 1 final. 3 copies. Screenwriter: Casey Robinson 1938
Dawn Patrol. Revised final. Screenwriter: Seton I. Miller and Dan Totheroh 1938
Delusion. Final. 2 copies. Ray Milland written on front cover of one. Could be signature or note. Screenwriter: Arthur Kober [written on title page] probably 1930's
Dracula. Continuity and dialogue. 1931
Frankenstein. Continuity and dialogue. probably 1931
Jesse James. 2 copies. Final. Stamped "only copy" on cover by 20th Century Fox. Screenwriter: Nunnally Johnson 1938
Juarez (The Phantom Crown). Part 1, final. Screenwriter: John Huston, Aneas MacKenzie, Wolfgang Reinhardt, Abem Finkel 1938
Libeled Lady. MGM "Vault Copy." Screenwriter: Maurine Watkins and Howard Emmett Rogers 1936
Murders in the Rue Morgue probably 1932
My Man Godfrey probably 1936
My Man Godfrey. Release dialogue script. Continuity and dialogue master copy. Screenwriter: Morrie Ryskind and Eric Hatch 1936
One Way Passage. Screenwriter: Wilson Mizner and Joseph Jackson 1932
Radio Patrol. Continuity and dialogue. probably 1932
Swing High, Swing Low. Release dialogue script. Screenwriter: Virginia Van Upp and Oscar Hammerstein II 1937
The Black Cat. Continuity and dialogue. probably 1934
The Garden of Allah. Dialogue and continuity. "American Version" and "Censorship Copy, Do Not Use" on front page. probably 1936
The Great Impersonation probably 1935
The House of Rothschild. Final. 1933
The King and Chorus Girl. "Burbank Calif. Story Library" printed on cover. Screenwriter: Norman Krasna and Groucho Marx 1936
The Mummy. Continuity and dialogue. Boris Karloff version. probably 1932
Tower of London 1939
Subseries C. 1940's 1940-1949
A Date With Destiny [released as The Mad Doctor]. Release dialogue script. Screenwriter: Howard J. Green 1940
Border Vigilantes. Screenwriter: J. Benton Cheney 1941
Border Vigilantes. Release dialogue script. 1941
Danger Signal. Part 1, 2nd revised final. Screenwriter: Adele Comandini and Graham Baker 1945
Hard Bargain. 2 copies. Both incomplete. Revised. 1948
Hatter's Castle. Release script. Screenwriter: A.J. Cronin probably 1942
Hold That Blonde! 3 copies. Release dialogue script. Screenwriter: Walter DeLeon, Earl Baldwin and E. Edwin Moran 1945
June Bride. Dialogue transcript. Screenwriter: Ranald MacDougall 1948
Magnificent Ambersons. Cutting continuity. 1942
North West Mounted Police. Release dialogue script. 1940
Now Voyager. "English superimposed title sheet for the French version." Copy of a version signed by Bette Davis. Screenwriter: Casey Robinson probably 1942
The Major and the Minor. 2 copies. Release dialogue script. Screenwriter: Charles Brackett and Billy Wilder 1942
The Paleface. Release dialogue script. 1948
The Rocking Horse Winner. Post production script. 1949
The Two Mrs. Carrolls. Final. Screenwriter: Thomas Job 1945
To Each His Own. Copy of master copy from USC film library. Screenwriter: Charles Brackett and Jacques Thery 1945
Where There's Life. Release dialogue script. Screenwriter: Allen Boretz and Melville Shavelson 1946
Winter Meeting. Final part 1. Screenwriter: Catherine Turney 1947
Bud Abbott and Lou Costello Meet Frankenstein. Continuity and dialogue. 1948
Calling Dr. Death. Annotated. 1943
Conflict. Part 1, 2nd revised final. Screenwriter: Dwight Taylor 1943
Gentleman Jim. 3 copies. Final, part 1. Screenwriter: Vincent Lawrence and Horace McCoy 1942
Illegal Entry. Revised. Screenwriter: Joel Malone 1948
Invisible Agent. Continuity and dialogue. 1942
It Started With Eve. Revised. "Marion Pecht" written on front cover. 1941
It's a Wonderful Life. Screenwriter: Swerling-Capra 1946
It's a Wonderful Life. 2 copies. probably 1946
Laura. Shooting final. Screenwriter: Jay Dratler with revisions by Ring Lardner Jr., Samuel Hoffenstein and Betty Reinhardt 1944
Man Made Monster. File copy. Continuity and dialogue. Screenwriter: Joseph West 1941
My Little Chickadee. Continuity and dialogue. 1940
Never Give a Sucker and Even Break 1941
Old Acquaintance. 2 copies. Final. Screenwriter: John Van Druten and Edmund Goulding 1942
Phantom of the Opera. Continuity and dialogue. 1943
Pillow of Death 1945
Shadow of a Doubt. Continuity and dialogue. "Editorial office copy." probably 1943
Stolen Life. Part 1, revised final. Screenwriter: Catherine Turney 1945
The Dark Passage. Final. Screenwriter: Delmer Daves 1946
The Desert Song. Part 1 final. Screenwriter: Robert Buckner 1942
The End of the River. Continuity and dialogue. "Copied from English post-production script." 1948
The Great Lie (aka Far Horizon). Revised final. 1940
The Mummy's Curse. Continuity and dialogue. 1944
The Mummy's Ghost 1943
The Mummy's Hand. Continuity and dialogue. Screenwriter: Griffin Jay and Maxwell Shane 1940
The River. Working script. Screenwriter: Rumer Godden 1949
The Spoilers 1942
The Verdict. Part 1 final. Screenwriter: Barre Lyndon and Peter Milne 1945
Three Strangers. Part 1 revised final. Screenwriter: John Huston and Howard Koch 1944
To Have and Have Not. 2nd revised final. Screenwriter: Jules Furthman 1944
Weird Woman 1944
Wolf Man. 2 copies. Universal City Studios stamp on first page. Screenwriter: Curt Siodmak 1941
Young Man with a Horn. 2nd revised final. Screenwriter: Carl Foreman 1949
Subseries D. 1950's 1950-1959
5 Against the House. First revision. Photocopy of a library copy (call number on 2nd page). Screenwriter: Stirling Silliphant and John Barnwell 1954
Creature from the Black Lagoon. Master title list for foreign language versions. 1954
Witness for the Prosecution. List of superimposing instructions, action description, and English master titles 1958
Witness for the Prosecution. Photocopy. File includes notes from whoever was researching the script. Screenwriter: Billy Wilder and Harry Kurnitz 1957
A Summer Place. Final. Screenwriter: Delmer Daves 1959
Against All Flags. 2 copies. Outline. Screenwriter: AEneas MacKenzie 1950
Against All Flags. First draft continuity. Screenwriter: AEneas MacKenzie 1950
Cattle Drive. 2 copies. Continuity and dialogue. 1951
Destry. Continuity and dialogue. 1954
Forbidden Planet. 3 copies. MGM stamp in bottom corner. 1954
Hot Spell (Next of Kin). Revised final white. Photocopy of USC library copy. Screenwriter: James Poe 1957
House Party. First draft. Universal central files stamp on cover. Screenwriter: Robert Hill 1955
Invaders. Screenwriter: John Tucker Battle and Rosemary Battle 1950
Invaders from Mars. Screenwriter: John Tucker Battle probably 1953
It Came from Outer Space. Continuity and dialogue. 1953
It Should Happen to You. Final. From legal files at Columbia Pictures. Screenwriter: Garson Kanin 1953
Madeleine. Continuity and dialogue. 1950
Only the Valiant. Final. Screenwriter: Edmund H. North and Harry Brown 1950
Rebel Without a Cause. Final part 1. Screenwriter: Stewart Stern 1955
The Breaking Point. 2nd rev. final. Screenwriter: Ranald MacDougall 1950
The Cain Mutiny. Final draft. From Columbia Picture central files. Screenwriter: Stanley Roberts 1953
The Crimson Pirate. 3 copies. Revised final for England. Screenwriter: Roland Kibbee 1951
The Day the Earth Stood Still. 2 copies. Revised final. 20th Century Fox stamp in corner. Screenwriter: Edmund H. North 1951
The Harder They Fall. 2 copies. Revised final. Screenwriter: Philip Yordan 1955
The Sundowners. 2 copies. Final. Screenwriter: Isobel Lennart 1959
The Thing. First draft. Says "Please Return to RKO Story Files." 1950
Twelve Angry Men. Incomplete, missing pages at beginning and end. probably 1957
Subseries E. 1960's 1960-1969
The Only Game in Town. Revised first draft. Auction slip enclosed: "This "Revised First Draft" was Xereoxed by the studio around 1970. Bit wear on cover; otherwise mint." Screenwriter: Frank D. Gilroy 1968
Thoroughly Modern Millie 1967
Angel Baby. Revision. Screenwriter: Orin Borsten and Sam Roeca 1960
Barbarella probably 1968
Breakfast at Tiffany's. Copy of annotated version with Hepburn's notes. TM 1994 by Paramount and estate of Audrey Hepburn (on back cover). 1960
Bye Bye Braverman. Screenwriter: Herbert Sargent probably 1968
Freud. Revised final. Screenwriter: John Huston and Wolfgang Reinhardt 1962
Guess Who's Coming to Dinner. Screenwriter: William Rose 1967
Harold. Screenwriter: David Swift probably post 1966
I Love You, Alice B. Toklas! Final. Screenwriter: Paul Mazursky and Larry Tucker 1967
Nightmare. Release script. 1963
Petulia. Screenwriter: Larry Marcus 1967
Pretty Poison (fka She Let Him Continue). First draft. Screenwriter: Stephen Geller 1966
Rachel, Rachel (aka A Jest of God). Final. Screenwriter: Stewart Stern 1967
Rosemary's Baby. First page missing. 1967
The Dirty Dozen. File copy. Screenwriter: Nunnally Johnson and Lukas Heller 1966
The Great White Hope. first draft. Stamped "permanent file" on cover. Screenwriter: Howard Sackler 1969
The Longest Day. 2nd revised version. Screenwriter: Cornelius Ryan 1961
The Naked Brigade. Continuity and dialogue. 1965
The Sergeant. Shooting script. Screenwriter: Dennis Murphy 1967
Up the Down Staircase. 3 copies. Final. Screenwriter: Tad Mosel 1966
Valley of Gwangi. Screenwriter: William E. Bast probably 1969
Who's Afraid of Virginia Woolf? Writer's Guild of America teaching draft. Screenwriter: Ernest Lehman 1965
Subseries F. 1970's 1970-1979
The Mechanic. Release script. Auction slip enclosed: "A studio Xerox of a James Bond-type film. Mint condition." 1972
Untitled [The Last Tycoon]. 2 copies. probably 1976
A Fairly Honourable Defeat. Screenwriter: Peter Ustinov 1971
A Report to the Commissioner. 2 copies. First draft. Screenwriter: Ernest Tidyman 1972
Americathon. First draft. Screenwriter: Neil Israel, Phil Proctor, Peter Bergman 1976
Billy Jack. Screenwriter: Frank and Teresa Christina 1970
Blood's a Rover. Incomplete. probably 1970's
Capricorn One. Screenwriter: Peter Hyams 1976
Damnation Alley. Screenwriter: Lukas Heller and Bill Kerby 1974
Deadhead Miles. Screenwriter: Terry Malick probably 1972
Eleanor and Franklin. Revised. Incomplete. Only have pages 1A-9, 17-22, 34-36, 61-106. 1975
Fatso. Screenwriter: Anne Bancroft 1978
Finders-Keepers. Fourth draft revised. Screenwriter: Antonio Santillan 1979
Frisco Kid. First draft. Screenwriter: Naofumi Okamoto 1978
Fritz the Cat. Second draft. Screenwriter: Ralph Bakshi and Fred Halliday probably 1972
Hit! Screenwriter: Alan R. Trustman and David M. Wolf 1972
Julia. Revised final. Ad for film tucked in back of the script. Screenwriter: Alvin Sargent 1976
Longriders. Revised draft. Screenwriter: Steven Smith 1979
Love Story. Incomplete. Missing 1st and last page. probably 1970
Melvin and Howard. Revised. Screenwriter: Bo Goldman 1978
Nickelodeon [aka Starlight Parade]. Screenwriter: W.D. Richter probably 1976
Phantom of the Paradise. Incomplete, have pages 2-78. probably 1974
Raiders of the Lost Ark. Revised. Screenwriter: Lawrence Kasden 1979
Remember My Name. Screenwriter: Alan Rudolph probably 1978
Royal Flash. Screenwriter: George MacDonald Fraser 1974
Save the Tiger probably 1973
Shame, Shame on the Bixby Boys. Signed by Don "Red" Barry. Child's drawing placed btwn pgs 99 and 100. Screenwriter: William Bowers probably 1978
Smokey and the Bandit. Combined continuity. 1977
Star Wars (Saga 1, The Adventures of Luke Starkiller as taken from the "Journal of the Whills"). Shooting script, revised fourth draft. Screenwriter: George Lucas 1976
Story of O. Screenwriter: Sebastien Japrisot probably 1975
Tai-Pan. Fourth revision. Screenwriter: George MacDonald Fraser 1979
The Angel Levine 1970
The Domino Clip. First draft. Screenwriter: Howard B. Kreitsek 1972
The Duchess and the Dirtwater Fox. Screenwriter: Barry Sandler 1974
The Exorcist. Final. Buck slip from Warner Brothers attached that says "original." Screenwriter: William Peter Blatty probably 1973
The Frank Leahy Legend. First draft. Screenwriter: Ed Wood Jr. 1975
The Freedom Trap (The Mackintosh Man). Revised final. Screenwriter: Walter Hill 1972
The Fury. Final. Ad for movie in back. Screenwriter: John Farris 1977
The Getaway. First draft. Screenwriter: Walter Hill 1971
The Godfather. Third draft. Screenwriter: Mario Puzo and Francis Ford Coppola 1971
The Jezebels [released as Switchblade Sisters]. Revised. Photocopy of annotated version. Screenwriter: F.X. Maier 1974
The Last Score [released as St. Ives]. Annotated. Screenwriter: Barry Beckerman 1973
The Man Who Would Be King. Screenwriter: John Huston and Gladys Hill probably 1975
The Man With Bogart's Face. Revised final. 20th Century Fox stamp on 1st page. Screenwriter: Andrew J. Fenady 1979
The Man With Two Heads. Inscribed to "Al" from Lee Frost. Screenwriter: Lee Frost and Wes Bishop 1972
The Rocky Horror Picture Show. Screenwriter: Jim Sharman and Richard O'Brien 1974
The Saga of Jeremiah Johnson. Screenwriter: Edward Anhalt 1970
The Saga of Liver-Eatin' Johnson. Screenwriter: John Milius 1970
The Train Robbers. Final. Screenwriter: Burt Kennedy 1972
Twentieth Century Foxes. Final draft. Screenwriter: Gerald Ayres 1978
Unidentified World War I movie. Final shooting. Cover missing. Incomplete script. 1977
Welcome to LA. Screenwriter: Alan Rudolph 1975
Westworld. First revised draft. Screenwriter: Michael Crichton 1972
Whiffs. Screenwriter: Malcolm Mamorstein probably 1975
White Line Fever. Screenwriter: Ken Friedman and Jonathan Kaplan probably 1975
Who'll Stop the Rain. Final. Screenwriter: Judith Rascoe 1977
Subseries G. 1980's 1980-1989
Lassiter. 2 copies. One missing last page, other missing first page. Screenwriter: David Taylor 1983
Sea Killer (Beyond the Reef). Translation version. probably 1981
A Boy's Life [E.T.: The Extra-Terrestrial]. Shooting script. Screenwriter: Melissa Mathison 1981
Action Jackson. Annotated. Screenwriter: Robert Reneau 1987
Aliens. First draft. Screenwriter: James Cameron 1985
American Ninja 2. Revised. Screenwriter: Gary Conway and James Booth 1986
Back to School. Screenwriter: Rodney Dangerfield, George Gipe, Michael Endler 1985
Back to the Beach probably 1987
Bad Medicine. Screenwriter: Harvey Miller probably 1985
Black Robe. Sixth draft. Screenwriter: Brian Moore 1987
Blade Runner 1980
Blind Date. 2nd revision. Screenwriter: Dale Launer 1985
Blind Date. First revised draft. Screenwriter: Dale Launer 1985
Commando. Screenwriter: Joseph Loeb III and Matthew Weisman 1984
Conan the Barbarian. 2 copies. Second draft. Screenwriter: John Milius 1980
Cross My Heart or An American Date. Revised final draft. Screenwriter: Armyan Bernstein and Gail Parent 1986
Darkman. Fourth draft. Screenwriter: Sam Raimi and Ivan Raimi 1988
Darkman. Handwritten note attached to last page. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989
Darkman. 10th draft. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989
Darkman. 9th draft. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989
Dead Ringer. Revised first draft. Screenwriter: Christian Stoianovich and Phobe Dorin 1987
Desperately Seeking Susan. Photocopy of annotated version. Screenwriter: Leora Barish probably 1985
Dominick and Eugene. Screenwriter: Corey Blechman, Danny Porfirio, Alvin Sargent 1987
Fear No Evil [released as We're No Angels] 1989
Foreign Body. Revised. Screenwriter: Celine La Freniere and Ronald Neame 1985
Jaws 3-D. 2 copies. Screenwriter: Richard Matheson and Michael Kane probably 1983
Laughing Boy. Screenwriter: Tony Huston probably 1980's
Lethal Weapon. Second draft. Screenwriter: Shane Black 1986
Let's Get Harry. Revised third draft. Screenwriter: Charles Robert Carner 1985
Little Dorrit. Screenwriter: Christine Edzard probably 1988
Mad Max 3 probably 1985
Mars Attacks. Third draft. Screenwriter: Alex Cox 1989
Mo' Better Blues (aka Love Supreme). First draft. Screenwriter: Spike Lee 1989
Mo' Better Blues (aka Love Supreme). Second draft. Screenwriter: Spike Lee 1989
Native Son. Photocopy of annotated script. Screenwriter: Richard Wesley 1984
Old Gringo. Second draft. Screenwriter: Luis Puenzo and Aida Bortnik 1987
Presumed Innocent. First draft. Screenwriter: Frank Pierson 1989
Risky Business. First draft. Screenwriter: Paul Brickman 1981
Robojox. Screenwriter: Joe Haldeman and Dennis Paoli 1987
Sleeping With the Enemy. 2 copies. Screenwriter: Ronald Bass 1989
Something Wicked This Way Comes. Revised. Screenwriter: Ray Bradbury 1981
Suspect. Final draft. Screenwriter: Eric Roth 1987
Suspect. First draft revised. Screenwriter: Eric Roth 1986
Switch. 3 copies. Screenwriter: Blake Edwards 1989
Switching Channels. Re-revised first draft. Screenwriter: Jonathan Reynolds 1987
Sylvester. 2 copies. First draft. Screenwriter: Carol Sobieski 1983
Table for Five. "As shot script based on film editor's script." Screenwriter: David Seltzer 1982
Table for Five. First draft. Screenwriter: David Seltzer 1981
Tag: The Assasination Game. First draft. Screenwriter: Nick Castle 1981
Take This Job and Shove It. Screenwriter: David Allan Coe 1980
Take This Job and Shove It. Revised. Screenwriter: Jeff Bernini and Barry Schneider 1983
The Adventures of Buckaroo Banzai. Revised third draft. Screenwriter: Earl Mac Rauch 1983
The Cheetah. First draft. Screenwriter: Erik Tarloff 1987
The Falcon and the Snowman. Second revisions, first draft screenplay. Screenwriter: Steven Zaillian 1983
The Lonely Guy. Third draft. Screenwriter: Ed Weinberger and Stan Daniels 1983
The Music Box [released as A Fine Mess]. Screenwriter: Blake Edwards 1984
The Pit and the Pendulum. Screenwriter: Dennis Paoli 1989
The Return of the Living Dead. Polish. Screenwriter: Dan O'Bannon 1983
The Serpent and the Rainbow. Screenwriter: Richard Maxwell 1987
The Suspect. Fifth draft. Screenwriter: David Young 1987
The Woman in Red (fka Boys Will Be Boys). Revised. Screenwriter: Gene Wilder 1983
Touch and Go. Revised. Screenwriter: Alan Ormsby, Harry Colomby and Robert Sand 1984
Until September. Screenwriter: Janice L. Graham 1982
Where Are the Children. Revised. Screenwriter: Jack Sholder 1984
Where the Heart Is (aka Getting Ready). 2 copies. 6th draft. One copy with notes. Notes may not relate to script. Screenwriter: Telesche Boorman and John Boorman 1988
Whispers. Revised. Screenwriter: Anita Doohan 1989
Witches. First revised draft. Screenwriter: Allan Scott 1988
Wolfen. Screenwriter: David Eyre and Michael Wadleigh 1980
Yes, Giorgio. Screenwriter: Norman Steinberg 1980
Subseries H. 1990's 1990-1999
Look Who's Talking Too. Master english subtitle, spotting list. 1990
The Legend of Wolf Mountain. Combined continuity script. probably 1992
Airheads. 2 copies. Different drafts. Screenwriter: Rich Wilkes 1993
Airheads. Revised draft. Screenwriter: Rich Wilkes 1992
Alien 3 1991
Alien 3. Screenwriter: Walter Hill and David Giler 1990
Alien 3. Revised first draft. Rewrite based on Hill and Giler story. Screenwriter: William Gibson probably 1992
Alien 3. Second draft revised. Screenwriter: John Fasano 1990
Alien Resurrection. First draft. Screenwriter: Joss Whedon 1995
Alien Resurrection. Revised draft. Screenwriter: Joss Whedon 1996
An American Werewolf in Paris. Screenwriter: Anthony Waller 1995
Article 99. 3 copies. Screenwriter: Ron Cutler probably 1991
Article 99. Final Script. Screenwriter: Ron Cutler 1991
As Good As It Gets. 2 copies. Revised shooting script. Screenwriter: Mark Andrus and James L. Brooks 1997
Bicentennial Man. Final. Autographed by Kazan. Screenwriter: Nicholas Kazan probably 1999
Bio-Dome! 2 copies. Second draft. One copy annotated and highlighted. Screenwriter: Kip Koenig and Scott Marcano 1994
Bones. Annotated. Screenwriter: Adam Simon and Tim Metcalfe 1999
Charlie [released as Chaplin]. Screenwriter: William Boyd 1991
Charlie [released as Chaplin]. Annotated. Screenwriter: William Boyd 1991
Charlie [released as Chaplin]. Annotated. Screenwriter: William Boyd 1991
Charlie [released as Chaplin]. Second draft. Screenwriter: Bryan Forbes 1990
Christopher Columbus, The Discovery. Final. Screenwriter: Cary Bates based on a screenplay by Mario Puzo and John Briley 1992
City by the Sea. Annotated. Screenwriter: Ken Hixon 1998
Darkman 2. Screenwriter: Lawrence Hertzog probably 1995
Darkman 2. Revised. Screenwriter: Michael Colleary and Mike Werb revised by Mark Verheiden 1993
Darkman 2. Revised draft. Screenwriter: Michael Colleary and Mike Werb revised by Mark Verheiden 1993
Darkman 3: Durant Returns. Second draft. Screenwriter: Steven McKay 1994
Dead Reckoning. Third revision. Screenwriter: Christine Roum 1993
Destiny Turns on the Radio. Revised. Screenwriter: Robert Ramsey and Matthew Stone 1994
Dr. Jekyll and Mr. Hyde. Screenwriter: David Mamet 1999
Dragonheart. Revised. Screenwriter: Charles Edward Pogue 1994
Dudley Do-Right. Screenwriter: Andrew Burg and Scott Meyers 1996
Dumb and Dumber. Polished draft. Screenwriter: Peter Farrelly, Bennett Yellin and Bob Farrelly 1993
Four Rooms. Shooting script. Screenwriter: Allison Anders, Alexandre Rockwell, Robert Rodriguez, Quentin Tarantino 1994
Gattaca. Possible autograph on front cover. Screenwriter: Andrew Niccol probably 1997
Head Above Water. Screenwriter: Michael Blake 1995
Hercules and Xena. Screenwriter: John Loy 1996
Highlander II. Screenwriter: Peter Bellwood, William Panzer, Brian Clemens probably 1991
Household Saints. 2 copies. Screenwriter: Nancy Savoca and Richard Guay 1991
Imaginary Crimes. Signed by "William G. Schilling, Mr Gratelli." Screenwriter: Kristine Johnson and Davia Lee Nelson 1991
Jumanji. Second draft revised. Screenwriter: Jonathan Hensleigh 1994
Killer Sam aka Josh and S.A.M. Screenwriter: Frank Deese 1992
Killing Zoe. Annotated. Screenwriter: Roger Roberts Avary 1992
Killing Zoe. Third draft. Screenwriter: Roger Roberts Avary probably 1993
L.A. Confidential. 2 copies. Revised draft. Screenwriter: Brian Helgeland and Curtis Hanson 1996
Lethal Weapon 4. Bound copy with photocopies of cast signatures on first page. Screenwriter: Channing Gibson probably 1998
Liar Liar. Third draft. Screenwriter: Paul Guay and Stephen Mazur 1995
Little Indian, Big City (An Indian in the City) [released as Jungle 2 Jungle]. 2 copies. Screenwriter: Bruce A. Evans and Raynold Gideon 1996
Mars Attacks! Fifth draft revised. Screenwriter: Jonathan Gems rewritten by Scott Alexander and Larry Karaszewski 1995
Men of Honor. First draft. Screenwriter: Scott Smith 1995
Mimic. Third revision. Screenwriter: Matt Greenberg and Guillermo del Toro 1996
Mo Money. Third draft, second revision. Screenwriter: Damon Wayans 1991
My Best Friend's Wedding. Shooting script. Signed by Bass. Screenwriter: Ronald Bass 1996
Pleasantville. Screenwriter: Gary Ross 1997
Presumed Innocent. No title page. probably 1990
Primary Motive. Revised draft. Screenwriter: Daniel Adams and William Snowden 1990
Sleepers. Signed by Levinson. Screenwriter: Barry Levinson 1995
Sleepless in Seattle. 2 copies. Screenwriter: Jeff Arch rewrite by David S. Ward 1991
Some Mother's Son. Production draft. Signed by Sheriden and George. Screenwriter: Terry George and Jim Sheriden 1995
Somebody to Love. Revised. Screenwriter: Sergei Bodrov and Alexandre Rockwell 1993
Strange Days. 2 copies. Screenwriter: James Cameron and Jay Cocks 1993
Striking Distance (aka Three Rivers) 1992
Super Mario Brothers. First draft. Screenwriter: Tom S. Parker and Jim Jennewein 1991
Super Mario Brothers. Revised draft. Screenwriter: Barry Morrow revised by Tom S. Parker and Jim Jennewein 1991
Suture. Screenwriter: Scott McGehee and David Siegel probably 1994
Suture. Screenwriter: Scott McGehee and David Siegel 1992
Swordfish. Screenwriter: Skip Woods 1999
Thank You and Good Night. Revised. Documentary. Screenwriter: Jan Oxenberg 1990
The Babysitter. Fourth draft. Annotated. Screenwriter: Guy Ferland 1993
The Cable Guy. 2 copies. Fourth draft. Screenwriter: Judd Apatow 1995
The Cuckold's Clock. Screenwriter: Preston Sturges 1997
The Doors. Third draft. Screenwriter: Oliver Stone 1990
The End of Violence. First shooting draft. Screenwriter: Nicholas Klein 1996
The Fairy Godbrothers. Screenwriter: Craig Mazin and Greg Erb 1998
The Glimmer Man. Screenwriter: Kevin Brodbin 1995
The Glimmer Man Screenwriter: Kevin Brodbin rewrite by Michael Stinson 1995
The Hand of God. Rewrite. Screenwriter: Michael Chiklis and Dan McDuffie 1990
The Power of One. Revised first draft. Screenwriter: Robert Mark Kamen 1990
The Santa Clause. Screenwriter: Leo Benvenuti and Steve Rudnick 1992
The Santa Clause. Screenwriter: Leo Benvenutie and Steve Rudnick 1994
The Taking of Beverly Hills. Revised. Screenwriter: Rick Natkin and David Fuller, rewritten by David J. Burke 1990
The Talented Mr. Ripley. 2 copies. Oscar "for your consideration" draft. Screenwriter: Anthony Minghella 1999
The Thirteenth Floor. Revised second draft. Screenwriter: Maureen Mahon and Nicholas Monahan 1995
Washington Square. 2 copies. Signed by Doyle. Screenwriter: Carol Doyle probably 1997
Where Sleeping Dogs Lie. Rewrite. Annotated. Screenwriter: Charles Finch and Yolande Turner 1990
Where the Day Takes You. Screenwriter: Michael Hitchcock, rewrite by Kurt Voss probably 1992
Where the Day Takes You. Draft. Screenwriter: Michael Hitchcock 1990
Where the Day Takes You. Revised. Screenwriter: Michael Hitchcock and Kurt Voss, rewrite by Marc Rocco 1991
While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994
While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994
While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994
White Man's Burden. Screenwriter: Desmond Nakano probably 1994
White Man's Burden. Draft. Screenwriter: Desmond Nakano 1994
White Man's Burden. Second draft. Screenwriter: Desmond Nakano 1994
White Men Can't Jump. First draft. Screenwriter: Ron Shelton 1991
White Sands. Draft. Screenwriter: Daniel Pyne 1990
Wild Bill. 3 copies. Different drafts. Screenwriter: Walter Hill 1994
Wishmaster. Screenwriter: Peter Atkins 1996
Wrestling Ernest Hemingway. Screenwriter: Steve Conrad 1992
Wrongfully Accused. Revised. Screenwriter: Pat Proft 1997
Subseries I. 2000's 2000-2005
25th Hour. Signed by Benioff. Screenwriter: David Benioff probably 2002
A Beautiful Mind. "For Your Consideration" Oscar consideration script from Universal. Screenwriter: Akiva Goldsman probably 2001
A Beautiful Mind. 2 copies. Autographed, possibly by Goldsmith. Screenwriter: Akiva Goldsmith probably 2001
Adaptation. Bound copy with color cover. Signed by Charlie Kaufman. Screenwriter: Charlie Kaufman and Donald Kaufman Probably 2002
Doctor Doolittle 2 2000
Ghost World. Screenplay in comic book form. Screenwriter: Daniel Clowes and Terry Zwigoff 2001
Hearts in Atlantis. Fifth draft, final shooting draft. Signed by Scott Hicks (director) and William Goldman (writer). Screenwriter: William Goldman 2001
Moonlight Mile. Signed by Brad Silberling. Screenwriter: Brad Silberling 2002
Shrek. Screenwriter: Ted Elliott and Terry Rossio and Joe Stillman and Roger S.H. Schulman probably 2001
Sidewalks of New York. 2 copies. Final draft. Unknown signature on front page of both. Screenwriter: Edward Burns 2000
Sideways. Half sheets. Screenwriter: Alexander Payne and Jim Taylor 2004
Syriana. Bound copy with nice cover. Screenwriter: Stephen Gaghan probably 2005
Talk to Her. 2 copies. Fifth version. Screenwriter: Pedro Almodovar 2001
The Barbarian Invasions. 2 copies. Half sheets. Screenwriter: Denys Arcand 2002
The Majestic. Final shooting draft. Two signatures on front page. Screenwriter: Michael Sloane probably 2001
The Man Who Wasn't There. 2 copies. Revised. Screenwriter: Joel Coen and Ethan Coen 2000
Subseries J. Undated Undated
Gale Force. Screenwriter: Albert Aley Undated
Hunter. Possible Steve McQueen movie by another title. Undated
The Fox and the Forest. Screenwriter: Ray Bradbury Undated
Untitled. Cover missing. Some kind of werewolf movie. Undated
Series 2 Screenplays for Made for Television Films 1972-1997
Scope and Content Note
A Streetcar Named Desire. Screenwriter: Tennessee Williams 1994
Absolute Strangers (The Nancy-Martin Klein Story). Second draft. Screenwriter: Robert Anderson 1990
American Family Robinson. First draft. Screenwriter: Steve Bloom and Jonathan Roberts 1995
Family Flight. ABC Movie of the Week. Screenwriter: Guerdon Trueblood 1972
Family Man (A Family for Joe). Screenwriter: Arnold Margolin 1989
In Sickness and in Health. Revised. Screenwriter: Alan Hines 1991
Liars. Screenwriter: David Chase 1983
Liberace. Revised. ABC Movie of the Week. Screenwriter: Anthony Lawrence and Nancy Lawrence 1988
Moment of Truth: Cult Rescue. Revised final draft. Screenwriter: Dan Levine 1994
Montana. Revised first draft. Screenwriter: Larry McMurtry 1988
Moviola "The Scarlett O'Hara War." Revised draft. Screenwriter: William Hanley 1979
Moviola "The Silent Lovers." Photocopy of script signed by Hanley. Screenwriter: William Hanley 1979
Passport to Murder (aka Masquerade). Revised format. Screenwriter: Alfred Monacella 1992
Perfect Witness. Incomplete. probably 1989
Senior Trip. Screenwriter: Kenneth Johnson and Dan Kibble probably 1981
Skylark (Sarah II). Screenwriter: Patricia MacLachlan 1992
Sparkling Cyanide. Annotated. probably 1983
Sunstroke. First draft. Screenwriter: Duane Poole 1992
Svengali. 4th rewrite. Screenwriter: Frank Cucci 1981
The Gulf [released as Don't Look Back]. Shooting draft. Screenwriter: Tom Epperson and Billy Bob Thornton 1996
The Halloween Tree. Screenwriter: Ray Bradbury probably 1993
The New Swiss Family Robinson. Shooting draft. Screenwriter: Stewart Raffill 1997
The Suicide's Wife. Screenwriter: Dennis Nemec 1979
The Suicide's Wife. Screenwriter: Robert J. Shaw probably 1979
The Take. Draft. 1989
Where are My Children? Revised. Screenwriter: Michael Zagor 1994
Witch Hunt. Director's revision. Screenwriter: Joseph Dougherty 1994
XXX's and OOO's. Revised draft. Screenwriter: Alice Randall and John Wilder 1994
Series 3 Non-Screenplay Materials 1952-1997
Scope and Content Note
9 to 5. Preliminary production information w/ photograph of Parton, Tomlin and Fonda. probably 1980
Atomic Monster [released as It Came From Outer Space]. Treatment. Screenwriter: Ray Bradbury 1952
Brubaker. Preliminary production information. probably 1980
Final Analysis. Rough draft. Storyboards. Scenes 7-16 (Bantar man Sequence). 1991
G.I. Joe. Principle characters. Undated
Gattaca. Quotes and reviews. probably 1997
House of Dracula. Just the cover page. 1945
Over the Top. 2 copies. Informational and press packet. probably 1987
Star Trek: The Next Generation. Treatment. Extensive character and format analysis. probably 1980's
Star Wars - Episode VI: Revenge of the Jedi. Revised plot synopsis of Episode VI "Journal of the Whills" titled "The Return and Revenge of the Jedi." Screenwriter: George Lucas 1980
Terminator 2: Judgement Day. 2 copies. Storyboards, Volume 1. probably 1991
Terminator 2: Judgement Day. Storyboards, Volume 2. probably 1991
The Brink's Job. 2 copies. Press packet with production notes. Screenwriter: Walon Green 1978
The Day the Earth Stood Still II. Revised treatment. Screenwriter: Ray Bradbury 1981
The Little Mermaid. 2 copies. Storyboard. circa 1989
The Serpent's Egg. Promotional packet with synopsis, production notes and press clippings. Screenwriter: Ingmar Bergman probably 1977
The Thing. Story treatment. Screenwriter: William F. Nolan 1978