The Claremont Colleges Special Collections Visual Materials
Collection
Sara Chetney, MA
Special Collections, Honnold/Mudd Library
800 North Dartmouth Avenue
Claremont, CA 91711
Phone: (909) 607-3977
Email: specialcollections@claremont.edu
URL: http://library.claremont.edu/scl
© 2023
The Claremont Colleges Library. All rights reserved.
Descriptive Summary
Title: The Claremont Colleges Special Collections Visual Materials
Collection
Dates: 1864-2022 and
undated
Collection number: H.Mss.1077
Extent:
13.5 Linear Feet
(4 oversize flat boxes, 1 document box, 1 oversize document box,
2 map drawer folders)
Repository:
Claremont Colleges. Library. Special Collections, The Claremont
Colleges Library, Claremont, CA 91711.
Abstract: This is an artificial
collection created by Special Collections staff to contain the various visual materials
purchased or donated that do not fit into other collections. Currently, the collection
contains photographs, artist screenprints and photos, posters, historical broadsides, and
artifacts. This is a growing collection and new materials will be added as they are
acquired.
Physical Location: Please consult repository.
Language of Material: Languages represented in the
collection: English, Spanish.
Administrative Information
Access
Collection open for research.
Publication Rights
All requests for permission to reproduce or to publish must be submitted in writing to
Special Collections.
Preferred Citation
[Identification of item], The Claremont Colleges Special Collections Visual Materials
Collection (H.Mss.1077), Special Collections, The Claremont Colleges Library, The
Claremont Colleges Services, Claremont, California.
Provenance / Immediate Source of Acquisition
Items acquired through various gifts and purchases.
Accruals
Additions to the collection are anticipated.
Processing Information
Collection is processed at the item level. Materials were placed in folders, with images
and photographs sleeved in mylar.
Biography / Administrative History
This is an artificial collection created by Special Collections of The Claremont Colleges
Library to contain various singular visual materials. The collection includes photographs,
posters, artist prints, historic political cartoons, broadsides, and artifacts.
Scope and Contents
The focus of this collection is the acquisition of visual materials that support the
curriculum of The Claremont Colleges. Currently, the collection includes materials relating
to California history and locations, historic photographic materials, materials related to
social, immigration, and climate justice movements and organizations, and assorted artist
prints and posters. Growth is anticipated for this collection.
Organization and Arrangement
The collection is arranged into the following series:
- Series 1: Artifacts, 1960-2022
- Series 2: Photographs, 1864-2018 and undated
- Series 3: Posters, 1968-2019
- Series 4: Prints, 1877-2019 and undated
Materials are described at the item level.
Indexing Terms
The following terms have been used to index the description of this collection in the
library’s online public access catalog.
Subject Terms
African Americans
California -- History
California, Southern
Chinese Americans
Climate justice
Emigration and immigration
Immigrants
Kennedy, Amos Paul, Jr.
Outsider art
Photography
San Bernardino County (Calif.)
Slavery
Voces de la Frontera (Milwaukee, Wis.)
Water consumption
Water rights
Watkins, Carleton (1829-1916)
Women employees -- United States
Women -- Employment
World War, 1939-1945
World War, 1939-1945 -- Sources
Genre and Form of Materials
Art
Banners
Broadsides
Buttons
Ephemera
Flyers
Photographs
Posters
Prints
Series 1:
Artifacts
1960-2022
Box 6
Like The Waters We Rise, 1968-2022 box set
Note
The
Like The Waters We Rise box set is a collection of posters,
photos, and objects from the front lines of the climate justice movement, 1968-2002.
Like The Waters We Rise was created as part of a larger exhibition
and event series developed with the Nathan Cummings Foundation (New York City) and
Interference Archive (Brooklyn) in 2019-2020. The box set was created in 2022 in
collaboration with Booklyn, an artist-run non-profit which addresses and distributes
the work of artists and social justice groups that address urgent cultural issues. The
set includes posters, banners, and buttons selected and organized by Raquel de Anda
and Josh MacPhee; A color printed monograph is also included. Proceeds from the
project were donated to the Climate Justice Alliance to support frontline climate
justice organizing.
Box 6, Item 1
Climate Justice button
2016
Note
Jesse Purcell, artist.
Box 6, Item 3
Like The Waters We Rise monograph
2022
Note
Monograph accompanying the
Like The Waters We Rise box set,
including photos, histories, and images of prints, posters, and objects from the
front lines of the climate justice movement, 1968-2002. The monograph also includes
a range of adaptable, hands-on activities for use in educational and community
settings. The publication was written by Raquel de Anda, LJ Amsterdam, and Josh
MacPhee. Educational activities were created by LJ Amsterdam. Photographic research
and image permissions were facilitated by Breanna Denney. 100 pages.
Box 6, Item 4
No Compromise is Defense of Mother Earth button
circa 1990
Box 6, Item 5
No Prison in East Los Angeles button
1985
Note
Mothers of East Los Angeles.
Box 6, Item 6
Stop Black Lung Murder button
circa 1960-1969
Box 3
Voces de la Frontera box set
2016-2018
Note
Voces de los Aristas box set: 2016-2018 art from the Voces de la Frontera art
affinity group. 25.75" x 18.75" x 2.5," boxed portfolio containing 61 items: 16
screenprinted picket signs (screenprinted on muslin fabric), 6 screenprinted prints, 2
screenprinted pennants, 2 offset posters, 1 butterfly pennant, 30 photographs by Joe
Brusky, 2 flyers, a 32-page catalog documenting the history of Voces de la Frontera
and Voces de los Artistas, and a flashdrive with digital files, including 23 videos of
actions, marches, and art builds by VDLF/VDLA. Limited edition, copy 5 of 15.
Voces de la Frontera began as a bilingual newspaper in Austin, Texas, subtitled "a
voce of the voiceless" and championing immigrant rights and wider social justice
issues. It was edited by Christine Neumann-Ortiz and allied itself with the Coalition
for Justice in the Maquiladoras (multinational factories in Mexican border towns).
Currently, this group focuses on protecting refugee families and 'undocumented'
immigrants, and has collaborated with migrant, immigrant, refugee and student
communities for decades.
In 1998, both Christine and the newspaper relocated to Wisconsin, where they
continued to turn the spotlight on injustice and steadily helped build the emerging
immigrant rights movement. By 2000, Voces de la Frontera initiated a statewide
campaign to fight for the legalization of undocumented workers in the United States.
These organizing efforts also called attention to the need for a worker's center that
could respond to the immediate problems that confronted low wage and immigrant
workers.
Voces de la Frontera's Milwaukee Workers' Center opened its doors in 2001 and was
initially run by volunteers. In 2004, they grew significantly with the opening of an
additional office in Racine and the formation of a student chapter, Students United
for Immigrant Rights (SUFRIR). Since that time, "Voces" has been a leader in
organizing for social justice and human rights for migrants, immigrants, Latinx and
student communities across the Midwest and US.
Box 3, Item 1
"Butterfly"
2018
Note
Ceci Tejada, artist. Day Without Latinxs & Immigrants (Waukesha, WI), May 1,
2018. Screenprint on paper with wooden stick. 7 x 7 inches.
Box 3, Item 2
"Day Without Latinxs & Immigrants" flyer
2018
Note
Pete Railand, artist. Day Without Latinxs & Immigrants 2018 (Waukesha, WI), May
1, 2018. 5 x 7 inches.
Box 3, Item 3
"Here to Stay" pennant
2018 January
Note
Nicolas Lampert, artist. Screenprint on felt. 7 x 21 inches.
Box 3, Item 4
Voces de los Artistas catalog
2018
Note
32-page catalog documenting the history of Voces de la Frontera and Voces de los
Artistas.
Box 3, Item 5
Voces de los Artistas flashdrive
2018
Note
Flashdrive accompanying box set that includes: 12 large banner designs; High and
low resolution catalog PDFs; Exhibition labels; Joe Bruskey photos - 30 digital
files; PDFs of all catalog text; 17 JPEGs of VDLF fliers (physical copies not
included in box set); 23 video files about VDLF; VDLF box set cover sticker.
Box 3, Item 6
"Voces de la Frontera Asamblea Anual" flyer
2018
Note
Joe Brusky, photographer. 5 x 7 inches.
Box 3, Item 7
"Voces de la Frontera" pennant
2018 January
Note
Nicolas Lampert, artist. Screenprint on felt. 7 x 21 inches.
Photographs
1864-2018 and undated
African-American stereoview photographs (3 photos)
circa 1880 and
1895
Box 2, Folder 20, Item 1
"No. 26 Negro Huts", D. J. Ryan (publisher), Savannah, Georgia
circa 1880
Physical Description: Stereoview. Albumen photograph
[9.5 cm x 15.5 cm] on an orange/salmon mount [10 cm x 18 cm]. Penciled title on the
revews at the head.
Note
Image of a group of African-Americans seated and standing in front of a house. "A
large assortment of Negro Groups, Cotton Fields, & c. A full stock of Florida
and Georgia Scenery kept constantly on hand. Yosemite Valley and Niagara Falls, and
Full Views of all Countries on the Globe." is printed on back of stereoview
card.
Box 2, Folder 20, Item 2
"No. 168 Cotton Haulers", D. J. Ryan (publisher), Savannah,
Georgia
circa 1880
Physical Description: Stereoview. Albumen photograph [9.5 cm x 15.5 cm] on an orange/salmon mount [10 cm
x 18 cm]. Penciled title on the reverse at the head.
Note
Image of four African-Americans carrying baskets of cotton on their heads. "A large
assortment of Negro Groups, Cotton Fields, & c. A full stock of Florida and
Georgia Scenery kept constantly on hand. Yosemite Valley and Niagra Falls, and Full
Views of all Countries on the Globe." is printed on back of stereoview card.
Box 2, Folder 20, Item 3
"A Still Hunt", Henry A. Strohmeyer (photographer), Underwood &
Underwood Publisher, New York
1895
Physical Description: Stereoview. Silver gelatin photograph [8 cm x 15.5 cm] on light gray "Underwood
& Underwood" curved mount [9 cm x 18 cm].
Note
Image of an African-American couple seated on steps and picking at the heads of two
children. The title on the reverse in English, French, German, Spanish, Swedish, and
Russian.
Jacob Berger collection of World War II photographs
1944-1946 and
undated
Box 2, Folder 1, Item 1
Bridge over the river at Salzburg
1945 June
Box 2, Folder 1, Item 2
Command post of the 106th infantry division in Hunningen
1945 February
Note
The G-2 section used the cellar.
Box 2, Folder 1, Item 3
Business section of Nancy
1945 June
Box 2, Folder 1, Item 4
East of Strasbourg
1945 June
Box 2, Folder 1, Item 5
Octogonal shack at prisoner of war labor enclosure number 112 at
Cherbourg
1944 November
Note
Jacob Berger's shack in which two, and sometimes three people lived in with
"primitive" comfort.
Box 2, Folder 1, Item 6
Officers' quarters at prisoner of war labor enclosure number 112 at
Cherbourg
1944 November
Box 2, Folder 1, Item 7
Prisoner of war labor enclosure number 112 construction in
Cherbourg
1944 December
Note
Construction of mess hall and quarters.
Box 2, Folder 1, Item 8
Prisoner of war labor enclosure number 112 octagonal shack in
Cherbourg
1944 December
Note
Jacob Berger spent the winter living in an octagonal shack.
Box 2, Folder 1, Item 9
Torch parade of a local garrison company
1945 June
Note
French troops on a Saturday night at Strasbourg.
Box 2, Folder 1, Item 10
The Autobahn in Bavaria twists around a mountainside
1945 June
Box 2, Folder 1, Item 11
A Bavarian "alp"
1945 May
Box 2, Folder 1, Item 12
Bridge at Altenmarkt
1945 May
Box 2, Folder 1, Item 13
General Spaatz visits Fritzlar Air Base
1946 July
Note
Looking at General Spaatz from Lieutenant H. (Herbert) L. Meyer's office
window.
Box 2, Folder 1, Item 16
I. G. (Interessen-Gemeinschaft) Farben buildings in Frankfurt am
Main
1945 May
Box 2, Folder 1, Item 14
P-47s at Fritzlar Air Base
1946 June
Note
From office window of Lieutenant Herbert L. Meyer.
Box 2, Folder 1, Item 15
P-47s on airfield in Fritzlar
1946 June
Box 2, Folder 1, Item 17
Residential street in Munich
1945 June
Box 2, Folder 1, Item 18
A stretch of Autobahn road in Bavaria
1945 June
Box 2, Folder 1, Item 20
Remains of a railway station in the Siegfried Line
1945 March
Box 2, Folder 1, Item 21
Portrait of soldier with the name of McTaggart
Box 1, Folder 11
California Street, San Francisco
circa 1865
Note
8 x 12 inch photograph the northwest side of California Street in San Francisco.
Photograph is unsigned but attributed to Carleton Watkins. Number 23.
Box 2, Folder 10
Cartes de visite, Louisiana slave children
1864
Note
Three albumen carte de visite photographs, 2.5" x 4", depicting light-skinned,
presumably mixed-race slave children from Louisiana. These cards were produced as part
of the abolition movement for publicity and fundraising purposes. Images include "No.
2: Rebecca: A Slave Girl from New Orleans," "No.6: Wilson, Charley, Rebecca and Rosa,"
and "No. 9: Rosa, Charley, Rebecca."
Box 2, Folder 3
Charcoal Ovens No. 1
2002 March 17
Creator: Buswell,
Richard S., 1945 -
Note
10" x 8" black and white glossy print. Depicts four outdoor rounded brick ovens for
charcoal-making, pine trees visible in background and shrubs in foreground. Signed and
dated on verso by artist.
Subjects and Indexing Terms
Western Americana, 1850-1999
San Bernardino photographs
1912-1922 and
undated
Box 2, Folder 19
Solar power motor at South Pasadena ostrich farm
undated
Note
5 x 8 inch boudoir albumen photo mounted on 5.25 x 8.5 inch advertising card with
promotional information on the back. Photograph depicts a group of ostriches and a
solar power motor used for pumping well water at the Cawston Ostrich Farm, a tourist
attraction in South Pasadena, California. Photograph by Graham Photo Company.
Box 3
Voces de la Frontera box set
2016-2018
Note
All photographs by Joe Brusky, 10 x 13 inches.
Voces de los Aristas box set: 2016-2018 art from the Voces de la Frontera art
affinity group. 25.75" x 18.75" x 2.5," boxed portfolio containing 61 items: 16
screenprinted picket signs (screenprinted on muslin fabric), 6 screenprinted prints, 2
screenprinted pennants, 2 offset posters, 1 butterfly pennant, 30 photographs by Joe
Brusky, 2 flyers, a 32-page catalog documenting the history of Voces de la Frontera
and Voces de los Artistas, and a flashdrive with digital files, including 23 videos of
actions, marches, and art builds by VDLF/VDLA. Limited edition, copy 5 of 15.
Voces de la Frontera began as a bilingual newspaper in Austin, Texas, subtitled "a
voce of the voiceless" and championing immigrant rights and wider social justice
issues. It was edited by Christine Neumann-Ortiz and allied itself with the Coalition
for Justice in the Maquiladoras (multinational factories in Mexican border towns).
Currently, this group focuses on protecting refugee families and 'undocumented'
immigrants, and has collaborated with migrant, immigrant, refugee and student
communities for decades.
In 1998, both Christine and the newspaper relocated to Wisconsin, where they
continued to turn the spotlight on injustice and steadily helped build the emerging
immigrant rights movement. By 2000, Voces de la Frontera initiated a statewide
campaign to fight for the legalization of undocumented workers in the United States.
These organizing efforts also called attention to the need for a worker's center that
could respond to the immediate problems that confronted low wage and immigrant
workers.
Voces de la Frontera's Milwaukee Workers' Center opened its doors in 2001 and was
initially run by volunteers. In 2004, they grew significantly with the opening of an
additional office in Racine and the formation of a student chapter, Students United
for Immigrant Rights (SUFRIR). Since that time, "Voces" has been a leader in
organizing for social justice and human rights for migrants, immigrants, Latinx and
student communities across the Midwest and US.
Box 3, Item 8
"Painting 100-Yard Banner"
2018 January
20
Note
Community Art Build, Milwaukee, WI.
Box 3, Item 9
"Shutting Down Milwaukee ICE Office"
2014 May 29
Box 3, Item 10
"Arrested Defending Dreamers"
2018 March 5
Note
Time's Up! Paul Ryan - Clean Dream Act Now! (Racine, WI).
Box 3, Item 11
"Day Without Latinx Rally at Wisconsin Capitol"
2016 February
18
Note
Día sin Latinos e Inmigrantes / Day without Latinx and Immigrants (Madison,
WI).
Box 3, Item 12
"Beautiful Endeavor"
2016 February
18
Note
Día sin Latinos e Inmigrantes / Day without Latinx and Immigrants (Milwaukee,
WI).
Box 3, Item 13
"Migration is Beautiful"
2016 May 1
Note
May Day March for Immigrant Worker Rights / Marcha Estatal del 1ro de Mayo para los
Derechos de lxs Trabajadorxs e Inmigrantes (Milwaukee, WI).
Box 3, Item 14
"We Are a Sanctuary District"
2017 April 30
Note
Rally & Testify in Support of MPS Sanctuary District Resolution (Milwaukee,
WI).
Box 3, Item 15
"Not One More!"
2014 June 19
Note
Lockdown In front of ICE Office (Milwaukee, WI).
Box 3, Item 16
"Students Lead the Way"
2017 September
16
Note
Rally & Testify in Support of MPS Sanctuary District Resolution (Milwaukee,
WI).
Box 3, Item 17
"Day Without Latinx and Immigrants"
2016 February
18
Note
Día sin Latinos e Inmigrantes / Day without Latinx and Immigrants (Madison,
WI).
Box 3, Item 18
"Have You Seen My Dad?"
2014 May 29
Note
¡Ya Basta! Stop the Raids! (Milwaukee, WI)
Box 3, Item 19
"Fist Up for Justice"
2017 April 26
Note
Capitol Press Conference and Delegations to Madison Electeds (Madison, WI).
Box 3, Item 20
"Marching for Immigrants and Refugees"
2015 May 1
Note
May Day / 1 de Mayo 2015 (Milwaukee, WI)
Box 3, Item 21
"Resign Sheriff Clarke!"
2017 February
2
Note
Art Build for May Day / Hacer arte para el 1ro de mayo (Milwaukee, WI)
Box 3, Item 22
"Jesus Was an Undocumented Immigrant"
2017 August 20
Note
Paul Ryan see you in mass! / ¡Paul Ryan nos vemos en misa! (Janesville, WI).
Box 3, Item 23
"Packed City Hall to Keep Families Together"
2017 July 15
Note
Rally: Mayor Barrett – Stop MPD from Acting like ICE! (Milwaukee, WI).
Box 3, Item 24
"Victoria and Dad with Banner"
2018 January
21
Note
Community Art Build (Milwaukee, WI).
Box 3, Item 25
"Milwaukee Says NO to Deportation"
2017 February
13
Note
Day without Latinxs, Immigrants & Refugees (Milwaukee, WI).
Text 3, Item 26
"SB287/AB190 Public Hearing"
2017 October
12
Note
Senate Hearing on AB190 / SB275 / Audiencia sobre AB190 / SB275 (Madison, WI).
Box 3, Item 27
"Milwaukee Says NO to Sheriff Clarke & 287g"
2017 May 1
Note
May 1st Day without Latinxs, Immigrants & Refugees (Milwaukee, WI).
Box 3, Item 28
"Milwaukee Says NO to Deportation"
2017 November
14
Note
Sheriff Schmidt: Keep Immigrant Families Together, No 287g! (Milwaukee, WI).
Box 3, Item 29
"The Day the Anti-Sanctuary Bill was Defeated"
2016 February
9
Note
¡URGENTE: Acompáñanos al Capitolio para Resistir AB 450 Tipo Arizona! / URGENT!
All Out to the Capitol to Resist Arizona-type AB 450! (Madison, WI).
Box 3, Item 30
"Stop the Raids!"
2017 March 4
Note
Bringing Love & Light for Wisconsin's Immigrant Community (Madison, WI).
Box 3, Item 31
"Unfurling Parachute Over Walker's Office"
2017 April 26
Note
Capitol Press Conference and Delegations to Madison Electeds (Madison, WI).
Box 3, Item 32
"Solidarity Among Milwaukee Movements"
2018 January
21
Note
Community Art Build (Milwaukee, WI).
Box 3, Item 33
"Stop Clarke!"
2017 February
13
Note
Día sin Latinos, Inmigrantes y Refugiados / Strike Against Clarke (Milwaukee,
WI).
Box 3, Item 34
"YES Students Surround Paul Ryan's Office"
2018 March 5
Note
Time's Up! Paul Ryan – Clean Dream Act Now! (Racine, WI).
Box 3, Item 35
"YES Students March to Paul Ryan's"
2018 March 5
Note
Time's Up! Paul Ryan – Clean Dream Act Now! (Racine, WI).
Box 3, Item 36
"Through the Streets of Waukesha"
2018 May 1
Note
May 1st Day without Latinxs & Immigrants: No 287g in Wisconsin! (Waukesha,
WI).
Box 3, Item 37
"Demonstration in front of ICE Milwaukee"
undated
Women in the workplace during World War II photo archive
1942-1945
Note
An evocative collection of professional press photographs documenting a key
transitional period in American women's history.
Collection of 38 black and white still photographs of women at work in American
factories during WWII; measuring approximately 15 x 20.5 cm to 20.5 x 26 cm, almost
all with rubberstamps and mounted mimeographic journalism captions to versos.
The United States government during WWII issued extensive propaganda encouraging
women to take over industry jobs previously held by men who had entered military
service. This assembled collection of photographs, all issued in the general context
of this government campaign, depict the new women employees of Goodyear, Boeing,
Firestone, Westinghouse and other industrial giants, all engaged in work that had
formerly been the strict provenance of men: machinists, fire and rescue workers, bomb
and ammunition manufacturers, chemists, radio engineers, and riveters, and many
others.
Processing Information
Collection was removed from the plastic presentation booklet it was delivered in,
photos were encased in mylar sleeves and then refoldered and added to the Visual
Materials collection. Original order maintained.
Box 2, Folder 4
Women in the workplace during WWII photo archive (Folder 1 of
5)
1942-1945
Box 2, Folder 5
Women in the workplace during WWII photo archive (Folder 2 of
5)
1942-1945
Box 2, Folder 6
Women in the workplace during WWII photo archive (Folder 3 of
5)
1942-1945
Box 2, Folder 7
Women in the workplace during WWII photo archive (Folder 4 of
5)
1942-1945
Box 2, Folder 8
Women in the workplace during WWII photo archive (Folder 5 of
5)
1942-1945
Box 2, Folder 9
Carleton Watkins photographs, California
Box 2, Folder 9, Item 2
The Bridal Veil Fall, Yosemite
Box 2, Folder 9, Item 4
Big Trees Calaveras Grove
Box 2, Folder 9, Item 5
Big Trees "Sequoia Gigantea," Maraposa Grove
Box 2, Folder 9, Item 6
View on San Lorenzo Creek, Santa Cruz Mountains
undated
Note
Large cabinet photograph, 5.25 x 8.5 inches. Part of Carleton Watkins' New Boudoir
Series.
Folder O/S
2
Young Buddhist Association panoramic photographs
1934 January -
1939 July
Note
A collection of four panoramic photographs of gatherings of the Young Buddhist
Association in California held on the eve of the Second World War, during which the
Golden State's Japanese American population was forced into incaceration camps in the
western interior of the United States.
The history of the Young Buddhist League is closely associated with the arrival of
Revs. Sonoda Shuye (1863-1922) and Nishijima Kakuryo (1873-1942) in San Francisco in
1899, marking the beginning of of the Buddhist Churches of America (BCA). Their
arrival was prompted by a plea by Hirano Nisaburo to the Honpa Hongwanji Sect in Kyoto
to dispatch priests to the growing Japanese Immigrant community in the U.S. This led
to the establishment of the Bukkyo Seinenkai (Young Men's Buddhist Association), the
first Jodo Shinshu Buddhist organization in the continental United States. With its
counterpart, the Young Women's Buddhist Association, the organization spread to
Sacramento, Vancouver, Seattle, and other West Coast communities. During the decades
that followed, the organization played in an important role in establishing the
foundation of Nisei culture.
Subjects and Indexing Terms
Buddhism
World War II USE: World War, 1939-1935
California, Southern
California -- Religion -- Sources
Honda, Eryū, 1876-1944
Young Men's Buddhist Association
Miyatake, Tōyō
Folder O/S 2, Item 1
10th Anniversary North American Federation of Young Women Buddhist
Association League's Conference, Los Angeles, California
1936 July
Note
8" x 32 3/8" panoramic photograph shot by Toyo Miyatake (1895-1979), the Japanese
American photographer noted for his work documenting the incarceration at Manzanar
during World War II.
Folder O/S 2, Item 2
Second annual conference of the California Young Buddhist League, Fresno,
California
1938 April
Note
10" x 41" panoramic photograph by Kamiyama Photo in Fresno, California.
Folder O/S 2, Item 3
16th Annual Young Buddhist Summer Session and 3rd North American Buddhist
Society Teachers League Conference, San Francisco, California
1939 July
Note
11 1/2" x 19 1/4" panoramic photograph produced by the Wakasa Photo Studio.
Folder O/S 2, Item 4
Young Japanese Americans [titled in Japanese, untranslated]
1934 January
Note
8" x 22 3/8" panoramic photograph with ink stamp of Shirao Studio of Hollywood,
California on verso.
Calisphere Posters
2017
Processing Information
The posters arrived in a mailing tube. Posters were removed and flattened, then
placed into an oversize archival folder.
Box 1, Folder 2, Item 1
Yosemite poster
2017
Creator: Calisphere University of California
Note
14.75" x 24". Depicts a man sitting on a rock formation in the foreground, with
Half-Dome in the background. Quote on the front states "The Deeper you Look, the
More you Discover." Poster is advertising Calisphere's digital collections.
Subjects and Indexing Terms
Yosemite National Park (Calif.)
Posters
Box 1, Folder 2, Item 2
Japanese-American World War II veterans poster
2017
Note
14.75" x 24". Depicts Japanese American soldiers in uniform. Titled "American
Heroes," with a quote beneath stating "Thousand of Japanese Americans - many of them
recruited from internment camps - fought in World War II, in a separate unit called
the 442nd Regimental Combat Team. It was the most decorated American military unit
in the war." Poster is advertising Calisphere's digital collections.
Subjects and Indexing Terms
Japanese Americans
World War, 1939-1945 -- Japanese Americans
Japanese American soldiers
Box 1, Folder 2, Item 3
Who Owns California? poster
2017
Creator: Calisphere University of California
Note
14.75" x 24". Depicts a wealthy Californio family in various types of dress. Titled
"Who Owns California?," with a quote beneath stating "In the 19th century,
landowning families called Californios were the elites of California. But their
fortunes turned when California became a U.S. territory in 1848. Legal battles
erupted over their land and property, forcing many Californios into bankruptcy."
Poster is advertising Calisphere's digital collections.
Subjects and Indexing Terms
California -- History
Californios
Box 1, Folder 2, Item 4
Golden Gate Bridge poster
2017
Creator: Calisphere University of California
Note
14.75" x 24". Depicts a colorized image of the Golden Gate Bridge. Quote on the
front states "The Deeper you Look, the More you Discover." Poster is advertising
Calisphere's digital collections.
Subjects and Indexing Terms
San Francisco (Calif.)
Golden Gate Bridge (San Francisco, Calif.)
Box 1, Folder 2, Item 5
California Eagles baseball team poster
2017
Note
14.75" x 24". Team photo of Berkeley's California Eagles. Titled "State Champs,"
with quote underneath stating "Baseball was a popular American pastime in the early
20th century. Minor league games drew big crowds up and down the coast. Berkeley's
California Eagles were the first African-American team to win the state semi-pro
championship (in 1940)." Poster is advertising Calisphere's digital collections.
Subjects and Indexing Terms
African Americans
African American baseball players
Box 1, Folder 2, Item 6
Women in the workplace in World War II poster
2017
Creator: Calisphere University of California
Note
14.75" x 24". Black and white photo of a female industrial worker in WWII. Titled
"We Can Do It!," with quote underneath stating "When American men went off to war in
1941, they left behind their jobs. That's when women stepped in. "Rosie the Riveter"
kept the economy going, boosted the war effort, and proved she could do anything."
Poster is advertising Calisphere's digital collections.
Subjects and Indexing Terms
Women -- Employment
Women employees -- United States
World War, 1939-1945
World war II
Box 6
Like The Waters We Rise, 1968-2022 box set
Note
The
Like The Waters We Rise box set is a collection of posters,
photos, and objects from the front lines of the climate justice movement, 1968-2002.
Like The Waters We Rise was created as part of a larger exhibition
and event series developed with the Nathan Cummings Foundation (New York City) and
Interference Archive (Brooklyn) in 2019-2020. The box set was created in 2022 in
collaboration with Booklyn, an artist-run non-profit which addresses and distributes
the work of artists and social justice groups that address urgent cultural issues. The
set includes posters, banners, and buttons selected and organized by Raquel de Anda
and Josh MacPhee; A color printed monograph is also included. Proceeds from the
project were donated to the Climate Justice Alliance to support frontline climate
justice organizing.
Box 6, Item 7
Carnival Against Capitalism
2001
Note
Rocky Dobey/Convergence des Luttes Anti-Capitalistes, Quebec City, April 20.
Reprint. 13 x 19 inches.
Box 6, Item 8
Cotton Dust Kills
1976
Note
Frank Blechman Jr. and Charlotte Brody/Carolina Brown Lung Association. Reprint. 13
x 19 inches.
Box 6, Item 9
I Am A Man
1968
Note
United Auto Workers. Reprint. 13 x 19 inches.
Box 6, Item 10
I Love New York
2014
Note
Cesar Maxit/People's Climate March. New York City, September 21. Reprint. 13 x 19
inches.
Box 6, Item 11
Land Gives Life
circa 1974-1976
Note
Northern California Land Trust. Reprint. 19 x 13 inches.
Box 6, Item 12
Katrina Was A Problem
2006
Note
John Fitzgerald, artist. "Katrina Was a Problem, Hud is a Disaster." Reprint. 13 x
19 inches.
Box 6, Item 13
March for Nuclear Disarmament and Human Needs
1982
Note
Third World and Progressive Peoples Coalition, et. al. June 12, U.N. Special
Session on Disarmament, U.N. Plaza - Central Park (New York). Reprint. 13 x 19
inches.
Box 6, Item 14
Navajos Resist Forced Relocation
1983
Note
Rini Templeton/Big Mountain Support Group. Big Mountain & Joint use area
communities fight removal. Reprint. 13 x 19 inches.
Box 6, Item 15
No Broad Form Deeds
1988
Note
Jeff Chapman-Crane/Kentuckians for the Commonwealth. "Save The Homeplace...Vote yes
on constituional amendment #2." Reprint. 13 x 19 inches.
Box 6, Item 16
No PCB
1982
Note
Joint Warren County State PCB Landfill Working Group. Reprint. 13 x 19 inches.
Box 6, Item 17
No Pipelines on Indigenous Land
2016
Note
Dylan Miner, artist. Reprint. 13 x 19 inches.
Box 6, Item 18
No Prison in ELA
1985
Note
Mothers of East LA. Reprint. 13 x 19 inches.
Box 6, Item 19
Protect What You Love
2018
Note
Hannah Chalew, artist. "Protect what you love...Stop the Bayou Bridge pipeline."
Reprint. 13 x 19 inches.
Box 6, Item 20
Redwood Summer
1990
Note
Earth First! Redwood Summer 1990, "This is Where the 90s Begin." Reprint, 13 x 19
inches.
Box 6, Item 21
Refugees Are Welcome Here
2015
Note
Micah Bazant/Jewish Voice for Peace Artist Council. "Refugees and Immigrants are
Welcome Here." Reprint. 13 x 19 inches.
Box 6, Item 22
Say No To Uranium
1980
Note
American Indian Environmental Council. Dalton Pass/Mt. Taylor protest, Standing
Rock, New Mexico, April 26-28, 1980. Reprint. 13 x 19 inches.
Box 6, Item 23
Struggle
1971
Note
Young Lords Party. Reprint. 13 x 19 inches.
Box 6, Item 24
Sun Mad
1982
Note
Ester Hernandez, artist. Reprint. 13 x 19 inches.
Box 6, Item 25
Tierra Indigena
2019
Note
Jesus Barraza, artist. Reprint. 13 x 19 inches.
Box 6, Item 26
Women's Encampment for a Future of Peace and
Justice
1983
Note
Bonnie Acker/Seneca Women's Peace Encampment. Summer 1983, Seneca Army Depot, New
York. "Women Creating a Community of Resistance to Nuclear Weapons & All Ways of
War." Reprint. 13 x 19 inches.
Folder O/S
1
Nicaraguan Mother's Day poster
1983 May 30
Note
30" x 19.5", photographic poster. Caption says "Madre, tu heroísmo sustena la moral
del Combatiente." Produced by the "Departmento de Propaganda y Educatión Politica del
FSLN" for "día de la Madre Nicaragüensa." Background is a black and white photograph
of two women, with superimposed orange photographic illustration of a soldier and
orange caption text.
Box 3
Voces de la Frontera box set
2016-2018
Note
Voces de los Aristas box set: 2016-2018 art from the Voces de la Frontera art
affinity group. 25.75" x 18.75" x 2.5," boxed portfolio containing 61 items: 16
screenprinted picket signs (screenprinted on muslin fabric), 6 screenprinted prints, 2
screenprinted pennants, 2 offset posters, 1 butterfly pennant, 30 photographs by Joe
Brusky, 2 flyers, a 32-page catalog documenting the history of Voces de la Frontera
and Voces de los Artistas, and a flashdrive with digital files, including 23 videos of
actions, marches, and art builds by VDLF/VDLA. Limited edition, copy 5 of 15.
Voces de la Frontera began as a bilingual newspaper in Austin, Texas, subtitled "a
voce of the voiceless" and championing immigrant rights and wider social justice
issues. It was edited by Christine Neumann-Ortiz and allied itself with the Coalition
for Justice in the Maquiladoras (multinational factories in Mexican border towns).
Currently, this group focuses on protecting refugee families and 'undocumented'
immigrants, and has collaborated with migrant, immigrant, refugee and student
communities for decades.
In 1998, both Christine and the newspaper relocated to Wisconsin, where they
continued to turn the spotlight on injustice and steadily helped build the emerging
immigrant rights movement. By 2000, Voces de la Frontera initiated a statewide
campaign to fight for the legalization of undocumented workers in the United States.
These organizing efforts also called attention to the need for a worker's center that
could respond to the immediate problems that confronted low wage and immigrant
workers.
Voces de la Frontera's Milwaukee Workers' Center opened its doors in 2001 and was
initially run by volunteers. In 2004, they grew significantly with the opening of an
additional office in Racine and the formation of a student chapter, Students United
for Immigrant Rights (SUFRIR). Since that time, "Voces" has been a leader in
organizing for social justice and human rights for migrants, immigrants, Latinx and
student communities across the Midwest and US.
Box 3, Item 38
"Day Without Latinxs, Immigrants, & Refugees"
2017
Note
Claudio Martinez, artist. Day Without Latinxs & Immigrants 2017 (Milwaukee,
WI), May 1, 2017. Offset print. 11 x 17 inches.
Box 3, Item 39
"Day Without Latinxs & Immigrants"
2018
Note
Pete Railand, artist. Day Without Latinxs & Immigrants 2018 (Waukesha, WI), May
1, 2018. Offset poster. 12 x 18 inches.
Prints
1877-2019 and undated
Amos Kennedy "Alabama Photobook Series"
2005-2008
Note
Collection of twenty-nine hand printed pamphlets issued as part of the Alabama Book
Arts Collective's affordable art projects. Each pamphlet measures approximately
19.5-20cm. First editions limited to 50 copies. Numbers 1 and 10 are not present in
this collection.
Box 2, Folder 11, Item 1
No. 2, "Grand Canyon," Steven Savage
2005 January
Note
Contains 11.5 x 11cm black & white photograph.
Box 2, Folder 11, Item 2
No. 3, "The Muse," Catt Sirten
2005 January
Note
Contains 12.5 x 10 cm black & white photograph.
Box 2, Folder 11, Item 3
No. 4, "Katrina," Kim Pearson
2005 October
Note
Contains 15 x 10cm color photograph.
Box 2, Folder 12, Item 1
No. 5, "Sez Who?," Kim Pearson
2005 October
Note
Contains 11 x 11 cm black & white photograph.
Box 2, Folder 12, Item 2
No. 6, "Boulevard Saint-Michel," Kim Pearson
2005 October
Note
Contains 11.5 x 11.5cm black & white photograph.
Box 2, Folder 12, Item 3
No. 7, "Wooden Row Boat," Susan Steber Kangal
2005 October
Note
Contains 11 x 12.5cm color photograph.
Box 2, Folder 13, Item 1
No. 8, "Sociobiology," Stephen Savage
2005 October
Note
Contains 10 x 10cm black & white photograph.
Box 2, Folder 13, Item 2
No. 9, "Discovery," Stephen Savage
2005 October
Note
Contains 11 x 11.5cm black & white photograph.
Box 2, Folder 13, Item 3
No. 11, "Baldwin County Alabama," Stephen Savage
undated
Note
Color printed broadsheet folded into oblong pamphlet. Contains 10 x 15.5cm color
photograph.
Box 2, Folder 14, Item 1
No. 12, "Take a Walk with Me," Molly Dugan
2006
Note
Color-printed broadsheet folded into oblong pamphlet. Contains 10 x 15cm color
photograph.
Box 2, Folder 14, Item 2
No. 13, "Fading Man," Catt Sirten
undated
Note
Color-printed broadsheet folded into a pamphlet. Contains 12.5 x 9.5 cm black &
white photograph.
Box 2, Folder 14, Item 3
No. 14, "Tentative Steps," Tom Loehr
undated
Note
Color-printed broadsheet folded into a pamphlet. Contains 12.5 x 10.5cm color
photographs.
Box 2, Folder 15, Item 1
No. 15, "Tranquility," Martha Davidson
undated
Note
Color printed broadsheet folded into a pamphlet. Contains 10 x 12.5cm color
photograph.
Box 2, Folder 15, Item 2
No. 16, "Akin," Kim Pearson
circa 2006
Note
Color-printed broadsheet folded into a pamphlet. Contains 10 x 10cm black &
white photograph.
Box 2, Folder 15, Item 3
No. 17, "Live in Your Own Mind," Mary Riser
2006 September
Note
Contains 8.5 x 11.5cm black & white photograph.
Box 2, Folder 16, Item 1
No. 18, "Hooray," William Bunce
2006 September
Note
Contains 12 x 10cm black & white photograph.
Box 2, Folder 16, Item 2
No. 19, "Image 4 Lust Series," Erin Hilburn
2006 September
Note
Contains 15 x 10cm black & white photograph.
Box 2, Folder 16, Item 3
No. 20, "Royal Street," Keith Necaise
2006 September
Note
Contains 10 x 8cm black & white photograph.
Box 2, Folder 17, Item 1
No. 21, "The Nature of the Flower is to Bloom," McLeod Turner
2006 September
Note
Contains 15 x 10cm color photograph.
Box 2, Folder 17, Item 2
No. 22, "My Home is My Thought," Kelly Kleinschrodt
2006 September
Note
Contains 8.5 x 10.5 cm black & white photograph.
Box 2, Folder 17, Item 3
No. 23, "Eradicat," Kristy Johnson-Snell
2006 September
Note
Contains 10 x 13cm color photograph.
Box 2, Folder 18, Item 1
No. 24, "Open Heart," Pink & M. M. Bass
2006 September
Note
Contains 16 x 10cm color photograph.
Box 2, Folder 18, Item 2
No. 25, "Detour on the Highway to Heaven!," Glenn House
2007 February
Note
Contains 16.5 x 11 cm color photograph.
Box 2, Folder 18, Item 3
No. 26, "Hey Diddle Diddle?," Kathleen Fetters
2007 February
Note
Contains 16.5 x 11 cm color photograph.
Box 5, Folder 1, Item 1
No. 27, "Central Park in Winter," J. Russell Goodloe, Jr.
2007 May
Note
Contains 8.5 x 9 cm black & white photograph.
Box 5, Folder 1, Item 2
No. 28, "Summer Showers," Rebekah Phillips
2007 May
Note
Contains 10 x 10.5cm black & white photograph.
Box 5, Folder 1, Item 3
No. 29, "Wrapped in Joyful Flesh," Lindy Hawthorne
2007 May
Note
Contains 15 x 10cm black & white photograph.
Box 5, Folder 2, Item 1
No. 30, "The Untitled Book," Adair Freeman
2008 May
Note
Contains 13 x 11cm color photograph.
Box 5, Folder 2, Item 2
No. 31, "Bus Station Blues or Gone Greyhound," Fred Marchman
2008 May
Note
Contains two 10 x 15cm color photographs.
Amos Kennedy "Rosa Parks Series"
2016
Note
Shortly after the death of civil rights activist Rosa Parks in 2005, letterpress
artist Amos Paul Kennedy, Jr., began a print series featuring quotes by Parks, which
highlight the power, humanity, and determination in her voice. Kennedy is known for
his layering technique that creates shimmering composition of words, forms, and ideas.
His use of font and color pulls Parks's words forward as moral lessons that are still
relevant today. Printed by Kennedy and Sons Fine Printing.
Box 4, Folder 1, Item 2
"All I was doing was trying to get home from work"
2016
Box 4, Folder 1, Item 3
"The time had just come when I had been pushed as far I could stand to be
pushed, I suppose"
2016
Box 4, Folder 2, Item 1
"Our mistreatment was just not right and I was tired of it"
2016
Box 4, Folder 2, Item 2
"I knew someone had to take the first step and I made up my mind not to
move"
Box 4, Folder 2, Item 3
"Each person must live their life as a model for others"
Box 4, Folder 3, Item 1
"I would like to be remembered as a person who wanted to be
free"
2016
Box 4, Folder 3, Item 2
"The only tired I was, was tired of giving in"
2016
Box 4, Folder 3, Item 3
"You must never be fearful about what you are doing when it is
right"
2016
Box 4, Folder 4, Item 1
"I was just trying to let them know how I feel about being treated as a
human being"
2016
Box 4, Folder 4, Item 2
"Racism is still with us, but it is up to us to prepare our children for
what they have to meet and hopefully we shall overcome"
2016
Box 4, Folder 4, Item 3
"I would like to be known as a person who in concerned about freedom &
equality & justice & prosperity for all people"
2016
Box 4, Folder 5, Item 1
"I have learned over the years that when one's mind is made up, this
diminishes fear; knowing what must be done does away with fear"
2016
Box 4, Folder 5, Item 2
"Whatever my individual desires were to be free I was not alone. There were
many others who felt the same way"
2016
Box 4, Folder 5, Item 4
"Memories of our lives, of our works and our deeds will continue in
others"
2016
Box 1, Folder 4
"Commonwealth" water-themed art prints
2017
Note
17.5" x 11.5," navy blue folder. Paper folder containing 12 art prints created by
various artists regarding water rights, as well as an informational sheet on the
creators. Front cover has cutouts revealing the two water droplets of the first print,
which contain the words "Common Wealth." Artists represented are Leila Abdelrazaq, Ali
Cat. Leeds, Fiona Avocado, Flavia Lo'pez, Nani Chacon, Josh MacPhee, Alec Dunn, Helen
Pen~a, Ganzeer, Sam Spetner, Chip Thomas, and the Jamaa Al-Yad Artists'
Collective.
Box 1, Folder 12
Gary Snyder, "Axe Handles" broadside
2011
Note
11 x 17 broadside for poet Gary Snyder's book "Axe Handles." The poster includes a
poem by Snyder, his printed signature, and a painting by signed and stamped by "DH
fec." A caption on the back reads, "The broadside printed on the occassion of an
evening celebrating the life and work of poet Lew Welch, presented by the Library
Foundation of Los Angeles, 2011." The broadside is number 93 in an edition of 110.
Box 2, Folder 2
Kearney Chinese broadside
circa
1877-1879
Box 6
Like The Waters We Rise, 1968-2022 box set
Note
The
Like The Waters We Rise box set is a collection of posters,
photos, and objects from the front lines of the climate justice movement, 1968-2002.
Like The Waters We Rise was created as part of a larger exhibition
and event series developed with the Nathan Cummings Foundation (New York City) and
Interference Archive (Brooklyn) in 2019-2020. The box set was created in 2022 in
collaboration with Booklyn, an artist-run non-profit which addresses and distributes
the work of artists and social justice groups that address urgent cultural issues. The
set includes posters, banners, and buttons selected and organized by Raquel de Anda
and Josh MacPhee; A color printed monograph is also included. Proceeds from the
project were donated to the Climate Justice Alliance to support frontline climate
justice organizing.
Box 6, Item 27
Defund Line 3 banner
2019
Note
Dio Cramer, artist. "We Are Here to Protect the Water, Defund Line 3!" Print on
cloth banner. 19 x 27.25 inches
Box 6, Item 28
Sunflower banner
2010
Note
David Solnit, artist. "Climate Justice." Print on cloth banner. 19 x 29.5
inches.
Box 6, Item 29
Thunderbird Woman banner
2016
Note
Isaac Murdoch, artist. "Water is Sacred, No Pipelines!" Print on cloth banner. 19 x
29 inches.
Box 1, Folder 1
Murals of Northern Ireland prints
undated
Subjects and Indexing Terms
Northern Ireland
Murals
Box 3
Voces de la Frontera box set
2016-2018
Note
Voces de los Aristas box set: 2016-2018 art from the Voces de la Frontera art
affinity group. 25.75" x 18.75" x 2.5," boxed portfolio containing 61 items: 16
screenprinted picket signs (screenprinted on muslin fabric), 6 screenprinted prints, 2
screenprinted pennants, 2 offset posters, 1 butterfly pennant, 30 photographs by Joe
Brusky, 2 flyers, a 32-page catalog documenting the history of Voces de la Frontera
and Voces de los Artistas, and a flashdrive with digital files, including 23 videos of
actions, marches, and art builds by VDLF/VDLA. Limited edition, copy 5 of 15.
Voces de la Frontera began as a bilingual newspaper in Austin, Texas, subtitled "a
voce of the voiceless" and championing immigrant rights and wider social justice
issues. It was edited by Christine Neumann-Ortiz and allied itself with the Coalition
for Justice in the Maquiladoras (multinational factories in Mexican border towns).
Currently, this group focuses on protecting refugee families and 'undocumented'
immigrants, and has collaborated with migrant, immigrant, refugee and student
communities for decades.
In 1998, both Christine and the newspaper relocated to Wisconsin, where they
continued to turn the spotlight on injustice and steadily helped build the emerging
immigrant rights movement. By 2000, Voces de la Frontera initiated a statewide
campaign to fight for the legalization of undocumented workers in the United States.
These organizing efforts also called attention to the need for a worker's center that
could respond to the immediate problems that confronted low wage and immigrant
workers.
Voces de la Frontera's Milwaukee Workers' Center opened its doors in 2001 and was
initially run by volunteers. In 2004, they grew significantly with the opening of an
additional office in Racine and the formation of a student chapter, Students United
for Immigrant Rights (SUFRIR). Since that time, "Voces" has been a leader in
organizing for social justice and human rights for migrants, immigrants, Latinx and
student communities across the Midwest and US.
Box 3, Item 40
"Have You Seen My Dad? Stop the Raids!"
2014
Note
Josiah Werning, artist. Screenprint on paper. 18 x 25 inches.
Box 3, Item 41
"Keep Families Together" (Hands)
2018
Note
Nicolas Lampert, artist. Screenprint on paper, 12 x 16 inches.
Box 3, Item 42
"Keep Families Together No. 287g"
2018 January
Note
Pete Railand, artist. Screenprint on paper. 12.5 x 19 inches.
Box 3, Item 43
"Organize Immigrants, Workers, Students"
2016
Note
John Fleissner, artist. Linolium print on paper. 14 x 23 inches.
Box 3, Item 44
"No Trabajo, No Escuela, No Consumo, No 287g"
2017
Note
Pete Railand, artist. Screenprint on paper, 11 x 25 inches.
Box 3, Item 45
"You Can't Deport a Movement"
2018
Note
Nicolas Lampert, artist. Screenprint on paper. 17.25 x 25 inches.
Box 3, Item 46
"Immigrant Youth Here to Stay" banner
undated
Note
Nicolas Lampert, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 47
"Keep Families Together" banner
2018
Note
Paul Kjelland, artist. Day Without Latinxs & Immigrants. Screenprint on muslin.
23 x 40 inches.
Box 3, Item 48
"Keep Families Together, No 287g" banner
undated
Note
Artist unknown. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 49
"Keep Families Together" (Badger) banner
2017
Note
Ceci Tejada, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 50
"Keep Families Together" (Mother and Child) banner
2018
Note
Pete Railand, artist. Screenprint on muslin, 23 x 40 inches.
Box 3, Item 51
"Migration is Beautiful" banner
2017
Note
Nicolas Lampert, artist. May Day 2017. Screenprint on painted muslin. 23 x 40
inches.
Box 3, Item 52
"No Papers, No Fear, Dignity is Here" banner
undated
Note
Celeste Contreras, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 53
"No Police - ICE Collaboration" banner
2018
Note
Susan Simensky Bietila, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 54
"Sanctuary Cities Now" banner
2017
Note
Pete Railand, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 55
"Sin Papeles Sin Miedo" banner
undated
Note
Celeste Contreras, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 56
"Solidarity" banner
2018
Note
Nicolas Lampert, artist. Day Without Latinxs & Immigrants. Screenprint on
muslin. 23 x 40 inches.
Box 3, Item 57
"They Tried to Bury Us. They Didn't Know We Were Seeds" banner
2018
Note
Claudio Martinez, artist. Day Without Latinxs & Immigrants. Screenprint on
Muslin. 23 x 40 inches.
Box 3, Item 58
"Todxs Somos Wisconsin" banner
2017
Note
Faviana Rodriguez, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 59
"Todxs Somos Wisconsin" banner
2018
Note
Jeanette Arellano, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 60
"Voces de la Frontera: Immigrants, Students, Workers" banner
2017
Note
Nicolas Lampert, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 61
"We Are All Wisconsin" banner
2017
Note
Favianna Rodriguez, artist. Screenprint on muslin. 23 x 40 inches.
Box 1, Folder 3
"Wellspring" water-themed art prints
2016
Creator: Justseeds
Artists' Cooperative
Note
17" x 11". Item is a fabric-covered portfolio containing 12 art prints described as
"celebrating water." The green and blue fabric covering is printed with a wave motif
and "Water is Life" in multiple languages. Artists represented are Kevin Caplicki,
Molly Fair, Pete Railand, Roger Peet, Sanya Hyland, Thea Gahr, Aaron Hughes, Bec
Young, Colin Matthes, Erik Ruin, Jesus Barraza, and Josh MacPhee.