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INVENTORY OF THE HARALD KELLER PAPERS, 1929-1990
920043  
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Container List

 

Series I.  Lecture and course notes, with correspondence on verso, ca. 1939-1987

Physical Description: 10 lin. ft.

Scope and Content Note

Keller frequently wrote lecture and course notes on the verso of bills, announcements, invitations, and especially correspondence (both letters he received and letters he wrote). These papers, therefore, are described in two subseries, lecture and course notes, and correspondence on the reverse of lecture notes.
The series comprises 10 lin. feet of material, essentially described twice.
 

Series I.A.  Lecture and course notes, ca. 1937-1980

Physical Description: 10 lin. ft.

Scope and Content Note

Lecture and course notes, divided by subject. Subseries keeps material in Harald Keller's original order.
Box 1, Folder 1

Donatello, n.d.

Box 1, Folder 1

Donatello Freifigur vorpaduanisch, n.d.

Box 1, Folder 1

Donatello Relief vorpaduanisch, n.d.

Box 1, Folder 2

Donatello Büsten, n.d.

Box 1, Folder 2

Donatello Padua (1443-53), n.d.

Box 1, Folder 2

Donatello nach paduanisch, n.d.

Box 1, Folder 2

Donatello Apokryphen and Spätwerke Donatellos, n.d.

Box 1, Folder 3

Venice: Kolleg.,1980 Oct 20

Box 1, Folder 3

Venedig Einleitungsstunde, 1980 Oct 20

Box 1, Folder 3

Torcello, 1980 Oct 20

Box 1, Folder 3

Padua, 1980 Oct 20

Box 1, Folder 3

S. Marco, 1980 Oct 20

Box 1, Folder 4

Dogenpalast,1980 Oct 20

Box 1, Folder 4

Piazza und Piazzetta, 1980 Oct 20

Box 1, Folder 4

Karolingische Kirchen-Gründungen,1980 Oct 20

Box 1, Folder 4

Venezian. Paläste bis Ende der Gotik, 1980 Oct 20

Box 1, Folder 4

Die Lombarden, 1980 Oct 20

Box 1, Folder 4

Venedig früh Renaissance, 1980 Oct 20

Box 1, Folder 5

2. Hälfte (1494-1797) 1980 Oct 20 n.d.

Box 1, Folder 5

Ausmalung das Dogenpalastes nach 1577, 1980 Oct 20

Box 1, Folder 5

Tetrastyle Anlagen in Venedig u. Veneto, 1980 Oct 20

Box 1, Folder 5

Venezianische Villa (aüsser Palladio, 1980 Oct 20)

Box 1, Folder 5

Venez. Paläste seit 1500, 1980 Oct 20

Box 1, Folder 5

Seicento Veneziano, 1980 Oct 20

Box 1, Folder 6

Venezianische Malerei von den Anfängen bis Tiepolo, Notizen und Excerpte zum Kolleg WS 1957/1958

Box 1, Folder 6

Venezian. Malerei Einleitungsstunde 1957 Nov 14

Box 1, Folder 6

Venedig Trecento, 1957 Nov 4

Box 1, Folder 6

Venezian. Malerei d. Weichen Stils

Box 1, Folder 6

Jacopo Bellini, 1957/1958

Box 1, Folder 6

Gentile Bellini, 1957/1958

Box 1, Folder 7

Giovanni Bellini bis 1475, 1957/1958

Box 1, Folder 7

Giovanni Bellini seit 1475, 1957/1958

Box 1, Folder 7

Carlo Crivelli, 1957/1958

Box 1, Folder 8

Vittore Carpaccio, 1957/1958

Box 1, Folder 8

Bartolomeo Veneto, 1957/1958

Box 1, Folder 8

Giorgione, 1957/1958

Box 1, Folder 8

Giorgione Schulbilder, 1957/1958

Box 2, Folder 1

Italien Bildhauer u. Architekten, n.d.

Box 2, Folder 1

Pietro da Cortona, n.d.

Box 2, Folder 1

Carlo Maderno, n.d.

Box 2, Folder 1

Borromini, n.d.

Box 2, Folder 2

Carlo Rainaldi, n.d.

Box 2, Folder 2

Bernini, n.d.

Box 2, Folder 2

Carlo Fontana

Box 2, Folder 2

Römischer Palastbau das Seicento, n.d.

Box 2, Folder 3

Venezianische Malerei 18. Jh., n.d.

Box 2, Folder 3

Venedig im 18. Jh. (allgemein), n.d.

Box 2, Folder 3

Venedig (ohne Piazzetta u. Tiepolo, n.d.

Box 2, Folder 3

Pittoni, n.d.

Box 2, Folder 4

Piazzetta, n.d.

Box 2, Folder 4

Tiepolo, n.d.

Box 2, Folder 4

Piranesi, n.d.

Box 2, Folder 5

Italien. Barockmalerei,1961, n.d.

Box 2, Folder 5

Einleitungsstunde 11/7/61 (includes printed bibliographic compilation of literature by Erich Hubala)

Box 2, Folder 5

Lodovico Carracci, n.d.

Box 2, Folder 5

Annibale Carracci, n.d.

Box 2, Folder 6

Caravaggio, n.d.

Box 2, Folder 6

Orazio Borgianni, n.d.

Box 2, Folder 6

Carlo Saraceni, n.d.

Box 2, Folder 7

Orazio Gentileschi, n.d.

Box 2, Folder 7

Bernardo Strozzi, n.d.

Box 2, Folder 7

Guido Reni, n.d.

Box 2, Folder 7

Domenichino, n.d.

Box 2, Folder 7

Lanfranco, n.d.

Box 2, Folder 8

Guercino, n.d.

Box 2, Folder 8

G.B. Crespi (Cerano), n.d.

Box 2, Folder 8

Domenico Feti, n.d.

Box 2, Folder 8

Pietro da Cortona, n.d.

Box 2, Folder 8

Parma 17.Jh., n.d.

Box 2, Folder 8

Rom, n.d.

Box 2, Folder 8

Neapel, n.d.

Box 2, Folder 8

Magnasco, n.d.

Box 2, Folder 8

G.M. Crespi, n.d.

Box 3, Folder 1

Französische romanische Architektur I,1961, n.d.

Box 3, Folder 1

Einleitungestunde 11/7/60 (Romanische Architektur u. Bauplastik in Frankreich)

Box 3, Folder 1

Karolingische Westwerke in Frankreich, n.d.

Box 3, Folder 1

Französische Zentralbauten vor 1000, n.d.

Box 3, Folder 1

Tours, St. Martin, n.d.

Box 3, Folder 1

Loiretal 11.Jh., n.d.

Box 3, Folder 1

Schlafende Ile de France, n.d.

Box 3, Folder 2

Cluny II, n.d.

Box 3, Folder 2

Modell-Kirchen von Typ Charlieu II, n.d.

Box 3, Folder 2

Weg von Cluny nach Hirsau, n.d.

Box 3, Folder 2

Pilgerstrassen, n.d.

Box 3, Folder 2

Pilgerkirchen, n.d.

Box 3, Folder 2

Cluny III, n.d.

Box 3, Folder 3

Burgund nach Cluny III, n.d.

Box 3, Folder 3

Burgund, n.d.

Box 3, Folder 4

Französische romanische Architektur II, n.d.

Box 3, Folder 4

Auvergne, n.d.

Box 3, Folder 4

Provence, n.d.

Box 3, Folder 5

Aquitanische Kuppelkirchen, n.d.

Box 3, Folder 5

Poitou, n.d.

Box 3, Folder 6

Normandie, n.d.

Box 3, Folder 6

Englische Kathedralae der normannischen Schule, n.d.

Box 3, Folder 6

Cisterzienser (romanische Stufe), n.d.

Box 4, Folder 1

Französische romanische Plastik,1962, n.d.

Box 4, Folder 1

Französ. Plastik des Ma., Einleitungsstunde 5/2/62

Box 4, Folder 1

Merowingische Plastik, n.d.

Box 4, Folder 1

Karolingische Plastik, n.d.

Box 4, Folder 1

Ottonische Plastik, n.d.

Box 4, Folder 1

Cluny, n.d.

Box 4, Folder 2

Vézelay, n.d.

Box 4, Folder 2

Autun, n.d.

Box 4, Folder 2

Burgund (ausser Cluny, Vézelay u. Autun), n.d.

Box 4, Folder 2

Auvergne, n.d.

Box 4, Folder 3

Provence, n.d.

Box 4, Folder 3

Toulouse / St. Sernin, n.d.

Box 4, Folder 3

Moissac, n.d.

Box 4, Folder 3

Toulouse / La Daurade, n.d.

Box 4, Folder 4

Entspechende Einzelwerke d. Steinplastik 12.Jahrh., n.d.

Box 4, Folder 4

Poitou (mit Angoumois u. Saintonge), n.d.

Box 4, Folder 4

Burgund (nach Chartres West), n.d.

Box 4, Folder 4

Holzplastik Franz. 12.Jh., n.d.

Box 4, Folder 4

Nordspanien, n.d.

Box 4, Folder 5

Französische gotische Architektur, 1137-1270,1961, 1970, n.d.

Box 4, Folder 5

Baukunst d. französ. Gotik, Einleitungsstunde 5/8/61 und 4/14/70

Box 4, Folder 5

Gotik u. Liturgie, n.d.

Box 4, Folder 5

Ausstattung d. französ. Kathedralen das 12 u. 13 Jh., n.d.

Box 4, Folder 5

Ästhetische Theorie zur Entstehung der Gotik, n.d.

Box 4, Folder 6

Beauvais / Dommartin, n.d.

Box 4, Folder 6

St. Denis, n.d.

Box 4, Folder 6

Tewkesbury / Pershore, n.d.

Box 4, Folder 6

Sens / Noyon, n.d.

Box 4, Folder 7

Laon, n.d.

Box 4, Folder 7

Paris, Notre Dame, n.d.

Box 4, Folder 7

Pariser Kirchen d. 12 Jh. (ausser Notre Dame), n.d.

Box 4, Folder 7

Tournay, n.d.

Box 4, Folder 7

Senlis, n.d.

Box 4, Folder 8

Mantes / Soissons / Chars / Creil / Provins / St. Leu d'Esserent, n.d.

Box 4, Folder 8

Artois Frühgotik, n.d.

Box 4, Folder 8

“Übergangsstil” zwischen Früh- u. Hochgotik (Filigran-Gotik), n.d.

Box 4, Folder 9

Chartres, n.d.

Box 4, Folder 9

Soissons Kathédral, n.d.

Box 4, Folder 9

Reims, n.d.

Box 5, Folder 1

Französische gotische Architektur II, n.d.

Box 5, Folder 1

Amiens, n.d.

Box 5, Folder 1

Beauvais, n.d.

Box 5, Folder 1

5 geschossiges System, n.d.

Box 5, Folder 2

Hofkunst Ludwigs d. Heiligen, n.d.

Box 5, Folder 2

“Königsgotik” ausserhalb d. Pariser Hofkunst, n.d.

Box 5, Folder 2

Burgund, n.d.

Box 5, Folder 2

Zisterzienser (gotische Stufe), n.d.

Box 5, Folder 3

Normandie (gotik), n.d.

Box 5, Folder 3

Poitou u. Anjou (12. u. 13. Jh.), n.d.

Box 5, Folder 3

Midi, n.d.

Box 5, Folder 3

Bettelorden, n.d.

Box 5, Folder 4

Französische Kathedralplastik der Gotik,1974, n.d.

Box 5, Folder 4

Französische Kathedral-Plastik der Gotik, n.d.

Box 5, Folder 4

Einleitungsstunde 1974 Jan 8

Box 5, Folder 4

St. Denis, n.d.

Box 5, Folder 4

Chartres-West, n.d.

Box 5, Folder 4

Notre Dame de Sous-Terre, Chartres, Kathedral, n.d.

Box 5, Folder 4

Étampes, n.d.

Box 5, Folder 5

Senlis - Mantes, n.d.

Box 5, Folder 5

St. Denis, Querhaus - Chalons-sur-Marne (York), n.d.

Box 5, Folder 5

Sens, n.d.

Box 5, Folder 5

Laon, n.d.

Box 5, Folder 5

Chartres Querhäuser, n.d.

Box 5, Folder 5

Chartres Lettner, n.d.

Box 5, Folder 6

Paris, Notre Dame Westfassade, n.d.

Box 5, Folder 6

Paris, Ste. Chapelle, n.d.

Box 5, Folder 6

Amiens, n.d.

Box 5, Folder 6

Reims, n.d.

Box 5, Folder 6

Gotische Holzplastik, n.d.

Box 6, Folder 1

Spätgotische Plastik (seit 1350),1969, n.d.

Box 6, Folder 1

Deutsche Plastik d. Hoch-u. Spätgotik (seit 1350), n.d.

Box 6, Folder 1

Einleitungsstunde 1969 Apr 15

Box 6, Folder 1

Das Andachtsbild I, n.d.

Box 6, Folder 1

Das Andacctsbild II, n.d.

Box 6, Folder 1

Bauplastik 1.Hälfte 14.Jh., n.d.

Box 6, Folder 2

Statuen-Typen in Entwicklungsreihen 1.Hälfte 14.Jh., n.d.

Box 6, Folder 2

Parler-Plastik, I. Böhmen, n.d.

Box 6, Folder 2

Parler-Plastik, II. Wien, n.d.

Box 6, Folder 2

Parler-Plastik, III Westdeutschland, n.d.

Box 6, Folder 3

Weicher Stil, Schöne Madonnen, n.d.

Box 6, Folder 3

Weicher Stil, Sitz-Madonnen, n.d.

Box 6, Folder 3

Hans von Judenburg / Meister von Grosslobming, n.d.

Box 6, Folder 3

Bauplastik des Weichen Stils, n.d.

Box 6, Folder 3

Tragik u. Trauer im Weichen Stil, n.d.

Box 6, Folder 4

Hans Multscher, n.d.

Box 6, Folder 4

Nicolaus Gerhaert von Leyden, n.d.

Box 6, Folder 4

Nördlinger Hochaltar u. d. Strassburger Nikolaus, n.d.

Box 6, Folder 4

Gerhaert Nachfolge, n.d.

Box 6, Folder 4

Michael Pacher, n.d.

Box 6, Folder 4

Südtiroler Plastik d. Spätgotik nach Pacher, n.d.

Box 6, Folder 4

Kefermarkt, n.d.

Box 6, Folder 5

Frühchristl. Kunst d. Ostens / Frühbyzant. Kunst -565,1958, n.d.

Box 6, Folder 5

Frühchristliche u. frühbyzantinische Kunst, n.d.

Box 6, Folder 5

Einleitungsstunde 11/3/58 / Dura Europos

Box 6, Folder 5

Vatikanische Nekropole, Katakomben, n.d.

Box 6, Folder 5

Frühchristliches Italien (mit ausnahme v. Rom), n.d.

Box 6, Folder 5

Frühchristliche Sarkophage, n.d.

Box 6, Folder 5

Katakomben-Ikonographik, n.d.

Box 6, Folder 6

Palästina / Ephesus, n.d.

Box 6, Folder 6

Konstantinopel Stadtbaukunst, n.d.

Box 6, Folder 6

Konstantinopel zur Zeit Konstantins u. Theodosius, n.d.

Box 6, Folder 6

Konstantinopel in der Justinians-Zeit (Architektur), n.d.

Box 6, Folder 7

Konsular-Diptychen u. Verwandtes, n.d.

Box 6, Folder 7

Frühchristliche Kleinkunst, n.d.

Box 6, Folder 7

Frühchristliche Architektur i. d. Balkan-Länder, n.d.

Box 6, Folder 7

Syrien Frühchristliche Architektur, n.d.

Box 6, Folder 7

Afrika (einschliesslich Ägypten), n.d.

Box 7, Folder 1

Stadtbaukunst Römerzeit, Karolingerzeit, Ottonischezeit und Später, n.d.

Box 7, Folder 1

Römische Städte bis zur Karolingerzeit, n.d.

Box 7, Folder 1

Römerstadt u. ottonische Neustadt, n.d.

Box 7, Folder 1

Ottonische Städte an der Slawen-Grenze, n.d.

Box 7, Folder 2

Zähringer Städte I. deutsche, n.d.

Box 7, Folder 2

Zähringer Städte II. schweizerische, n.d.

Box 7, Folder 2

Lippstadt / Lerngo / Fellin, n.d.

Box 7, Folder 2

Gründungen Heinrichs des Löwen, n.d.

Box 7, Folder 3

Staufische Städtegründungen, n.d.

Box 7, Folder 3

Staufische Städte I Elsass, Neckarfranken, Pleissengau 12.Jh., n.d.

Box 7, Folder 3

Staufische Städte II Oberschwäbische Reichsstädte 12.Jh., n.d.

Box 7, Folder 3

Zettel für mittelalterlichen Stadtbaukunst, n.d.

Box 7, Folder 4

Römische Stadtbaukunst in MA, n.d.

Box 7, Folder 4

Die Denkmäler der Antike in der Mittelalt., n.d.

Box 7, Folder 4

Engelsburg, n.d.

Box 7, Folder 4

Römische Antikensammlungen, n.d.

Box 7, Folder 4

Rom=Ansichten (Gesamtstadtbild), n.d.

Box 7, Folder 5

Römische Stadtbaukunst der Renaissance I. Quattrocento, n.d.

Box 7, Folder 5

Rom Quattrocento (profan bis Paul II), n.d.

Box 7, Folder 5

Rom Quattrocento (profan seit Sixtus IV), n.d.

Box 7, Folder 5

Rom Quattrocento, Einzelwerke, Profan, übergang zur Hochrenaissance, n.d.

Box 7, Folder 6

Stadtbaukunst der Hochrenaissance, n.d.

Box 7, Folder 6

Sixtus V, n.d.

Box 7, Folder 6

Stadtbaukunst Seicento, n.d.

Box 7, Folder 6

Rom, 18.Jh. Stadtbaukunst, n.d.

Box 7, Folder 6

Suburbane Villen 1570-1770, n.d.

Box 7, Folder 7

Stadtbaukunst Osten, n.d.

Box 7, Folder 7

Österreich, n.d.

Box 7, Folder 7

Deutsche Ostsee-Städte (vor d. “Kolonial” Grd. Vorstufen des Kolonialstadt-Typs, n.d.

Box 7, Folder 7

Die deutsche Kolonialstadt d. 13.Jh. - I. West- u. Ostpreussen, n.d.

Box 7, Folder 7

II. Gross- u. Kleinpolen, n.d.

Box 7, Folder 8

III. Schlesien, n.d.

Box 7, Folder 8

IV. Böhmen, n.d.

Box 7, Folder 8

Siebenbürgen, n.d.

Box 7, Folder 8

Mark Brandenburg, n.d.

Box 7, Folder 8

Mecklenburg, n.d.

Box 8, Folder 1

Stadtbaukunst 16.-19.Jhd., n.d.

Box 8, Folder 1

Frankreich, 16.Jhd., n.d.

Box 8, Folder 1

Frankreich, 17.Jhd., n.d.

Box 8, Folder 1

Frankreich, 18.Jhd., n.d.

Box 8, Folder 2

17.Jhd. (ausser Frankreich, Deutschland), n.d.

Box 8, Folder 2

Deutschland 17.Jhd., n.d.

Box 8, Folder 2

Die duetschen Hugenottenstadt, n.d.

Box 8, Folder 2

Deutschland 18.Jhd. Grosse Residenzen, n.d.

Box 8, Folder 3

Kleinere deutsche Residenzen 18.Jhd., n.d.

Box 8, Folder 3

England, Dänemark, Russland 18.Jhd., n.d.

Box 8, Folder 3

19.Jhd. Paris, Wien, München, Berlin, n.d.

Box 8, Folder 3

Holland Städtebau, n.d.

Box 8, Folder 4

Stadtbaukunst, Frankreich, Deutschland, Schweiz,1976, n.d.

Box 8, Folder 4

Südfranzösische Gründungsstädte d. 12. u. 13.Jhd., n.d.

Box 8, Folder 4

Italienische Gründungsstädte d. 13.Jhd., n.d.

Box 8, Folder 4

Franken, n.d.

Box 8, Folder 4

Schwaben, n.d.

Box 8, Folder 5

Altbayerische Herzogs-Residenzen, n.d.

Box 8, Folder 5

Schweiz, n.d.

Box 8, Folder 5

Tiroler Städte, n.d.

Box 8, Folder 5

Thüringen, n.d.

Box 8, Folder 6

Hessische Grundungsstädte d. Landgrafen von Thuringen, n.d.

Box 8, Folder 6

Sachsen (einschliesslich Provinz Sachsen), n.d.

Box 8, Folder 6

Westfalen, n.d.

Box 8, Folder 6

Niederrhein (Kurköln), n.d.

Box 8, Folder 6

Holland, n.d.

Box 8, Folder 6

Die ostdeutsche Kolonialstadt (lecture, 5/8/76)

Box 8, Folder 7

Baltische Städte, n.d.

Box 8, Folder 7

Die Neustadt d. 14.Jhd., n.d.

Box 8, Folder 7

Gründungsstädte das 15.Jhd., n.d.

Box 8, Folder 8

Miniaturen, n.d.

Box 8, Folder 8

Karolingische Miniaturen, n.d.

Box 8, Folder 9

Ottonische Miniaturen (deutsch), n.d.

Box 9, Folder 1

Deutsche spätromanische Architektur, n.d.

Box 9, Folder 1

Speyer, n.d.

Box 9, Folder 1

Mainz Dom, n.d.

Box 9, Folder 1

Worms, n.d.

Box 9, Folder 1

Hirsauer Reform, n.d.

Box 9, Folder 2

Zisterzienser romanische Stufe, n.d.

Box 9, Folder 2

Prämonstratenser, n.d.

Box 9, Folder 2

Kartäuser, n.d.

Box 9, Folder 3

Schottenklöster, n.d.

Box 9, Folder 3

Hallenkirchen des 12.Jhd., n.d.

Box 9, Folder 3

Dome des 12.Jhd., n.d.

Box 9, Folder 3

Sakralbaukunst 12.Jhd. (ohne Dome, Hirsauer, Zisterzienser, Schotten), n.d.

Box 9, Folder 4

Elsass, n.d.

Box 9, Folder 4

Romanische Backsteinbauten, n.d.

Box 9, Folder 4

Ostkolonisation, n.d.

Box 9, Folder 5

Deutsche, ottonische und romanische Plastik, n.d.

Box 9, Folder 5

Merowingische u. Karolingische Reliquiare, n.d.

Box 9, Folder 5

Karolingisch: Bronzetüren, Kleinbronzen, Kristallschnitt, Buchdeckel, Tragaltäre, n.d.

Box 9, Folder 5

Ottonische Kruzifixe, n.d.

Box 9, Folder 6

Ottonische Elfenbeine, n.d.

Box 9, Folder 6

Elfenbein um 1100, n.d.

Box 9, Folder 7

Geräte, n.d.

Box 9, Folder 8

Heiltums-Altäre und Reliquienschätze, n.d.

Box 9, Folder 8

Reichskleinodien, n.d.

Box 9, Folder 8

Kleinodien (Kronen, Gewänder und a.) nicht zu den Reichskleinodien gehörig, n.d.

Box 9, Folder 8

Die Domschätze der deutschen Bistümer, n.d.

Box 10, Folder 1

Deutsche romanische Architektur,, 1950, n.d.

Box 10, Folder 1

Romanische Baukunst in Deutschland: Einleitungskolleg am 1950 Feb 5

Box 10, Folder 1

Aachen, n.d.

Box 10, Folder 1

Nachfolgebauten Aachen, Corvey, Fulda, Seligenstadt, Hersfeld, Lorsch, n.d.

Box 10, Folder 2

More Romano (“Carolingian Revival”), n.d.

Box 10, Folder 2

Das Westwerk, n.d.

Box 10, Folder 2

Frankfurt, Ingelheim, Pfalzen im Hessen u. Mittelrhein, n.d.

Box 10, Folder 3

Ottonische Dome, n.d.

Box 10, Folder 3

Memleben, Hildesheim, Paderborn, Quedlinburg, Köln, n.d.

Box 10, Folder 4

Ottonische Zentralbauten, n.d.

Box 10, Folder 4

Spätottonisch-frühsalisch (Doppelgesicht), n.d.

Box 10, Folder 4

Niederrhein und Maas-gebiet bis 1100, n.d.

Box 10, Folder 5

Deutsche gotische Architektur, n.d.

Box 10, Folder 5

Die Ausstattung der deutschen gotischen Kathedralen, n.d.

Box 10, Folder 5

Die Träger der deutschen Gotik, n.d.

Box 10, Folder 5

Hallen d. 13.Jhd. (Hessen und Mittelrhein), n.d.

Box 10, Folder 5

Magdeburger Dom, Köln, Xanten, Strassburg, Metz, Freiburg im Breisgau, n.d.

Box 10, Folder 6

Franken und Altbayern, n.d.

Box 10, Folder 6

Westfälische Dome (Hallenkirchen), n.d.

Box 10, Folder 6

Zisterzienser 13.Jhd., n.d.

Box 10, Folder 7

Backsteingotik 13.Jhd., n.d.

Box 10, Folder 7

Bettelorden 13.Jhd., n.d.

Box 10, Folder 7

Gotik um 1300, n.d.

Box 11, Folder 1

Deutsche spätgotische Architektur, n.d.

Box 11, Folder 1

Böhmen, Mähren, Österreich. 13.Jhd., n.d.

Box 11, Folder 1

Österreich 1.Hälfte 14.Jhd., n.d.

Box 11, Folder 1

Mitteldeutschland 1.Hälfte 14.Jhd., n.d.

Box 11, Folder 1

Bettelorden 1.Hälfte 14.Jhd., n.d.

Box 11, Folder 2

Prag 14.Jhd., n.d.

Box 11, Folder 2

Böhmen (aüsser Prag), n.d.

Box 11, Folder 2

Deutsche Birgitten Klöster, n.d.

Box 11, Folder 2

Haus Stetheimer, n.d.

Box 11, Folder 3

Ingolstadt, Augsburg, Nördlingen, Nürnberg, n.d.

Box 11, Folder 3

Tiroler spätgotische Hallenkirchen (Ms. nie gedruckt!), n.d.

Box 11, Folder 3

Schweiz. Halle (S.), n.d.

Box 11, Folder 3

Obersachsen, n.d.

Box 11, Folder 3

Münster, Danzig, n.d.

Box 11, Folder 3

Halle (Bibliographie und Schema), n.d.

Box 11, Folder 4

Deutsche Plastik 13.Jhd.,1968, n.d.

Box 11, Folder 4

Einleitungsstunde Kolleg.: 6.Mai 1968

Box 11, Folder 4

Strassburg Ecclesia-Meister-Zeit, n.d.

Box 11, Folder 4

Bamberg, n.d.

Box 11, Folder 4

Magdeburg, n.d.

Box 11, Folder 5

Mainz 13 Jhd., n.d.

Box 11, Folder 5

Naumburg, n.d.

Box 11, Folder 5

Meissen, n.d.

Box 11, Folder 5

Strassburg II. Lettner u. Westfassade, n.d.

Box 11, Folder 5

Erminold-Meister, n.d.

Box 11, Folder 5

Le beau reste (Paderborn, Münster, Trier), n.d.

Box 11, Folder 6

Kunst in Hessen und Mittelrhein I,1967, 1970, n.d.

Box 11, Folder 6

Einleitungsstunde 1967 Apr 18

Box 11, Folder 6

Christliche Mission Karolinger-Zeit, n.d.

Box 11, Folder 6

Hessen - Ottonisch, n.d.

Box 11, Folder 6

Gelnhausen im Rahmen staufischer Stadtbaukunst, Festrede zum 800 Jahrfeier d. Stadt 1970 Jun 28 (Roman. Haus)

Box 11, Folder 6

Wetterau als staufisches Reichs-Territorium, n.d.

Box 11, Folder 7

Hessen 12.Jhd. Städte,

Box 11, Folder 7

Hessen 12.Jhd. Architektur, n.d.

Box 11, Folder 7

Malerei und Plastik 12.Jhd., n.d.

Box 11, Folder 7

Heilige Elisabeth und Marburg, n.d.

Box 11, Folder 8

Restliche Malerei und Plastik des 13.Jhd., n.d.

Box 11, Folder 8

Architektur 14.Jhd., n.d.

Box 11, Folder 8

Plastik 14.Jhd., n.d.

Box 11, Folder 8

Malerei 14.Jhd., n.d.

Box 12, Folder 1

Kunst in Hessen und Mittelrhein II, n.d.

Box 12, Folder 1

Plastik Weicher Stil, n.d.

Box 12, Folder 1

Malerei Weicher Stil, n.d.

Box 12, Folder 1

Spätgotische Plastik (seit 1430), n.d.

Box 12, Folder 2

Spätgotische Malerei (seit 1430), n.d.

Box 12, Folder 2

Ashaffenburg und Albrecht von Brandenburg, n.d.

Box 12, Folder 2

Hans Backoffen, n.d.

Box 12, Folder 2

Matthias Grünewald (soweit Mittelrheinische Wirksamkeit), n.d.

Box 12, Folder 2

Mainz-Ashaffenburger Plastik um 1520-1. (“Grünewald”-Wyditz) 2. (Leinberger-Einfluss), n.d.

Box 12, Folder 3

Deutsche Barock-Architektur 1600-1720, 1948, n.d.

Box 12, Folder 3

Einleitungsstunde Kolleg. 1948 Apr 7 (München, Salzburg, Innsbruck, Ashaffenburg)

Box 12, Folder 3

Elias Holl, n.d.

Box 12, Folder 3

Deutsche Sakral-Architektur 1620-1690, n.d.

Box 12, Folder 4

Deutsche Profan-Architektur 1620-1690 (ohne Klosterbau), n.d.

Box 12, Folder 4

Vorarlberger Münsterschema, n.d.

Box 12, Folder 4

Der hochbarocke Klostertyp, n.d.

Box 12, Folder 4

Enrico Zuccalli, n.d.

Box 12, Folder 5

Giovanni Antonio Viscardi, n.d.

Box 12, Folder 5

Domenico Martinelli, n.d.

Box 12, Folder 5

Fischer von Erlach, n.d.

Box 12, Folder 5

Fischer von Erlach in Böhmen, n.d.

Box 12, Folder 5

Joseph Emanuel Fischer, n.d.

Box 12, Folder 6

Johann Lucas von Hildebrandt, n.d.

Box 12, Folder 6

Stockholm Schloss, n.d.

Box 12, Folder 6

Andreas Schlüter, n.d.

Box 12, Folder 6

Eosander von Göthe, n.d.

Box 12, Folder 6

Frankreich 17.Jhd., n.d.

Box 12, Folder 6

Oraniergärten, n.d.

Box 12, Folder 6

Jakob Prandtauer, n.d.

Box 12, Folder 7

Deutsche Barock-Architektur 1720-1760, n.d.

Box 12, Folder 7

Einleitungsstunde vor und nach 1720, n.d.

Box 12, Folder 7

Südwestdeutsche Klöster, n.d.

Box 12, Folder 7

M.D. Pöppelmann, n.d.

Box 12, Folder 7

Sachsen I (G. Bähr, Chiaveri), n.d.

Box 12, Folder 7

Sachsen II (Longuelune, de Bodt, Knöffel, Krubsacius), n.d.

Box 12, Folder 8

Rhein-Frankisch Schlösser 1697-1720, n.d.

Box 12, Folder 8

Kassel (vor 1760), n.d.

Box 12, Folder 8

Maximilian von Welsch, n.d.

Box 12, Folder 8

Mainz, n.d.

Box 12, Folder 9

Böhmen - Dientzenhofer, Santini Aichel, n.d.

Box 12, Folder 9

Frankische Johann Dientzenhofer

Box 12, Folder 9

Hallenkirchen des 18.Jhd. in Südwestdeutschland, n.d.

Box 12, Folder 9

Jos. Effner, n.d.

Box 12, Folder 10

François de Cuvilliés, n.d.

Box 12, Folder 10

Bayreuth, n.d.

Box 12, Folder 10

Asam, n.d.

Box 12, Folder 10

Dominikus Zimmermann, n.d.

Box 12, Folder 10

Johann Michael Fischer, n.d.

Box 13, Folder 1

Deutsche Barock-Architektur III,1968, 1970, 1971, n.d.

Box 13, Folder 1

Joh. Balthasar Neumann, n.d.

Box 13, Folder 1

Die Familie du Ry (Kassel), n.d.

Box 13, Folder 1

Zweibrücken, Saarbrücken, n.d.

Box 13, Folder 2

Knobelsdorff, n.d.

Box 13, Folder 2

Berlin Dom, n.d.

Box 13, Folder 2

Johann Konrad Schlaun, n.d.

Box 13, Folder 2

Stadtbaukunst, n.d.

Box 13, Folder 3

Zopf[stil]; Louis XVI, n.d.

Box 13, Folder 3

Bauten der Kurfürsten Clemens August, n.d.

Box 13, Folder 3

Franz Ignaz Michael v. Neumann, n.d.

Box 13, Folder 3

Goethe, Palladio und England, 1968 Nov 8

Scope and Content Note

notes for a lecture given at the Bayerische Akademie der Wissenschaften and published in Munich, 1971.
Box 13, Folder 3

Goethe und die Kunst der Italienische Renaissance,1970

Scope and Content Note

Notes for a lecture given at the Karlsruhe Goethe Gesellschaft, 1970 Jan 23
Box 13, Folder 3

Ignaz Günther, n.d.

Box 13, Folder 4

Gartenbaukunst, n.d.

Box 13, Folder 4

Barockgärten I. 1550-1648, n.d.

Box 13, Folder 4

Barockgärten II.Die Oranier-gärten und die holländisch beeinflussten Gärten in Deutschland, n.d.

Box 13, Folder 4

Barockgärten III.Le Nôtre und die französische beeinflussten Gärten in Deutschland, n.d.

Box 13, Folder 5

Barockgärten IV.Wien und Österreich, n.d.

Box 13, Folder 5

Barockgärten V.Franken und Mittelrhein, n.d.

Box 13, Folder 5

Barockgärten VI.Bayern, Schwaben, n.d.

Box 13, Folder 5

Barockgärten VII.Mittel- und Norddeutschland im 18.Jhd., n.d.

Box 13, Folder 5

Pomeranzen, Orangerien, n.d.

Box 13, Folder 6

Florenz Stadtbild, n.d.

Box 13, Folder 6

Das antike Florenz, n.d.

Box 13, Folder 6

Frühchristliches Florenz, n.d.

Box 13, Folder 6

Von der langobardisch Landnahme zum 2.Mauerkreis, n.d.

Box 13, Folder 6

Der zweite Mauerkreis und sein Inhalt, n.d.

Box 13, Folder 6

Der dritte Mauerring: Das Florenz Dantes, n.d.

Box 13, Folder 7

Das Trecento nach Dantes und Giottos Tod, n.d.

Box 13, Folder 7

Quattrocento in Florenz, n.d.

Box 13, Folder 7

Medicaer-Ikonographie, n.d.

Box 13, Folder 7

Stadt-Ansichten, n.d.

Box 13, Folder 7

Öffentliche Plätze, n.d.

Box 13, Folder 7

Cinquecento das Florenz des Prinzipats, n.d.

Box 13, Folder 7

Cinquecento Villen und Gärtenfuori, n.d.

Box 14, Folder 1

Rom Stadtbild, n.d.

Box 14, Folder 1

Gründungs-Mythen, n.d.

Box 14, Folder 1

Vor- und Frühgeschichte Roms, n.d.

Box 14, Folder 1

Republikanische Mauer, n.d.

Box 14, Folder 1

Vom Hervor “zur Märtyrer-Basilika,” n.d.

Box 14, Folder 2

Römischer Gerwölbe Bau (1.Jhd. vor - 4.Jhd. nach Chr.), n.d.

Box 14, Folder 2

Der Verfall der Spätantike, n.d.

Box 14, Folder 2

Rom in der ausgehende Antike (Verfallszeit), n.d.

Box 14, Folder 2

Mittelalter (Einzelbauten und Baukomplexe), n.d.

Box 14, Folder 3

Roma feudale, n.d.

Box 14, Folder 3

Mittelalterliche Kirchengründungen, n.d.

Box 14, Folder 3

Das Dugento, n.d.

Box 14, Folder 3

Das Trecento, n.d.

Box 14, Folder 3

Mäzenatentum der Päpste während der Frührenaissance, n.d.

Box 14, Folder 4

Italienische Kunst frühchristlich bis karolingisch, n.d.

Box 14, Folder 4

Katakomben Mausoleen, n.d.

Box 14, Folder 4

Konstantinisches Rom, n.d.

Box 14, Folder 4

Mailand, Spätantike Rundbauten, Sto. Stefano-Rom, n.d.

Box 14, Folder 4

Frühchristliche Plastik und Mosaikkunst bis vor Ravenna, n.d.

Box 14, Folder 5

Ravenna Architektur, n.d.

Box 14, Folder 5

Ravenna Mosaiken, n.d.

Box 14, Folder 5

Langobardische Kunst in Italien, n.d.

Box 14, Folder 5

Karolingische Kunst in Italien, n.d.

Box 14, Folder 6

Italienische Romanische Kunst, n.d.

Box 14, Folder 6

Italienische Architektur der 11.Jhd.

Box 14, Folder 6

Ottonische Kunst (Malerei und Plastik) in Italien, n.d.

Box 14, Folder 6

Nach-ottonische Malerei d. 11.Jhd. in Italien, n.d.

Box 14, Folder 7

Mailand, Pavia, Verona, Modena, Piacenza, Lucca, Berletta Kattedrale, Troya Kattedrale, Brindisi and <other cities> n.d.

Box 14, Folder 7

Romanische Plastik in Italien, n.d.

Scope and Content Note

Contained in a loose notebook entitled, “E. Delins.”
Box 14, Folder 7

Süditalien im Mittelalter (Skizze) I.bis zur Ende der Normannen, n.d.

Box 15, Folder 1

Italienische Malerei der Giotto Zeit, 1235-1348, n.d.

Box 15, Folder 1

Holztafeln (Kruzifixe und Franziskus-Bilder), n.d.

Box 15, Folder 1

Stadtrömische Malerei d. 13.Jhd., n.d.

Box 15, Folder 1

Pietro Cavallini, n.d.

Box 15, Folder 1

Cimabue, n.d.

Box 15, Folder 2

Giotto, n.d.

Box 15, Folder 2

Duccio, n.d.

Box 15, Folder 2

Simone Martini, n.d.

Box 15, Folder 3

Pietro Lorenzetti, n.d.

Box 15, Folder 3

Ambrogio Lorenzetti, n.d.

Box 15, Folder 3

Pisa, Camposanto- Fresken, n.d.

Box 15, Folder 3

Florenz Spanische Kapelle, n.d.

Box 15, Folder 3

Barna da Siena, n.d.

Box 15, Folder 4

Italienische Plastik 13. -15.Jhd.,1937 n.d.

Note

(N.B., notes in this group are not sequentially arranged)
Box 15, Folder 4

Italienische Plastik von 1250-1430, Einleitungsstunde 1957 Nov 5

Box 15, Folder 4

Tino da Camaino, n.d.

Box 15, Folder 4

Giovanni Pisano, Nino Pisano, Andrea Pisano, n.d.

Box 15, Folder 4

Pistoia, Orvieto, n.d.

Box 15, Folder 4

Der kalligraphische Stil 1300-1330 in Italien, n.d.

Box 15, Folder 4

Miscellaneous, n.d.

Box 15, Folder 5

Italienische Gotische Kunst, Architektur, Plastik, 1942-1971 n.d.

Box 15, Folder 5

Italienische Kunst des Mittelalters, Einleitungsstunde 1955 Nov 7

Box 15, Folder 5

Kunst der Gotik in Italien, Einleitungsstunde 1956 Nov 5

Box 15, Folder 5

Italienische Kunst in Zeitalter Dantes, Einleitungsstunde 1971 Oct 1

Box 15, Folder 5

Italienische Kunst zwischen Gotik und Renaissance 1250-1420 (Frankfurter Antrittsvorlesung 1947 Oct 20

Scope and Content Note

Inaugural lecture at Frankfurt University.
Box 15, Folder 5

Die Kunst am Hofe Friedrichs II, n.d.

Box 15, Folder 5

Staufische Kastelle (ausser Castel del Monte), n.d.

Box 15, Folder 5

Süditalienische staufische Plastik II. Einzelstücke, n.d.

Box 15, Folder 6

Die Zisterzienser als Wegbereiter d. gotischen, n.d.

Box 15, Folder 6

Architektur (Rezeption), n.d.

Box 15, Folder 6

Assisi, San Francesco, n.d.

Box 15, Folder 6

Umbrische Bettelordenskirchen 13.Jhd., n.d.

Box 15, Folder 6

Toskanische Bettelordenskirchen 13.Jhd., n.d.

Box 15, Folder 7

Oberitalienische Bettelordenskirchen d. 13.Jhd., n.d.

Scope and Content Note

(Backsteinbauten)
Box 15, Folder 7

Toskanische Dome 13.Jhd. (einschliesslich Orvieto), n.d.

Box 15, Folder 8

Plastik der grossen Kathedralen, n.d.

Box 15, Folder 8

Niccolò Pisano, n.d.

Box 15, Folder 8

Giovanni Pisano (alles seit Keller 1942)

Box 15, Folder 8

Italien Holzplastik 13.Jhd., n.d.

Box 15, Folder 8

Andrea Pisano, n.d.

Box 15, Folder 8

Toskanische Baukunst 2.Helfte Trecento, n.d.

Box 16, Folder 1

Italienische Früh-Renaissance Architektur 1420-1500, n.d.

Box 16, Folder 1

Architektur der italienischen Renaissance, Einleitungsstunde 20.XI.1944 und 4.XI.63, n.d.

Box 16, Folder 1

Brunellesco, L.B. Alberti, n.d.

Box 16, Folder 2

Fiesole, Badia, n.d.

Box 16, Folder 2

Michelozzo, n.d.

Box 16, Folder 2

Bernardo Rossellino, n.d.

Box 16, Folder 2

Stadtbaukunst 15.Jhd., n.d.

Box 16, Folder 2

Urbino, n.d.

Box 16, Folder 2

Rom im Quattrocento sakral, n.d.

Box 16, Folder 2

Rom Quattrocento profan (liegt unter “Palaste” im Rom-Kolleg, n.d.

Box 16, Folder 2

Florenz frühe Paläste, n.d.

Box 16, Folder 3

Giuliano da Sangallo (nur florentin. Tätigkeit), n.d.

Box 16, Folder 3

Giuliano da Majano, n.d.

Box 16, Folder 3

Cronaca, n.d.

Box 16, Folder 3

Siena im Quattrocento, n.d.

Box 16, Folder 3

Lombardei, n.d.

Box 16, Folder 3

Quattrocento-Villa, n.d.

Box 16, Folder 3

Italienische Architektur ausserhalb Florenz 1421-1472, 1472-1499, vor und nach 1500, n.d.

Box 16, Folder 4

Quattrocento Malerei I. Florenz, 1948, n.d.

Box 16, Folder 4

Don Lorenzo Monaco, n.d.

Box 16, Folder 4

Masaccio, n.d.

Box 16, Folder 4

Masolino, n.d.

Box 16, Folder 4

Fra Angelico, n.d.

Box 16, Folder 5

Fra Filippo Lippi, n.d.

Box 16, Folder 5

Uccello, n.d.

Box 16, Folder 5

Benozzo Gozzoli, n.d.

Box 16, Folder 5

Andrea Castagno, n.d.

Box 16, Folder 5

Domenico Veneziano, n.d.

Box 16, Folder 6

Alesso Baldovinetti, n.d.

Box 16, Folder 6

Pollaiuolo, n.d.

Box 16, Folder 6

Botticelli, n.d.

Box 16, Folder 6

Piero di Cosimo, n.d.

Box 16, Folder 7

Quattrocento Malerei II. ausser Florenz, n.d.

Box 16, Folder 7

Perugino, Pinturicchio, Francesco Squarcione, n.d.

Box 16, Folder 7

Mantegna, n.d.

Box 16, Folder 7

Cosmè Tura, n.d.

Box 16, Folder 7

Francesco Cossa, n.d.

Box 16, Folder 7

Ercole de Roberti, Lorenzo Costa, Marco Zoppo, Francesco Francia, Amico Aspertini, n.d.

Box 16, Folder 8

Romagna, n.d.

Box 16, Folder 8

Antonello da Messina, n.d.

Box 16, Folder 8

Einleitungsstunde 1948 Nov 2

Box 16, Folder 8

Ramboux, n.d.

Box 16, Folder 8

Studienbilder, n.d.

Box 16, Folder 8

Gentile da Fabriano, n.d.

Box 16, Folder 8

Pisanello, Domenico di Bartolo, n.d.

Box 16, Folder 8

Sassetta, n.d.

Box 16, Folder 9

Giovanni di Paolo, Sano di Pietro, Matteo di Giovanni, Francesco di Giorgio, n.d.

Box 16, Folder 9

Luca Signorelli, n.d.

Box 16, Folder 9

Piero della Francesco, n.d.

Box 16, Folder 9

Sistin. Kapelle im Quattrocento, n.d.

Box 17, Folder 1

Quattrocento Plastik, 1938-1962 n.d.

Box 17, Folder 1

Italienische Plastik d. Renaissance Einleitungsstunde 5.XI.62 und 4.XI.38

Box 17, Folder 1

Entwicklung das Reliefs, n.d.

Box 17, Folder 1

Brunellesco (als Bildhauer), n.d.

Box 17, Folder 1

Ghiberti (Beide Bronzetüren), n.d.

Box 17, Folder 1

Ghiberti (die drei Bronzstatuen, die Schreine, die sieneser Taufe, n.d.

Box 17, Folder 2

Guercia, n.d.

Box 17, Folder 2

Nanni de Banco, n.d.

Box 17, Folder 2

L.B. Alberti als Bildhauer, n.d.

Box 17, Folder 2

Michelozzo, n.d.

Box 17, Folder 3

Filarte, n.d.

Box 17, Folder 3

Luca della Robbia, n.d.

Box 17, Folder 3

Die Büste, n.d.

Box 17, Folder 3

Desiderio da Settignano, n.d.

Box 17, Folder 3

Agostino di Duccio, n.d.

Box 17, Folder 3

Verrocchio, n.d.

Box 17, Folder 4

Ant. Pollaiuolo, n.d.

Box 17, Folder 4

Bertoldo di Giovanni, n.d.

Box 17, Folder 4

Adriano Fiorentino, n.d.

Box 17, Folder 4

Die Sienesen, n.d.

Box 17, Folder 4

Francesco Laurana, n.d.

Box 17, Folder 4

Neapel, n.d.

Box 17, Folder 4

Emilia, n.d.

Box 17, Folder 4

Lionardo, n.d.

Box 17, Folder 5

Italienische Architektur 1500-1600, n.d.

Box 17, Folder 5

Vasari, n.d.

Box 17, Folder 5

Bern. Buontalenti, n.d.

Box 17, Folder 5

Dosio, n.d.

Box 17, Folder 5

Pirro Ligorio, n.d.

Box 17, Folder 5

Tivoli, n.d.

Box 17, Folder 5

Villa Medici, n.d.

Box 17, Folder 5

Bomarzo, n.d.

Box 17, Folder 6

Florentin Paläste, n.d.

Box 17, Folder 6

Ammanati, n.d.

Box 17, Folder 6

Giacomo della Porta, n.d.

Box 17, Folder 6

Domenico Fontana, n.d.

Box 17, Folder 6

Collegio Romano, S. Giacomo degli Incunabili, Palazzo, n.d.

Box 17, Folder 6

Borghese, n.d.

Box 17, Folder 6

Serlio, n.d.

Box 17, Folder 6

Venezianische Kuppelkirchen, n.d.

Box 17, Folder 7

Sanmicheli, n.d.

Box 17, Folder 7

F. Sansovino, n.d.

Box 17, Folder 7

Palladio I. Stadtpaläste, n.d.

Box 17, Folder 8

Palladio II. Landvillen, n.d.

Box 17, Folder 8

Cinquecento-Villa, n.d.

Box 17, Folder 8

Palladio III. Kirchen, n.d.

Box 17, Folder 8

Palladio IV. Theater, Ehrenbogen, Brücken u. andere, n.d.

Box 17, Folder 8

Zweckbauten; Scamozzi, n.d.

Box 18, Folder 1

Italienische Malerei 1520-1590, 1959 n.d.

Box 18, Folder 1

Italienische Malerei d. Manierismus u. Barock, Einleitungsstunde 1959 Nov 2

Box 18, Folder 1

Veronese 1580-1588, n.d.

Box 18, Folder 1

Veronese Bildnisse, n.d.

Box 18, Folder 1

Pontormo, n.d.

Box 18, Folder 1

Rosso Fiorentino, n.d.

Box 18, Folder 2

Correggio, n.d.

Box 18, Folder 2

Parmigianino, n.d.

Box 18, Folder 2

Dosso Dossi, n.d.

Box 18, Folder 2

Lorenzo Lotto, n.d.

Box 18, Folder 2

Pordenone, n.d.

Box 18, Folder 3

Savoldo, n.d.

Box 18, Folder 3

Moretto, n.d.

Box 18, Folder 3

Beccafumi, n.d.

Box 18, Folder 3

Giulio Romano, n.d.

Box 18, Folder 3

Daniele da Volterra, n.d.

Box 18, Folder 3

Angelo Bronzino, n.d.

Box 18, Folder 3

Federico Barocci, n.d.

Box 18, Folder 4

Seicento Plastik und Malerei, 1951, n.d.

Box 18, Folder 4

Bernini u. d. römische Hochbarock, Einleitungsstunde 1951 Nov 5

Box 18, Folder 4

Bernini früheste Jugendwerke, n.d.

Box 18, Folder 4

Die mythologischen Gruppen der Villa Borghese, n.d.

Box 18, Folder 4

Arbeiten fü St. Peter unter Urban VIII, n.d.

Box 18, Folder 4

Büsten (bis 1644), n.d.

Box 18, Folder 4

Die Brunnen, n.d.

Box 18, Folder 5

Büsten 1644-1680, n.d.

Box 18, Folder 5

Chigi Kepelle, n.d.

Box 18, Folder 5

Kathedra Petri, n.d.

Box 18, Folder 5

Konstantin, n.d.

Box 18, Folder 5

Engelsbrücke, n.d.

Box 18, Folder 5

Grabmal Alexander VII, n.d.

Box 18, Folder 6

Italienische Plastik d. 17.Jhd. ausser Bernini, n.d.

Box 18, Folder 6

Pietro Bernini, n.d.

Box 18, Folder 6

Alessandro Algardi, n.d.

Box 18, Folder 6

Francesco Mocchi, n.d.

Box 18, Folder 6

Fontana Trevi, n.d.

Box 18, Folder 7

Italienische manieristische Plastik, 1949 n.d.

Box 18, Folder 7

Italienische Plastik von Michelangelo bis Bernini, Einleitungsstunde 1949 Nov 4, 1949 Nov 7

Scope and Content Note

Frankfurt and Marburg
Box 18, Folder 7

Jacopo Sansovino, n.d.

Box 18, Folder 7

Daniele da Volterra, Baccio Bandinelli, n.d.

Box 18, Folder 7

Bartolomeo Ammanati, Vincenzo de' Rossi, Vincenzo Danti, Guglielmo della Porta, n.d.

Box 18, Folder 8

Benvenuto Cellini, n.d.

Box 18, Folder 8

Giovanni Bologna, n.d.

Box 18, Folder 8

Fontana delle Tartarughe, n.d.

Box 19, Folder 1

Italienische Malerei der Hochrenaissance, 1500-1527, 1965, n.d

Box 19, Folder 1

Malerei der italienischen Hochrenaissance, Einleitungsstunde 1965 Nov 8

Box 19, Folder 1

Lionardo I bis 1500, n.d.

Box 19, Folder 1

Lionardo II seit 1500, n.d.

Box 19, Folder 1

Mailänder Lionardo-Schule, n.d.

Box 19, Folder 2

Raffael I. Bis zur Ankunft in Florenz, n.d.

Box 19, Folder 2

Raffael II. Florenz, n.d.

Box 19, Folder 2

Raffael III. Rom, Die drei vatikanische Zyklen a: Stanzen, n.d.

Box 19, Folder 3

Raffael IV. Römische Madonnen, Altarblätter und Kirchlichen Fresken, n.d.

Box 19, Folder 3

Raffael V. Bildnisse der römischen Zeit, n.d.

Box 19, Folder 3

Raffael VI. Teppiche, Loggien, Farnesina, n.d.

Box 19, Folder 4

Marc Anton Raimondi, n.d.

Box 19, Folder 4

Sebastiano del Piombo, n.d.

Box 19, Folder 4

Sodoma, n.d.

Box 19, Folder 5

Italienische Architektur, 1500-1600, n.d.

Box 19, Folder 5

Bramante, Rom, n.d.

Box 19, Folder 5

Bramante, St. Peter, n.d.

Box 19, Folder 5

Fra Giocondo, n.d.

Box 19, Folder 5

Rom, St. Peter, Skelett d. Baugeschichte (Daten, Fakten, Urkunden), n.d.

Box 19, Folder 5

Raffael als Architekt, n.d.

Box 19, Folder 6

Antonio da Sangallo der Älte (nur römische Tätigkeit), n.d.

Box 19, Folder 6

Antonio da Sangallo der Jüngere, n.d.

Box 19, Folder 6

Einzelne Zentralkirchen der Hochrenaissance, n.d.

Box 19, Folder 6

Giulio Romano, n.d.

Box 19, Folder 7

Peruzzi, n.d.

Box 19, Folder 7

Michelangelo als Architekt, n.d.

Box 19, Folder 7

St. Peter, n.d.

Box 19, Folder 8

Vignola, n.d.

Box 20, Folder 1

Michelangelo I, n.d.

Box 20, Folder 1

Michelangelo und seine Statuen (Pièta von St. Peter, Madonna an der Treppe), n.d.

Box 20, Folder 1

Verlorene Jugendwerke, n.d.

Box 20, Folder 1

Piccolomini Altar, n.d.

Box 20, Folder 1

Florentiner Jahre 1501-1508, n.d.

Box 20, Folder 1

Karton d. badenden Soldaten, n.d.

Box 20, Folder 2

Sixtinische Decke, n.d.

Box 20, Folder 2

Juliusgrab, n.d.

Box 20, Folder 2

Medici Kapelle, n.d.

Box 20, Folder 3

David-Apollo, Piazza della Signoria, Vittoria Colonna Michelangelo Fresken, n.d.

Box 20, Folder 3

Cavalieri Zeichnungen, Brutusbüstem, Ganymede, n.d.

Box 20, Folder 3

Späte Pièta-Gruppen, n.d.

Box 20, Folder 3

Letzte Entwürfe, n.d.

Box 20, Folder 3

Falsche Zuschreibungen, n.d.

Box 20, Folder 4

Michelangelo II, Systematischer Teil, 1963-1964 n.d.

Box 20, Folder 4

Michelangelo als Handwerker, n.d.

Box 20, Folder 4

Michelangelo und die Antike, n.d.

Box 20, Folder 4

Michelangelo Stellung in seiner Zeit, n.d.

Box 20, Folder 4

Michelangelos als Zeichner Vortrag, Frankfurt, 5.III.63 Rede zum 400. Todestag von Michelangelo an der Universität Frankfurt am Main, 1964 Feb 18, "Der künstlerische Schaffensprozess bei Michelangelo"

Box 20, Folder 5

Tintoretto, Veronese, Greco, n.d.

Box 20, Folder 5

Tintoretto, Vita, n.d.

Box 20, Folder 5

Frühwerke Tintoretto 1540-1548, n.d.

Box 20, Folder 5

Tintoretto 1549-1560, n.d.

Box 20, Folder 5

Tintoretto 1560-1570, n.d.

Box 20, Folder 6

Tintoretto 70er Jahre (stile della grazia), n.d.

Box 20, Folder 6

Tintoretto 1580-1594, n.d.

Box 20, Folder 6

Paolo Veronese, Vita, n.d.

Box 20, Folder 6

Veronese 1548-1560, n.d.

Box 20, Folder 6

Veronese 1560-1570, n.d.

Box 20, Folder 6

Veronese 1570-1580, n.d.

Box 20, Folder 6

El Greco, n.d.

Box 20, Folder 7

Kolleg Führungen 1933-1934n 1935-1937, n.d.

Scope and Content Note

Italien. Barock Archit.
Box 20, Folder 7

Italienische Barockarchitektur, Einleitungsstunde 1936 Apr 17

Box 20, Folder 7

Italienische Architektur 1585-1630, n.d.

Box 20, Folder 7

Italienische Architektur 1630-80, Einleitungsstunde 1937 Apr 19

Box 20, Folder 8

Italienische Barockkirchen, n.d.

Box 20, Folder 9

Habilitationsvortrag [Inaugural address] in München: "Die Entstehung d. architekton. Entwurfe bei Borromini und Bernini," 1935 May 22

Box 20, Folder 9

Rom Stadtbaukunst, n.d.

Box 20, Folder 9

Künstler und Auftraggeben in römischen Seicento, n.d.

Box 20, Folder 9

Führungsabschluss 1934 Mar 21

Box 21, Folder 1

Französische und englische Architektur des 18.Jhd., n.d.

Box 21, Folder 1

Französische Kunsttheorie, n.d.

Box 21, Folder 1

Französische Architektur des Frühklassizismus, n.d.

Box 21, Folder 1

Englische Architektur 18.Jhd., n.d.

Box 21, Folder 2

Colen Campbell, n.d.

Box 21, Folder 2

Robert Adam, n.d.

Box 21, Folder 2

John Vanbrugh, n.d.

Box 21, Folder 2

Gothic Revival, n.d.

Box 21, Folder 2

Der englische Park des 18.Jhd., n.d.

Box 21, Folder 3

Französische Malerei des 19.Jhd., 1961 n.d.

Box 21, Folder 3

Meisterwerke der französischen Malerei des 19.Jhd., n.d.

Box 21, Folder 3

Einleitungsstunde 1961 Nov 6

Box 21, Folder 3

J.L. David, n.d.

Box 21, Folder 3

Ingres, n.d.

Box 21, Folder 3

Gericault, n.d.

Box 21, Folder 4

Delacroix, n.d.

Box 21, Folder 4

Courbet, n.d.

Box 21, Folder 4

Corot, n.d.

Box 21, Folder 5

Malerei des französischen Impressionismus, n.d.

Box 21, Folder 5

Monet Landschaften, n.d.

Box 21, Folder 5

Renoir, n.d.

Box 21, Folder 6

Monet Figürliches, n.d.

Box 21, Folder 6

Gauguin, n.d.

Box 21, Folder 6

Jean Frédéric Bazille, n.d.

Box 21, Folder 6

Camille Pissaro, n.d.

Box 21, Folder 6

Cézanne, n.d.

Box 21, Folder 6

Der Impressionismus und Russland, n.d.

Box 22, Folder 1

Manet, n.d.

Box 22, Folder 1

Manet Kompositionen, n.d.

Box 22, Folder 1

Manet Porträts, n.d.

Box 22, Folder 1

Manet als Graphiker, n.d.

Box 22, Folder 2

Degas, 1978, n.d.

Box 22, Folder 2

Die Malerei des französischen Impressionismus Einleitungsstunde 1978 Oct 23

Box 22, Folder 2

Der Weg zum Impressionismus von 1855 an, n.d.

Box 22, Folder 2

Degas als Porträtist, n.d.

Box 22, Folder 3

Degas Kompositionen, n.d.

Box 22, Folder 3

Degas Historienbilder, n.d.

 

Series I.B.  Correspondence on reverse of lecture notes, ca. 1939-1987

Physical Description: 10 lin. ft.

Scope and Content Note

Subseries describes letters written on the reverse side of lecture notes listed in Subseries I.A. Included are letters Keller wrote and those he received. Most letters listed below are with significant art historians. Also included are letters of a general nature from family, publishers, and students; these have not been described. Folder titles refer to course and lecture note subjects in Subseries I.A; all dates refer to correspondence. The number in brackets which precedes the title refers to Keller's original box number.
Box 1, Folder 1-2

[1] Donatello - six sets of lecture course notes, 1938-1968

Scope and Content Note

Significant letters include: Hans Wetzel, Reallexikon zur Deutschen Kunstgeschichte, regarding publication of articles and use of catchword, “Blattmaske,” 1939; Dr. W. Linke, Staatliches Berufspädagogisches Institut (Frankfurt am Main), regarding linkage of studies in history and art history, 1962; Erich Hubala, personal letter, 1963; Willibald Sauerländer gives reasons he regretfully cannot teach for Keller while Keller travels in celebration of his 60th birthday, 1962; Franz Steiner Verlag (Wiesbaden) regarding Keller's manuscript, Kunstlandschaften Frankreichs, 1962, 1963, 1963; Anselmo M. Albareda, m.b., Biblioteca Apostolica Vaticana (in Italian), tells Keller that the plan he sent to the Monsignor is not a drawing of the Palazzo Barberini by Pietro da Cortona, but the actual plans, 1938; Dr. Ulrich Middeldorf, Kunsthistorisches Institut Florenz, congratulates Keller on 65th birthday, compares his position with a university professor and compares the times with 1933, 1968; H. Paatz about conflict between himself and Möhle, 1939.
Box 1, Folder 3-5

[2] Venice: Kolleg - sixteen sets of lecture notes, 1974-1980

Scope and Content Note

Significant letters include: Erich Hubala, personal letter referring to Keller's support for the Frankfurther Institut, 1980; Margarete Kühn regarding her thoughts on Goëthe and Schinkel's Orianda, 1974.
Box 1, Folder 6-8

[3] Venezianische Malerei von den Anfängen bis Tiepolo, Notizen und Excerpte zum Kolleg WS 1957/1958 - twelve sets of lecture notes, 1949-1967

Scope and Content Note

Significant letters include: Karl Swoboda, Universität Wien Kunsthistorisches Institut, asking Keller to contribute to the journal, “Alte und Neue Kunst,” 1956 Oct; A.E. Brinckmann personal letter also referring to a collection being bought by Turin Museum if not left in Germany, 1957 Nov; Hans Sedlmayr accepting Keller's recommendation granting a scholarship to Walter Vitzthum, though he is not particularly impressed, undated; Theodor Müller personal letter, 1967; Wolfgang Braunfels asking Keller to contribute to a series on iconography on the subject of the crucifix, 1949; Ulrich Middeldorf, congratulates on their common birthday and describes his work at the Florence, Kunsthistorisches Institut, inviting Keller to lecture, 1955; Berthold Hackelsberger, thanking Keller for participating in the Festschrift for Kurt Bauch, 1958.
Box 2, Folder 1-2

[4] Italien Bildhauer u. Architekten - seven sets of lecture notes, 1952-1971

Scope and Content Note

Significant letters include: Carl A. Willemsen, regarding a lecture he wishes to present in Frankfurt, 1952; C.L. Frommel, how highly he thought ofKeller's essay on Titian, looking forward to meeting Keller in Italy and possibility of speaking in Frankfurt, 1970; Jürgen Lehmann, personal letter and comments on lecture given by Stechow, 1970; Margarete Kühn, about Polish works of the 17th and 18th centuries, 1971.
Box 2, Folder 3-4

[5] Venezianische Malerei 18 Jhd. - six sets of lecture notes, 1964-1969

Scope and Content Note

Significant letters include: Helmut Börsch-Supan, regarding his contributions to the Propyläen art history book, 1969,; Georg Kauffmann, regarding size of photographs for book, 1964.
Box 2, Folder 5-8

[6] Italien. Barockmalerei - twenty sets of lecture notes, 1950-1969

Scope and Content Note

Significant letters include: Otto Hahn, about bringing the Roman institutes outside Germany, such as Bibliotheca Hertziana, under German jurisdiction, 1952 and a letter giving the evolution of the “Kommission für die Deutsche Wissenschaftliche Arbeit im Ausland,” 1950; Peter Anselm Riedl, personal letter about his teaching assignments in Marburg and Heidelberg, 1969; W. Sauerländer, personal letter referring to Keller's ideas on Goethe and his book on Italy, 1962; Wolfgang Braunfels, about photographs for Keller's book on Venetian painting, 1962 and information on the Georg Kauffmann Festschrift, 1955; Hans Kauffmann, urging Keller to accept a Kuratorium position at the Bibliotheca Hertziana, 1955.
Box 3, Folder 1-3

[7] Französische Romanische Architektur I - fourteen sets of lecture notes, 1959-1961

Scope and Content Note

Significant letters include: Hans Kauffmann, concerning publication of Keller's Kunstlandschaften Italiens, 1959; Willibald Sauerländer, personal letter and comments on Augsburg architecture, 1960; Hans Sedlmayr, thanking Keller for invitation to lecture and naming talk “Ars humilis,” 1960; Heinrich Siebenhüner, personal letter thanking Keller for invitation to attend the opening of his Institut, 1961; Christian Adolf Isermeyer, personal letter and architectural description of SS. Giovanni e Paolo in Venice, 1960.
Box 3, Folder 4-6

[8] Französische romanische Architektur II - seven sets of lecture notes, 1956-1961

Scope and Content Note

Many letters written on the reverse of typescript with annotations for Die Kunstlandschaften Italiens; significant letters include: Wolfgang Braunfels, about the support for Keller's appointment to the Hertziana, 1960; Carl Georg Heise, asking whether Keller supports the appointment of Christian Beutler as director of the Frankfurt Goethe House, 1961; Hans Sedlmayr, 7 letters concerning his lectures at the Kunstgeschichtliches Institut in Frankfurt, 1960-1961; Sedlmayr, disagreeing with Keller on construction of churches in Tours and agreeing with other Keller views such as Cluny, 1960; Hans Kauffmann, personal letter arranging meeting, 1956; Hans Hahnloser, congratulates Keller on his book Die Kunstlandschaften Italiens and describes his own work, 1960; Letter from Keller, thanking the Friends of the Johann Wolfgang Goethe University for funds supporting the library of the Kunstgeschichtliches Institut, 1961; Hans Wentzel, personal letter thanking Keller for his support, 1960; Wolfgang Braunfels, personal letter regarding architect Kramer, 1960; Willibald Sauerländer, personal letter thanking Keller for his visit, Undated and letter accepting invitation to opening of the Keller's Institut, 1961.
Box 4, Folder 1-4

[9] Französische romanische Plastik- eighteen sets of lecture notes, 1961-1962

Scope and Content Note

Significant letters include: Margarete Kühn, regarding Keller's comments on the sculpture at the entrance of Reims Cathedral, 1962 and various other publications, 1962; Wolfgang Braunfels, about Keller manuscript and substituting Titian photographs, 1962; Karl Swoboda, invitation for Keller to lecture to the Kunsthistorischen Gesellschaft (4 letters), 1962; Karl Arndt, thanking Keller for acknowledging his work on portraits, 1962; Hans Sedlmayr, requesting Keller prepare a review of the first volume of the bibliography of art in Bavaria, 1962; Sedlmayr, personal letter, 1961; Willibald Sauerländer, personal letter, critique of German university and students and possibility of move to New York University, 1962; Herbert von Einem, personal letter and addressing Keller's criticism of his work on Titian, 1961; Einem, addressing concerns between himself and Keller, especially Keller's response in rejecting the curatorship at the Hertziana, 1962; Daniel Schlumberger, addressing the study of geography and history, 1962.
Box 4, Folder 5-9

[10] Französische gotische Architektur, 1137-1270 - nineteen sets of lecture notes, 1961-1985

Scope and Content Note

Significant letters include: Cesare Gnudi, inviting Keller to speak at the Congresso di Storia dell'Arte in New York on Italian v. French gothic architecture, 1961; Willibald Sauerländer, personal letters referring to memorial address to Sedlmayr and Keller's son Ulrich in Santa Barbara, 8/29/85, 1985; Wolfgang Braunfels, personal letter concerning funds Keller is seeking for an American tour, 1961.
Box 5, Folder 1-3

[11] Französische gotische Architektur II - eleven sets of lecture notes, 1959-1985

Scope and Content Note

Significant letters include: Max Seidel, personal letter about his work and meeting with Keller, 1970; Adolf Butenandt, asking Keller to stay on for another year as curator at the Hertziana, 1961; Theodor Müller, personal letters also regarding new publications and Keller's study of the gothic in the Tyrol, 1985, 1985; Erich Hubala, informing Keller that no one in Munich is working on Peter Candid, 1959; Otto Hahn, personal letter, 1961.
Box 5, Folder 4-6

[12] Französische Kathedral-Plastik der Gotik - sixteen sets of lecture notes

Scope and Content Note

Significant letters include: Hans Sedlmayr, thanking Keller for becoming the reviewer of the Bibliographie zur bayerischen Kunst, 1962; Carl Benno Heller, regarding photographs taken in Toulouse which he wants to send to Keller, 1962.
Box 6, Folder 1-4

[13] Spätgotische Plastik (seit 1350) - nineteen sets of lecture notes, 1969-1985

Scope and Content Note

Significant letters include: Willibald Sauerländer, personal letter stating his philosophy on education, undated ; Robert Oertel, commenting on specific works in the Berlin, Gemäldegalerie and Panofsky's influence, 1969; Theodor Müller, response to inquiries by Keller about several Austrian artists and sculptures, 1985.
Box 6, Folder 5-7

[14] Frühchristl. Kunst d. Ostens / Frühbyzant. Kunst - 565 - thirteen sets of lecture notes. 1958-1959

Scope and Content Note

Significant letters include: Klaus Parlasca, sending Keller a copy of his book on mosaics, thanking Keller for his assistance and asking for a critique, 1959; Hans Maria Wingler, about the manuscript for his book on the Bauhaus, 1959; includes typescript [lecture?] on portraiture by Keller; includes photograph of Konstantinopel Treppenhaus des Seepalastes; Herbert von Einem, regarding publication of Keller's book, 1958; includes clippings of Resafa-Sergiupolis.
Box 7, Folder 1-2

[15] Stadtbaukunst Römerzeit, Karolingerzeit, Ottonischezeit und Später - seven sets of lecture notes, 1971-1977

Scope and Content Note

Significant letters include: Ulrich Middeldorf, personal letter, 1977; Erich Hubala, regarding three students, scholarships and misunderstandings with Keller, 1972, 1973; Willibald Sauerländer, personal letter, 1973 and letter asking Keller to write obituary for Rudolf Wittkower, 1971; Theodor Müller, personal letter, 1973; includes clippings photocopies of critiques of Keller's book, Die Kunst des 18. Jahrhunderts in “Das Bücherblatt” Zurich, 1972 and “Österreichisches Café Journal” dated April.
Box 7, Folder 3

[16] Staufische Städtegründungen - three sets of lecture notes, n.d.

Scope and Content Note

Includes bibliographic compilation on single small notepaper.
Box 7, Folder 4-6

[17] Römische Stadtbaukunst in MA - thirteen sets of lecture notes, 1967-1969

Scope and Content Note

Significant letters include: Patrik Reuterswärd, regarding problems of polychrome during the Renaissance and giving a lecture on that topic or on Bosch, 1967; Georg Kauffmann, thanks Keller for the book, Italien und die Welt der höfischen Gotik and comments about content, 1967; Robert Oertel, about meeting with Keller in Frankfurt, 1967; Willibald Sauerländer, personal letter and his difficulties in writing about Heydenreich, 1979; Sauerländer, thanks Keller for suggesting Carl Georg Heise be included in the “Kunstchronik,” 1979.
Box 7, Folder 7-8

[18] Stadtbaukunst Osten - ten sets of lecture notes, 1973-1976

Scope and Content Note

Significant letters include: Theodor Müller, asks Keller to endorse Rückert to keep him from leaving his current post, 1973; Willibald Sauerländer, personal letter describing Peter Hilger's work, 1976.
Box 8, Folder 1-3

[19] Stadtbaukunst 16.-19. Jhd. - eleven sets of lecture notes, 1974-1975

Scope and Content Note

Significant letters include: Herbert von Einem, personal letters about his and Keller's work, 1975, 1975; Carl Benno Heller, about publishing his dissertation which needs Keller's approval, 1974; Letter from Keller to Mr. & Mrs. von Bismarck, start of a letter of congratulations, 1976; Georg Kauffmann, personal letter, 1975.
Box 8, Folder 4-7

[20] Stadtbaukunst, Frankreich, Deutschland, Schweiz - seventeen sets of lecture notes, 1972-1973

Scope and Content Note

Significant letters include: Carl Georg Heise, personal letter, 1973; Ludwig Heinrich Heydenreich, regarding the difficulties in publishing his book, Italienische Kunst von 1400-1460, 1973; Margarete Kühn, thanks Keller for his book, Goethe, Palladio und England and critiques a part of it, 1972; Willibald Sauerländer, personal letter based on birthday congratulations, 1973.
Box 8, Folder 8-9

[21] Miniaturen - two sets of lecture notes, 1964-1975

Scope and Content Note

Significant letters include: Letter from Keller to Bertold Hinz about the study of portraiture and Keller's contributing a new piece on antique portraits, 1967; Willibald Sauerländer, personal letter, 1974; Georg Kauffmann, complimenting Keller's work on Goethe's Hymnus, 1975; Wolfgang Braunfels, about Keller's article in the “Frankfurter Allgemeine” and why it disturbed [Bernhard] Degenhart, 1973; Hans Sedlmayr, explains why his commitments in Salzburg prevent him from lecturing in Frankfurt, 1964.
Box 9, Folder 1-4

[22] Deutsche spätromanische Architektur - fourteen sets of lecture notes, 1958-1959

Scope and Content Note

Significant letters include: Wolfgang Braunfels, about an article on Italian renaissance artists which Keller will write, 1959; Herbert von Einem, states reasons for delay in evaluating Keller's manuscript, 1958.
Box 9, Folder 5-8

[23] Deutsche, ottonische und romanische Plastik - ten sets of lecture notes, 1953-1969

Scope and Content Note

Significant letters include: Max Horkheimer, personal letter and that he has secured funds for Keller's trip to Italy, 1953; Horkheimer, regarding compensatory time at the University, 1953; Carl A. Willemsen, regarding his book and conversation with Heydenreich; Willibald Sauerländer, about his work and Keller's comments on Fragonard, 1969; Fritz Arens, responds to Keller's questions on specific works in Mainz, 1968.
Box 10, Folder 1-4

[24] Deutsche romanische Architektur - eleven sets of lecture notes, 1971

Scope and Content Note

Significant letters include: Hans A. Lüthy, inviting Keller to an exhibition of the Institut für Kunstwissenschaft in Zurich, 1971.
Box 10, Folder 5-7

[25] Deutsche gotische Architektur - ten sets of lecture notes, 1951-1972

Scope and Content Note

Significant letters include: Hans Sedlmayr, personal letter and thanking Keller for present, 1951; Herbert von Einem, asks Keller to critique his work on Goethe, 1972; Alexander Kreuter, about misunderstanding between von Erffa and Middeldorf, 1964; Erich Hubala, personal letter and looking forward to Keller's lecture in Kiel, 1970; Ludwig Heydenreich and Alexander Kreuter and Theodor Müller, invite Keller to the dedication ceremony of the new Kunsthistorischen Instituts in Florenz building, 1964.
Box 11, Folder 1-3

[26] Deutsche spätgotische Architektur - fourteen sets of lecture notes, 1952-1955

Scope and Content Note

Significant letters include: Herbert von Einem, cautions Keller about establishing relationship with Troescher, 1952; Wolfgang Braunfels, about funding for Kauffmann's Zeitschrift, 1955, 1955; Letter from Keller, incomplete typescript of an unpublished work on Tiroler spätgotische Hallenkirchen, undated; Erich Hubala, bibliography for late gothic architecture, 1955.
Box 11, Folder 4-5

[27] Deutsche Plastik 13.Jhd. - ten sets of lecture notes, 1966-1968

Scope and Content Note

Significant letters include: Wolfram Prinz, informs Keller about his visit to the Accademia di San Luca and describes Domenichino's work, 1966; Rudolf Zeitler, personal letter and describes churches at Vadstena, Alvastra and Linköping and discusses his differences with Herbert von Einem, 1968; Willibald Sauerländer, accepts invitation to Frankfurt and explains why he previously had to decline and therefore upset Keller, 1968; Ulrich Middeldorf, personal letter, 1967; Erich Hubala, invitation to Keller, 11/26/67; Wolfgang Braunfels, about Keller's son, Ulrich, and his dissertation subject, 1968.
Box 11, Folder 6-8

[28] Kunst in Hessen und Mittelrhein I - thirteen sets of lecture notes, 1966-1972

Scope and Content Note

Significant letter include: Walter Paatz, critique and endorsement of Keller's publication “Hessen und der Mittelrhein als Kunstlandschaft” but questions the inscription to Paatz and other references, 1968; includes two photocopies, critiques of Keller's book, Die Kunst des 18. Jahrhunderts "Als Europa französisch dachte" from Die Presse 1972 and Propyläen Kunstgeschichte from Oberösterreichische Nachrichten 1972; Hans Wentzel, compliments Keller on his publication[?], 1966; Erich Wise, bemoans the separation of Palazzo Zuccari and the Hertziana and comments on art history as an accepted science, 1968; Wilhelm Messerer, about his move from Munich to Saarbrücken, 1967.
Box 12, Folder 1-2

[29] Kunst in Hessen und Mittelrhein II - eight sets of lecture notes, 1968-1969

Scope and Content Note

Significant letters include: newspaper clipping announcing Keller's talk on “Spätgotische Plastik in Hessen und Mittelrhein” from FAZ v. 1969; Willibald Sauerländer, personal letter about stay in Frankfurt, 1968.
Box 12, Folder 3-6

[30] Deutsche Barock-Architektur 1600-1720 - nineteen sets of lecture notes, 1956-1967

Scope and Content Note

Significant letters include: Hans Sedlmayr, about Keller's book on Salzburg, 1956; Herbert von Einem, invites Keller to participate in a seminar at the Kunsthistorischen Instituts Florenz on the subject “Probleme der Florentiner Quattrocentomalerei,” 1965; Rudolf Zeitler, invites Keller to lecture at Uppsala University, 1967.
Box 12, Folder 4-10

[31] Deutsche Barock-Architektur 1720-1760 - eighteen sets of lecture notes, 1966-1971

Scope and Content Note

Significant letters include: Kurt Badt, inquiring about a book by Reinhard Bentmann on the Villa Maser, 1971; Hans Sedlmayr, seeks support from Keller to prevent demolition of Salzburg landmark, 1966; Tilmann Buddensieg, follow-up from a phone conversation with Keller about support for an individual, 1970; Fritz Baumgart, personal letter and encloses proofs of a Pieta for Keller, 1966; Erich Hubala, (only first page of a letter) gives reasons why he cannot accept an invitation to join Keller at the university in Frankfurt, 1971.
Box 13, Folder 1-3

[32] Deutsche Barock-Architektur III - thirteen sets of lecture notes, 1956-1974

Scope and Content Note

Significant letters include: Wolfgang Braunfels, about annotations he made to an HG publication, 1956; Max Seidel, personal letter and sends Keller a photocopy review of the Moore/Ayrton book probably written by Pope-Hennessy, 1971; Seidel, about his work on Giovanni Pisano and asks for Keller's opinion, 1968; Theodor Müller, thanks Keller for acceptance of speech engagement on the Ingolstadt work, 1974.
Box 13, Folder 4-5

[33] Gartenbaukunst - eight sets of lecture notes, 1957

Scope and Content Note

Significant letters include: Udo von Alvensleben, about his interest in garden landscaping, 1957; Ludwig Heinrich Heydenreich, regrets being unable to join Keller on a trip to Belgium, 1957.
Box 13, Folder 6-7

[34] Florenz Stadtbild - twelve sets of lecture notes.

Box 14, Folder 1-3

[35] Rom Stadtbild - thirteen sets of lecture notes, 1962-1978

Scope and Content Note

Significant letters include: Willibald Sauerländer, turns down appointment to Harvard University and indecision about accepting at New York University, 1962; Theodor Müller, personal letter, 1978.
Box 14, Folder 4-5

[36] Italienische Kunst frühchristlich bis karolingisch - eight sets of lecture notes, 1955-1962

Scope and Content Note

Significant letters include: Wolfgang Braunfels, personal letters and about Hans Kauffmann Festschrift, 1955, 1956; Erich Hubala, about his book project, 1962.
Box 14, Folder 6-7

[37] Italienische Romanische Kunst - six sets of lecture notes, 1956-1965

Scope and Content Note

Many letters written on the reverse of typescript for lecture, Referat über die späte Architektur Michelangelos by Kurt Schwarzweller. Significant letters include: Berthold Hackelsberger, asks Keller to contribute to the Festschrift for Kurt Bauch, 1956; Willibald Sauerländer, comments on art and architecture in Italy with comparisons to Monreale, 1965.
Box 15, Folder 1-3

[38] Italienische Malerei der Giotto-Zeit, 1235-1348 - twelve sets of lecture notes, 1956-1979

Scope and Content Note

Significant letters include: Theodor Müller, about relationship between the Akademie and the University in response to Keller's inquiry, 1979; Rodolfo Pallucchini, thanks Keller for sending him Titian's “Poesie”, 1970; photocopies of clippings, review of Keller's book, Die Kunst des 18. Jahrhunderts from “Hamburger Abendblatt” 1971, from “Bücherschiff” no.4 1971 and from “Augsburger Allgemeine” 1971; Ulrich Middeldorf, about the Milan, Castello, 195?; A.E. Brinckmann, personal letter expressing his interest in Keller's Frankfurt Institut and his own upcoming book on architecture, 1956; Carl Georg Heise, awaits Keller's new edition of the manuscript on the Strassburg Engelpfeiler, 1957.
Box 15, Folder 4

[39] Italienische Plastik 13.-15.Jhd - six sets of lecture notes, n.d.

Box 15, Folder 5-8

[40] Italienische Gotische Kunst, Architektur, Plastik - nineteen sets of lecture notes, 1956-1971

Scope and Content Note

Significant letters include: Wolfgang Braunfels, personal letter also about list of possible professorial appointments, 1956; photocopies of clippings, review of Keller's book, Die Kunst des 18. Jahrhunderts from “Der Tagesspiegel” 1971 and “Südost Tagespost” 1971; Berthold Hackelsberger, about Prof Bauch's Festschrift, 1956.
Box 16, Folder 1-3

[41] Italienische Früh-Renaissance Architektur 1420-1500 - eighteen sets of lecture notes, 1962-1973

Scope and Content Note

Significant letters include: numerous letters of congratulations to Keller's 60th birthday; Theodor Müller, personal letter, 1974; Klaus Parlasca, personal letter, 1963; Willibald Sauerländer, about his acceptance at the University of Giessen with Keller's recommendations and his work on Wilhelm of Modena, 1963; Sauerländer, personal letter about Keller's son, Ulrich and origins of Wiligelmo aus Santiago, 1963; Sauerländer, personal letter, 1962.
Box 16, Folder 4-6

[42] Quattrocento Malerei I. Florenz - thirteen sets of lecture notes, 1952-1968

Scope and Content Note

Significant letters include: Herbert von Einem, personal letter and quoting Wölfflin, 1952; Letter from Keller to W. Ludwig sending a partial copy of his analysis of “Poesie des Tizian für König Philipp II for comment, 1968; Hans Kauffmann, arranges meeting with Keller to discuss Hertziana conflict, 1952.
Box 16, Folder 7-9

[43] Quattrocento Malerei II. ausser Florenz - seventeen sets of lecture notes

Scope and Content Note

Significant letters include: Herbert von Einem, personal letter about his work on Michelangelo and inquiring if Keller is familiar with his work on Goethe, 1950; Wolfgang Braunfels, regarding Keller's work on a book about Italy and discussions about getting the library for the Institut, 1950.
Box 17, Folder 1-4

[44] Quattrocento Plastik - twenty-three sets of lecture notes, 1961-1963

Scope and Content Note

Significant letters include: Willibald Sauerländer, personal letter of congratulations, 6/22/63; Letter from Keller(?) to Karl Noehles, comments on writing a catalog for the Italian drawings in the Berlin (Dahlem) Kupferstichkabinett and critique of Hubala's work, 1962; Ulrich Middeldorf, personal letter, 1961; Erich Hubala, disturbed by Keller's reaction to his university lecture and asks for further critique, 1962; Willibald Sauerländer, consults with Keller about a monograph on Houdon's, Voltaire (seated, marble statue) that Sauerländer is writing, 1963; Silvie Beguin, thanks Keller for sending her his publication on the Bellelli Family of Degas, 1962; Erich Hubala, plans for changing a lecture he would present in Frankfurt, 1963 and personal letter with an enclosure [not in archive] of volume three of the Bulletin 1961, 1962 and a personal letter about his arrival in Frankfurt, 1963.
Box 17, Folder 5-8

[45] Italienische Architektur 1500-1600 - twenty-two sets of lecture notes, 1965-1973

Scope and Content Note

Significant letters include: Georg Kauffmann, about his work in Münster and Keller's support especially with the negative comments coming from Heydenreich in Florence about himself and Middeldorf, 1965; Willibald Sauerländer, about critical reviews of work, 1973; Letter from Keller to Mr. Ross at Yale University [in English] requesting two catalogs, “Jubilee Catalogue of 1972” and “French Impressionist Paintings”, 1973.
Box 18, Folder 1-3

[46] Italienische Malerei 1520-1590 - seventeen sets of lecture notes, 1959-1971

Scope and Content Note

Significant letters include: Hans Sedlmayr, recommending a candidate for a position to Keller and inviting him to give a lecture in Munich, 1963; Wolfgang Braunfels, as editor, plans for contents of the Wallraf-Richartz Jahrbuch, 1959; Erich Hubala, congratulates Keller on his book for Propyläen Kunstgeschichte, especially with Rudolf Wittkower's entry, 1971 and personal letter looks forward to meeting Professor Kleiner, 1963; Ludwig Heinrich Heydenreich, invites Keller to participate in a colloquium on (“An Encyclopedia of German Art History”) “Reallexikons zur deutschen Kunstgeschichte,” 1960; Justus Müller Hofstede, regrets having missed Keller's letter but hopes he found the material he needed on Earl of Harewood's Collection at the Courtauld Institute, 1968.
Box 18, Folder 4-6

[47] Seicento Plastik und Malerei - seventeen sets of lecture notes, 1970

Scope and Content Note

Includes postcard depicting Francesco I d'Este and photograph of an unidentified site. Significant letters include: Erich Hubala, about the application of Dr. Volker Hoffmann for a position in Frankfurt or Florence, 1970 and 1970; Max Seidel, about his common interest with Keller on sculpture of the Siena Cathedral and presenting a discussion on that topic, 1970.
Box 18, Folder 7-8

[48] Italienische manieristische Plastik - seven sets of lecture notes.

Box 19, Folder 1-4

[49] Italienische Malerei der Hochrenaissance, 1500-1527 - thirteen sets of lecture notes, 1965-1966

Scope and Content Note

Significant letters include: Letter from Keller, written warrant [title] for a sum of money to cover travel expenses, 1965; Ludwig Heinrich Heydenreich, invites Keller to stay with him during his lecture visit, 1966; Erich Hubala, about his writings and collaborations with Keller, 1966; Hans Sedlmayr, about the books on Kaschnitz, 1966; Hubala, about his gift to Keller of the Adalbert-Stifter-Jahrbuch and his works in progress, 1965.
Box 19, Folder 5-8

[50] Italienische Architektur, 1500-1600 - thirteen sets of lecture notes, 1963-1966

Scope and Content Note

Significant letters include: Hans Sedlmayr, unable to accept an invitation from Keller due to activities during his last semester at the University in Munich, 1963; Erich Hubala, critique of Keller's lecture in Munich, 1966.
Box 20, Folder 1-4

[51] Michelangelo I, Systematischer Teil II - nineteen sets of lecture notes, 1965-1976

Scope and Content Note

Significant letters include: Günter Passavant, asks Keller to write the critique for Burke's book, 1976; Herbert von Einem, personal letter and appreciates Keller's contribution to his Festschrift, 1965; Letter from Keller to Dr. Günter Busch, congratulations on Busch 's receiving a prize at the Darmstadt Dichterakademie and Keller accepting a lecture engagement in Bremen to speak on Michelangelo, 1974; photocopies of reviews on Keller's book, Die Kunst des 18. Jahrhunderts, from “Tages-Anzeiger”, Zürich, 1972 and “Die Wirtschaft” 1972.
Box 20, Folder 5-6

[52] Tintoretto, Veronese, Greco - eleven sets of lecture notes, 1959-1971

Scope and Content Note

Significant letters include: Wolfgang Braunfels, expresses views on Marxism and art history especially regarding youth and Keller's son, 1971; Erich Hubala, about an inventory of Guido Kaschnitz-Weinberg's writings and asking Keller to review for omissions, 1959.
Box 20, Folder 7

[53] Kolleg Führungen Winter 33/34 Italienische Barock Architektur - six sets of lecture notes.

Box 21, Folder 1-2

[54] Französische und englische Architektur des 18.Jhd. - eight sets of lecture notes, 1978

Scope and Content Note

Also includes a a photocopy from a portion of C.F. Gellers, Sämmtliche Schriften, part V (Leipzig) 1840. Significant letters include: Wolfram Prinz, invitation to Keller to celebrate Keller's 75th birthday at the Kunstgeschichtliches Institut in Frankfurt, 1978; Letter from Keller to Die Deutsche Staatsbibliothek Abteilung Kartographie (Berlin), requesting photographs of elevations and plans for several German cities, 1978; Wolfgang Braunfels, about Otto Stolz' book Geschichte Tirols, 1977.
Box 21, Folder 3-4

[55] Französische Malerei des 19.Jhd. - seven sets of lecture notes.

Box 21, Folder 5-6

[56] Malerei des französisches Impressionismus - eight sets of lecture notes

Scope and Content Note

Includes part of an exhibition catalog for a Toulouse-Lautrec show in Tübingen, 1986-1987. Many of the notes are written on the reverse of photocopies of images used in Keller's book, Das Alte Europa.
Box 22, Folder 1

[57] Manet - three sets of lecture notes, n.d.

Scope and Content Note

Many of the notes are written on the reverse of photocopies of images used in Keller's book, Das Alte Europa.
Box 22, Folder 2-3

[58] Degas - five sets of lecture notes, 1962

Scope and Content Note

Significant letters include: Letter from Keller to Dem Herrn Vorsitzenden der Wissenschaftlichen Gesellschaft zu Frankfurt, requesting additional funds to travel in France in order to complete his book, Die Kunstlandschaften Frankreichs, 1962.
 

Series II.  Research notes, ca. 1930-1987, n.d.

Physical Description: 1.5 lin. ft.

Scope and Content Note

63 small bundles of scholarly notes that include some related correspondence and 1 large bundle (ca. 200 pp.) of notes on churches and galleries (Box 25).
Box 23, Folder 1

Geschichte des europ. Kunstsammlers, n.d.

Box 23, Folder 1

Christliches Grabmal, n.d.

Box 23, Folder 1

Geschichtsbewusstsein d. deutschen Heimeinbaues (neues Material Seit 1940)

Box 23, Folder 1

Aesthetik des Reliefs, n.d.

Box 23, Folder 1

Lionardo's Stellung zwischen Wissenschaft und Kunst, 1952

Scope and Content Note

(1952 Jun 27 Akademische Festrede)
Box 23, Folder 1

Zentralbau des Renaissance und freie Schicksal im Manierismus, n.d.

Box 23, Folder 2

Bambergensia (Bibliographie), n.d.

Box 23, Folder 2

Freitreppen [includes postcard], n.d.

Box 23, Folder 2

Pisanello Zeichnungen, n.d.

Box 23, Folder 2

Der Schnitzaltar als Reliquien Schrein 1952-1956

Scope and Content Note

Includes letters to Keller on folder topic; postcard from Hans Kauffmann to L. Heydenreich dated 9/15/52; two pencil sketches of relics.
Box 23, Folder 2

Vier Erdteile, n.d.

Box 23, Folder 2

Stadtmodelle, n.d.

Scope and Content Note

Includes study photograph with angel holding city
Box 23, Folder 2

Palladianismus, n.d.

Box 23, Folder 3

Bildhauer Zeichnung neues seit 1950

Box 23, Folder 3

Die neuen Bildvorstellungen (Zyklische Themen des ausgefunden Mittelalters), n.d.

Scope and Content Note

Includes postcard
Box 23, Folder 3

Buchillustration des 19.Jhd., n.d.

Scope and Content Note

Includes 2 partial publications with caricatures
Box 23, Folder 3

Stadtbaukunst, n.d.

Scope and Content Note

Includes street map, aerial view of a city, 3 photographs of city views and 1 photograph of Emperor Otto
Box 23, Folder 3

Noch nicht Vorgetragenes, n.d.

Box 23, Folder 4

Italienische Landschaftsmalerei, n.d.

Scope and Content Note

Includes postcard
Box 23, Folder 4

Dresdner Galerie, March 1956-April 1975

Box 23, Folder 4

Untitled, n.d.

Scope and Content Note

2-ring notebook with notes on Delacroix and Daubigny
Box 23, Folder 4

Effigies, 1956-1975

Scope and Content Note

Includes Reallexikon zur Deutschen Kunstgeschichte offprint of definition for Effigie written by Keller; 7 letters from various persons on subject of effigies
Box 23, Folder 4

Lebendmasken, n.d.

Scope and Content Note

Includes postcard and study photograph
Box 23, Folder 4

Oberbayern Bibliographie, n.d.

Box 23, Folder 4

Goethes Italienische Reise 1962 Oct 24

Scope and Content Note

Includes letter from Herbert von Einem primarily about Goethe.
Box 23, Folder 5

Entstehung d. Bildnisse für eine Neuauflage, 1938-1947

Scope and Content Note

Includes letter by Robert Oertel, dated dated 1947, on the topic of portraits and specifically about the comments of Kurt Bauch; one postcard; letter by Hans Wentzel, dated 1938, also on the subject of portraits.
Box 23, Folder 5

Barock Bibliotheken, n.d.

Scope and Content Note

Includes 3 postcards; offprint from publication “Literaturberichte und Anzeigen” with article by Gert Adriani on libraries
Box 23, Folder 5

Das Portrait seit van Eyck, n.d.

Box 23, Folder 5

Salzburg 2.Auflage, 1956

Scope and Content Note

Includes 6 postcards and letter by Paul Kirn, dated 1956, on settlement symbolism.
Box 23, Folder 5

Salzburg Bibliographie

Scope and Content Note

Includes contract between Keller and Verlagen Anton Schroll for the work entitled Salzburg
Box 23, Folder 5

Abseitiges Umbrien 1958 Sep 22-1958 Oct 11

Scope and Content Note

Travel log of a trip to Italy.
Box 23, Folder 5

Renaissance Buch, n.d.

Box 23, Folder 5

“L” Literatur Anhang z. Renaissance Buch, n.d.

Box 24, Folder 1

Mittelalterliche deutsche Plätze, n.d.

Box 24, Folder 1

“Von deutsche Baukunst” 1772-1972, ca. 1972?

Scope and Content Note

Includes copy of an offprint by Wilhelm Sche[r?]er (1873) on German architecture]
Box 24, Folder 1

Domenico Tiepolo / Flucht nach Aegypten, n.d.

Box 24, Folder 1

Raffael Druckgraphik, n.d.

Scope and Content Note

Includes partial offprint by Rudolf Zeitler on the cathedral at Uppsala
Box 24, Folder 1

Domenichino / Darmstadt

Scope and Content Note

Includes letter by Wolfram Prinz, dated 1964, about the self-portrait of Domenichino in the Uffizi.
Box 24, Folder 1

Von Trient bis z. Cisa-Pass 1966 Sep 26-1966 Oct 12

Scope and Content Note

Travel log of a trip to Italy.
Box 24, Folder 1

Marche / Umbria, n.d.

Box 24, Folder 1

Emilia, n.d.

Box 24, Folder 2

Venedig Sep-Oct 1953

Box 24, Folder 2

Lazium (Latina, Südlazium), n.d.

Box 24, Folder 2

Spätmittelalterl. Andachtsbild, n.d.

Scope and Content Note

Includes photograph, possibly Keller's wife.
Box 24, Folder 2

Lazium, 1965

Box 24, Folder 2

Bildhauerzeichnung, 1937

Scope and Content Note

Includes 2 photographs; letter from Robert Oertel 1937 about his work on Giotto; Reallexikon zur Deutschen Kunstgeschichte offprint of definition for Bildhauerzeichnung written by Keller and with manuscript annotations
Box 24, Folder 2

Der Masenhof v. Ferrara, n.d.

Box 24, Folder 3

Untitled notebook, n.d.

Scope and Content Note

Primarily describes works of art in the United States and probably belonged to Keller's son Ulrich Keller whose address in New Jersey is written on the front of the notebook
Box 24, Folder 3

Antikisches Bildniss, n.d.

Scope and Content Note

Includes postcard.
Box 24, Folder 3

Bozzetti, n.d.

Box 24, Folder 3

Rom: Topographie, n.d.

Box 24, Folder 3

Bebilderung des Renaissee Buchs, n.d.

Scope and Content Note

Front of notebook: Dr. Phil. Keller
Box 24, Folder 4

Salzburg Plastik 1400-1520, n.d.

Box 24, Folder 4

Büsten, n.d.

Scope and Content Note

Includes postcard
Box 24, Folder 4

Palazzo Zuccari, n.d.

Box 24, Folder 4

Notizen, n.d.

Scope and Content Note

Includes primarily notes on works in museums in Italy, England and France
Box 24, Folder 4

Das deutsches Rokoko, n.d.

Box 24, Folder 4

Rom Geistesgeschichte, n.d.

Box 24, Folder 5

Lazium Zettel, n.d.

Box 24, Folder 5

Rom: Einzelne Denkmäler, n.d.

Box 24, Folder 5

Fischer von Erlach “Historische Architektur,” n.d.

Box 24, Folder 5

Aesthetik von Winckelmann bis Schlegel, n.d.

Box 24, Folder 5

Deutsches Italienbild I. 18.Jhd., n.d.

Box 25, Folder 1

Notes on buildings, Italy, 1930s

Scope and Content Note

Loose-leaf pages from 3-ring binder(s) of notes on churches and galleries, primarily in Rome and Naples and includes some photographs and maps. Written by Keller in the 1930s.
 

Series III.  Manuscripts, ca. 1929-1988

Physical Description: 3 lin. ft.

Scope and Content Note

Series contains material for published (boxes 26-28) and unpublished (box 29) books by Keller; articles, essays, Festschrifts and memorial orations (box 30) together with notes and letters referring to the work; lecture notes, evaluations of student dissertations and a folder about Willy Wiegand and the Bremer Presse (box 31). Arranged chronologically for the books and lectures and alphabetically for the correspondence relating to specific works.
Box 26, Folder 1

Das Treppenhaus im deutschen Schloss- und Klosterbau des Barock, 1929, 1935

Scope and Content Note

Keller's doctoral dissertation presented 1929 Feb 28 to Dr. W. Pinder and Dr. P. Wolters, published in 1935. This edition has many blank pages annotated by Keller; Keller's notes for the book are included separately.
Box 26, Folder 2

The Renaissance in Italy, 1969

Scope and Content Note

Manuscript copy with annotations by Keller for book on Italian renaissance published in 1969. Some letters are found on verso.
Box 26, Folder 3

The Renaissance in Italy, n.d.

Scope and Content Note

Originally in a folder entitled, “Geschichte Italienische Renaissance, Kap. 1-4” with contents: partial manuscript (partial chapter and chapter 4) for book; on reverse are some letters and partial typescript with manuscript annotations by Keller.
Box 26, Folder 4

The Renaissance in Italy, n.d.

Scope and Content Note

Partial manuscript (chapters 3 and 4) and notes for book; on reverse are some letters and partial typescript for the book with manuscript annotations by Keller.
Box 26, Folder 5

The Renaissance in Italy, ca. 1963?

Scope and Content Note

Written in 1963 as a first (rejected) draft of book, in manuscript (chapters 5 and 6) and typescript (chapter 6 in duplicate); on reverse are some letters and partial typescript for the book with manuscript annotations by Keller.
Box 26, Folder 6

The Renaissance in Italy , n.d.

Scope and Content Note

Partial manuscript (chapters 13-15) with annotations for book; on reverse are some letters and partial typescript for the book with manuscript annotations by Keller.
Box 26, Folder 7

Originalfolder title: “Tizian `allein'” n.d.

Scope and Content Note

Contains partial manuscript for book Tizians Poesie für König Philipp II. von Spanien; on reverse are letters and partial typescript for book, The Renaissance in Italy with manuscript annotations by Keller.
Box 27, Folder 1

Die Kunstlandschaften Italiens, 1960

Scope and Content Note

Bound publisher's edition of Keller's book (includes loose spine), with manuscript annotations by Keller on facing pages.
Box 27, Folder 2

Enclosures, n.d.

Scope and Content Note

Loose items found in folder 1 book include: typescript and manuscript notes; newspaper clippings; maps; 21 postcards with and without writing; announcements; letters from K. Oettinger and Erik Jayme; medicinal prescription for Keller's wife; printed article about Cristoforo da Lendinara; two offprint pages.
Box 27, Folder 3

Typescript pages, n.d.

Scope and Content Note

Three pages with manuscript annotations by Keller for chapter I, Grundlegung, on reverse of notes.
Box 27, Folder 4

Pages 3-19, n.d.

Scope and Content Note

Pages of a discarded typescript with manuscript annotations by Keller for the book.
Box 27, Folder 5

Twenty-six letters, 1961-1963

Scope and Content Note

Letters from friends regarding book (Bede(?). Letters from Fritz v. Borries, Wolfgang Braunfels two letters, Walter Euler, Hans Ficker, Billy Haynes two letters, Hans Kauffmann, Eugen Keller (Keller's nephew), Le (?), Norbert Lieb, Hans Martin two letters, F. Metternich, Theodor Müller two letters, Alfred Neumeyer, Robert Oertel, Julius Overhoff, Hans Sedlmayr, Walter V? Hans Van...? two letters, and Rudolf Wittkower.
Box 27, Folder 6

Additional material regarding Bede, n.d.

Scope and Content Note

Material includes: six postcards; published journal article by Ernst Rodenwaldt and Herbert Lehmann, “Die antiken Emissare von Cosa-Ansedonia...; several maps of areas in Italy.
Box 27, Folder 7

Die Kunstlandschaften Italiens, n.d.

Scope and Content Note

Manuscript notes for chapter called “Lombardei.”
Box 27, Folder 8

Die Kunstlandschaften Italiens, n.d.

Scope and Content Note

Manuscript notes for chapter called “Unteritalien” or “Süditalien.”
Box 27, Folder 9

Die Kunstlandschaften Italiens, n.d.

Scope and Content Note

Typescript pp. 20-32 for part entitled, “Romanische Kunst Italiens”; lecture notes used by Keller for the book.
Box 28, Folder 1

Die Kunstlandschaften Frankreichs , 1963

Scope and Content Note

Folder contains newspaper articles from “Frankfurter Allgemeine Zeitung” 1963 in triplicate and “Frankfurter Rundschau” 1963; letter from F. Ganshof 1963.
Box 28, Folder 2

Mon Portrait comme Savant, 1967

Scope and Content Note

27 manuscript pages of an autobiography written in 1967.
Box 28, Folder 3

Michelangelo als Bauplastiker, 1976

Scope and Content Note

35 typescript pages, part of a book published in 1976, includes manuscript annotations.
Box 28, Folder 4

Französische Impressionisten, 1993

Scope and Content Note

Published posthumously. Originally in a folder: “Impressionismus Aufsatz Durchschriften und Handgeschriebenes” and includes typescript chapters: Einführung, Die neue Form, Degas, Monet, Renoir, Zusammenfassung; few manuscript annotations.
Box 28, Folder 5-6

Französische Impressionisten, n.d.

Scope and Content Note

Originally in a box: “Impressionismus Aufsatz Durchschriften” which incudes some typescript but mostly manuscript pages.
Box 29, Folder 1

Kunstgeschictliche Grundbegriffe [Principles of Art History], 1941-1942

Scope and Content Note

Unpublished manuscript, ca. 77 pages, written at Strelnja near St. Petersburg, Dec 1941-Jan 1942. Also includes: two typescript letters from A. Grisebach 1941 and Heinrich Lützeler 1941; small notebook with one postcard contains commentaries on Titian.
Box 29, Folder 2

Original folder title: “Venedig,” 1981

Scope and Content Note

Inside title of folder, “Fassung eines Venedig-Buchs für d. Insel-Verlag 1981) das Ms ist sauber abgetippt (p.1-58).” Includes: 58 pages of typescript for an unpublished book, A History of the Art and Urbanism of Venice with manuscript annotations, followed by manuscript version of the book. [Note from Ulrich Keller (son) stating that the book was abandoned when N. Huse and W. Wolters published their much acclaimed Venice book.]
Box 29, Folder 3

Der Historische Roman, 1979

Scope and Content Note

Fragments of unpublished work on the historical novel with 41 typescript pages. Also includes: notes entitled “der historischer Roman” with offprint from Der historische Roman II: 20. Jahrhundert by Richard Humphrey; notes entitled, “Historischer Roman seit 1987” with a newspaper article, “Schillers Geschichtsbild from Neue Zürcher Zeitung 1979 Jan 27-28; offprint in English of an article by Leo Tolstoy, “Some Words about `War and Peace'” published in Russian Archive, 1868 and translated by Louise and Aylmer Maude, Oxford University Press (1945); offprint “Johann Jakob Wilhelm Heinse: Kritische Gesamtausgabe” by Heinrich Mohr.
Box 29, Folder 4

Der Historische Roman, 1989

Scope and Content Note

Manuscript with annotations for Keller's unpublished book. The manuscript is written on notepaper with many personal letters, announcements, invitations and letters from publishers on the verso, as well as a partial typescript section, “Anstatt eines Vorwort” für Gerard E. Gaspary zum 10 Jan 1989, an autobiographical preface.
Box 29, Folder 5

“Wesen und Entstehung des historischen Romans / Festschrift für Joachim Fest, J. 60, Feb. Berlin 1986 `Von Geschichte Umgeben p.93-148' Siedler-Verlag,” 1985-1986

Scope and Content Note

Includes manuscript introduction for projected book on historicizing novels in the 19th century and chapters entitled, Conrad Ferdinand Meyer; Witiko; Balzac; Stendahl; Karthäuse von Parma; Scheffels Ekkehard; Lichtenstein; Promessi sposi 11. Seitiger Text plus Beilagen, with article by Karl Korn, “Freigeist, Konvertit, Dichter der italienischen Nation” from the Frankfurter Allgemeine 1985; loose manuscript pages; eleven offprint pages with manuscript annotations.
Box 30, Folder 1

“Cortona Notizen,” 1961

Scope and Content Note

Includes four photographs and notes for article on Pietro da Cortona by Keller, published in 1961.
Box 30, Folder 2

“Degas-Studien,” 1979

Scope and Content Note

Published offprint by Keller with manuscript annotations from Staedel-Jahrbuch NF VII, 1979, pp.271-295.
Box 30, Folder 3

“Die Entwicklung des gotischen Schnitzaltars,” n.d.

Scope and Content Note

Typescript 12 page essay by Keller.
Box 30, Folder 4

“Das Stadtbild von Florenz im Zeitalter Dantes,” n.d.

Scope and Content Note

Typescript 19 page essay by Keller.
Box 30, Folder 5

“Guido Reni und Europa” 1988 Dec 24.

Scope and Content Note

Duplicate photocopy of article written by Keller on an exhibition in Frankfurt, from the Frankfurter Allgemeine Zeitung.
Box 30, Folder 6

“Harald Keller über Harald Keller,” 1987

Scope and Content Note

6 typescript pages and 7 manuscript pages written for a column called “Geisteswissenschaften” in the Frankfurter Allgemeine and the letter by Henning Ritter 1987, requesting Keller write the column.
Box 30, Folder 7

“Michelangelo und die Toskana,” n.d.

Scope and Content Note

4 typescript pages by Keller.
Box 30, Folder 8

“Zum Sogenannten Reliquienschrein Ottos des Grossen in Quedlinburg,” 1987

Scope and Content Note

Published offprint by Keller from the Dumbarton Oaks Papers no. 41.
Box 30, Folder 9

“Manuskript, Einleitung zu einer Geschichte des florentiner Domplastik,” 1945

Scope and Content Note

Includes the words [translated], “Written in early summer 1945 in Planegg to keep my mind occupied. There were no books at my disposal. This must not be published [underlined].” Includes: manuscript essay with annotations on the history of sculptures in the Florence Cathedral.
Box 30, Folder 10

“Patrozinien,” n.d.

Scope and Content Note

Manuscript notes for an article on patron saints.
Box 30, Folder 11

“Ereignisbild,” n.d.

Scope and Content Note

22 page duplicate typescripts with manuscript annotations and one manuscript copy of unpublished article for Reallexikon zur deutschen Kunstgeschichte, later subsumed in the article “Historienbild,” on representations of historical events in art.
Box 30, Folder 12

“Deutsches Rokoko,” 1963

Scope and Content Note

21 page duplicate typescripts and one manuscript copy of article by Keller, published with a collection of essays by various authors in 1963.
Box 30, Folder 13

Untitled typescript, n.d.

Scope and Content Note

Partial, 3 page typescript from an unidentified manuscript; from an unidentified essay, pages 52-54 of an offprint with the manuscript words, nicht drucken and pages crossed out in red.
Box 30, Folder 14

Festschriften and memorial addresses, 1958-1985

Scope and Content Note

Published offprint from the Festschrift for the architect, Gerhard Kleiner, by Keller, “Zur Clemens-Tumba des Bamberger Doms and 2 four page typescripts by Keller in memorium, and in duplicate, a memorial address 1978 May 3;Hans Jantzen lecture commemorating his 100th birthday delivered at the Wissenschaftl. Gesellschaft in Freiburg im Briesau, 1981 May 14; 6 page typescript Festschrift for Ludwig Klages on his 60th birthday by Wilhelm Pinder with manuscript page of notes by Keller; published offprint, memorial article by Keller commemorating Hans Sedlmayr from Jahrbuch der Bayerischen Akademie der Wissenschaften 1985; 3 page typescript memorial address, in duplicate, on the death of Otto Vossler, faculty member at the Frankfurt, Johann Wolfgang Goethe Universität, 1987 Dec 29; 10 page typescript eulogy by Keller for Guido Freiherr von Kaschnitz-Weinberg, first director of the German Archeological Institute in Rome, delivered as an introductory lecture 1958 Nov 3; 13 manuscript pages by Keller about Rudolf Kautzsch.
Box 31, Folder 1-2

Original folder title: “Bildnis, Reliquie” [Portraits, Reliquary], 1949-1984

Scope and Content Note

contains 12 sets of manuscript notes used by Keller in articles and speeches. The sets are entitled, Römische Baukunst 18Jhd., Juvara, Ephesos, Entstehung des Kunstplastik um 1000: Reliquien (includes letter by A. Ress about reliquaries, 1956 and two letters by H. Schnitzler with responses to Keller's inquiries about reliquaries, 1949; Römische Brunnen (includes letter from Bibliotheca Hertziana with responses to Keller's inquiries about fountains, 1984; Entstehung des verkleidetes Bildnisse, Entstehung des frühmittelalterliche Bildnisse Exzerpte (includes two newspaper clippings on Keller's lectures on the development of portraiture from the Stuttgarter Nachrichten, 1955 and the Stuttgarter Zeitung undated), Verkleidetes Bildnisse, Architektur-Reliquien (includes newspaper clipping on reliquaries in the Braunschweiger Dom from Kirchenzeitung Hildesheim, 1966; photocopy of article “Die Reliquienfunde in St. Godehard zu Hildesheim” by H. Engfer with copy photographs; letter from Ludwig Falkenstein about reliquaries, 1972; letter from Klaus Wessel about reliquaries, 1972; letter from Erich Bachmann about buildings in Bohemia, 1972; Die Schaustellung der Reliquie in Reliquiar (includes postcard), Büsten-Reliquiare aus Holz 13 Jhd. (includes letter from Theodor Müller, 1954; list of Italian metal head and bust reliquaries from the end of the 12th century to ca. 1525).
Box 31, Folder 3

Sets of notes for public lectures, 1929-1967

Scope and Content Note

Lecture 1929 with list of 18 slides; Deutsche Barockplastik delivered in Lübeck, 1930; Porträts am ende d. Hochmittelalters delivered at University of Frankfurt, 1935; Deutsche und italienische Kunst, 2 letters 1938; Deutsche und italienische Kunst im Mittelalter delivered in Elberfeld, 1940; Deutsche und italienische Kathedralplastik delivered in Munich, 1940 and in Stuttgart, 1941; Entstehung des monumentalen Kultbildes um das Jahr 1000, Eröffnungsvortrag d. Nymphenberger Kongress 1949, (contents: 13 manuscript pages for the opening lecture on origins of monumental religious sculpture at the German Art Historical Convention, Munich 1949; typescript letters from Rolf Fritz 1950, Paul Pieper 1949, A. Ress 1953, Albert Verbeek 1952, Hans Wetzel 1949, all referring to art objects and concepts stemming from the above presentation; manuscript page from the “Bulletin de la Société des antiquaires de la france, 1928” referring to the dating of the statue of Sainte Foy de Conques); Arbeitsvergang (?) in der mittelalterliche Werkstatt delivered in Freiburg in Briesau, 1951 and Switzerland, 1951 with list of 48 slides; welcoming speech delivered at the reopening of the Deutschen Kunsthistorischen Instituts in Florenz on 1953 Oct 7 in duplicate typescript; Die Baukunst d. italienische Renaissance delivered in Ludwigshafen, 1954 with list of 39 slides; Das Bildniss in Frankreich delivered in Karlsruhe, 1956 with list of 47 slides and a bibliography; lecture 1958; Das französische Bildniss in 19.Jhd. delivered in Karlsruhe, 1959 with list of 44 slides; Die Kunstlandschaften Frankreichs delivered in Aachen, 1961 with list of 44 slides; Die französische Revolution u. die Kunst ihre Zeit delivered at Bremen Rathaus, 1962 with list of 37 slides; Süditalien als Kunstlandschaft delivered at Schloss Morsbroich, Kunstverein Leverkusen, 1967.
Box 31, Folder 4

Original folder title: Goethes Hymnus, 1972-1988, n.d.

Scope and Content Note

Goethes Hymnus auf das Strasburger Münster delivered Karlsruhe, 1972 with list of 30 slides; Kunstlandschaften delivered at University in Bern, 1976; Denkmalpflege in der DDR delivered at Ambassador's Club in Frankfurt, 1976; Europäische Hofkultur des 17. Jahrhunderts delivered at Herzog August Bibliothek in Wolfenbüttel, 1979; Piranesi, Eröffnung d. Ausstellung bei Rumbler, delivered at an opening in Frankfurt, 1988; Die Entstehung d. Bilnisses am ende d. hochmittelalters with list of 42 slides; Die italienischen Kunstlandschaften with list of 48 slides; Die Entstehung d. bildnisse am ende d. Hochmittelalters with list of 41 slides; Caravaggio with list of 44 slides; Jan Liss; Goethe und die Kunst das Mittelalters delivered in Santa Barbara, CA; unidentified and undated set of lecture notes including a page on Rubens.
Box 31, Folder 5

Original folder title: “Paulus in Rom /... ne nimis praevaleat S. Petrus Apostolus,” n.d.

Scope and Content Note

Includes Keller manuscript descriptions of 42 printed plates, partially annotated.
Box 31, Folder 6

Original folder title, “Dissertations - Habilitationsgutachten,” 1953-1962

Scope and Content Note

Includes 20 Keller dissertation evaluations for university lecturers.
Box 31, Folder 7

Original folder entitled, “Bremer Presse, W. Wiegand,” 1951-1962

Scope and Content Note

Includes material related to Keller's friend, W. Wiegand and his publishing house, Bremer Presse. Folder includes: published offprint of memorial address by Rudolf Alexander Schröder, “Zum Tode Willy Wiegands” with document establishing the founding of the Bremer Presse [publishing house] and announcement by Hugo von Hofmannsthal from Philobiblon, Jahrgang VI Heft 2 (1962); published offprint by R.A. Schröder, “Von meinen Bemühungen um das schüne Buch” from Imprimatur, Band X (1951); published offprint by Willy Wiegand, “Die Bremer Presse und ihre Arbeitsweise” from Imprimatur Neue Folge, Band III (1962); published offprint by G. Schauer (?) about the Bremer Presse from Deutsche Buchkunst 1890-1960, Band I; published offprint by Herbert Steiner entitled “Corona” [1962] about the Bremer Presse.
 

Series IV.  Correspondence, ca. 1930-1989

Physical Description: .5 lin. ft.

Scope and Content Note

Letters to and from art historians and other colleagues, with several files of letters from with Richard Krautheimer (1948-1988). Eleven letters from Keller to Elfriede R. Knauer (1976-1989) are sealed until 2019.
Box 32, Folder 1

Eleven letters, 1974-1988

Scope and Content Note

Letters from Christoph Luitpold Frommel, [architectural historian at the Bibliotheca Hertziana (Rome)] to Keller.
Box 32, Folder 2

Eight letters and one postcard,1948-1968

Scope and Content Note

Letters from Richard Krautheimer [art historian], 1948-1968
Box 32, Folder 3

Seventeen letters, 1970-1979

Scope and Content Note

Letters from Richard Krautheimer includes one letter between the wives.
Box 32, Folder 4

Eighteen letters, 1980-1983

Scope and Content Note

Letters from Richard Krautheimer, 1980-1983, include eulogy Krautheimer delivered at the death of Wolfgang L. and a special letter of congratulations to Keller's 80th birthday.
Box 32, Folder 5

Nineteen letters, 1984-1986.

Scope and Content Note

Letters from Richard Krautheimer, 1984-1986
Box 32, Folder 6

Twelve letters, 1987-1988

Scope and Content Note

Letters from Richard Krautheimer 1987-1988. In addition to letters written to Keller, includes letter to Keller in memorium, 1990, read by Christoph L. Frommel at the Schloss des Kunsthistorischen Kolloquiums. Five manuscript pages written by (Krautheimer?) as an introduction to unpublished book by Keller, Blick von Monte Cavo.
Box 32, Folder 7

Seventeen pieces of correspondence, 1943-1987

Scope and Content Note

Markus Bierich? 1987; Wolfgang Braunfels 1953, 1983; Georgette Capellmann 1961; Inge Eichler, with design for print, Christmas / 1974; Josef Fleckenstein 1984, 1984; Heinz Friedrich 1986; Billy Haynes 1985-1986; Elisabeth Herget, 1987; Ludwig Heinrich Heydenreich 1943, 1961, 1977.
Box 32, Folder 8

Nineteen pieces of correspondence, 1975-1987

Scope and Content Note

Eduard Hüttinger 1984; Erik Jayme? 1985; Len Kaschnitz 1986; Ernst Kitzinger 1984, 1986; Gerhart Ladner 1976, 1985; Karla Lanckoronska 1985 (postcard); Rudolf Lenner? 1985; Herbert Lepper 1985; Heinrich Magirius 1984; Hans Martin 1983; Norbert Miller 1975; Monogram K.H.? undated; Theodor Müller 1979, 1984, 1987.
Box 32, Folder 9

Fifteen pieces of correspondence, 1967-1989

Scope and Content Note

Wilhelm Schlink 1981, 1984, 1985, 1989; Daniel Schlumberger 1967-1968 Hans Sedlmayr 1969, n.d.; Herbert Siebenhüner 1966; Gisela Strasburger 1985; Rolf and Monica Stucky 1972, 1989.
Box 32, Folder 10

Ten pieces of correspondence, 1979-1990

Scope and Content Note

Suhrkamp Verlag 1985; Helmut Viebrock 1987; Hans Weirauch (double postcard) 1979; Conrad Wiedemann 1984, 1989; Rudolf Wittkower 1971; Wolfgang Wolters 1981, 1985, 1986; letter to Gerda Keller from Klaus Sch? [signature illegible], Tübingen University, regrets being unable to attend ceremony commemorating Keller 1990.
Box 32, Folder 11

Two envelopes, n.d.

Scope and Content Note

Envelopes entitled: “Düren 1830” with coat-of-arms and “Postkutsche”.
Box 32, Folder 12

Sealed correspondence, 1976-1989

Scope and Content Note

Letters from Keller to Elfriede R. Knauer (Philadelphia), 11 letters. Sealed until 2019.