Scope and Content
Title: TOBY COLE ARCHIVES
Date (inclusive): 1950-1979
Collection number: D-055
Origination: Cole, Toby
Extent: 26.25 linear feet in 20 boxes
University of California, Davis. General Library. Dept. of Special Collections.
Shelf location: For current information on the location of these
materials, please consult the Special Collections Department.
Purchase of the Toby Cole Archives was made possible by the University of California
Systemwide Shared Purchase Program and a gift from the UCD Library Associates. The
Archives was purchased in 1981 from Toby Cole through Andreas L. Brown (Gotham Book Mart
and Gallery, Inc., New York City).
Collection is open for research.
The Library can only claim physical ownership of the Toby Cole Archives. It is impossible
for us to determine the identity of possible claimants of literary property.
Responsibility for identifying and satisfying such claimants must be assumed by users
wishing to publish the materials.
[Identification of item] TOBY COLE ARCHIVES, D-055, Department of Special Collections,
General Library, University of California, Davis.
(Marion Cholodenko) was born in Newark, New Jersey, on January 27, 1916. She graduated
South Side High School, Newark, 1933. Later she attended New Theatre School, New York
Cole developed an interest in theatre at an early age, and embarked upon her theatrical
career under the auspices of The Workmen's Circle, a Jewish socialist fraternal
organization. From 1938 to 1956, she demonstrated her penchant for socially committed
theatre, participating in such groups as The Newark Jack London Club, The Newark
Collective Theatre, The New Theatre League School, and the Federal Theatre Project. She
also served as assistant to the producer on Broadway productions of
Finian's Rainbow, and as producer for
Children's Holiday Theatre in New York.
With this considerable experience behind her, Cole established an actor's agency in 1957,
operating from an office in the Sardi Building. Zero Mostel, whom she represented for
many years, was her first "star." With the founding of the Toby Cole Actors and Authors
Agency, Cole added playwrights and translators to her clientele. As might be expected,
Cole concentrated on playwrights whose works appealed to the Off-Broadway producers. That
is, she promoted plays that she considered high quality and socially/politically
relevant, thereby introducing to the U.S. such seminal playwrights as Sam Shepard, Edward
Bond, and Simon Gray. She also brought to the New York stage translations of foreign
plays by Brecht, Pirandello, and Witkiewicz, among others. Moreover, Cole circulated
plays outside of New York and acted as agent for amateur as well as professional rights.
Cole established residence in Venice, Italy in 1973, but kept her New York office
functioning with the aid of assistants. Since 1985, she has spent considerable time in
Berkeley, California, arranging plays that "speak to the critical issues of our
Acting: A Handbook of the Stanislavsky Method
Acting, (with Helen Krich Chinoy)
Directors on Directing, (with
Helen Krich Chinoy)
Playwrights on Playwriting
Venice: A Portable
Florence: A Traveller's Anthology
Scope and Content
The Toby Cole Archives consists of materials relating Cole's activities as a
theatrical-literary agent based in New York City from 1957 to 1979. These materials
include books, business records, clippings, correspondence, financial papers, legal
documents, photographs, programs, promotional materials, and scripts.
Among numerous scripts are those by Saul Bellow and Sam Shepard. Some of these works are
originals, some are unpublished, and some are in several versions. These plays are
supported by extensive correspondence discussing them and their production.
Correspondence also reveals Cole's arrangements with many other important playwrights and
actors such as William Alfred, John Arden, Eric Bentley, Edward Bond, Bertolt Brecht
(estate), Barbara Garson, Simon Gray, Sam Jaffe, Zero Mostel, and Luigi Pirandello
(estate), among others.
Documentation is also provided by business records containing over 3,000 file cards.
These files give an exact breakdown of royalties and commissions, and, according to Cole,
list every production that she ever arranged.
The legal documents consist primarily of client contracts. There is also a significant
file on actor Zero Mostel regarding a complex litigation between him and Cole.
The archives as a whole offers a remarkable look at the activities of a theatrical