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INVENTORY OF THE GIUSEPPE PANZA PAPERS, 1956-1990
940004  
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Container List

 

Series I.  General files, 1956-1990

Physical Description: 36 lin. ft. 94 boxes

Scope and Content Note

Series I contains correspondence and other material primarily relating to Panza's collection, and also about art and culture in general, filed alphabetically by correspondent or institution. Of particular interest are files pertaining to Panza's attempt to install his collection for the general public in museums and renovated villas and factories throughout Europe and the United States (especially in Mönchengladbach, Düsseldorf, Basel, Castello di Rivoli, Vigevano and his own villa in Varese). These files contain much correspondence with museum directors and curators, architectural drawings, and a very large quantity of installation designs by Panza which record a focused and methodical approach to curating the collection. Concurrent correspondence with Beni Culturali officials, lawyers and others document Panza's legal problems associated with changes in Italian cultural patrimony laws and tax codes, which affected the eventual sale of part of the collection to the Museum of Contemporary Art, Los Angeles (MOCA) in 1984. There is other correspondence with critics, such as Germano Celant and Pierre Restany, and some with collectors, art world personalities and personal friends. Other material documents Panza's affiliations with various cultural associations, institutions and conferences, such as the Amici di Brera and the International Council of Museums (ICOM).
Box 1

AC-AM, includes:

Box 1, Folder 2

Academie de France a Rome, 1989

Scope and Content Note

includes letter from Jean-Pierre Criqui commenting on Turrell's Roden Crater, "the milky way as art" (1989, see Box 306 Art misc. for copy of article), 4 items.
Box 1, Folder 4

Acquisti Gallerie (gallery purchases) 1970-1974, 1988-1989

Scope and Content Note

detailed list of yearly purchases of Minimal and Conceptual art with date of purchase and prices, mostly written by Panza.
Box 1, Folder 6

Allemandi, Umberto & Co., 1983-1990

Scope and Content Note

mostly about Giornale dell'arte, including photocopied corrections for two interviews (1983, 1990) and photocopied Panza responses to "best" and "worst" art events and publications of the year, ca.15 items.
Box 1, Folder 7

Ambasciata (Ambassy) USA, 1976-1989

Scope and Content Note

includes substantial corresp. about finding a home for the collection in Italy, ca.35 items.
Box 1, Folder 10

American Archives (Archives of American Art) 1977, 1984-1986

Scope and Content Note

includes corresp. with Stella Paul about Christopher Knight's interview and housing the archive at the institution, ca.22 items.
Box 2

AR-ASSI

Box 2, Folder 1-2

Architetti, 1976-1979, 1981-1988

Scope and Content Note

contains miscellaneous correspondence with architects, announcements, invitations, business cards, ca.80 items.
Box 2, Folder 3

Architetto Emilio Battisti, Florence, 1981

Scope and Content Note

photocopied typescript "Il museo d'arte comtemporanea: immagine e filosofia di una istituzione."
Box 2, Folder 4

Archivio, 1980-1986

Scope and Content Note

material relating to this archive, such as annotated inventory lists (1980, 1983, 1985), photo order receipts, Giulio Panza's time sheets (1985), some correspondence, ca.55 items.
Box 2, Folder 5

Arte Africana, Centro-UIA, 1980-1982, 1984-1990

Scope and Content Note

includes correspondence about meetings and "letter of information," and membership lists, ca.35 items.
Box 2, Folder 6

Arte Africana, Franco Monti, 1988

Scope and Content Note

Collection appraisal.
Box 2, Folder 7

Arte Africana, 1981-1990

Scope and Content Note

mostly announcements and invitations, and includes photographs of the collection, ca.40 items.
Box 2, Folder 8

Arte nei Comuni, 1980-1984

Scope and Content Note

mostly correspondence about public art in peripheral areas of Milan with project descriptions, ca.16 items.
Box 3, Folder 1-3

ASSOCIAZIONE DIMORE STORICHE-ADSI, 1978-1990

Scope and Content Note

Substantial quantity of newsletters, and also other material in the form of financial reports, membership lists and correspondence concerning conferences and itineraries, ca.60 items.
Box 4

ASSOCIAZIONI

Box 4, Folder 1

Amici del Poldi Pezzoli, 1972-1990

Scope and Content Note

includes membership cards, program announcements and membership list, ca.45 items. [see also Series V, Box 223 for information on Museo Poldi Pezzoli].
Box 4, Folder 2

Italia Nostra, 1972-1990

Scope and Content Note

includes membership cards, correspondence about meetings and visits to Varese, program announcements and 2 newsletters, ca.37 items.
Box 4, Folder 3

Japan Art and Culture Association (JACA) 1982-1987

Scope and Content Note

includes correspondence with Nobuo Nakamura and Fumiko Noro regarding Panza visit to Japan, ca.42 items.
Box 4, Folder 4

Société des Amis du Musée National d'Art Moderne, 1981-1982, 1988-1990

Scope and Content Note

mostly announcements and invitations to meetings (with schedules) and events, ca.30 items.
Folder 5

ASSOCIAZIONI, ca. 1970-1990

Scope and Content Note

much from Associazione Amici del Museo Nazionale della Scienza e della Tecnica, Associazione Amici di Arturo Marini and Associazione Amici dei Musei Civici di Varese ca.50 items.
Box 5, Folder 1-3

ASSOCIAZIONI, 1975-1990

Scope and Content Note

miscellaneous material mostly from Italian cultural associations, including a substantial quantity of announcements and correspondence about a variety of topics, such as visits to Varese, lectures, events, invitations, etc.; ca.140 items.
Box 6

AT-AV, includes:

Box 6, Folder 1

Attrezzature (outfitters)

Scope and Content Note

includes informational brochures, leaflets, receipts and notes by Panza on various materials for making art.
Box 6, Folder 3

Avvocato Erede, 1983, 1985

Scope and Content Note

copies of material contained in Series V, Box 203, and other MOCA files about the sale of the collection, ca.25 items.
Box 6, Folder 4

Avvocato Fresa, 1979-1985

Scope and Content Note

letters about legality of long-term loans of Conceptual art, re-importation problems of 2 Serra works, long-term loans to Mönchengladbach, Düsseldorf and Basel and taxation issues surrounding the sale of works to Museum of Contemporary Art, Los Angeles (MOCA), ca.15 items.
Box 6, Folder 5

Avvocato Petretti, 1979-1981

Scope and Content Note

letters regarding legal problems of long-term loans of African art from Italian collectors to Italian museums without the works receiving a cultural heritage designation and being taxed upon removal, and contributions to research on counterfeit art with a report, ca.13 items. [see also Brera, Box 18 for more on this problem and Basilea, Box 11 for more with Petretti].
Box 7, Folder 1-4

AUGURI VARI, BIGLIETTI, greetings, 1970-1987

Scope and Content Note

Christmas and New Years cards, letters and notes from museum directors, collectors and other art world personalities, ca.350 items (Box 8 included).
Box 8, Folder 1-4

AUGURI VARI, BIGLIETTI, greetings, 1987-1990

Scope and Content Note

from museum directors, collectors and other art world personalities. Includes 1988 Christmas card from L.A. Louvre with George Herms print.
Box 9

BANCHE, CREDITO COMMERCIALE

Box 9, Folder 1

Payment Letters, 1959-1960

Scope and Content Note

photocopies of letters submitting checks for payment on mostly personal matters, some with attached receipts.
Box 9, Folder 2-3

Check Stubs and Account Statements, 1961-1983

Scope and Content Note

photocopies of check stubs, many of which are for art purchases; and account statements reflecting money transfers, especially to galleries and artists.
Box 10

BANCHE

Box 10, Folder 1

Banca Popolare di Milano, 1960-1990, bulk 1977-1978

Scope and Content Note

photocopies of account statements and receipts for art related foreign transactions, such as subscriptions, storage, membership dues, and to a few artists.
Box 10, Folder 2

Credito Varesino, 1971-1974

Scope and Content Note

photocopies mostly of check stubs written to gallery owners and artists and account statements.
Box 10, Folder 3

BANCHE, miscellaneous, 1962-1990

Box 11

BASILEA (Basel)

Box 11, Folder 1

Correspondence, 1974-1977

Scope and Content Note

includes extensive correspondence with Franz Meyer, Jean-Christophe Ammann, Maja Sacher, staff of Christoph Merian Stiftung and Paul Jolles about 15 year loan of the collection for the "Environmental Art Museum" and problems between Panza and Fondation Emanuel Hoffmann about display of works; cost analysis and reports for renovating Alte Papierfabrik Stöcklin & Cie.; building program schedules; proposition for displaying works from Panza's collection, Fondation Hoffmann and the Kunstmuseum; letters with small drawings from architect Wilfrid Steib about renovation schemes; and renovation plans; ca.65 items.
Box 11, Folder 2

Correspondence, 1978-1979

Scope and Content Note

contains similar correspondence as above and also letters with various Italian officials and Panza's lawyer Petretti about the Italian government's potential decline of the 15 year loan request, Panza drawings on graph paper for installations and blueprints for a Basel botanical garden; ca.50 items.
Box 11, Folder 3

Correspondence, 1980

Scope and Content Note

with Meyer and others mostly regarding the exhibition, ca.40 items.
Box 11, Folder 4

Correspondence, 1981

Scope and Content Note

includes correspondence with Christian Geelhaar documenting tension over the issue of how the Panza collection should be shown with works from the museum and Fondation Hoffmann (1/13, 2/12, 7/14, 7/27, 9/9); expanding the museum; Geelhaar typescript "Inaugurazine del Museo d'arte contemporanea, 7 Novembre 1981" (also in German), ca.45 items.
Box 11, Folder 5

Correspondence, 1982-1983

Scope and Content Note

includes some correspondence and other material from Goethe-Stiftung, Basel, about Rembrandt and Hans Arp Prizes (see also Box 68 Rembrandt Prize), letter with questions concerning building of museums from Christiane Schreiter and Panza's response, Italian translation of Geelhaar's article "Museum für Gegenwartskunst, Basel" and list of Panza works still in Basel (1983), ca.30 items.
Box 12

BASILEA (Basel)

Box 12, Folder 1

Correspondence, 1984-1986

Scope and Content Note

includes copies of lists of works returning from Basel (1983), note from Ammann (9/18/84) about the discordance between political and cultural visions in response to Irene Borger's article in Wall Street Journal (see also Box 164), letter to Meyer with Panza's thoughts on the Fondation Hoffmann's recent acquisitions (1/12/85), loan requests, announcements and invitations, ca.30 items.
Box 12, Folder 2

Correspondence, 1988-1990

Scope and Content Note

includes list of works still stored at Basel (3/22/90), 7 items.
Box 12, Folder 3

Loan, 1976-1977, 1980

Scope and Content Note

includes correspondence from Meyer with lists of works to be on long-term loan, also copied shipping documents, ca.14 items.
Box 12, Folder 4

Loan contracts, 1978, 1980

Scope and Content Note

includes 2 with Panza annotations (1978), 1 signed by the Panzas and Meyer (1980) and list of works, 8 items.
Box 12, Folder 5

Export Documents, 1980

Scope and Content Note

photocopies.
Box 12, Folder 6

Journals, 1976-1980

Scope and Content Note

includes typescript translation of Annemarie Monteil's "Il suo museo: luogo di piacere, di vita" published in National-Zeitung Basilea (1976), proposal concerning preparations for the Basel project (6/7/77), typescript of "En remerciement" by Panza (1980), Kunst-Bulletin 2 (Feb. 1980) and announcements, ca.15 items.
Box 12, Folder 7

Exhibition Studies, 1977

Scope and Content Note

includes 8 architectural drawings, drawings on tracing paper of floorplans, detailed Panza suggestions for lighting, floors, walls, etc., drawings on graph paper of installations and 2 letters to architect Steib.
Box 12, Folder 8

Installation Designs, 1977

Scope and Content Note

blueprints of rooms (1977) and installation designs (n.d.), 49 photographs of Kunstmuseum Basel's collection and "Die Sammlung der Emanuel Hoffmann-Stiftung" catalog.
Box 12, Folder 9

Installation designs: new drawings, undated

Scope and Content Note

installation designs, some with Panza annotations, and 2 sheets of graph paper with drawings.
Box 13

BASILEA (Basel)

Box 13, Folder 1

Successive Arrangement Studies, undated

Scope and Content Note

drawings of building on graph paper, and copies.
Box 13, Folder 2

Electrical, undated

Scope and Content Note

11 architectural drawings with location of outlets and wattage.
Box 13, Folder 3

Architectural drawings, surroundings, 1979

Scope and Content Note

8 architectural drawings for atelierhaus and another building.
Box 13, Folder 4-5

Exhibition 1980

Scope and Content Note

installation designs, checklists and invitations substantial in quantity.
Box 13, Folder 6

Appraisal, 1983

Scope and Content Note

list of works on loan to Basel with their then current values.
Box 14

BE-BIB (Basel)

Box 14, Folder 1-2

Beni Culturali, law project, 1979-1982

Scope and Content Note

photocopies of "Norme integrative e modificative della disciplina legislativa di tutela dei beni culturali" (1977, 2 copies), "Legge per i beni culturali" (n.d.), law proposals by the organization Italian Nostra (ca.1980), and "Norme aulla tutela dei beni culturali e sulla riorganizzazione del Ministero" (1982).
Box 14, Folder 3

Beni Culturali, law project (comments) 1977-1986

Scope and Content Note

photocopies of "Progetto di legge concernente norme integrative e modificative della disciplina legislativa di tutela dei beni culturali" (1977), Panza typescript "Osservazioni al progetto di legge concernente la disciplina legislativa dei beni culturali, limitatamente ai beni mobili di proprieta' privata" (1981) and clipping with short Panza text (1986).
Box 14, Folder 4

Beni Culturali, correspondence, 1979-1982

Scope and Content Note

mostly with Guglielmo Triches, Director General, regarding donating works to the National Gallery of Modern Art, Rome, and the legal issues regarding African art loans from various collectors to Palazzo Citterio in Milan, 11 items.
Box 14, Folder 5

Beni Culturali, critique, 1985

Scope and Content Note

contains Panza typescript "Critiche alla proposta di legge sui beni culturali," and 3 clippings about government restrictions on exports of Italian cultural heritage.
Box 15

BIUMO (Basel)

Box 15, Folder 1

Azienda Autonoma di Soggiorno, Varese, 1981, 1983

Scope and Content Note

correspondence regarding financial support for the proposed museum at the villa, with Panza offering to donate the works and selling or renting out the villa.
Box 15, Folder 2

Museum Proposal, 1978-1984

Scope and Content Note

much correspondence with officials about making the villa a museum, ca.55 items.
Box 15, Folder 3

Letters from Museums, 1978

Scope and Content Note

various directors sending support for Panza's plans for the villa, ca.30 items.
Box 15, Folder 4

Sopraintendenza Monumenti, 1980, 1982

Scope and Content Note

typescript on villa by Gianni Contessi (1980) and photocopy of property registration documents (1982).
Box 15, Folder 5

Legal documents regarding donation of villa and artworks, 1978-1983

Scope and Content Note

drafts and photocopies of legal documents and some correspondence.
Box 15, Folder 6-7

Foundation Ernesto Panza, 1983

Scope and Content Note

includes documents drawn up by Giorgio Alpeggiani for Panza's creation of a foundation to support the villa as a public museum, Panza notes for donation proposal, correspondence, cost estimates for up-keep on the villa as a study center and description of works.
Box 15, Folder 8

Provincial Cultural Commission, 1983

Scope and Content Note

typescripts of meetings discussing the potential of making the villa a museum.
Box 16

BIUMO

Box 16, Folder 1

Fratelli Panza, 1973-1984

Scope and Content Note

includes report of villa costs from 1973-1983, Panza notes for "considerazioni per respingere la richiesta di divisione della Villa di Biumo," correspondence about shared ownership of villa with his brother and sister (1984).
Box 16, Folder 2

Valuations for art works, 1984

Scope and Content Note

list of values from Castelli, John Weber, Christie's, Konrad Fischer, Heiner Friedrich and Gian Enzo Sperone (1984) of those works to be on display at the villa.
Box 16, Folder 3

Inventory of works returning, 1983-1984

Box 16, Folder 4

Photographs of installations, ca. 1965

Scope and Content Note

78 mostly color photographs of installations, including 6 of 50's and 60's works and of visitors.
Box 16, Folder 5-6

Architectural drawings, 1966, 1977, 1982

Scope and Content Note

27 items, some with markings for areas to be demolished and constructed .
Box 16, Folder 7-9

Correspondence and other papers, 1986-1989

Box 17

BO-BRERA, includes:

Box 17, Folder 1

Bongard, Willy, 1972-1985

Scope and Content Note

includes 3 letters, ca.15 copies of Art Aktuell, photocopy of eulogies from many art world personalities written upon Bongard's death, ca.8 copies of Kunst Kompass and clippings, ca.35 items.
Box 17, Folder 3-5

Brera Amici, 1957-1977, bulk 1977

Scope and Content Note

includes meeting minutes; correspondence with members, Stella Matalon, Secretary, and some with Carlo Bertelli, Sovrintendente, Beni Artistici e Storici; schedules and agendas; financial statements; various reports; and announcements; concerning topics such as renovation of Brera Pinacoteca, acquisitions, exhibitions, officer nominations, publications, fundraising, Panza's tenure as President (1977-1979), organization of a memorial round table discussion for Franco Russoli (1977). Also contains typescript "Patrimonio culturale ed educazione permanente Sensibilizzazione del pubblico al Museo" (1977), ca.110 items [see also Series V].
Box 18

BRERA

Box 18, Folder 1-7

Brera Amici, 1978-1990

Scope and Content Note

similar material and topics as Box 17, but also Russoli prize (1978), discussion of Palazzo Citterio renovation and laws regarding display of African and Oceanic art there (1978, 1980, see also Box 6, Avvocato Petretti), and monetary dispute over insurance and shipping of "d'après" works to Museé d'Art Decoratif. 1982-1990 files mostly have program listings and reports of activities.
Box 19

CAB-CAS, includes:

 

Caboto (file missing as of Jan 1995).

Box 19, Folder 1

Capp Street Project, 1984-1986, 1989

Scope and Content Note

8 items.
Box 19, Folder 4-7

Casse Biumo, 1977, 1985, 1988

Scope and Content Note

contains photocopies of lists of numbered crates with contents and locations, and also lists of document situation (i.e. certificates) relative to works in the collection.
Box 20

CELANT

Box 20, Folder 1

Correspondence, 1971-1989, undated

Scope and Content Note

mostly regarding production of the 1980 catalog of the collection, but also about loans for 1970 Turin show on Conceptual art, requests for photographs for various articles, monographs and lectures, and finding a permanent home for the collection, also contains a photocopy of Celant ms "Dall'alta trainer alla subway," ca.35 items.
Box 20, Folder 2-3

Catalog, ca. 1980

Scope and Content Note

contains photocopies of 1980 catalog with corrections by Panza [N.B. Museum of Contemporary Art, Los Angeles (MOCA) has updated the titles and dimensions of many of the works they now own.]
Box 21

CEN-CER, includes:

Box 21, Folder 1

Centri Culturali, 1971-1990

Scope and Content Note

announcements and invitations from various cultural centers, ca.50 items.
Box 21, Folder 2

Centre International d'Expèrimentation Artistique Marie-Louise Jeanneret, Boissano, 1974-1981, 1985

Scope and Content Note

correspondence with Jeanneret about choosing artists for the residence program and committee meetings, ca.20 items.
Box 21, Folder 3

Circolo Culturale Carlo Perini, Milano, 1978-1990

Scope and Content Note

includes meeting agendas, event announcements and material from Antonio Iosa, President, concerning a public debate "Arte contemporanea ed utilizzazione degli spazi pubblici" (1982), ca.28 items.
Box 21, Folder 4

Centro Pio Manzù, 1968-1986

Scope and Content Note

correspondence mostly about monetary contributions, ca.21 items.
Box 22

CHRISTIE'S

Box 22, Folder 1

Proposed Sale 1983-1984

Scope and Content Note

notebook of material received November 1983 about dispersement of works now at Museum of Contemporary Art, Los Angeles (MOCA).
Box 22, Folder 2

Papers regarding possible sale, 1982-1990

Scope and Content Note

includes some correspondence with Martha Baer and others regarding possible sale, with price estimates, and many sale announcements, ca.75 items.
Box 23, Folder 1-3

CIMAM (Comité International des Musées d'Art Moderne) 1977-1982, 1987-1990

Scope and Content Note

correspondence, meeting schedules and agendas, membership lists, summary reports of meetings, especially concerning 1979 conference "Pour une architecture des musées d'art moderne," at which Panza contributed a paper, and photocopies of papers given at 1979 and 1990 conferences.
Box 24

COL

Box 24, Folder 1

College of Design, Pasadena (i.e. Art Center College of Design) 1985-1986

Scope and Content Note

includes correspondence, 28 photographs and 2 architectural drawings pertaining to loans for sculpture garden.
Box 24, Folder 2-5

Collezionisti, 1966-1969, 1972-1983

Scope and Content Note

letters, notes and postcards from collectors, curators and others such as Robert Scull (1966), Seth Siegelaub (1969, 84-85), Joseph and Emily Pulitzer (1973), Franz von Bayern (1976-80), Peter Shelton (1980), Marcia Weisman (1981, 82, 86), Arthur Sackler (1981-82) and Charles Saatchi (1984-85) mostly arranging visits to the villa or sending thank you's, ca.300 items, arranged chronologically (see also Box 25).
Box 25

COL-CONV, includes:

Box 25, Folder 1-2

Collezionisti, 1984-1988, 1990, undated

Scope and Content Note

Letters and printed ephemera from collectors, curators.
Box 25, Folder 3-4

Colombo, Giorgio, 1986-1988

Scope and Content Note

mostly invoices for photo reprints, and printout list of negatives with some bibliographic info and many annotations.
Box 25, Folder 5

Comune di Milano, 1987-1990

Scope and Content Note

invitations, ca.36 items.
Box 25, Folder 8

Contemporary Arts Center, New Orleans, 1988-1989

Scope and Content Note

material regarding Sweet Arts Ball, and correspondence with Adolfo Nodal.
Box 25, Folder 9-11

Convegni-Converenze, 1967-1968, 1975-1981

Scope and Content Note

these three folders and Boxes 26-27 include correspondence, invitations, programs, manuscripts, typescripts and photocopied typescripts of talks given by Panza (many not found in Series III. Writings) and others. Also clippings, most notably of XVI and XVII Convegno Internazionale artisti, critici e studiosi d'arte, Rimini-Urbino (1967-1968), Circolo Turati, Genoa, "Quale Museo" (1980).
Box 26, Folder 1-7

CONVEGNI-CONFERENZE, 1982-1987

Scope and Content Note

Includes 2nd Convegno Internazionale di Museologia, Florence (1982): "Bilancio dell'arte negli anni '60-'70 dall'effimero al museo, Varese (1982); Comune di Varese "La Strutture della visualità" (1983); Le Centre Culturel les Fontaines "Culture et Mecenat" (1987).
Box 27, Folder 1-5

CONVEGNI-CONFERENZE, 1988-1990

Scope and Content Note

Includes World Arts Forum, Geneva (material 1990, event 1991).
Box 28

COS-DED

Box 28, Folder 1

Costi - Valori, 1976, 1987

Scope and Content Note

list of works purchased prior to 1976 with prices paid and Sotheby's appraisal list 1987.
Box 28, Folder 2

CRA, Los Angeles (Community Redevelopment Agency), 1985

Scope and Content Note

material about installing the collection downtown, such as correspondence with Marc Pally, discussion draft and photocopied plans of downtown, 1985.
Box 28, Folder 3-6

Critici, 1962-1988

Scope and Content Note

includes correspondence with critics and authors, such as Andrew Forge (1965), Bruce Kurtz (1971-72, 74), Lawrence Alloway (1973), Achille Bonito Oliva (1974), Tommaso Trini (1975, 81-82), Edgar Kaufmann, Jr (1976), Robert Rosenblum (1976), Marcia Tucker (1977, touching on her departure from the Whitney and plans for the New Museum), Peter Iden (1978) and Palma Bucarelli (1982) regarding article and monograph developments, photo permission requests, visits to the villa, Panza's museum programs, etc., ca.150 items.
Box 28, Folder 7

Curriculum Giuseppe Panza, ca. 1984-1985

Scope and Content Note

written chronology of Panza's collecting activities.
Box 28, Folder 8

Daco Verlag, 1974-1975, 1984-1985

Scope and Content Note

contains mostly correspondence with Günter Bläse and contracts regarding unpublished book "Hommage to Panza.".
 

Dediche (file missing as of Jan 1995).

Box 29

DEM-DR

Box 29, Folder 1

De Menil, Christophe and Dominique, 1975-1987

Scope and Content Note

ca.12 items.
Box 29, Folder 2

Depositi, 1975, 1978, 1982

Scope and Content Note

lists of works in storage, and their values, at Züst Ambrosetti (1975) and Punto Franco (1978, 1982).
Box 29, Folder 3

Documenta, Kassel, 1983

Scope and Content Note

includes photocopied "concept papers" and artistic director proposals by Celant, Wulf Herzogenrath, Kasper Koenig, Edy de Wilde, Armin Zweite, Michael Compton, among others, for Documenta VIII (1987), discussed in two separate meeting sessions, both held in 1983.
Box 29, Folder 4

Drawings Situation 11 Aug 1985

Scope and Content Note

photocopies of lists of drawings in the collection divided into categories of certificates, executive and complementary, and for sale and not for sale.
Box 30

DÜSSELDORF

Box 30, Folder 1-3

Werner Schmalenbach correspondence (Director of Kunstsammlung Nordrhein-Westfalen) 1973, 1976-1984

Scope and Content Note

very extensive, mostly about negotiations with Düsseldorf and Mönchengladbach for long-term loans of those works now at Museum of Contemporary Art, Los Angeles (MOCA) with many discussions of Panza's legal troubles; and 1980 exhibition; ca.110 items (see also Box 58, Mönchengladbach).
Box 30, Folder 4-7

Stadt correspondence, 1973-1986

Scope and Content Note

with Bernd Dieckmann, Beigeordneter Oberstadtdirektor Landeshauptstadt, Jürgen Harten, Director of Städtische Kunsthalle, Wend von Kalnein, Director of Kunstmuseum, and others, regarding long-term loans of Minimal and Conceptual art, installation designs, 1980 exhibition and catalog, and also contains transcriptions of meetings with some of the above about Panza's "Modern Painting Trust" and other loan issues (1976-77), and contract copies (1976-1978), ca.140 items.
Box 30, Folder 8

Exhibition 1980

Scope and Content Note

mostly checklists and installation designs.
Box 31

DÜSSELDORF, includes:

Box 31, Folder 1-3

Studies and installation designs

Scope and Content Note

mostly architectural drawings (ca.30) and Panza drawings on graph paper for Stadt museum and Kunstsammlung Nordrhein-Westfalen.
Box 31, Folder 4-5

Contracts, 1975-1978

Scope and Content Note

copies, drafts and modifications with the Stadt (ca.1977-1978) and Kunstsammlung Nordrhein-Westfalen (1975, 1978).
Box 31, Folder 6

Expense receipts, 1980-1981

Scope and Content Note

with paid statements from Banca Popolare di Milano for various expenses.
Box 32, Folder 1-10

EDITORI, 1967-1988

Scope and Content Note

correspondence with publishers, magazine editors and authors, about various editorial topics, such as photograph permission requests, journal articles on Panza, subscriptions, etc. Also includes a small quantity of Panza mss., catalogs and other printed ephemera.
Box 33, Folder 1-4

EDITORI, 1989-1990, undated

Scope and Content Note

Correspondence with publishers, editors.
Box 34

EN-ES, includes:

Box 34, Folder 3

Environmental Art Museum, correspondence, 1970-1979

Scope and Content Note

letters from Carter Brown, Lawrence Alloway, Pontus Hulten, Robert Murdock, Maurice Tuchman, Franz Meyer, Martin Friedman, Brydon Smith, Palma Bucarelli, John Pulitzer, Jr., and others responding to Panza's offer of long-term loans, ca.40 items.
Box 34, Folder 4

Environmental Art Museum, plans

Scope and Content Note

10 architectural drawings, 4 installation designs and photocopied clippings on Panza's plans.
Box 34, Folder 5-6

Environmental Art, clippings

Scope and Content Note

photocopies of articles on environmental art and artists, with many about Meg Webster, Larry Bell, Robert Irwin and James Turrell.
Box 34, Folder 7

Esportazione Temporanea, 1978-1979

Scope and Content Note

photocopied correspondence with Italian officials concerning exportation of works for 15 year loans to Mönchengladbach and Basel.
Box 35

EU-FAI

Box 35, Folder 1

Eustorgio, San, 1970-1972

Scope and Content Note

meeting reports, 6 architectural drawings and Milan city maps concerning the renovation of San Eustorgio for a contemporary art museum.
Box 35, Folder 2

Evaluation Nov 1985

Scope and Content Note

approximate value of minimal and conceptual works.
Box 35, Folder 3-4

FAI (Fondo Ambiente Italiano) 1977, 1979-1990, undated

Scope and Content Note

includes correspondence, some concerning proposed Biumo museum, newsletters, meeting agendas, announcements, invitations, etc., ca.80 items.
Box 36

FAI-FAT

Box 36, Folder 1-4

Fair (Int'l Contemp. Art Fair, L.A.) 1987-1990

Scope and Content Note

includes substantial quantity of announcements, invitations, event schedules, advisory board meeting minutes and agendas (Panza was a member), correspondence with and memos from Brian Angel and other organizers, photocopied press clippings, press releases, and some material from Art London.
Box 36, Folder 5

Fatture Personali, 1976-1990

Scope and Content Note

photocopies of receipts and invoices for money exchanges, doctor visits, hotel stays, etc.
Box 36, Folder 6

Fatture miscellaneous, 1959-1990

Scope and Content Note

includes photocopies of receipts and invoices for photographers, postal service and shipping, electric appliances and lighting fixtures, life insurance, etc.
Box 37, Folder 1-4

FELLOWS OF CONTEMPORARY ART 1980-1990

Scope and Content Note

Includes correspondence with Arthur Chester regarding visit to Hughes Aircraft Spacecraft Integration and Test Laboratories (with 24 photographs) and others regarding trips, meetings and membership, and also contains trip schedules and journals, meeting notices, project and event updates.
Box 38, Folder 1-3

FIDAM (Federazione Italiana Amici dei Musei) 1978-1990

Scope and Content Note

Extensive material includes meeting agendas, reports and minutes; conference schedules; letters from President Raffaello Torricelli; programs; project updates; etc.
Box 39

FIDE-FONDAZIONI, includes:

Box 39, Folder 1

Fidejussione (suretyship) 1972-1974, 1978-1979

Scope and Content Note

loan documents.
Box 39, Folder 2

Fiere (fairs) 1979-1990

Scope and Content Note

mostly material from Arte Contemporáneo (ARCO), Madrid, 1987, where Panza gave a lecture.
Box 39, Folder 3

Fischer, Hervé (stamp artist) 1976, 1980-1981

Scope and Content Note

includes letter with questionnaire on verso concerning "La Mort des Avant-Gardes," photocopy of Panza's 3 page response and mail art postcard, 8 items.
Box 39, Folder 5

William Keck Foundation, 1985-1988

Scope and Content Note

mostly correspondence with William Banks and Mrs. Keck and contract drafts concerning potential purchase of the minimal and conceptual works (1986).
Box 39, Folder 7

Fundació Joan Miró, 1983, 1987-1990

Scope and Content Note

mostly announcements and invitations, but also some pieces of correspondence regarding exhibiting the collection, ca.50 items.
Box 40

FONDAZIONI

Box 40, Folder 1-2

Fundacio Caixa de Pensions, 1986-1990

Scope and Content Note

announcements, invitations and newsletter "Informatiu," ca.45 items.
Box 40, Folder 3-5

Assorted foundations, bulk 1987-1990

Scope and Content Note

mostly announcements and invitations, but some correspondence from various foundations, ca.85 items.
Box 41

GE, includes:

Box 41, Folder 1

Gemelli Imballaggi (packers) 1978

Scope and Content Note

photocopies of invoices and lists of crated works.
Box 41, Folder 3

J. Paul Getty Trust correspondence, 1983-1986, 1988-1990

Scope and Content Note

mostly with Harold Williams and Mel Edelstein about sale of archive to the Getty.
Box 41, Folder 4

Getty Center Relazione, undated

Scope and Content Note

preliminary archive inventory.
Box 42

GINEVRA (Geneva)

Box 42, Folder 1

Correspondence, 1975-1984

Scope and Content Note

with Charles Goerg and others regarding loans and visits to Varese.
Box 42, Folder 2-6

Palais Wilson, 1987

Scope and Content Note

installation designs, 16 architectural drawings, ca.31 photocopies of architectural drawings and exhibition checklist.
Box 42, Folder 7-8

Museé Rath, 1988

Scope and Content Note

correspondence about exhibition of Panza's collection there, clippings about the show, installation designs and checklist.
Box 43

GIO-H, includes:

Box 43, Folder 1

Giornalisti, 1978-1989

Scope and Content Note

correspondence with journalists, such as Barbara Isenberg and JoAnn Lewis, mostly about articles on the collection, ca.40 items.
Box 43, Folder 2-4

Gondrand, 1974-1975, 1977-1983

Scope and Content Note

photocopies of shipping invoices, insurance certificates, import/export documents and crate lists, showing movement of works to and from storage.
Box 43, Folder 6-7

Hangar Santa Monica, 1989-1990

Scope and Content Note

correspondence, installation designs and 3 photographs.
 

Henselmann, Caspar

Scope and Content Note

moved to Box 183.
Box 43, Folder 8

Hollein, Hans, correspondence, 1977-1987

Scope and Content Note

includes 3 letters from and 2 letters to reflecting an attempt to collaborate in the creation of a contemporary art museum, 6 Christmas and New Years cards, note from and announcements, ca.24 items (see also Box 58 Mönchengladbach).
Box 43, Folder 9

Hollein, Hans, Museum für Moderne Kunst Frankfurt

Scope and Content Note

4 photographs of models and 5 blueprint sections and plans with many copies of each.
Box 44, Folder 2-5

IB-ICOM1977-81, (International Council of Museums), includes:

Scope and Content Note

very substantial material includes correspondence with Presidents, Secretaries and members; meeting itineraries, schedules and minutes; secretariat activity reports; announcements and newsletters; membership lists; and financial reports from ICOM, ICOM Foundation, and Comitat Nazionale Italiano documenting in particular fundraising and also conferences and projects, such as the Museum Exchange Program (MUSEP) (see also Box 45-46 and CIMAM).
Box 45, Folder 1-7

ICOM, 1982-1987

Scope and Content Note

Corespondence and announcements.
Box 46, Folder 1-4

ICOM, 1987-1990

Scope and Content Note

Correspondence and announcements.
Box 47

IL-IN

Box 47, Folder 1-4

Illuminazione (lighting)

Scope and Content Note

brochures and catalogs for lighting fixtures.
Box 47, Folder 5

Illuminazione Studi

Scope and Content Note

drawings on graph paper.
Box 47, Folder 6-7

Indirizzi (addresses)

Scope and Content Note

large quantity of Panza notes and business cards with very miscellaneous names and addresses (see Box 48 for more).
Box 48

IN-INK

Folder 1

Indirizzi (addresses)

Scope and Content Note

Panza's notes with names and addresses, plus business cards.
Box 48, Folder 2-3

Indirizzi - elenchi (address lists)

Scope and Content Note

photocopies of computer printout and handwritten address lists, as well as handwritten on graph paper.
Box 48, Folder 4-5

Industriale Museo, 1981-1982

Scope and Content Note

includes correspondence and 5 photographs regarding potential renovation of Carl Funke steel mill, Essen and other sites for housing Panza's collection, ca.35 items (see also Celant).
Box 48, Folder 6

INK (Halle für internationale neue Kunst) 1978-1984

Scope and Content Note

ca.14 items.
Box 49

INSTITUTI, includes:

Box 49, Folder 2

Institute of Contemporary Art (I.C.A.), London, 1985-1990

Scope and Content Note

announcements and some invitations, ca.46 items.
Box 49, Folder 3

Institute for Art and Urban Resources, The Clocktower (New York) 1973-1982

Scope and Content Note

includes correspondence about donations and exhibition of works from Panza's collection (1976), announcements, invitations and checklist of exhibitions "Sound: Scores, Notations, and Visual Representations of Music," "Sound Works" and "Contemporary Musical Instruments" (1979, the last held at LAICA), ca.30 items.
Box 49, Folder 4

Los Angeles Institute of Contemporary Art (LAICA) 1980-1985

Scope and Content Note

correspondence with Robert Smith regarding "Il Modo Italiano" exhibition and announcements, ca.14 items.
Box 49, Folder 7

Institutions miscellaneous, 1984, 1988-1990

Scope and Content Note

includes loan requests from Pontus Hulten for Institut des Hautes Etudes en arts Plastiques, ca.22 items.
Box 50, Folder 1-3

INVENTARIO, 1968, 1970-1972

Scope and Content Note

Lists of works in the collection with dimensions, valuations, provenance and annotations.
Box 51, Folder 1-2

INVITI, 1979-1988

Scope and Content Note

Substantial quantity of miscellaneous invitations to attend functions such as dinners, cocktail parties, exhibition openings, weddings, etc., ca.340 items total, including Box 52.
Box 52, Folder 1-4

INVITI, 1989-1990

Box 53

INT-IP, includes:

Box 53, Folder 1-3

Interview with Christopher Knight

Scope and Content Note

annotated transcript and 2 photocopies (see also Box 54 Jaca and Knight files, and Boxes 169-172 for considerable material on publication of Art of the Sixties and Seventies).
Box 54

J-KN

Box 54, Folder 1-4

Jaca Book

Scope and Content Note

contains caption lists, caption corrections, illustrations layout, contract, correspondence and copy of Knight's proposal for Art of the Sixties and Seventies, and also Jaca catalogs (see also Boxes 53, 169-72).
Box 54, Folder 5

Kantor Tadeusz, 1975-1988

Scope and Content Note

includes correspondence which makes a few mentions of "Circot 2," copy of "The Theatre of Death" (Warsaw, 1975) and announcements, 16 items.
Box 54, Folder 6

Kline, Franz

Scope and Content Note

photocopies of illustrations from various Kline catalogs.
Box 54, Folder 7

Knight, Christopher, 1983, 1985-1986, 1988

Scope and Content Note

correspondence mostly regarding publishing of Art of the Sixties and Seventies with list of notes and questions about interview, ca.15 items.
Box 55

KRÜGER AND LEGGI

Box 55, Folder 1

Krüger, Gert, 1980

Scope and Content Note

correspondence regarding legal matters of long-term loans to German museums (see also Box 58, Mönchengladbach).
Box 55, Folder 2-3

Legge 159 and 512, 1977-1984

Scope and Content Note

much material on the passage of laws 159 and 512 governing cultural property, includes correspondence with lawyers and others, and photocopies of legislative documents. 159 (passed 1976, correspondence dated 1977-1980, 1982) changed capital exportation and tax laws, which greatly effected the Panza's negotiations with the German museums and led eventually to the sale of 80 works to Museum of Contemporary Art, Los Angeles (MOCA). 512 (passed 1982, correspondence dated 1982-1984) gave tax breaks to those renovating historical buildings.
Box 55, Folder 4-8

Legge Valutaria

Scope and Content Note

includes correspondence and photocopies of legislation and lists of works pertaining to values of works that were imported/exported.
Box 55, Folder 10

Legge, Legislazione Beni Culturali, 1980-1981

Scope and Content Note

mostly clippings and photocopied texts.
Box 55, Folder 11

Legge, Parlamento Interpellanza

Scope and Content Note

photocopy of summary of Parlement's questions to Panza regarding the exportation of the collection.
Box 56

LA-LO, includes:

Box 56, Folder 1

Lannan Foundation, 1988-1990

Scope and Content Note

photocopies of fax correspondence with Patrick Lannan, Jr. and Lisa Lyons mostly regarding acquisition of a small portion of the California light and space works to be installed at the Santa Monica Airport, ca.40 items (see also LA City Cultural Affairs).
Box 56, Folder 2

Lapis Press, 1981, 1987-1990

Scope and Content Note

mostly letters from Jerry Sohn arranging meetings in Los Angeles, ca.25 items.
Box 56, Folder 3

List of unrealized works, 1985

Box 56, Folder 4

Long-term loans of collection, 1972-1973, 1976-1977

Scope and Content Note

correspondence with various museum directors and curators, such as Franz Meyer, Henry Geldzahler, Brydon Smith, Franco Russoli, J. Carter Brown (with 12 photographs of models and drawings of the National Gallery of Art), J. Leering and E. de Wilde about long-term loans of the collection, ca.35 items.
 

Los Angeles: Museum of Contemporary Art, Los Angeles (MOCA) and Los Angeles County Museum of Art (LACMA) [see Series V]

Box 56, Folder 5

Los Angeles - Ari Sikora [see also Los Angeles, Community Redevelopment Agency (CRA)] 1985-1986

Scope and Content Note

includes 2 long letters from Sikora about redevelopment plans in downtown Los Angeles, ca.10 items.
Box 56, Folder 6

Los Angeles City Cultural Affairs, 1984, 1989-1990

Scope and Content Note

correspondence with Henry Korn and Mayor Tom Bradley primarily about Santa Monica hangar project, ca.14 items (see also Lannan).
Box 56, Folder 8

Citicorp Plaza, Los Angeles

Scope and Content Note

1 architectural drawing, installation designs, 19 photographs of works in the collection.
Box 57

MA-MOB, includes:

Box 57, Folder 3

Meccanica Romana, 1980

Scope and Content Note

includes 2 items of correspondence with Lauretta Vinciarelli, 10 slides of factory and 4 architectural drawings.
Box 57, Folder 5

Ministero degli Esteri (foreign affairs ministry) 1981

Scope and Content Note

correspondence with Sergio Romano about Panza's museum programs and a conference, ca.10 items.
Box 57, Folder 6-9

Miscellanea, 1973-1990, undated

Scope and Content Note

2 folders of very miscellaneous letters and announcements, folder of Panza notes which includes NY schedules (ca.1975), phone lists, catalog comp. list, and works purchased listed by gallery with amount tallies, and a folder of clippings and photocopied articles.
Box 57, Folder 10

Mobili Antichi

Scope and Content Note

includes ca.28 photographs of antique furniture.
Box 58

MÖNCHENGLADBACH

Box 58, Folder 1

Correspondence, 1973-1974, 1976-1977

Scope and Content Note

with Johannes Cladders regarding long-term loan of the collection, disagreement with Hans Hollein's building plans, Cladders thoughts on revising the original plan, Panza's design ideas and contract negotiations, which were called off in 1976, ca.48 items.
Box 58, Folder 2

Correspondence, 1978-1981

Scope and Content Note

with Cladders, Schmalenbach and various German city officials about Panza terminating the contract, but loaning his early works instead to Kunstsammlung Nordrhein-Westfalen and his legal problems associated with exporting the works which were stored in Zürich, ca.40 items (see also Box 30, Düsseldorf).
Box 58, Folder 3

Contracts, 1974-1975, 1978-1979

Scope and Content Note

photocopies of contract versions and some correspondence about them (see also Box 55, Krüger).
Box 58, Folder 4

Hollein, Hans correspondence, 1973-1982

Scope and Content Note

ca.18 items(see also Box 43, Hollein).
Box 58, Folder 5

Hollein project

Scope and Content Note

many sections and plans.
Box 58, Folder 6

Plans

Scope and Content Note

photocopies of architectural drawings and installation designs, and 1 architectural drawing of Humanistishches Gymnasium.
Box 58, Folder 7

Articles

Scope and Content Note

clippings and photocopies of German articles about proposed loan and Hollein project, including 2 versions of a long rebuttal from Panza with German translation (original article not in file).
Box 58, Folder 8

Announcements and other printed matter, bulk 1988-1990

Scope and Content Note

mostly announcements.
Box 59

MOS, includes:

Box 59, Folder 2

Mostra Panza, Galleria Nazionale, Rome (Andre, Judd, and Morris exhibition) 1980

Scope and Content Note

3 architectural drawings of gallery, Panza installation designs, valuation list, 2 letters to Dr. Panicelli and loan forms.
Box 59, Folder 3

Mostre Collezione, 1968, 1970-1984

Scope and Content Note

mostly contains loan requests and forms, and shipping documents for various exhibitions, some of which are not documented in Series IIA, ca.55 items.
Box 59, Folder 4

Mostre Collezione, 1985-1990, undated

Scope and Content Note

includes loan requests and miscellaneous exhibition material (sort of a continuation of the previous folder, except Panza was not lending the collection piece-meal anymore, so most requests were declined), ca.75 items.
Box 60

MOS-OL

Box 60, Folder 1

Mostra Ugo Mulas, Varese Biumo, 1978

Scope and Content Note

includes Panza notes and typescript for exhibition brochure, and some correspondence
Box 60, Folder 3

Murphy, Franklin, 1980s

Scope and Content Note

3 letters to Murphy, 1 from.
Box 60, Folder 4

Musei, lettere di proposta, 1984

Scope and Content Note

correspondence various individuals, such as Peter Iden, Museum für Moderne Kunst, Frankfurt, regarding the acquisition of the collection by a museum, ca.20 items.
Box 60, Folder 6

New York University, early 1980s

Scope and Content Note

ca.8 items from John Brademas.
Box 60, Folder 7

Nicholas, Fred and Joan, 1984-1990

Scope and Content Note

mostly correspondence about their friendship, but some relating to Museum of Contemporary Art, Los Angeles (MOCA), ca.30 items.
Box 60, Folder 9

Norton, Peter, 1989

Scope and Content Note

polite correspondence about visits, ca.11 items.
Box 60, Folder 10

Olivetti, 1981-1983, 1988

Scope and Content Note

correspondence in which Panza expresses his thoughts about Olivetti financing exhibitions of traditional vs. contemporary art, 8 items.
Box 61

OR

Box 61, Folder 1-5

Orbat, 1970-1989

Scope and Content Note

photocopies, mostly of financial documents for Panza's distillery business, such as monthly accounting statements, budget forecasts and reports on loans.
 

Ordre de La Grande Gidouille (file missing as of Jan 1995)

Box 61, Folder 6

Orizzonte Turin (Modern Art for Turin Committee, Panza was General Coordinator) 1988

Scope and Content Note

includes correspondence with Bruno Villois, General Secretary, and others primarily about "Chagall '89" (with exhibition checklists) and meetings, ca.75 items.
Box 62

PAL-PAM

Box 62, Folder 1-2

Palazzo Reale, Milan

Scope and Content Note

correspondence with various people about lending works to proposed contemporary art museum (1978-79, see especially photocopy of letter to Clyfford Still and letter from Jean Dubuffet), Panza installation designs, and 8 architectural drawings and some photocopies of same.
Box 62, Folder 3-5

Pamphilji Doria Villa, Rome, 1980-1981

Scope and Content Note

some correspondence, Panza notes and typescript for restoration proposal, 7 architectural drawings, and Panza installation designs.
Box 63

PAR-PER, includes:

 

Parlemento Interpellanza

Scope and Content Note

moved to Box 55.
Box 63, Folder 1-2

PDC (Pacific Design Center, Los Angeles) 1984-1988

Scope and Content Note

much material includes symposium programs and schedules, correspondence and other material relating to Panza's talk (1985) and announcements.
Box 63, Folder 3-4

Personale Panza, bulk 1988-1990

Scope and Content Note

folder about old master reproductions purchased by Panza 1936-1938 between the ages of 13-15, and a folder of miscellaneous personal items, mostly correspondence, postcards and Panza notes, ca.75 items (see Box 93 for more material prior to 1988).
Box 64

PO, includes:

Box 64, Folder 1-5

Poggio a Caiano, 1979, 1980-1982

Scope and Content Note

4 photographs by Giovanni Panza (1979) correspondence with Mario Leone, President of the Region of Tuscany, and others regarding installation of the collection there (1980-1982), mss. by Lara-Vinca Masini and Francesco Gurrieri with corrections, Panza installation designs and 18 architectural drawings.
Box 64, Folder 6

Politicians, 1974, 1979-1985, undated

Scope and Content Note

mostly photocopies of letters about the collection sent to a variety of persons involved with cultural policy decisions, ca.50 items [bulk 1983-1982].
Box 64, Folder 8

Poster Originals Limited, 1966, 1968-1970

Scope and Content Note

invoices.
Box 65

PROG, includes:

Box 65, Folder 1-3

Progetti Ambienti by Giuseppe Panza

Scope and Content Note

substantial quantity of designs with photocopies.
Box 65, Folder 5

Progetti Scotland, Donaldsons Hospital

Scope and Content Note

6 photographs, 4 architectural drawings and a report.
Box 66

PROG-PROV, includes:

Box 66, Folder 1-3

Progetti Scotland, 1976-1980, 1982-1984, bulk 1982

Scope and Content Note

substantial material includes correspondence with Richard Demarco and others regarding installation of the collection in Scottish castles, photographs of castles, 4 architectural drawings and informational brochures and reports on many different structures. Also includes an engraving of Duff House by W. Faithorn after a drawing by J.P. Neale, 1831 (see also Box 242).
Box 67, Folder 1-5

QUARTO OGGIARO, VILLA SCHEIBLER, 1977-1980

Scope and Content Note

Much material about installing the collection there includes donation drafts, many project proposals, some correspondence with Carlo Tognoli, Mayor of Milan, and others, 28 architectural drawings, and Panza designs for exterior.
Box 68

QUI-RIC, includes:

Box 68, Folder 1

Quintavalle, A.C., 1981

Scope and Content Note

includes 6 page letter to ACQ, ca.5 items.
Box 68, Folder 5

Reich, Steve, 1987

Scope and Content Note

includes 2 photographs and 2 letters from Betty Freeman concerning a concert in Milan, 9 items.
Box 68, Folder 6

Rembrandt Prix, 1973, 1977-1986

Scope and Content Note

includes much correspondence with Alfred Hentzen about jury activities, of which Panza was a member, and the award selection process (especially problems with A.R. Penck's prize, 1980), meeting minutes and photocopied clippings, ca.120 items (see also Box 11, Basel correspondence 1982-1983).
Box 68, Folder 7

Restany, Pierre, ca. 1959-1990

Scope and Content Note

friendly letters about meetings, Panza's article for Cimaise (1959), Restany giving collecting advice, especially on Fautrier (11/19) and Rothko (5/31/60), the public reaction to abstract expressionism (2/11/59) and an especially important letter about Restany's thoughts on the L.A. and New York art scenes and the art of Oldenburg and other Pop artists (1/5/63). Also includes 2 typescripts on "Nature integrale" (1978), ca.50 items (see also Box 48, Industriale Museo file).
 

Ricevute varie [file missing as of Jan 1995]

Box 69

RIMINI

Box 69, Folder 1-7

Meeting per l'amicizia fra i popoli, 1981, 1983-1990

Scope and Content Note

includes correspondence with Antonio Smurro, President, many copies of Notiziario and other printed matter, installation designs and notes for 1983 exhibition, and designs for an exhibition (1987).
Box 70

RIVOLI, includes:

Box 70, Folder 1

Correspondence about Castello di Rivoli, 1979-1983

Scope and Content Note

substantial material about restoring the Castello di Rivoli and installing the collection there with gifts and loans, including photocopies of letters to architect Roberto Gabetti, Dr. Gianluigi Gabetti, architect Andrea Bruno and others, contract copies and notes.
Box 70, Folder 2

Turin loan, 1978-1980, 1982-1985

Scope and Content Note

includes photocopies of letters to Avvocato Agnelli and Dr. Gabetti, correspondence with Piero Gilardi, notes, original agreement (1980) and report by Umberto Allemandi (1984), ca.40 items, 1978-80, 82-85.
Box 70, Folder 3-4

Rivoli Loan and Donation, 1980-1984

Scope and Content Note

includes photocopies of letters sent, contracts, lists of works and artists bios.
Box 70, Folder 5

Restoration, 1979

Scope and Content Note

photocopies of articles and report of restoration project.
Box 70, Folder 6

Castelli valuations, 1984

Scope and Content Note

list of works and their values.
Box 70, Folder 8

Photocopies of restoration photographs, ca. 1982

Box 71, Folder 1-11

RIVOLI, Installation designs, ca. 1980-1983

Scope and Content Note

mostly Panza drawings on graph paper and ca.51 architectural drawings with installation designs.
Box 72

RIVOLI-ROC, includes:

Box 72, Folder 1-7

Rivoli renovation, 1984, 1986-1988, 1990

Scope and Content Note

7 plans for lighting and alarm system, 14 architectural drawings of renovation, building estimates, 3 architectural drawings for Manica Lunga (adjoining gallery).
Box 73, Folder 1-5

ROLANDSECK

Scope and Content Note

substantial quantity of Panza building studies and projects consisting of drawings on graph paper, and 11 architectural drawings.
Box 74

ROS-SAC

Box 74, Folder 1

Rosc, 1982-1984

Scope and Content Note

correspondence with Rosemarie Mulcahy and Patrick Murphy regarding artist and work selections for 1984 exhibition, problems which led to Frits Becht's resignation from the jury (and potentially Panza's as well) and 4 architectural drawings of Hop Store, ca.50 items.
Box 74, Folder 2

Rotary Club (Panza was president of south-east Milan chapter in 1978) 1972-1990

Scope and Content Note

includes membership cards, lists and nominations, correspondence and two cassette tapes of Panza talks (ca.1973-1974), ca.70 items.
Box 74, Folder 3

Saatchi, Charles, 1984-1985, 1988-1989

Scope and Content Note

ca.17 items.
Box 74, Folder 4

Saccardo, Padre Alessio

Scope and Content Note

4 letters, 1 postcard and 10 long travel letters (see also Box 77, San Fedele).
Box 75, Folder 1-5

SAN DIEGO

Scope and Content Note

installation designs and list of works for 10th Ave. Marine Terminal Transit Shed No. 1.
Box 76

SAN DIEGO, SCRITTI, SINIGAGLIA

Box 76, Folder 1-5

San Diego, 1985

Scope and Content Note

installation designs for Cruiser Terminal, 10 lists of works for B Street Pier Warehouse exhibitions, Art Center correspondence with Sebastian (Lefty) Adler, Director, with clippings, and renovation estimate.
Box 76, Folder 6

Scritti Panza

Scope and Content Note

photocopies of miscellaneous notes by Panza and others.
Box 76, Folder 7

Sinigaglia, Gian Enzo

Scope and Content Note

mostly notes of photo orders.
Box 77

SAI-SAN

Box 77, Folder 1-2

Saint Paul, Minnesota, the Concourse of Contemporary Art, 1987-1988

Scope and Content Note

includes correspondence with Robert Sain and others, itineraries, 4 architectural drawings, checklist with appraisals by Sotheby's, all relating to the potential installation of a portion of the collection there, ca.65 items.
Box 77, Folder 3-5

San Fedele (Centro Culturale) 1968, 1972-1990

Scope and Content Note

substantial material includes correspondence with Eugenio Bruno and others about meetings, exhibitions and contributions; meeting minutes; many photocopied typescripts relating to the meeting "Scienza filosofia arte e fede" and miscellaneous folder with announcements.
Box 78

SE-SOTHEBY'S, includes:

Box 78, Folder 2

Seoul, Dong Woo Development, 1985

Scope and Content Note

correspondence with Se Duk Lee and Hee-Ja Chung about visits and potentially installing the collection in Korea, and 2 architectural drawings, ca.45 items.
Box 78, Folder 3-6

Sotheby's, 1973-1980, 1982-1987

Scope and Content Note

substantial material includes correspondence with Lucy Havelock-Allan regarding visits, appraisals of the collection and subscriptions, 1983 appraisal, and price and sale results lists.
Box 79, Folder 1-3

SOTHEBY'S, 1988-1990

Scope and Content Note

extensive quantity of announcements, invitations and newsletters, and also contains 1989 appraisal.
Box 80

SP-STUA, includes:

Box 80, Folder 1

Spadolini, Giovanni (Senator) 1975, 1978-1980, 1982

Scope and Content Note

correspondence about Panza's museum programs, ca.15 items.
Box 80, Folder 4-6

Stuart Collection, 1982-1990

Scope and Content Note

includes correspondence with Mary Beebe, photocopy of a letter from Restany about his and Pontus Hulten's thoughts on the direction of the collection (7/7/84), advisory committee meeting minutes, activities reports, and a file of miscellaneous with mostly photocopied clippings.
Box 80

STUD-TAS

Box 80, Folder 1-3

Studi, 1979-1980

Scope and Content Note

designs for rooms and installations, and miscellaneous.
Box 80, Folder 4

Stuttgart

Scope and Content Note

2 architectural drawings.
Box 80, Folder 5

Surface Requirements, 20 Apr 1985

Scope and Content Note

list of works with the amount of space in meters needed for installation.
Box 80, Folder 6-7

Sviluppo (development) 1984

Scope and Content Note

substantial quantity of photocopies of Panza letters sent to various influential people in order to drum up support for his museum programs, 1984.
Box 80, Folder 8

Tasse di Successione, 1974

Scope and Content Note

3 letters pertaining to taxation of the collection.
Box 82, Folder 1-5

TAVERNA CASCINA

Scope and Content Note

Project descriptions. 22 architectural drawings; handwritten restoration designs on graph paper; Cile S.p.a. plans and estimates; and 21 photographs of site and 55 photographs of model.
Box 83

TEL-TR, includes:

Box 83, Folder 1

Televisione, French, 1976

Scope and Content Note

correspondence with Jose Maria Berzosa about making a film on the collection, with photocopied reviews (see Box 244 for photographs).
Box 83, Folder 2

Televisione, BBC, 1982-1984, 1988

Scope and Content Note

includes correspondence about Omnibus program on the collection, 13 items.
Box 83, Folder 6

Tesi studentesche

Scope and Content Note

3 student papers and some correspondence
Box 83, Folder 8

Thyssen Collezione, 1980s

Scope and Content Note

correspondence with Simon de Pury, invitations and photocopied article, 11 items.
Box 83, Folder 9

Trasporti

Scope and Content Note

photocopies of miscellaneous transport documents and information.
Box 83, Folder 10

Tribunale

Scope and Content Note

group of photocopied letters and their translations used as "exhibits" in court to show the importance of the collection.
Box 84

U-VAN, includes:

Box 84, Folder 1-3

University of California, 1978-1981, 1983-1990

Scope and Content Note

correspondence mostly with UCLA personnel about visits to the villa, some with Chancellor Charles Young, Vice Chancellor William Schaefer, Prof. Nathan Shapira and others about making the villa a study center, and with Shapira about 2 light programs in Turin. Also includes some announcements and clippings, ca.100 items.
Box 84, Folder 6

Vancouver International Sculpture Purchase, 1984

Scope and Content Note

includes correspondence with Diane Farris and proposals.
Box 84, Folder 7

Van de Pas, Annemieke, 1985-1987

Scope and Content Note

mostly correspondence regarding a possible loan for 1 year of light works to Barcelona.
Box 85, Folder 1-6

VARESE, Visitors, 1971-1990

Scope and Content Note

substantial quantity of letters, notes and postcards regarding visits to the villa and thank you notes from art world personalities and art lovers, such as Franklin Murphy (1983), Terry Winters (1983), Judy Fiskin (1985), Martin Friedman (1986, 1990), Fumio Nanjo (1986, 1990), a few with good color photographs of the collection.
Box 86

VARESE

Box 86, Folder 1-4

Visitors, 1983, 1987-1990

Scope and Content Note

More letters from people who visited, with a souvenir album of a trip made by Gesellschaft der Freunde und Förderer der Landesgalerie, Düsseldorf, 1983.
Box 86, Folder 5

History

Scope and Content Note

photocopies of material regarding the history of the villa.
Box 87

VARESE, VENARIA

Box 87, Folder 1-3

Varese, bulk 1980s

Scope and Content Note

mostly photocopies of miscellaneous correspondence, documents and announcements regarding the city.
Box 87, Folder 4-13

Venaria, 1982-1983

Scope and Content Note

includes correspondence, draft of letter to Palma Bucarelli and letters with architects concerning installing part of the collection there, proposals, photocopies of proposal cover letters, Panza building studies, 11 architectural drawings most with installation designs.
Box 88, Folder 1-6

VENARIA

Scope and Content Note

installation designs, ca.41 architectural drawings with installation designs and photocopied text on building.
Box 89

VEN-VIA

Box 89, Folder 1

Vendita Collezioni, 1985-1987

Scope and Content Note

miscellaneous correspondence regarding the potential sale of the Minimal and Conceptual works, ca.27 items.
Box 89, Folder 2

Venice, Arsenale, 1980-1988

Scope and Content Note

includes some correspondence about installing works there (1980-1981), notes on project methodology (1988) and 4 architectural drawings.
Box 89, Folder 3-11

Viaggi (travel) 1984-1990

Scope and Content Note

phone messages, schedules and itineraries, notes, airline tickets, maps, photographs, etc., from the Panzas' travels.
Box 90, Folder 1-3

VIENNA, 1979-1981

Scope and Content Note

correspondence with Hertha Firnberg and others about long-term loan of some of the collection to Palais Lichtenstein and Neugebaude; plans and installation designs for Palais Lichtenstein; and 4 photographs, photocopied articles and renovation proposal for Neugebaude.
Box 91, Folder 1-7

VIGEVANO, 1981-1982

Scope and Content Note

includes some correspondence with Carlo Bertelli and others regarding installation of the collection at the castle there, report, contract copies, ca.82 photographs, installation designs and checklists, and ca.16 architectural drawings.
Box 92

W-Z

Box 92, Folder 1

Walt Disney Productions, 1986

Scope and Content Note

includes correspondence with Van Romans, 8 items.
Box 92, Folder 2

Zimmermann, Bob, ca. 1984

Scope and Content Note

includes 100 slides and 2 proposals=.
Box 92, Folder 3-6

Züst Ambrosetti, 1958-1990

Scope and Content Note

photocopies of shipping documents.
Box 93-94

PERSONAL correspondence, 1940s-1990, bulk 1970-1985

Scope and Content Note

includes much correspondence from Panza's close friends the De Simoni's, such as Erminia Cicogna De Simoni, Vittorio (brother of Erminia) and Beatrice De Simoni, Marco Cicogna (godson) and Tomino De Simoni; some from Panza's immediate family; and miscellaneous personal items, such as an old driver's license and passport, notes, telephone logs, expense lists (1967, 1968, 1970) (see Box 63 for more 1988-1990).
 

Series II.  Works in the collection, 1959-1990

Physical Description: 33 lin. ft. 64 boxes

Scope and Content Note

Series II contains documentary material in support of Panza's extensive collecting activities. It is divided into three sub-series: Artists, Primitive, and Artists Deaccessioned.
 

Series II.A.  Artists, ca. 1959-1990

Physical Description: 163 boxes

Scope and Content Note

Series II.A. is filed alphabetically and contains files on artists Panza collected, including Carl Andre, Robert Barry, Larry Bell, Louis Cane, Alan Charlton, Hanne Darboven, Douglas Davis, Walter De Maria, Jan Dibbets, Jean Fautrier, Dan Flavin, Hamish Fulton, Douglas Huebler, Robert Irwin, Peter Joseph, Donald Judd, Franz Kline, Joseph Kosuth, Bob Law, Sol LeWitt, Roy Lichtenstein, Richard Long, Robert Mangold, Brice Marden, Robert Morris, Bruce Nauman, Richard Nonas, Maria Nordman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Mark Rothko, Robert Ryman, Richard Serra, Antoni Tàpies, David Tremlett, James Turrell, Lawrence Weiner, Douglas Wheeler, and Ian Wilson. Each art work has its own file and is labeled according to Panza's inventory system of the artist's initials and numbered sequentially. Material in the work files consists of invoices; shipping documents; correspondence with galleries and artists; loan agreements; photographs of the work installed at the villa, photographs from galleries and of important documents in the archive; some small drawings and sketches (see especially Larry Bell, Robert Irwin, Sol LeWitt, Robert Morris, Richard Serra and James Turrell); and copies of certificates of authenticity. Work files have many photocopies and photographs of documents intended as cross-references. There are also miscellaneous files of personal correspondence with the artist, gallery correspondence, announcements and invitations, photographs, works not in the collection, shipment and invoice documents and miscellaneous. Miscellaneous personal correspondence files contain letters from artists regarding personal matters, schedule and work updates, installation instructions and theoretical discussions. Miscellaneous gallery correspondence consists of correspondence with prominent gallery owners and directors, invoices, lists of works offered with descriptions and prices, financial arrangements and loan forms. There are original photographs of works solicited by galleries to Panza, sometimes of substantial quantity. Announcements and invitations files contain postcards, brochures, catalogs, posters and artists' books. Every item in each file is numbered sequentially, usually on the verso. Occasionally the numbers have been mistakenly duplicated or skipped. Consult Appendix C for an item-level index. It should be noted that when the index states "drawing" or "certificate" the files generally contain either photocopies or photographic copies. Most of the originals remain with Panza. [N.B. there is a group of boxes at the end of the collection (X1-15, ca. 6 lin. ft.) housing photocopies of certain items by some of the Minimal and Conceptual artists in this series.]
Box 95

Vicenzo Agnetti, Carl Andre

Box 95, Folder 1

Vicenzo Agnetti 1

Box 95, Folder 2

Vicenzo Agnetti miscellaneous correspondence

Box 95, Folder 3

Vicenzo Agnetti announcements and invitations

Box 95, Folder 4-18

Carl Andre 1-15

Box 95, Folder 19

Carl Andre miscellaneous personal correspondence

Box 96

Carl Andre, Art & Language

Box 96, Folder 1

Carl Andre miscellaneous gallery correspondence

Box 96, Folder 2

Carl Andre announcements and invitations

Box 96, Folder 3

Carl Andre miscellaneous photographs

Box 96, Folder 4

Carl Andre articles and reviews

Box 96, Folder 5

Carl Andre works not in the collection

Box 96, Folder 6

Art & Language 3

Box 96, Folder 7

Art & Language announcements and invitations

Box 96, Folder 8

Art & Language works not in the collection

Box 97

Robert Barry

Box 97, Folder 1-20

Robert Barry 1-18, 20-21

Box 97, Folder 21

Robert Barry miscellaneous correspondence

Box 97, Folder 22

Robert Barry announcements and invitations

Box 97, Folder 23

Robert Barry certificates to be returned to Barry (no index card)

Box 98

Larry Bell, Joseph Beuys

Box 98, Folder 1-4

Larry Bell 1-4

Box 98, Folder 5

Larry Bell miscellaneous gallery correspondence

Box 98, Folder 6

Larry Bell miscellaneous personal correspondence

Box 98, Folder 7

Larry Bell miscellaneous photographs

Box 98, Folder 8

Larry Bell announcements and invitations

Box 98, Folder 9

Larry Bell miscellaneous invoices

Box 98, Folder 10-11

Larry Bell 1-2

Box 98, Folder 12

Joseph Beuys miscellaneous correspondence

Box 98, Folder 13

Joseph Beuys announcements and invitations

Box 98, Folder 14

Joseph Beuys miscellaneous photographs

Box 99

Stanley Brouwn, Victor Burgin, Daniel Buren, Pier Paolo Calzolari, Louis Cane

Box 99, Folder 1

Stanley Brouwn 1-2

Box 99, Folder 2

Stanley Brouwn miscellaneous correspondence

Box 99, Folder 3

Stanley Brouwn announcements and invitations

Box 99, Folder 4

Victor Burgin 2

Box 99, Folder 5

Victor Burgin announcements and invitations

Box 99, Folder 6

Victor Burgin miscellaneous

Box 99, Folder 7

Daniel Buren 1

Box 99, Folder 8

Daniel Buren works not in the collection

Box 99, Folder 9

Daniel Buren miscellaneous correspondence

Box 99, Folder 10

Daniel Buren miscellaneous personal correspondence

Box 99, Folder 11

Daniel Buren announcements and invitations

Box 99, Folder 12-17

Pier Paolo Calzolari 1-6

Box 99, Folder 18

Pier Paolo Calzolari announcements and invitations

Box 99, Folder 19-25

Louis Cane 1-7

Box 100

Louis Cane, Carpi (CC)

Box 100, Folder 1-9

Louis Cane 8-16

Box 100, Folder 10

Louis Cane works not in the collection

Box 100, Folder 11

Louis Cane miscellaneous personal correspondence

Box 100, Folder 12

Louis Cane announcements and invitations

Box 100, Folder 13

Louis Cane miscellaneous correspondence

Box 100, Folder 14

Louis Cane miscellaneous invoices

Box 100, Folder 15-24

Cioni Carpi 1-10

Box 101

Cioni Carpi, Alan Charlton

Box 101, Folder 1-3

Cioni Carpi 11-13

Box 101, Folder 4

Cioni Carpi miscellaneous invoices

Box 101, Folder 5

Cioni Carpi miscellaneous personal correspondence

Box 101, Folder 6

Cioni Carpi announcements and invitations

Box 101, Folder 7

Cioni Carpi miscellaneous

Box 101, Folder 8-27

Alan Charlton 1-20

Box 102

Alan Charlton

Box 102, Folder 1-15

Alan Charlton 21-35

Box 102, Folder 16

Alan Charlton miscellaneous correspondence

Box 102, Folder 17

Alan Charlton announcements and invitations

Box 102, Folder 18

Alan Charlton miscellaneous photographs

Box 102, Folder 19

Alan Charlton miscellaneous

Box 103, Folder 1-30

Hanne Darboven 1-7, 9-30

Box 104

Hanne Darboven

Box 104, Folder 1-20

Hanne Darboven 35-48, 50-74

Box 104, Folder 21

Hanne Darboven miscellaneous correspondence

Box 104, Folder 22

Hanne Darboven miscellaneous invoices

Box 104, Folder 23

Hanne Darboven announcements and invitations

Box 104, Folder 24

Hanne Darboven miscellaneous envelopes

Box 105

Douglas Davis

Box 105, Folder 1-14

Douglas Davis 1-14

Box 105, Folder 15

Douglas Davis miscellaneous personal correspondence

Box 105, Folder 16

Douglas Davis miscellaneous gallery correspondence

Box 105, Folder 17

Douglas Davis miscellaneous invoices

Box 105, Folder 18

Douglas Davis works offered

Box 105, Folder 19

Douglas Davis announcements and invitations

Box 105, Folder 20

Douglas Davis articles

Box 105, Folder 21

Douglas Davis miscellaneous

Box 106

Walter De Maria

Box 106, Folder 1-4

Walter De Maria 1-4

Box 106, Folder 5

Walter De Maria Lightning Field

Box 106, Folder 6

Walter De Maria miscellaneous correspondence

Box 106, Folder 7

Walter De Maria works offered

Box 106, Folder 8

Walter De Maria announcements and invitations

Box 106, Folder 9

Walter De Maria miscellaneous

Box 107

Jan Dibbets

Box 107, Folder 1-15

Jan Dibbets 1-15

Box 107, Folder 16

Jan Dibbets miscellaneous correspondence

Box 107, Folder 17

Jan Dibbets miscellaneous invoices

Box 107, Folder 18

Jan Dibbets announcements and invitations

Box 107, Folder 19

Jan Dibbets articles

Box 107, Folder 20

Jan Dibbets works offered

Box 107, Folder 21

Jan Dibbets restoration of 3-5

Box 108

Jean Fautrier, Enrico Ferrari

Box 108, Folder 1-8

Jean Fautrier 1-8

Box 108, Folder 9

Jean Fautrier miscellaneous correspondence

Box 108, Folder 10

Jean Fautrier miscellaneous invoices

Box 108, Folder 11

Jean Fautrier works offered

Box 108, Folder 12

Jean Fautrier announcements and invitations

Box 108, Folder 13

Jean Fautrier miscellaneous

Box 108, Folder 14

Jean Fautrier miscellaneous photographs

Box 108, Folder 15-17

Enrico Ferrari 1, correspondence and announcements and invitations

Box 109

Dan Flavin

Box 109, Folder 1-21

Dan Flavin 1-14, 16-22

Box 110

Dan Flavin

Box 110, Folder 1

Dan Flavin miscellaneous correspondence

Box 110, Folder 2

Dan Flavin miscellaneous invoices

Box 110, Folder 3

Dan Flavin works not in the collection

Box 110, Folder 4

Dan Flavin announcements and invitations

Box 110, Folder 5

Dan Flavin miscellaneous

Box 111

Hamish Fulton, Gilbert & George, Raymond Hains

Box 111, Folder 1-13

Hamish Fulton 1-15

Box 111, Folder 14

Hamish Fulton miscellaneous correspondence

Box 111, Folder 15

Hamish Fulton announcements and invitations

Box 111, Folder 16

Gilbert & George 1

Box 111, Folder 17

Gilbert & George announcements and invitations

Box 111, Folder 18

Gilbert & George miscellaneous

Box 111, Folder 19

Raymond Hains 1

Box 111, Folder 20

Raymond Hains works not in the collection

Box 111, Folder 21

Raymond Hains announcements and invitations

Box 112

Jene Highstein

Box 112, Folder 1-6

Jene Highstein 1-3, 5-7

Box 112, Folder 7

Jene Highstein 3 Giza Castings not in collection

Box 112, Folder 8

Jene Highstein miscellaneous personal correspondence

Box 112, Folder 9

Jene Highstein miscellaneous gallery correspondence

Box 112, Folder 10

Jene Highstein announcements and invitations

Box 112, Folder 11

Jene Highstein works not in the collection

Box 112, Folder 12

Jene Highstein miscellaneous photographs

Box 112, Folder 13

Jene Highstein miscellaneous

Box 113

Douglas Huebler

Box 113, Folder 1-21

Douglas Huebler 1-20

Box 113, Folder 22

Douglas Huebler miscellaneous correspondence

Box 113, Folder 23

Douglas Huebler announcements and invitations

Box 113, Folder 24

Douglas Huebler works not in collection

Box 113, Folder 25

Douglas Huebler miscellaneous

Box 114

Robert Irwin

Box 114, Folder 1-20

Robert Irwin 1-8, 10-11, 17-26

Box 114, Folder 21

Robert Irwin drawings and recent works

Box 115

Robert Irwin

Box 115, Folder 1-2

Robert Irwin miscellaneous personal correspondence

Box 115, Folder 3

Robert Irwin miscellaneous correspondence

Box 115, Folder 4

Robert Irwin Disc restoration

Box 115, Folder 5

Robert Irwin Varese Scrim 1987-1988 (Robert Iwrin 6)

Box 115, Folder 6

Robert Irwin miscellaneous invoices

Box 115, Folder 7

Robert Irwin announcements and invitations

Box 115, Folder 8

Robert Irwin Scrim in discussion

Box 115, Folder 9

Robert Irwin miscellaneous proposal

Box 115, Folder 10

Robert Irwin miscellaneous

Box 116

Peter Joseph, B. Joubert

Box 116, Folder 1-13

Peter Joseph 1-5, 7-14

Box 116, Folder 14

Peter Joseph miscellaneous correspondence

Box 116, Folder 15

Peter Joseph announcements and invitations

Box 116, Folder 16

Peter Joseph miscellaneous photographs (see also oversize)

Box 116, Folder 17

Peter Joseph miscellaneous

Box 116, Folder 18-20

B. Joubert 1-3

Box 117

Donald Judd

Box 117, Folder 1-15

DJ 1-13, 19-20

Box 118

Donald Judd

Box 118, Folder 1-12

Donald Judd 21-32

Box 119

Donald Judd

Box 119, Folder 1

Donald Judd miscellaneous correspondence

Box 119, Folder 2

Donald Judd invoices for works not in the collection

Box 119, Folder 3

Donald Judd announcements and invitations

Box 119, Folder 4

Donald Judd miscellaneous photographs, works in the collection

Box 119, Folder 5

Donald Judd miscellaneous photographs, works not in the collection

Box 119, Folder 6

Donald Judd miscellaneous

Box 120

On Kawara, Franz Kline

Box 120, Folder 1-4

On Kawara 1-4

Box 120, Folder 5

On Kawara miscellaneous gallery correspondence

Box 120, Folder 6

On Kawara announcements and invitations

Box 120, Folder 7

On Kawara miscellaneous

Box 120, Folder 8-23

Franz Kline 1-16

Box 120, Folder 24

Franz Kline miscellaneous correspondence

Box 120, Folder 25

Franz Kline announcements and invitations

Box 120, Folder 26

Franz Kline miscellaneous photographs

Box 120, Folder 27

Franz Kline miscellaneous

Box 121

Joseph Kosuth

Box 121, Folder 1-22

Joseph Kosuth 1-8, 10-11, 13-24, 26-27

Box 121, Folder 23

Joseph Kosuth 25 (not in the collection)

Box 121, Folder 24

Joseph Kosuth The Seventh Investigation

Box 121, Folder 25

Joseph Kosuth miscellaneous correspondence (see Box 308 for "The Fifth Investigation")

Box 122

Joseph Kosuth, David Lamelas, Bob Law

Box 122, Folder 1

Joseph Kosuth announcements and invitations

Box 122, Folder 2

Joseph Kosuth miscellaneous

Box 122, Folder 3

David Lamelas

Box 122, Folder 4

David Lamelas announcements and invitations

Box 122, Folder 5-21

Bob Law 1-17

Box 122, Folder 22

Bob Law miscellaneous correspondence

Box 122, Folder 23

Bob Law announcements and invitations

Box 122, Folder 24

Bob Law miscellaneous

Box 123

Sol LeWitt

Box 123, Folder 1-27

Sol LeWitt 1-27

Box 123, Folder 28

Sol LeWitt miscellaneous correspondence

Box 124

Sol LeWitt

Box 124, Folder 1-3

Sol LeWitt miscellaneous correspondence

Box 124, Folder 4

Sol LeWitt announcements and invitations

Box 124, Folder 5

Sol LeWitt miscellaneous photographs

Box 125

Roy Lichtenstein, Robert Long

Box 125, Folder 1-4

Roy Lichtenstein 1-4

Box 125, Folder 5

Roy Lichtenstein miscellaneous correspondence

Box 125, Folder 6

Roy Lichtenstein announcements and invitations

Box 125, Folder 7

Roy Lichtenstein miscellaneous photographs

Box 125, Folder 8

Roy Lichtenstein miscellaneous

Box 125, Folder 9-19

Robert Long 1-10, 19

Box 125, Folder 20

Robert Long miscellaneous correspondence

Box 126

Robert Long, Robert Mangold

Box 126, Folder 1

Robert Long announcements and invitations

Box 126, Folder 2

Robert Long miscellaneous

Box 126, Folder 3-11

Robert Mangold 1-9

Box 127

Robert Mangold

Box 127, Folder 1-24

Robert Mangold 10-33

Box 127, Folder 25

Robert Mangold miscellaneous correspondence

Box 127, Folder 26

Robert Mangold announcements and invitations

Box 127, Folder 27

Robert Mangold miscellaneous photographs

Box 127, Folder 28

Robert Mangold miscellaneous shipping documents

Box 127, Folder 29

Robert Mangold miscellaneous

Box 128

Brice Marden, Maurizio Mochetti

Box 128, Folder 1-9

Brice Marden 1-9

Box 128, Folder 10

Brice Marden miscellaneous correspondence

Box 128, Folder 11

Brice Marden announcements and invitations

Box 128, Folder 12

Brice Marden miscellaneous shipping documents

Box 128, Folder 13

Brice Marden miscellaneous

Box 128, Folder 14-25

Maurizio Mochetti 1-7, 10-14

Box 128, Folder 26

Maurizio Mochetti miscellaneous correspondence

Box 128, Folder 27

Maurizio Mochetti announcements and invitations

Box 128, Folder 28

Maurizio Mochetti miscellaneous

Box 128, Folder 1-19

Robert Morris 1-11, 13-16, 18-20

Box 130

Robert Morris

Folder 1-12

Robert Morris 21-24, 26-33

Box 130, Folder 13

Robert Morris miscellaneous personal correspondence

Box 130, Folder 14

Robert Morris miscellaneous gallery correspondence

Box 130, Folder 15

Robert Morris correspondence and material for Williams College catalog

Box 131

Robert Morris

Box 131, Folder 1

Robert Morris catalog raisonne draft for Williams College catalog

Box 131, Folder 2

Robert Morris announcements and invitations

Box 131, Folder 3

Robert Morris miscellaneous photographs of works not in the collection

Box 131, Folder 4

Robert Morris miscellaneous photographs of works in the collection

Box 131, Folder 5

Robert Morris miscellaneous

Box 132, Folder 1-20

Bruce Nauman 1-20

Box 133, Folder 1-16

Bruce Nauman 21-27, 29-37

Box 134

Bruce Nauman

Box 134, Folder 1-4

Bruce Nauman 38-40, 42

Box 134, Folder 5

Bruce Nauman miscellaneous personal correspondence

Box 134, Folder 6

Bruce Nauman miscellaneous gallery correspondence

Box 134, Folder 7

Bruce Nauman Basel exhibition 1986 (drawings)

Box 134, Folder 8

Bruce Nauman miscellaneous blueprints

Box 135

Bruce Nauman, Nonas (RN)

Box 135, Folder 1

Bruce Nauman miscellaneous photographs

Box 135, Folder 2

Bruce Nauman miscellaneous invoice

Box 135, Folder 3

Bruce Nauman miscellaneous

Box 135, Folder 4-25

Richard Nonas 1-5, 7-12, 14-20, 22-25

Box 136

Bruce Nauman, Ricard Nonas (RN)

Box 136, Folder 1-15

Bruce Nauman 26-32, 34-36, 39-43

Box 136, Folder 16

Bruce Nauman 44/45 works not in the collection

Box 136, Folder 17

Bruce Nauman miscellaneous personal correspondence

Box 136, Folder 18

Bruce Nauman miscellaneous gallery correspondence

Box 136, Folder 19

Bruce Nauman announcements and invitations

Box 136, Folder 20

Bruce Nauman miscellaneous photographs

Box 136, Folder 21

Bruce Nauman miscellaneous

Box 137

Maria Nordman

Box 137, Folder 1-9

Maria Nordman 1-6, 12-14

Box 137, Folder 10

Maria Nordman works not in the collection

Box 137, Folder 11

Maria Nordman miscellaneous personal correspondence

Box 137, Folder 12

Maria Nordman miscellaneous gallery correspondence

Box 137, Folder 13

Maria Nordman announcements and invitations

Box 137, Folder 14

Maria Nordman miscellaneous photographs

Box 137, Folder 15

Maria Nordman miscellaneous

Box 138

Claes Oldenburg

Box 138, Folder 1-16

Claes Oldenburg 1-16

Box 138, Folder 17

Claes Oldenburg miscellaneous personal correspondence

Box 138, Folder 18

Claes Oldenburg miscellaneous gallery correspondence

Box 138, Folder 19

Claes Oldenburg miscellaneous invoices and receipts

Box 138, Folder 20

Claes Oldenburg announcements and invitations

Box 138, Folder 21

Claes Oldenburg miscellaneous photographs

Box 138, Folder 22

Claes Oldenburg miscellaneous

Box 139

Roman Opalka, Dennis Oppenheim, Eric Orr

Box 139, Folder 1

Roman Opalka 1

Box 139, Folder 2

Roman Opalka announcements and invitations

Box 139, Folder 3

Roman Opalka miscellaneous

Box 139, Folder 4

Dennis Oppenheim 1

Box 139, Folder 5

Dennis Oppenheim miscellaneous correspondence

Box 139, Folder 6

Dennis Oppenheim announcements and invitations

Box 139, Folder 7

Dennis Oppenheim miscellaneous photographs

Box 139, Folder 8

Dennis Oppenheim miscellaneous

Box 139, Folder 9

Eric Orr 1

Box 139, Folder 10

Eric Orr miscellaneous correspondence

Box 139, Folder 11

Eric Orr announcements and invitations

Box 139, Folder 12

Eric Orr miscellaneous blueprints

Box 139, Folder 13

Eric Orr miscellaneous photographs

Box 139, Folder 14

Eric Orr miscellaneous

Box 140

Lucio Pozzi, R Rabinovitch, Mario Radice, Robert Rauschenberg

Box 140, Folder 1-2

Lucio Pozzi 1-5

Box 140, Folder 3

Lucio Pozzi miscellaneous correspondence

Box 140, Folder 4

Lucio Pozzi announcements and invitations

Box 140, Folder 5

Lucio Pozzi miscellaneous photographs

Box 140, Folder 6

Lucio Pozzi miscellaneous

Box 140, Folder 7

R Rabinovitch miscellaneous

Box 140, Folder 8

Mario Radice 1

Box 140, Folder 9

Mario Radice announcements and invitations

Box 140, Folder 10-20

Robert Rauschenberg 1-11

Box 141

Robert Rauschenberg

Box 141, Folder 1

Robert Rauschenberg miscellaneous gallery correspondence

Box 141, Folder 2

Robert Rauschenberg announcements and invitations

Box 141, Folder 3

Robert Rauschenberg miscellaneous photographs

Box 141, Folder 4

Robert Rauschenberg works not in the collection

Box 141, Folder 5

Robert Rauschenberg miscellaneous

Box 142

James Rosenquist

Box 142, Folder 1-8

James Rosenquist 1-8

Box 142, Folder 9

James Rosenquist miscellaneous personal correspondence

Box 142, Folder 10

James Rosenquist miscellaneous gallery correspondence

Box 142, Folder 11

James Rosenquist announcements and invitations

Box 142, Folder 12

James Rosenquist miscellaneous photographs

Box 142, Folder 13

James Rosenquist works not in the collection

Box 142, Folder 14

James Rosenquist miscellaneous

Box 143

Mark Rothko, Robert Ryman

Box 143, Folder 1-7

Mark Rothko 1-7

Box 143, Folder 8

Mark Rothko miscellaneous personal correspondence

Box 143, Folder 9

Mark Rothko miscellaneous gallery correspondence

Box 143, Folder 10

Mark Rothko miscellaneous correspondence

Box 143, Folder 11

Mark Rothko announcements and invitations

Box 143, Folder 12

Mark Rothko miscellaneous photographs

Box 143, Folder 13

Mark Rothko miscellaneous bank receipts

Box 143, Folder 14

Mark Rothko miscellaneous

Box 143, Folder 15-20

Robert Ryman 1-6

Box 144

Robert Ryman

Box 144, Folder 1-24

Robert Ryman 7-15, 17-20, 22-32

Box 145

Robert Ryman, George Segal

Box 145, Folder 1

Robert Ryman miscellaneous personal correspondence

Box 145, Folder 2

Robert Ryman miscellaneous gallery correspondence

Box 145, Folder 3

Robert Ryman announcements and invitations

Folder 4

Robert Ryman miscellaneous invoices and receipts

Box 145, Folder 5

Robert Ryman restoration report on 11, 12, 13 by Dr. Paolo Cadorin, April 1990

Box 145, Folder 6

Robert Ryman miscellaneous photographs

Box 145, Folder 7

Robert Ryman miscellaneous photographs of works in the collection

Box 145, Folder 8

Robert Ryman miscellaneous

Box 145, Folder 9-10

George Segal 1-2

Box 145, Folder 11

George Segal announcements and invitations

Box 145, Folder 12

George Segal miscellaneous

Box 146

Richard Serra

Folder 1-14

Richard Serra 1-14

Box 146, Folder 15-17

Richard Serra 16-18 (works not in the collection)

Box 147

Richard Serra, Joel Shapiro

Box 147, Folder 1

Richard Serra 20 (A/B/C)

Box 147, Folder 2

Richard Serra miscellaneous personal correspondence

Box 147, Folder 3

Richard Serra miscellaneous gallery correspondence

Box 147, Folder 4

Richard Serra announcements and invitations

Box 147, Folder 5

Richard Serra miscellaneous photographs

Box 147, Folder 6

Richard Serra miscellaneous shipping documents

Box 147, Folder 7

Richard Serra miscellaneous

Box 147, Folder 8-14

Joel Shapiro 1-2, 2A, 4, 6, 6A, 7

Box 147, Folder 15

Joel Shapiro miscellaneous gallery correspondence

Box 147, Folder 16

Joel Shapiro announcements and invitations

Box 147, Folder 17

Joel Shapiro miscellaneous photographs

Box 147, Folder 18

Joel Shapiro miscellaneous

Box 148

Antoni Tàpies

Box 148, Folder 1-14

Antoni Tàpies 1-14

Box 148, Folder 15

Antoni Tàpies miscellaneous personal correspondence

Box 148, Folder 16

Antoni Tàpies miscellaneous gallery correspondence

Box 148, Folder 17

Antoni Tàpies announcements and invitations

Box 148, Folder 18

Antoni Tàpies miscellaneous invoices

Box 148, Folder 19

Antoni Tàpies works not in the collection

Box 148, Folder 20

Antoni Tàpies miscellaneous photographs

Box 149

Vittorio Tavernari, Jean Tinguely, David Tremlett

Box 149, Folder 1-2

Vittorio Tavernari 1-2

Box 149, Folder 3

Vittorio Tavernari miscellaneous correspondence

Box 149, Folder 4

Vittorio Tavernari announcements and invitations

Box 149, Folder 5-8

Jean Tinguely 1-4

Box 149, Folder 9

Jean Tinguely miscellaneous gallery correspondence

Box 149, Folder 10

Jean Tinguely announcements and invitations

Box 149, Folder 11

Jean Tinguely miscellaneous photographs

Box 149, Folder 12

Jean Tinguely miscellaneous

Box 149, Folder 13-22

David Tremlett 1-4, 6-11.

Box 149, Folder 23

David Tremlett miscellaneous gallery correspondence

Box 149, Folder 24

David Tremlett announcements and invitations

Box 149, Folder 25

David Tremlett miscellaneous photographs

Box 150

James Turrell

Box 150, Folder 1-6

James Turrell 1-6

Box 150, Folder 7

James Turrell 6A-B, 6C, 6D, 6E

Box 150, Folder 8-14

James Turrell 8, 10-11, 13 (not in the collection), 14-15, 23

Box 151

James Turrell

Box 151, Folder 1

James Turrell miscellaneous personal correspondence

Box 151, Folder 2

James Turrell miscellaneous gallery correspondence

Box 151, Folder 3

James Turrell announcements and invitations

Box 151, Folder 4

James Turrell works not in the collection

Box 151, Folder 5

James Turrell plans

Box 151, Folder 6

James Turrell Skystone Foundation

Box 151, Folder 7

James Turrell newspaper articles

Box 151, Folder 8

James Turrell miscellaneous shipping documents

Box 151, Folder 9

James Turrell miscellaneous photographs

Box 151, Folder 10

James Turrell miscellaneous

Box 152

Cy Twombly, Lawrence Weiner

Box 152, Folder 1

Cy Twombly 1

Box 152, Folder 2

Cy Twombly announcements and invitations

Box 152, Folder 3

Cy Twombly works not in the collection

Box 152, Folder 4

Cy Twombly miscellaneous

Box 152, Folder 5-34

Lawrence Weiner 1-14, 14A, 15-29

Box 153

Lawrence Weiner

Box 153, Folder 1-9

Lawrence Weiner 30, 38-40, 45-48, 52

Box 153, Folder 10

Lawrence Weiner miscellaneous personal correspondence

Box 153, Folder 11

Lawrence Weiner miscellaneous gallery correspondence

Box 153, Folder 12-14

Lawrence Weiner announcements and invitations

Box 153, Folder 15

Lawrence Weiner miscellaneous

Box 154

Doug Wheeler

Box 154, Folder 1-15

Doug Wheeler 1-15

Box 154, Folder 16

Doug Wheeler miscellaneous personal correspondence

Box 154, Folder 17

Doug Wheeler miscellaneous gallery correspondence

Box 154, Folder 18

Doug Wheeler miscellaneous photographs

Box 154, Folder 19

Doug Wheeler miscellaneous

Box 155

Ian Wilson

Box 155, Folder 1-10

Ian Wilson 1-9 (see also Series III box 165 for notes regarding "Discussion" series), 10 (work not in the collection)

Box 155, Folder 11

Ian Wilson miscellaneous personal correspondence

Box 155, Folder 12

Ian Wilson miscellaneous gallery correspondence

Box 155, Folder 13

Ian Wilson announcements and invitations

Box 155, Folder 14

Ian Wilson miscellaneous

Box 156A-156B

Indices

 

Box 156A contains 6 7/8 x 7 3/8" index cards with an itemized listing of everything in Series II.A, alphabetized by artist. See the appendices for a complete photocopy, which is cross-referenced with the finding aid. Box 156B houses other indices for Series II.B. Primitive, Series II.C. Deaccessioned Artists, Series III. Writings, Series VIII. Clippings, and Panza's "drawings" collection. See the appendices for photocopies of the Primitive and Clippings series.

Box X1-X15

Duplicates

Scope and Content Note

Duplicates (photocopies) of material in subseries II.A., especially material related to Minimal and Conceptual artists. 15 boxes.
 

Series II.B.  Primitive, ca. 1959-1990

Physical Description: 2 boxes

Scope and Content Note

Series II.B contains black and white photographs and photocopies of Panza's primitive collection. Many have typed descriptions signed by Franco Monti on the verso.
Box 157, Folder 1-39

Primitives 1-39

Box 158, Folder 1-15

Primitives 40-54

Box 158, Folder 16

Primitive works formerly in the collection

Box 158, Folder 17

Primitive works offered

Box 158, Folder 18

Primitive inventory and appraisal 1972

Box 158, Folder 19-22

Primitive works not in the collection

 

Series II.C.  Artists Deaccessioned, ca. 1959-1990

Physical Description: 4 boxes

Scope and Content Note

Series IIC contains material similar to that in the artists' files in Series II.A (photographs, printed materials, letters), but also includes correspondence about Panza's sale of the art works.
Box 159, Folder 1-6

Claude Bellegarde 1-6

Scope and Content Note

photographs.
Box 159, Folder 7-8

Peter Bruning 1-2

Scope and Content Note

photographs.
Box 159, Folder 9

Peter Bruning miscellaneous correspondence

Scope and Content Note

2 letters from requesting Panza to write a 1 page text about his art.
Box 159, Folder 10-16

Camille Bryen 1-7

Scope and Content Note

photographs and letter from L. Bryen in Camille Bryen 1.
Box 159, Folder 17

Camille Bryen miscellaneous correspondence

Scope and Content Note

1 letter from Bryen (12/22, no year) and 2 from L. Bryen (one dated 8/29/59).
Box 159, Folder 18

Richard Diebenkorn 1

Scope and Content Note

postcard from the artist (1957), invoice from Poindexter gallery (1958), letter from Martha Jackson agreeing to buy the work (1960), shipping documents and photographs. See Series IV, Box 180, for photographs.
Box 159, Folder 19-24

Luis Feito 1-6

Scope and Content Note

photographs.
Box 159, Folder 25

Luis Feito miscellaneous

Scope and Content Note

photographs and copy of letter from the Venice Biennale (25 Sep 1958).
Box 159, Folder 26-29

Philip Guston 1-4

Scope and Content Note

letter and invoice from Janis, photocopies of similar documents (see Series IIA, Kline for originals) and photographs.
Box 159, Folder 30

Philip Guston miscellaneous gallery correspondence

Scope and Content Note

2 letters from David McKee (1980, 81) and letter from Musa Mayer re catalog raisonne (1983).
Box 159, Folder 31

Philip Guston announcements and invitations

Scope and Content Note

4 items.
Box 160, Folder 1-5

Osvaldo Licini 1-5

Scope and Content Note

photographs.
Box 160, Folder 6

Osvaldo Licini miscellaneous correspondence

Scope and Content Note

letter from Venice Biennale (1958).
Box 160, Folder 7-10

René Laubies 1-4

Scope and Content Note

photographs with small exhibition brochure from Studio P. Facchetti, Paris, 10 déc., 1955, in René Laubies 4.
Box 160, Folder 11-24

Gino Meloni 1-14

Scope and Content Note

photographs.
Box 160, Folder 25

Gino Meloni miscellaneous photographs

Scope and Content Note

15 photographs (see also Box 266 for extensive quantity of other photographs).
Box 161, Folder 1-5

Lowell Nesbitt 1-5

Scope and Content Note

photographs, transparencies and announcement.
Box 161, Folder 6

Lowell Nesbitt miscellaneous correspondence

Scope and Content Note

letters from Castelli about sale of all five works (1968), Ivan Karp (Works of Art OK Harris, 1971) and Galerie M.E. Thelen (1971-72) and shipping documents.
Box 161, Folder 7

Lowell Nesbitt announcements and invitations

Scope and Content Note

includes Gimpel & Weitzenhoffer March 9-27, 1971, exhibition catalog, 2 items.
Box 161, Folder 8

Lowell Nesbitt miscellaneous photographs

Scope and Content Note

14 photographs and 5 transparencies.
Box 161, Folder 9-13

Joe Raffaele 1-5

Scope and Content Note

letters and statements from Stable Gallery (1966), shipping documents, Vogue clipping, photographs (including Stable installation), and a transparency.
Box 161, Folder 14

Joe Raffaele miscellaneous photographs

Scope and Content Note

17 photographs.
Box 161, Folder 15

Mario Sironi 1

Scope and Content Note

photographs.
Box 161, Folder 16

Mario Sironi miscellaneous

Scope and Content Note

photographs and letter from Jürgen Harten about Sironi show (1988).
Box 162, Folder 1-12

Emilio Vedova 1-12

Scope and Content Note

photographs.
Box 162, Folder 13

Emilio Vedova miscellaneous personal correspondence

Scope and Content Note

considerable correspondence from the artist about his work (1957-60), ca.30 items.
Box 162, Folder 14

Emilio Vedova miscellaneous correspondence

Scope and Content Note

letters with Robert Elkon regarding sale of works (1960); Nico Abramo (1974); Instituto della Enciclopedia Italiana regarding photo request (1977); Comune di Venezia regarding loans for "Vedova" (1984); Agnès Van der Plaetsen asking to see the collection (1985); Susan Bilar (1987); Berlinische Galerie im Gropiusbau regarding loans for "Stationen der Moderne" (1988).
Box 162, Folder 15

Emilio Vedova announcements and invitations

Scope and Content Note

3 items, including catalogs for Galerie Springer, Berlin, 1.-31. October, 1957, and Galerie Günther Franke, Munich, 27. June-30. July, 1959.
Box 162, Folder 16

Emilio Vedova miscellaneous photographs

Scope and Content Note

1 slide and ca.70 photographs.
 

Series III.  Writings, 1956-1990

Physical Description: 4.5 lin. ft. 11 boxes

Scope and Content Note

Series III contains manuscripts and typescripts by Panza, some annotated and many photocopied, on art related topics, some of which are unpublished. For those that have been published the files sometimes include clippings, photocopies or journals. Some of the works were written or translated into English and French. There is much production material relating to Christopher Knight's book Art of the Sixties and Seventies: The Panza Collection (New York, 1987). This series also includes one box of datebooks (1978-1990)with an address book (1956).
Box 163, Folder 1

"Il collezionista creatore? La collezione e' un'opera" (article in 5 pages in Italian)

Scope and Content Note

1 photocopy typescript, 1 English original typescript 7 pages (The Art Collector, a Creator? The Collection is a Work of Art, published, 1983), 1 photocopy of article in Gran Bazaar (Apr 1983).
Box 163, Folder 2

"Il regime fiscale dei beni culturali" 1981

Scope and Content Note

9 pages, 1 photocopy typescript; "Critiche alla proposta di legge sui beni culturali": 3 sheets handwritten and 2 pages photocopy typescript; "Osservazioni al progetto legge concernente la disciplina legislativa dei beni culturali, limitatamente ai beni mobili di proprieta privata" (24 Feb 1981): 3 pages, 1 photocopy typescript; "Gli obiettivi della legge sul regime fiscale dei beni culturali": photocopy of an article by Vincenzo Scotti with comment by Panza.
Box 163, Folder 3

"Milano - Los Angeles" undated

Scope and Content Note

1 photocopy typescript of 4 pages in Italian, and 1 photocopy typescript of 8 pages in English.
Box 163, Folder 4

"La Collezione Panza - 600 opere degli anni 50-60-70" undated

Scope and Content Note

2 pages in Italian, 3 photocopy typescript.
Box 163, Folder 5

"80 opere degli anni 1945-1962 della Collezione Panza," undated

Scope and Content Note

4 pages in Italian, 3 photocopy typescript.
Box 163, Folder 6

"La piazza nella storia delle citta' italiane..." 1981

Scope and Content Note

photocopies of 17 handwritten pages in Italian, 3 copies.
Box 163, Folder 7

"L'arte contemporanea ed il suo ambiente sociale" undated

Scope and Content Note

23 pages in Italian, 1 orig typescript, 1 photocopy typescript, 9 sheets handwritten, 1 photocopy typescript in English of 18 pages (Contemporary Art and Its Social Environment), 1 original typescript in French of 21 pages, translations by Eve Rockert.
Box 163, Folder 8

"Documenti dell'arte americana dal 1950 al 1975" (published) undated

Scope and Content Note

1 photocopy typescript.
Box 163, Folder 9

"Il mecenatismo puo' ancora esistere?" undated

Scope and Content Note

6 sheets original hw; 1 original typescript and 1 photocopy typescript of 9 pages.
Box 163, Folder 10

"Il trascendente come componente dell'arte moderna" undated

Scope and Content Note

16 pages in Italian, 1 original typescript and 1 photocopy typescript; 11 sheets handwritten; 6 pages of original typescript of English translation (The Transcendent as a Component of Modern Art).
Box 163, Folder 11

"L'arte minimale e la Tradizione del Classico" (published) undated

Scope and Content Note

6 pages, 3 photocopy of article, 5 sheets handwritten.
Box 163, Folder 12

"L'arte ambientale" (published) undated

Scope and Content Note

7 pages in Italian, 1 original typescript and 2 photocopy typescript; 7 and 11 pages hw; 9 pages of English translation (Environmental Art), original typescript, 1 photocopy typescript of 7 pages in English; article of 3 pages with photographs.
Box 163, Folder 13

"Perche' colleziono l'arte americana" (Why I Collect American Art) undated

Scope and Content Note

6 pages in Italian, original typescript, 3 photocopy typescript; 6 pages of English translation, 2 original typescript and 3 photocopies; 11 sheets handwritten.
Box 163, Folder 14

"Environmental Art Museum" (published) 1974

Scope and Content Note

5 pages in English, 1 original typescript, 3 photocopy typescript; Data vol. IV, no. 12. (1974), 6 pages.
Box 164, Folder 1

"Che cosa gli amici dei musei vogliono dai musei: Il collezionismo privato" (published) 1980

Scope and Content Note

2 photocopy typescript of 6 pages; 5 sheets hw; "I collezionismo privato" in Amici dei musei no. 17-18 (Dec. 1980).
Box 164, Folder 2

"Quale museo per la societa' di oggi?" undated

Scope and Content Note

1 original typescript and 2 photocopy typescript of 12 pages; 11 sheets handwritten; 3 photocopy typescript of 3 page summary; 5 sheets handwritten.
Box 164, Folder 3

"Musei d'Arte Moderna in Europa e in America" undated

Scope and Content Note

11 sheets handwritten and 1 photocopy.
Box 164, Folder 4

"How a Museum of Contemporary Art Should Be" (1979, CIMAM conference, see Box 23) ca. 1979

Scope and Content Note

1 corrected photocopy typescript, 1 original typescript and 2 photocopy typescript of 15 pages; 10 sheets handwritten.
Box 164, Folder 5

"Which Kind of Museum Need a Collector of Today Art" undated

Scope and Content Note

1 original typescript and 1 photocopy typescript of 8 pages; 6 sheets handwritten.
Box 164, Folder 6

"Riuso di edifici monumentali come musei d'arte moderna" 1982

Scope and Content Note

1 photocopy typescript of 17 pages; 4 sheets handwritten; letter to Sig. Coltro (27 Oct 1982); letter to Miss Teresa (undated); 1 photocopy typescript of 13 pages; letter to Sig Coltro (3 Nov 1982); 2 typescript (1 of them original) with corrections.
Box 164, Folder 7

"Perche' fare dei musei d'arte contemporanea" undated

Scope and Content Note

1 photocopy typescript and 1 original typescript of 14 pages; 9 sheets handwritten.
Box 164, Folder 8

"Un ringraziamento" (Vernissage du samedi, 8 novembre 1980, 17 heures; Minimal + Conceptual Art de la Collection Panza; Allocution du Panza) 1980

Scope and Content Note

7 sheets handwritten in Italian; 5 sheets handwritten in French; 2 photocopy typescript of 6 pages in French (8 Nov 1980).
Box 164, Folder 9

"Ambiente e arte" undated

Scope and Content Note

15 sheets handwritten; 11 sheets handwritten.
Box 165, Folder 1

"L'arte visiva contemporanea e il suo ambiente" undated

Scope and Content Note

12 sheets handwritten.
Box 165, Folder 2-3

"Le origini dell'arte minimale e concettuale" 1986

Scope and Content Note

1 original typescript and 2 photocopy typescript of 10 pages; 6 sheets handwritten (1 Apr 1986); 1 original and 1 photocopy typescript in English (The Origins of Minimal and Conceptual Art).
Box 165, Folder 4

"L'arte degli anni 60-70 - arte minimale - concettuale e ambientale" undated

Scope and Content Note

14 sheets handwritten; 4 pages typescript with corrections.
Box 165, Folder 5-6

"Light and Space Museum Institute for Perceptual Studies" undated

Scope and Content Note

6 photocopy typescript of 1 page; 4 pages handwritten; letter to Ari Sikora (9 Jul 1985); letter to Mark Pally (9 Jul 1985).
Box 165, Folder 7

"Collezioni pubbliche e private - un confronto per un progresso" undated

Scope and Content Note

1 original typescript and 1 photocopy typescript of 20 pages.
Box 165, Folder 8

"The Words of the Collector" (published) 1958

Scope and Content Note

1 original typescript of 5 pages in Italian; Cimaise no. 2 (Dec 1958) article in French and English.
Box 165, Folder 9-10

"Il nuovo Museo Pompidou" (published) 1986

Scope and Content Note

4 sheets handwritten in Italian; 9 pages photocopy typescript; 14 sheets handwritten in English; 3 sheets handwritten in English; clipping of Il Sole:24 Ore "La ville lumiere sfida New York" no. 34 (Feb 9-10, 1986); 1 original typescript and 1 photocopy typescript of 9 pages in Italian; 1 photocopy typescript of 6 pages in English with corrections; 1 original typescript and 1 photocopy typescript in English.
Box 165, Folder 11

Letter to Irene Borger 30 Jun 1984

Scope and Content Note

(see also Box 12) in response to her Wall Street Journal article, Panza outlines in detail his attempts to house the collection permanently in Italy. 3 photocopy handwritten of 5 pages.
Box 165, Folder 12-13

Rotary Club articles, 1959-1960, 1984

Scope and Content Note

"Conversazione Rotary": 31 pages handwritten and 16 pages original typescript; Arte Astratta, Estratto dal no.4 del 1960: booklet of 8 pages, reprint; Rotary Club di forlì no. 277 (May-Jun 1959), includes "Arte Astratta" article; speech, 1 photocopy typescript of 16 pages; Rotary Centro speech (17 Apr 1984), 1 original typescript of 6 pages.
Box 165, Folder 14

Lettera giovanile

Scope and Content Note

3 pages handwritten.
Box 165, Folder 15

Writings 1970s

Scope and Content Note

article in L'uomo e l'arte (Apr 1971); "Problemo del mercato dell'Arte" (31 Mar 1975): 3 pages original ts, 4 pages photocopy typescript; "La loggia dei mercanti" (24 Mar 1978): 4 pages photocopy typescript; "Lettera su un quotidiano (15 Sep 1978): 3 pages photocopy typescript, 1 sheet hw; Intervento al convegno su "Milano e i suoi musei" del Partitio Comunista Italiano (29 Mar 1979): 4 pages photocopy typescript.
Box 165, Folder 16

Writings 1980s

Scope and Content Note

includes transcript for meeting "Il collezionismo lombardo" (1980); letter regarding article by Sergio Bianchi (1982); "Arte per spazi pubblici" (1984); "Documenti dell'arte americana dal 1950 al 1975" (published, n.d.); "Milano e Torino: i musei piangono" (published, 1984); and "Perche' dipingere" (n.d.).
Box 165, Folder 17

Writings miscellaneous

Scope and Content Note

Tavola rotunda su "Il colezionismo Lombardo" associazione Amici del Poldi Pezzoli: 4 pages photocopy typescript letter dated 16 May 1980; testo per concerto Biumo "Arte concettuale, minimale e ambientale" (July 1983): 1 sheet hw; letter to the director of Gruppo Amici dell'arte di Varese in response to a letter by Sergio Bianchi (2 Aug 1982): 3 sheets hw, 5 pages original typescript; "Arte per spazi pubblici" (120 Jan 1984): 2 pages typescript; 1 sheet handwritten and 3 photocopy of a handwritten sheet in response to a letter from George Haessler (16 Jun 1984); "Documenti dell'arte americana da 1950 al 1975": 3 pages photocopy typescript and photocopy of article; "Milano e Torino: i musei piangono": letter to Nico Orengo (19 Sep 1984), 5 pages photocopy ts, 2 copies and 1 photocopy of La Stampa (29 Sept 1984); "Perche' dipingere?": 2 pages photocopy typescript with card from Enrico Baj.
Box 166, Folder 1

"L'arte europea e il mondo d'oggi" n.d.

Scope and Content Note

2 photocopy typescript of 3 pages, 2 sheets handwritten.
Box 166, Folder 2

"Una storia di immagini e l'immagine di una storia" copied typescript by Germano Celant 1980

Scope and Content Note

30 page photocopy typescript.
Box 166, Folder 3-4

"L'arte ambientale di Los Angeles" (published) 1987

Scope and Content Note

see Notiziario in Box 69, Rimini). 2 sheets handwritten, 2 pages photocopy typescript.
Box 166, Folder 5

"Lo stupore della creazione" undated

Scope and Content Note

1 sheet handwritten and photocopy.
Box 166, Folder 6

"Arte e rappresentazione della realta'" undated

Scope and Content Note

original typescript of 7 pages, 16 pages handwritten.
Box 166, Folder 7

"Collezionare arte moderna" ca. 1986

Scope and Content Note

10 pages photocopy typescript with annotations, 37 pages handwritten, 11 pages original typescript.
Box 166, Folder 8

Convegno Osservatorio 1986

Scope and Content Note

5 sheets of notes; letter from Cinzia Macchi (321 Mar 1986); cost sheet and pcs; "Noi e le stelle convegno..." 2 sheets handwritten.
Box 166, Folder 9

"Arte sull'acqua" n.d.

Scope and Content Note

1 sheet original typescript and 2 photocopies, 2 sheets handwritten.
Box 166, Folder 10

Geneva Conference ("Le Present de l'Art dans le Monde Contemporain") 1988

Scope and Content Note

letter from Adelina von Fürstenberg (1 Feb 1988) with 7 pages photocopy typescript.
Box 166, Folder 11

Interview with Pontus Hulten, Richard Koshalek and Julia Brown (published) 24-27 Sep 1982

Scope and Content Note

35 pages original ts, 14 page photocopy typescript w/corrections, 33 pages photocopy ts w/corrections, photocopy page proof w/corrections, photocopy of book text.
Box 166, Folder 12

Interview with Kerry Brougher (published) 8 Nov 1984

Scope and Content Note

20 pages photocopy typescript with corrections.
Box 166, Folder 13

2 Interviews Museum of Contemporary Art, Los Angeles (MOCA)

Scope and Content Note

14 sheets handwritten, 12 pages original typescript, 4 sheets handwritten.
Box 166, Folder 14

Elenco opere d'arte compilate da Giuseppe Panza

Scope and Content Note

ca. 157 pages, mostly photocopies, of a list of works in the collection with dimensions and small drawings.
Box 167, Folder 1

Note su artisti vari

Scope and Content Note

"Enzo Ardito": 4 pages photocopy typescript, photocopy of text from Galleria San Fedele (9/28-10/14); "Incontra con Vittore Frattini": 1 photocopy of text in MuseoVarese 19; "Kandinsky: giochi di colore per dipingere l'anima": 3 sheets handwritten, 4 pages original typescript, original and photocopy of clipping in Il Sole-24 Ore (7 Jan 1985); "Richard Long": 2 sheets handwritten, 3 pages photocopy typescript; "Molti artisti di valore": clipping of Corriere delle sera (4 Oct 1970) and photocopy in 4 pieces; "Richard Nonas": 3 pages original typescript, photocopy of article; "Mauro Staccioli": 3 pages photocopy typescript in Italian, 2 pages photocopy typescript in English; "Tàpies": 1 sheet handwritten, photocopy of text in Il giornale dell'arte no. 24 (June 1985), 2 pages photocopy typescript, 1 sheet handwritten.
Box 167, Folder 2-3

"Beuys" n.d.

Scope and Content Note

2 sheets handwritten, 2 copies of 6 pages photocopy typescript in Italian, 5 pages original typescript in English.
Box 167, Folder 4-5

"Gli impacchettamenti di Christo sono arte?"

Scope and Content Note

3 photocopy typescript of 5 pages; 3 sheets handwritten in Italian; 3 sheets handwritten in English (The Christo Packing Could Be Called Art?); photocopy of text in Il giornale dell'arte no. 28 (Nov 1985); 5 pages original typescript with corrections and 2 photocopy typescripts.
Box 167, Folder 6

"Vittore Frattini" undated

Scope and Content Note

1 sheet handwritten.
Box 167, Folder 7

"Robert Irwin - artista della percezione" undated

Scope and Content Note

2 photocopy typescript of 16 pages.
Box 167, Folder 8-10

"Turrell" (published in Occluded Front as "Turrell: Artist of the Sky") 1985

Scope and Content Note

13 sheets handwritten, 30 pages photocopy typescript, 2 photocopy typescript with corrections of 19 pages (20 Mar 1985), 13 pages photocopy typescript w/corrections, all in English; 10 sheets handwritten, 17 pages original typescript, 4 sheets handwritten, 2 photocopy typescript and original typescript of 7 pages, all in Italian; and 1 original of a newspaper and photocopies; 2 original typescript of 5 pages, photocopy typescript with corrections, 3 sheets handwritten.
Box 167, Folder 11

"Jim Turrell - Conversazione sull'arte ambientale" (conversation between "D." and "R.") undated

Scope and Content Note

20 pages photocopy typescript.
Box 167, Folder 12

"Il piu' importante artista vivente" (about Ian Wilson) undated

Scope and Content Note

1 original typescript and 2 photocopy typescripts of 6 pages; 3 sheets handwritten; 2 photocopy typescript of 7 pages in English (The Most Important Living Artist).
Box 167, Folder 13

miscellaneous notes, ca. 1985

Scope and Content Note

ca. 25 items.
Box 167, Folder 14

Writings G. Panza miscellaneous, undated

Scope and Content Note

"Deserto": 1 sheet handwritten; "Progetto": 4 pages photocopy typescript and 2 sheets handwritten; "La parola e l'arte concetuale": 20 pages handwritten; "Situazione collacazione collezione Panza in edifici pubblici": 2 pages handwritten photocopy; "Considerazioni sul reddito indotto Provocato dalla eventuale trasformazione ... Villa Menafoglio Panza a Biumo Superiore": 3 pages original typescript; "Considerazione sul reddito indotto alla economia della città di Vigevano..." : 5 sheets handwritten, 3 pages photocopy typescript; "Musei e conservazione quando l'arte contemporanea diventa documento del XX secolo e quindi deve essere conservata": 10 pages typescript, 4 pages typescript; "Light and Space Museum": 3 pages handwritten, 3 pages typescript; "Museomania o crescita culturale": 6 pages handwritten, 3 pages photocopy typescript; "Arte minimale concettuale e ambientale": 3 pages handwritten photocopy; letter regarding article by Calvesi: 4 pages original typescript; "Esperienze di un collezionista": 20 pages handwritten; "Perchè colleziono": 4 pages handwritten, 2 pages photocopy typescript; Gran Bazar 2 pages photocopy typescript.
Box 168, Folder 1-2

"Considerazioni sul convegno promosso da Ass. Dimore Storiche, il Sole 24 Ore e Cassa di Risparmio di Torino" 1986

Scope and Content Note

4 sheets handwritten and pc; 6 pages original typescript with corrections and photocopies.
Box 168, Folder 3

"I grandi stabilimenti per la produzione dell'acciaio abbandonati per obsolescenza possono rivivere come musei d'arte minimale e della storia dell' industria" n.d.

Scope and Content Note

orig and photocopy typescript of 3 pages in Italian; 3 pages in English (How Abandoned Steelworks Due to Obsolescence Could Be Used as Minimal Arts Museums and Industrial History Museums); original and photocopy typescript of 7 pages in German; 2 original typescript and 1 photocopy of 3 pages in French.
Box 168, Folder 4

"Quale museo? Opportunita' di un centro culturale per l'arte contemporanea a Genova" (presented at Circolo Turati conference) 1980

Scope and Content Note

see Series I, Box 26. 1 original typescript and 1 photocopy typescript of 13 pages.
Box 168, Folder 5

"Progetti ambientali San Fedele" (published) n.d.

Scope and Content Note

1 photocopy typescript of 4 pages, 2 sheets handwritten, photocopy of text in Rassegno San Fedele Aug 1977/1978.
Box 168, Folder 6

"Sistemazione Villa Menafoglio-Panza di Biumo per adibirla a museo" n.d.

Scope and Content Note

pc typescript of 23 pages, 8 shets handwritten.
Box 168, Folder 7

"Villa Menafoglio, Litta, Panza" (published) n.d.

Scope and Content Note

also includes plans.
Box 168, Folder 8

"Istruzioni per realizzare la mostra 'arte concettuale New York 1965-1970' Rimini Festival dell'amicizia agosto 1983" 1983

Box 168, Folder 9

Rivoli and Venaria varie: "I Palazzi di Rivoli e Venaria come sede di opere d'arte moderna"

Scope and Content Note

5 sheets handwritten, 7 pages photocopy typescript; "Proposta per un museo d'arte moderna nel Palazzo di Venaria": 4 pages photocopy typescript; "Arte degli anni 60-70 nel Castello di Venaria": 2 pages photocopy typescript; "The Venaria Hunting Lodge": 1 page photocopy typescript.
Box 168, Folder 10

Rivoli and Venaria: "I Palazzi di Rivoli e Venaria come sede di opere d'arte moderna" n.d.

Scope and Content Note

7 pages photocopy typescript.
Box 169

Christopher Knight, Art of the Sixties and Seventies

Folder 1-4

Original transcript of Christopher Knight interview with Panza

Scope and Content Note

with annotations, edited version of interview (copy), manuscript of book, Italian translation of interview (see also Box 53-54 Knight and Jaca files for more on interview and book production).
Box 170

Christopher Knight, Art of the Sixties and Seventies

Box 170, Folder 1-7

Frontmatter and illustrations,

Scope and Content Note

Italian translation of forward by Richard Koshalek, introduction, production instructions, artist biographies, alpha list of works in the collection and layout drawings for illustrations (Art Informal, Abstract Expressionism, Proto-Pop, Pop) with copies.
Box 171

Christopher Knight, Art of the Sixties and Seventies

Box 171, Folder 1-8

Layout drawings for illustrations (Minimal, Conceptual) with copies

Box 172

Art of the Sixties and Seventies

Box 172, Folder 1-7

Layout drawings for illustrations, photographs

Scope and Content Note

(Environmental, Land Art, Kinetic [Mochetti]), photo info, drawings for photo reductions and photocopies of color and black & white photographs.
Box 173

Panza's Date Books, 1956, 1978-1990

Scope and Content Note

Date books note appointments related to art, with one address book from 1956.
 

Series IV.  Miscellaneous artists, 1969-1990

Physical Description: 9 lin. ft. 24 boxes

Scope and Content Note

Series IV contains material sent to Panza from galleries or artists to solicit sales. In some cases there is much material which Panza accumulated as he seriously considered whether or not to make acquisitions. Most of the artists are from the United States, especially Southern California. Material consists of correspondence with artists and galleries, photographs, slides, transparencies, announcements, invitations, biographies, photocopied articles and clippings. The bulk of the material is from the 1970s and 1980s.
Box 174

AB-ASH, includes:

Box 174, Folder 1

List of artists contained in this series

Box 174, Folder 2

Abish, Cecile, 1978, 1982, 1983

Scope and Content Note

includes 3 letters from and photocopied article, 6 items.
Box 174, Folder 4

Abrams, Frederick S., 1982

Scope and Content Note

letter from.
Box 174, Folder 5-7

Acconci, Vito, 1988

Scope and Content Note

includes announcements, photocopied article, 11 slides, 10 photographs, bio and "Some Notes on Activity and Performance" and 2 letters from Jean Milant, Cirrus, ca. 34 items.
Box 174, Folder 13-15

Anselmo, Giovanni

Scope and Content Note

23 photographs, announcements and invitations, ca.29 items.
Box 174, Folder 17

Antonakos, Stephen, 1971-1979

Scope and Content Note

includes announcements and invitations, 6 photographs, 2 postcards and 4 letters from (1971, 1975, 1976, 1979), photocopy of Panza letter to, 52 slides, 2 xeroxed articles, short typescripts for 6 neon installations and "Proposed Rooms #1, 2 and 3," ca. 80 items.
Box 174, Folder 22-24

Armleder, John M., 1980-1985

Scope and Content Note

mostly announcements and invitations, but also 2 letters from Marika Malacorda (1980, 1985), ca.20 items.
Box 174, Folder 27

Asher, Michael, 1974-1977

Scope and Content Note

includes correspondence with Asher, Asher's lawyer and Nicholas Logsdail of Lisson re sale and contractual arrangements for purchase of three adapted reconstructions of the situational work shown at Toselli, Lisson and Friederich, and Panza's reasons for not purchasing (1974); extensive quantity of letters from the artist with proposals and arrangements for Varese room and sale of Biennale work (1975-1977); 8 page agreement commissioning works of art; 26 photographs; and announcements; ca.60 items.
Box 175

ASS-BAR, includes:

Box 175, Folder 3-5

Aycock, Alice, 1978-1988

Scope and Content Note

includes bio, photocopied articles, 13 slides, 26 photographs, announcements and invitations, 2 letters from John Weber (1978, 1988) and letter from the artist (1979), ca.60 items.
Box 175, Folder 6

Aziz, Philip

Scope and Content Note

letter from.
Box 175, Folder 13

Bailey, Mark, 1975

Scope and Content Note

letter from regarding his thoughts on the commercial aspects of the art world.
Box 175, Folder 16-18

Baldessari, John

Scope and Content Note

includes 2 photographs, 14 slides, "General Idea" microfiche, photocopied projects, announcements and invitations, ca.35 items.
Box 175, Folder 20

Balth, Carel, 1976-1978

Scope and Content Note

includes letter from with statement about his photo works (1976), letter from (1978), photocopied typescript "Work with Light and Perception" and 6 photographs, ca.13 items.
Box 176

BAS-BOG, includes:

Box 176, Folder 1-2

Baselitz, Georg

Scope and Content Note

announcements, invitations and poster, 11 items.
Box 176, Folder 5-6

Baumann-Hudson, Edith, 1986-1987

Scope and Content Note

includes 2 letters (1986) and 1 postcard from (1987), letters from Joni Gordon, Newspace (1986-87), 11 slides, 4 photographs, photocopied articles and "Visual Silences" brochure, ca.28 items.
Box 176, Folder 7-8

Baumgarten, Lothar

Scope and Content Note

3 photographs of "Projection Piece" mounted on Konrad Fischer stationary with notes, 6 announcements and invitations, and many photocopied articles.
Box 176, Folder 11

Belcher, Alan, 1987

Scope and Content Note

includes letter from Anne Livet (1987) and 29 slides.
Box 176, Folder 15-16

Berg, Peter, 1979-1989

Scope and Content Note

drawing sent as a thank-you card (1984), letters and notes from (1979-1981), invitations, and small catalog from Wilson Gallery (1989), ca.12 items.
Box 176, Folder 17

Bertocchi, Fabrizio

Scope and Content Note

"L'Architettura viceversa: tempo, luogo, immaginazione."
Box 176, Folder 23

Blank, Irma, 1978

Scope and Content Note

includes small catalog (1978) and typescript by Paolo Fossati, 5 items.
Box 176, Folder 26

Bochner, Mel, 1972

Scope and Content Note

includes letter from Sonnabend (1972), 10 photographs and announcements, 17 items.
Box 176, Folder 27-28

Boetti, Alighiero

Scope and Content Note

9 photographs, announcements and invitations, 16 items.
Box 177

BOL-BY, includes:

Folder 5

Brainin, Jerald Lee

Scope and Content Note

letter from (1988) and 11 slides.
Box 177, Folder 7

Brauntuch, Trudy

Scope and Content Note

8 slides, 2 announcements.
Box 177, Folder 8

Brecht, George

Scope and Content Note

3 photographs, 1 announcement.
Box 177, Folder 13

Brown, James

Scope and Content Note

3 photographs, 3 announcements.
Box 177, Folder 15

Burattin, Rinaldo Frank

Scope and Content Note

2 postcards from.
Box 177, Folder 16

Burn, Ian

Scope and Content Note

5 photographs and 3 typescripts (1973).
Box 177, Folder 17

Burri, Alberto

Scope and Content Note

includes letter from (1982), copy of letter to (n.d.) and transparency, 5 items.
Box 177, Folder 18

Burson, Nancy

Scope and Content Note

2 letters from (1978), invitations and copied articles, 6 items.
Box 177, Folder 20-21

Burton, Scott

Scope and Content Note

4 transparencies, 3 photographs, 7 slides, announcements, letter from Max Protetch, ca.14 items.
Box 177, Folder 22

Burton, Sigrid

Scope and Content Note

letter from with decals, crayon doodles and reflective and sparkle cut pieces (1985), another letter from (n.d.) and announcements with personalized notes, 7 items.
Box 177, Folder 23

Butler, Eugenia

Scope and Content Note

5 photographs.
Box 177, Folder 25-26

Byars, James Lee

Scope and Content Note

letter from Marian Goodman (1977), photo, 2 announcements and piece of fabric with Byars name.
Box 178

CA-CH, includes:

Box 178, Folder 1

C., Richard, 1980-1981, 1983

Scope and Content Note

6 postcards and 1 poem from.
Box 178, Folder 2

Cadere, Andre

Scope and Content Note

announcements and typescripts "numéro un" and "deux," 6 items.
Box 178, Folder 4

Callis, Jo Ann

Scope and Content Note

includes 27 slides, and postcards and notecards with Callis's work, ca.48 items.
Box 178, Folder 9

Cavellini, Guglielmo A.

Scope and Content Note

set of postcards, decals, envelope decorated with "international postage," 8 items.
Box 178, Folder 11-12

Chamberlain, John

Scope and Content Note

includes catalog "In Honor of John Chamberlain," announcements and 4 photographs, 13 items.
Box 178, Folder 15

Christensen, Judi

Scope and Content Note

14 slides, 8 photographs, 7 postcards, 2 letters and a note from Pietro Giustina (1985).
Box 178, Folder 16

Chorpenning, Susan

Scope and Content Note

postcard from (1981), letter from (1987) with descriptions of 34 slides enclosed and performance instructions for "To Meet, To Meet Again"
Box 178, Folder 17-18

Christo, 1969-1985

Scope and Content Note

includes 20 photographs (one photo of the Pont Neuf Wrapped is signed by the artist), postcards from, letters from Anny De Decker (1969) and Jeanne-Claude Christo (1985), announcements and press releases, ca.72 items.
Box 179

CI-CU, includes:

Box 179, Folder 1-2

Ciarli, Carlo, 1984-1989

Scope and Content Note

3 letters (1984-1985) and 2 postcards from (1988-1989), photocopies of works and announcements.
Box 179, Folder 4-5

Clemente, Francesco

Scope and Content Note

includes watercolor (see Box 307*), announcements and invitations, 11 items.
Box 179, Folder 8

Conner, Bruce

Scope and Content Note

11 photographs.
Box 179, Folder 11

Cotton, Paul

Scope and Content Note

8 slides and documentation sheet for "Museum Piece" (1969), and photo.
Box 179, Folder 12-13

Cragg, Tony

Scope and Content Note

includes letter from Nicholas Logsdail (1989), announcements and invitations, ca.8 items.
Box 179, Folder 16-17

Cucchi, Fabio

Scope and Content Note

announcements and invitations, 8 items.
Box 179, Folder 18

Cumming, Robert

Scope and Content Note

slide, invitation and various material from Newspace.
Box 180

DA-DI, includes:

Box 180, Folder 4

Davie, Alan

Scope and Content Note

includes 5 photographs, announcements and invitations, 10 items.
Box 180, Folder 5-6

Davis, Michael, ca. 1984-1988

Scope and Content Note

includes 76 slides; 2 photographs; 5 letters from the artist (1984-1986, 1988); and blueprints of project drawings for "Floating Column," "Polarity/Insolation: Manhattan Project," "The Pool and the Landscape," "Time-Line for Forgotten Ancestors," "The Building, the Port and the Island" and "On Trail."
Box 180, Folder 7

Davis, Ron

Scope and Content Note

4 slides, 4 photographs.
Box 180, Folder 8

Davis, Stephen

Scope and Content Note

14 transparencies.
Box 180, Folder 10

Delahaye, Jacques Charles

Scope and Content Note

18 photographs and copy of a letter from Stadler.
Box 180, Folder 11

De Luca, Michelangelo

Scope and Content Note

includes letter from (n.d.) and 10 sheets with diagrams and text.
Box 180, Folder 12-13

De Maria, Nicola

Scope and Content Note

8 announcements and invitations and a poster.
Box 180, Folder 17

Diebenkorn, Richard

Scope and Content Note

19 photographs and 1 announcement (see also Series II.C, box 158, for works formerly in the collection).
Box 180, Folder 19

Dine, Jim

Scope and Content Note

15 photographs.
Box 181

DO-FI, includes:

Box 181, Folder 4

Dubuffet, Jean

Scope and Content Note

7 announcements and invitations.
Box 181, Folder 5

Duchamp, Marcel

Scope and Content Note

6 announcements and invitations.
Box 181, Folder 7

Eatherton, Thomas, 1972-1987

Scope and Content Note

includes letters from (1981, 1983, 1987), letter from Hal Glickman (1981), 5 photographs, copied diagram with annotations for "Move" (1972), ca.15 items.
Box 181, Folder 8

Eldred, Dale

Scope and Content Note

photocopy of "Helsinki Project" text and 39 slides.
Box 181, Folder 11

Ericson/Ziegler, 1988

Scope and Content Note

32 slides and letter from Jane Gekler, Wolff Gallery.
Box 181, Folder 13

Estenger, Max, 1989

Scope and Content Note

2 photographs, 14 slides and letter from.
Box 181, Folder 17-18

Finlay, Ian Hamilton

Scope and Content Note

includes copied typescript of how art relates to Callanish for the Edinburgh Festival; 7 page letter from regarding Panza's recent visit to his house, how the construction of his garden corresponds to the creation of his poetry and his problems with the Art Council (1975); announcements and invitations; ca.8 items.
Box 181, Folder 21-22

Fischer, Joel

Scope and Content Note

7 announcements and invitations.
Box 182

FL-GR, includes:

Box 182, Folder 2

Floriani, Sergio

Scope and Content Note

letter from with photocopy of and blueprints for "Traces" (ca.1988), clipping and announcements, 4 items.
Box 182, Folder 5-6

Francis, Sam

Scope and Content Note

5 announcements and invitations.
Box 182, Folder 7

Frattini, Vittore, 1984-1986

Scope and Content Note

includes letter from (1984), 2 notes from (1985), invitation with brushstrokes, 3letters from Elda Carletti of Manfredi (1984, 1986) and announcements, 12 items.
Box 182, Folder 9

Gablik, Suzi

Scope and Content Note

3 photographs.
Box 182, Folder 10

George, Herbert

Scope and Content Note

letter from (1982), 32 slides, bio and photocopied text.
Box 182, Folder 15

Goldberg, Glenn

Scope and Content Note

announcement, 3 invitations, 12 photographs and bio.
Box 182, Folder 16

Goldstein, Jack

Scope and Content Note

8 slides and an announcement.
Box 182, Folder 17

Goldstein, Zvi, 1973-1987

Scope and Content Note

includes letter and 5 postcards from, 2 photographs, announcements and invitations, 16 items.
Box 182, Folder 18

Gormley, Anthony

Scope and Content Note

7 announcements and invitations.
Box 182, Folder 19

Graham, Dan

Scope and Content Note

includes 3 photographs, announcements and invitations, 12 items.
Box 182, Folder 20

Griffa, Giorgio

Scope and Content Note

12 photographs.
Box 182, Folder 21

Grosvenor, Robert, 1968

Scope and Content Note

6 photographs, transparency and letter from Marilyn Fischbach.
Box 183

GU-HEN, includes:

Box 183, Folder 2

Guarducci, Mario, 1986

Scope and Content Note

ca.20 slides and letter from.
Box 183, Folder 4

Gutruf, Gerhard

Scope and Content Note

31 mounted photographs and copied articles.
Box 183, Folder 8

Halley, Peter

Scope and Content Note

8 slides, 3 photographs announcements and invitations, correspondence with Rafael Jablonka, Julian Heynen of Krefelder Kunstmuseen and Sonnabend Gallery regarding the potential purchase and loan of "Cell with Conduit," (1988-1989), ca.27 items.
Box 183, Folder 10

Harris, Susanne

Scope and Content Note

note from, note from Ugo Gerranti and 2 photographs.
Box 183, Folder 11

Harrison, Helen and Newton

Scope and Content Note

includes 4 slides, bio, copied articles and Artweek, ca.10 items.
Box 183, Folder 12

Hayward, James, 1985, 1988

Scope and Content Note

includes original printed christmas card (1985), letter from (1988), announcements and invitations, 8 items.
Box 183, Folder 13

Heizer, Michael, 1974-1982

Scope and Content Note

11 slides, 4 photographs, letter from Xavier Fourcade (1974), 2 letters from Paul Toner re "Double Negative" (1976), letter from Flow Ace Gallery (1982), announcements and invitations, ca.25 items.
Box 183, Folder 14

Henselmann, Caspar

Scope and Content Note

100 slides, letter from (n.d.), photocopied texts.
Box 184

HER-J, includes:

Box 184, Folder 1

Hera (Betty Voelker) 1981

Scope and Content Note

69 slides, letter from, announcements and many copied articles.
Box 184, Folder 3

Heywood, Scot

Scope and Content Note

resume, 13 slides, copies articles.
Box 184, Folder 5

Hobson, Diana, 1987

Scope and Content Note

20 slides, note from and bio.
Box 184, Folder 6

Hockney, David

Scope and Content Note

4 announcements and invitations and 3 photographs.
Box 184, Folder 7

Höck, Inge, 1984

Scope and Content Note

includes fiber collage "Tiroler Landschaft" and letter from, 3 items.
Box 184, Folder 8

Hoeydonck, Paul van

Scope and Content Note

22 photographs.
Box 184, Folder 11-12

Horn, Rebecca

Scope and Content Note

8 announcements and invitations.
Box 184, Folder 14

Indiana, Robert, 1966

Scope and Content Note

4 slides of Stable Gallery exhibition.
Box 184, Folder 23-24

Johns, Jasper, 1961-1962

Scope and Content Note

includes letter from Castelli (1962) and 42 photographs, with some shots of 1961 Castelli show, announcements and invitations.
Box 184, Folder 25

Johnson, Larry

Scope and Content Note

6 slides, bio and copied articles.
Box 185

K, includes:

Box 185, Folder 6

Keinholz, Edward

Scope and Content Note

21 photographs of the Alexander Iolas Gallery 1963 exhibition and 5 from Dwan's 1963 exhibition, 33 photographs total; transparency; 2 letters from Dwan (1963); and telegram from Eugenia Butler (1975).
Box 185, Folder 7-8

Kelly, Ellsworth

Scope and Content Note

3 photographs, 6 announcements and invitations.
Box 185, Folder 10

Kiefer, Anselm

Scope and Content Note

7 announcements and invitations.
Box 185, Folder 12

Knauff, Steve

Scope and Content Note

8 slides.
Box 185, Folder 14

Koenig, John

Scope and Content Note

etching (1959) and note.
Box 185, Folder 15-16

Kooning, Willem de

Scope and Content Note

4 photographs and 2 announcements.
Box 185, Folder 17

Krebs, Penelope

Scope and Content Note

includes 12 slides.
Box 185, Folder 20-21

Kuhen, Gary, 1989

Scope and Content Note

7 photographs, transparency, letter from Jule Kewenig.
Box 186

L-MATI, includes:

Box 186, Folder 2

Lawson, George

Scope and Content Note

4 slides and a transparency.
Box 186, Folder 8

Longo, Robert

Scope and Content Note

4 slides and 2 announcements.
Box 186, Folder 10

Lysohir, Marilyn

Scope and Content Note

6 photographs and 2 announcements.
Box 186, Folder 11

Magnuson, Eric, 1989

Scope and Content Note

letter from Kent Klamen of Dennis Anderson (1989), 35 slides and 2 transparencies.
Box 186, Folder 12

Manzoni, Piero

Scope and Content Note

photographs, announcements, invitations and clippings, ca. 16 items.
Box 186, Folder 14

Marika, Denise

Scope and Content Note

7 items.
Box 186, Folder 16

Markham, Michael, 1979

Scope and Content Note

letter from (1979) and photocopies of photographs and typescripts for "Fieldpiece" and other works.
Box 186, Folder 17

Martin, Agnes

Scope and Content Note

3 photographs.
Box 187

MATS-MI, includes:

Box 187, Folder 1-3

Matsuno, Jeff (young artist interested in mysticism, who befriended the Panza's, especially Giovanni, while working at Museum of Contemporary Art, Los Angeles (MOCA). He lived with the Panzas in Milan for a while and converted to Catholicism with Panza's help)

Scope and Content Note

considerable material consisting of many long letters to Panza concerning mysticism and spirituality in art and life with some responses from Panza (see especially on love 15 Sep 1985); drawings and copies of plans and proposals for "Pretend Zen" (later to be performed anonymously as "Lectio Divina" at LAICA, Los Angeles), "Bardo Retreat," "Monastery" and others; photocopies of his notes made during "Lectio Divina"; and photographs; 1984-1989 (see also Series I, Box 19, Capp Street Project file).
Box 187, Folder 4-5

McCracken, John

Scope and Content Note

6 slides, 6 photographs, announcement and letter from Fred Hoffman (1988).
Box 187, Folder 10-11

Merz, Mario

Scope and Content Note

8 photographs, transparency, articles, announcements and invitations, ca.21 items.
Box 187, Folder 12-13

Millar, Robert, 1987-1988

Scope and Content Note

includes 30 slides, letter from Jeffrey Linden (1987) and note from Millar (1988).
Box 187, Folder 16

Miss, Mary

Scope and Content Note

letter from Rosa Esman (1975), letters from Miss (ca.1975, 77), 31 photographs, 2 plans and announcement.
Box 188

ML-N, includes:

Box 188, Folder 7

Mooney, John David

Scope and Content Note

photocopied articles, letters from the artist (1976, 77), and press releases, ca.12 items.
Box 188, Folder 9

Moroni, Lucrezia

Scope and Content Note

20 slides and transparency.
Box 188, Folder 11

Mouraud, Tania

Scope and Content Note

includes 9 photographs. 11 items.
Box 188, Folder 12

Mudford, Grant

Scope and Content Note

10 slides and bio.
Box 188, Folder 14-15

Mullican, Matt

Scope and Content Note

includes slides and announcements, ca.10 items.
Box 188, Folder 17

Murch, Anna Valentina

Scope and Content Note

8 slides.
Box 188, Folder 21-22

Neuhaus, Max

Scope and Content Note

includes letter from (n.d.) and another letter (1982) with information about his "siren" project, and announcements.
Box 188, Folder 24

Nevelson, Louise, 1961

Scope and Content Note

letters from Galerie Daniel Cordier and Martha Jackson and 7 photographs.
Box 188, Folder 25

Noland, Kenneth, 1961

Scope and Content Note

includes 7 photographs and letter from André Emmerich, 10 items.
Box 189

O-PIA, includes:

Box 189, Folder 1

Olivieri, Claudio, 1976

Scope and Content Note

letter from and announcement.
Folder 2

O'Neill, George D., 1985-1986

Scope and Content Note

2 letters from and 26 transparencies.
Box 189, Folder 4-5

Paladino, Mimmo

Scope and Content Note

7 announcements and invitations.
Box 189, Folder 9-10

Paolini, Giulio

Scope and Content Note

10 announcements and invitations.
Box 189, Folder 13

Pascali, Pino

Scope and Content Note

17 photographs and 2 announcements.
Box 189, Folder 15

Pearlstein, Philip

Scope and Content Note

9 photographs.
Box 189, Folder 16-17

Penck, A.R.

Scope and Content Note

includes small exhibition catalog from Gillespie-Laage-Salomon (1982) and announcements, 10 items.
Box 189, Folder 18

Penone, Giuseppe

Scope and Content Note

includes announcement with long statement and 6 other announcements and invitations.
Box 189, Folder 20

Piacentino, Gianni

Scope and Content Note

includes letter from (n.d.), drawing, photographs, transparencies and announcements, ca.25 items.
Box 190

PIC-PR, includes:

Box 190, Folder 2-3

Picasso, Pablo

Scope and Content Note

12 announcements and invitations.
Box 190, Folder 5

Pinto, Bruno, 1980

Scope and Content Note

includes letter from (1980), small catalog from Galleria San Luca (1980) and photographs, 11 items.
Box 190, Folder 7-8

Pistoletto, Michelangelo

Scope and Content Note

11 announcements and invitations.
Box 190, Folder 9

Pizzo Greco, Alfredo

Scope and Content Note

includes posters with interview of Panza about Pizzo Greco.
Box 190, Folder 11-12

Polke, Sigmar

Scope and Content Note

7 announcements and invitations.
Box 190, Folder 13-14

Pollock, Jackson

Scope and Content Note

8 photographs, including one of the main wall of Janis exhibition (1957), 2 transparencies and an announcement.
Box 190, Folder 17-18

Prokot, Inge, 1986

Scope and Content Note

includes 5 photographs, letter from, announcements and invitations, ca.13 items (see also Box 308*).
Box 191

RA-ROCC, includes:

Box 191, Folder 2-3

Rainer, Arnulf

Scope and Content Note

ca.17 announcements and invitations and copied statement (1987).
Box 191, Folder 4

Rajlich, Tomas

Scope and Content Note

9 photographs.
Box 191, Folder 5

Rancati, Daniela

Scope and Content Note

letter from (1980), note from (n.d.) and 9 photographs.
Box 191, Folder 13

Rempfler, Hedwig Keel

Scope and Content Note

includes 2 drawings in crayon and one in pencil all mounted, 4 mounted photographs, letter from (1980) and poem.
Box 191, Folder 14

Rhode Island School of Design, 1987

Scope and Content Note

letters from Kristin Peterson of Snyderman Gallery and 17 slides.
Box 191, Folder 19

Rocco, Ron, 1987

Scope and Content Note

7 photographs, letter from and an announcement.
Box 192

ROCK-SCHI, includes:

Box 192, Folder 2

Rockburne, Dorothea, 1972

Scope and Content Note

8 photographs, 5 slides, letter from Bykert Gallery, bio and announcement.
Box 192, Folder 3

Rohel, Richard Ralph, 1984, 1987

Scope and Content Note

includes 34 slides, 46 photographs, letters from and copied articles.
Box 192, Folder 5

Rotella, Mimmo

Scope and Content Note

7 photographs and announcement.
Box 192, Folder 6-7

Rückriem, Ulrich

Scope and Content Note

7 announcements and invitations.
Box 192, Folder 8-9

Ruscha, Edward, 1966

Scope and Content Note

letter from Fred Mueller (1966), 4 photographs, 6 announcements and invitations.
Box 192, Folder 13

Saret, Alan

Scope and Content Note

4 photographs, 2 transparencies and announcement.
Box 192, Folder 16

Schiavino, Patrick A.

Scope and Content Note

notebook with photographs and copied articles.
Box 193

SCHN-SP, includes:

Box 193, Folder 1-2

Schnabel, Julian, 1977-1978

Scope and Content Note

includes 20 transparencies, 4 slides, 11 photographs, letter from (1977), copy of a letter from Panza to Schnabel (1978), announcements and invitations, ca. 50 items.
Box 193, Folder 5-6

Schumacher, Emil

Scope and Content Note

3 photographs and 6 announcements and invitations.
Box 193, Folder 9

Scully, Sean

Scope and Content Note

includes 13 transparencies, 16 items.
Box 193, Folder 10

Self, Colin, 1966

Scope and Content Note

11 photographs and copied note from Robert Fraser.
Box 193, Folder 11

Shafrazi, Tony, 1973

Scope and Content Note

typescripts from Galleria Toselli.
Box 193, Folder 12

Shaw, Joyce Cutler, 1985

Scope and Content Note

brochure folder containing small exhibition pamphlets, two letters from, photographs and copied article.
Box 193, Folder 15

Simonetti, Gianni Emilio

Scope and Content Note

10 photographs.
Box 193, Folder 18

Smithson, Robert, 1968

Scope and Content Note

letter from Virginia Dwan with copied price list of "Earthworks" exhibition, 3 photographs from Dwan gallery (one of "Earthworks" installation) and announcement.
Box 193, Folder 23

Sonnier, Keith

Scope and Content Note

ca.30 photographs, 2 transparencies and 5 announcements.
Box 194

ST-T, includes:

Box 194, Folder 1

Staccioli, Mauro

Scope and Content Note

photographs, announcements, copied articles, ca.25 items.
Box 194, Folder 3

Stankiewicz, Richard

Scope and Content Note

14 photographs, mostly from Stable Gallery.
Box 194, Folder 4-5

Stella, Frank

Scope and Content Note

7 announcements and invitations.
Box 194, Folder 8

Strauss, Meredith

Scope and Content Note

8 slides, bio and 2 announcements.
Box 194, Folder 20-21

Tuttle, Richard

Scope and Content Note

9 photographs, 12 announcements and invitations and letter from Yvon Lambert (1972).
Box 195

U-WE, includes:

Box 195, Folder 4

Vaccarino, Robin

Scope and Content Note

10 slides and 2 announcements.
Box 195, Folder 8

Varini, Felice

Scope and Content Note

48 slides and letter from Claire Burrus (1989).
Box 195, Folder 10-11

Vermieren, Didier, 1976

Scope and Content Note

includes letter from Massimo Manini, 7 items.
Box 195, Folder 14-15

Warhol, Andy

Scope and Content Note

15 announcements and invitations and 3 photographs.
Box 195, Folder 17

Wayne, Alan

Scope and Content Note

includes 7 slides and bio.
Box 195, Folder 19

Enger, Edwin

Scope and Content Note

includes 8 photographs, 11 items.
Box 196

WI-Z, includes:

Box 196, Folder 2

Wilson, Ann

Scope and Content Note

16 photographs.
Box 196, Folder 3

Winter, David, ca. 1988

Scope and Content Note

includes 20 slides, 5 photographs and letter from the artist.
Box 196, Folder 5

Wisdom, Norton

Scope and Content Note

includes 20 slides.
Box 196, Folder 12

Zazeela, Marian

Scope and Content Note

contains typescript notes and announcements regarding La Monte Young's "Dream House."
Box 196, Folder 13

Zehr, Connie, 1984

Scope and Content Note

letter from, 12 slides and bio.
Box 196, Folder 14

Zimmerman, Elyn, 1982, 1984

Scope and Content Note

13 slides and two letters from Koplin Gallery.
Box 196, Folder 15-16

Zorio, Gilberto

Scope and Content Note

31 photographs, 6 transparencies and announcement.
Box 197

Miscellaneous, includes:

Box 197, Folder 1-11

Small amount of miscellaneous correspondence, photographs, slides, printed material.

 

Series V.  Museums, 1959-1990, 1970s-1980s

Physical Description: 10 lin. ft. 26 boxes

Scope and Content Note

Series consists primarily of correspondence documenting Panza's relationship with museums throughout the United States and Europe. Many of the letters refer to Panza's search for permanent installations of his collection, long-term and temporary exhibition loans and visits by others to his villa in Varese. Included is extensive and comprehensive material (1980-1987) from Museum of Contemporary Art, Los Angeles (MOCA) about board of trustee and curatorial functions, and regarding the sale of his collection to the institution.
Box 198

USA, Museum of Contemporary Art, Los Angeles (MOCA) 1980-1982

Box 198, Folder 1-3

Board of Trustees

Scope and Content Note

meeting minutes and some correspondence outlining important board functions, including architect selection and construction of the Bunker Hill site, building renovation for the Temporary Contemporary, operating budgets, fund-raising, acquisitions policy, nomination of new trustees, etc..
Box 199

USA, Museum of Contemporary Art, Los Angeles (MOCA)

Box 199, Folder 1-3

Board of Trustees, 1983-1985

Scope and Content Note

meeting minutes and some correspondence documenting similar topics as above, and also includes "Strategic Development Plan," community relations, exhibitions program, acquisition of and financial arrangements for the Panza Collection.
Box 200

USA, Museum of Contemporary Art, Los Angeles (MOCA)

Box 200, Folder 1-3

Board of Trustees, 1986-1987

Scope and Content Note

meeting minutes and some correspondence about the chief curator search, education programs, bookstore start-up financing and construction, volunteers.
Box 201

USA, Museum of Contemporary Art, Los Angeles (MOCA)

Box 201, Folder 1

Philosophy

Scope and Content Note

includes "Museum of Contemporary Art, Los Angeles (MOCA): An Introduction to its Goals and Policies," with report, "The Collections Information Book" and "The Collections of Museum of Contemporary Art, Los Angeles (MOCA)" (1981).
Box 201, Folder 2

Acquisition Committee, 1982-1984

Scope and Content Note

meeting minutes, policy drafts and reports about acquisitions (see also Board of Trustees).
Box 201, Folder 3

Bylaws undated, see box 203, folder 9 for amended bylaws).

Box 201, Folder 4

Financial, 1980-1987

Scope and Content Note

includes reports from Touche Ross & Co. (1980-1981) and Financial Planning and Budget Committee meeting minutes (1984, 1987; see also Board of Trustees).
Box 201, Folder 5

Recognition Opportunities, 1985, 1987

Scope and Content Note

summary and report regarding donor recognition).
Box 202

USA, Museum of Contemporary Art, Los Angeles (MOCA)

Box 202, Folder 1-16

Correspondence, 1980-1988

Scope and Content Note

consists of letters and telegrams with Richard Koshalek, Eli Broad, William Kieschnick, other board members and Museum of Contemporary Art, Los Angeles (MOCA) staff regarding various topics, such as: Panza's election to the board (1980); Panza's delight over museum's progress, his concern about the relatively small quantity of exhibition space, which makes the installation of environmental art difficult, and Panza's museum plans in Italy (1981); negotiations for the purchase of 80 works from the collection (1983-84); many telegrams with Julia Brown and other Museum of Contemporary Art, Los Angeles (MOCA) staff regarding exhibition of works in Panza's collection for "The First Show" (1982-83), "The Panza Collection" (1984-85) and the Turrell exhibition (1985); Panza's concerns about Museum of Contemporary Art, Los Angeles (MOCA) skylights (see boxes 205-206 for schematics and Panza drawings), ideas for a sculpture garden (see box 24 for Panza installation designs), importance of keeping the Temporary Contemporary facility and finding a permanent home for his Minimal and Conceptual works (1984); 3 slides of Oldenburg reinstallation at Museum of Contemporary Art, Los Angeles (MOCA) and Panza's concerns for changes in the Barry entrance room (1985); Panza ideas for installation of Minimal and Conceptual works in the BH courtyard (similar to sculpture garden idea) and confusion over board potentially selling works (1986, see especially letter from Kathy Bonner 11/4). Also many short telegrams coordinating Panza's schedules while in L.A. and visitors to Varese.
Box 203

USA, Museum of Contemporary Art, Los Angeles (MOCA)

Box 203, Folder 1

Regione Piemonte acquisition correspondence, 1983

Scope and Content Note

copies of Panza letters regarding placement of the works now at Museum of Contemporary Art, Los Angeles (MOCA).
Box 203, Folder 2

Proposed collection acquisition, 1983-1984

Scope and Content Note

correspondence and copies of Museum of Contemporary Art, Los Angeles (MOCA) agreement and appraisals by Sotheby's and Christie's.
Box 203, Folder 3

Original sales contract, undated

Scope and Content Note

written by Panza.
Box 203, Folder 4

Contract copy, 15 Dec 1983

Box 203, Folder 5

Contract changes, 24 Jan 1984

Box 203, Folder 6

Banca Popolare correspondence, 1984

Scope and Content Note

regarding payment schedule.
Box 203, Folder 7

Bill of Sale, 1985

Folder 8-9

Sergio Erede correspondence, 1985-1986

Scope and Content Note

copy of 11 page letter to Erede, Panza's lawyer, from Panza about misunderstanding with Museum of Contemporary Art, Los Angeles (MOCA) over financial arrangements of sale with copies of documentation (1985). Separate folder contains letters regarding withholding tax and documents additional problems with Museum of Contemporary Art, Los Angeles (MOCA) about payment schedule and deaccessioning works from the collection. Also contains bill of sale for 1986 and Museum of Contemporary Art, Los Angeles (MOCA)'s amended bylaws (see also Series I, Box 6 for more with Erede).
Box 203, Folder 10

Bill of Sale, 1987

Box 203, Folder 11

Mutual General Release agreement, 1988

Box 203, Folder 12-13

Potential acquisition of Minimal and Conceptual works, 1985

Scope and Content Note

list of artists selected by Koshalek of the second portion of Panza's collection (now at Guggenheim) with drawings and blueprints of Museum of Contemporary Art, Los Angeles (MOCA) schematics and potential installation schemes (1984). Also "Proposed Selections from the Remainder of the Panza Collection (Version Two)," 2 copies (April 5, 1985).
Box 203, Folder 14

Photocopies of 38 works

Box 203, Folder 15-16

Loan Forms

Scope and Content Note

loan forms and some correspondence for "The First Show" and "Individuals" (see box 205 for checklists).
Box 204

USA, Museum of Contemporary Art, Los Angeles (MOCA) 1984-1985

Box 204, Folder 1-4

Installation designs for the TC (Temporary Contemporary)

Scope and Content Note

original Panza drawings and copies of potential exhibitions of his collection at MOCA's TC building, n.d. (earlier), 6 Dec 1984, 9 Feb 1985, 15 Apr 1985.
Box 204, Folder 5-6

Installation designs for Bunker Hill (i.e. MOCA building), 1984-1985

Scope and Content Note

drawings and copies, 15 Apr 1984 and various 1984 and 1985.
Box 204, Folder 7

Installation designs for California Plaza (i.e., MOCA building) undated

Scope and Content Note

drawings and copies.
Box 205, Folder 8-10

Installation designs for sculpture garden, 1984

Scope and Content Note

drawings and copies of work photographs for proposed sculpture garden installation at California Plaza.
Box 205

USA, Museum of Contemporary Art, Los Angeles (MOCA)

Box 205, Folder 1-2

"Individuals" checklists, 1986

Scope and Content Note

copies of typescript artists checklist and handwritten works checklist by Julia Brown with three letters from. Separate folder contains typescript checklist (28 Jan 1986) and short bios of artists.
Box 205, Folder 3

Exhibitions 1986

Scope and Content Note

consists mostly of press releases.
Box 205, Folder 4-7

Press Releases, 1980-1987

Scope and Content Note

A very incomplete set, from scattered years.
Box 205, Folder 8-10

Press Clips, 1981, 1983-1987

Scope and Content Note

contains copies of newspaper and journal articles regarding new building, exhibitions, and various other Museum of Contemporary Art, Los Angeles (MOCA) related topics, (bulk 1987).
Box 205, Folder 11

Skylight Studies

Scope and Content Note

drawings by Panza (1984) for Museum of Contemporary Art, Los Angeles (MOCA) skylights at Bunker Hill site.
Box 206

USA, Museum of Contemporary Art, Los Angeles (MOCA)

Box 206, Folder 1

Skylight Blueprints

Scope and Content Note

for the Bunker Hill MOCA site.
Box 206, Folder 2

Interviews

Scope and Content Note

copies of "The First Show" catalog and annotated typescript of "The Panza Collection."
Box 206, Folder 3

Cards and Invitations

Scope and Content Note

includes invitations to Museum of Contemporary Art, Los Angeles (MOCA) openings and parties given by trustees, ca.43 items.
Box 206, Folder 4

miscellaneous Cards

Scope and Content Note

includes thank you notes and invitations, ca.23 items.
Box 206, Folder 5

Schedules

Scope and Content Note

notes, letters and invitations written primarily by Museum of Contemporary Art, Los Angeles (MOCA) staff to coordinate Panza's schedule while visiting L.A.
Box 206, Folder 6

Addresses and phone numbers

Box 206, Folder 7

Receipts, 1988

Scope and Content Note

some express mail receipts for documents sent to Museum of Contemporary Art, Los Angeles (MOCA), withholding tax forms for sale of collection and insurance and shipping receipts.
Box 206, Folder 8

photographs

Scope and Content Note

mostly of Panza Collection installation, 10 items.
Box 206, Folder 9

miscellaneous

Scope and Content Note

reports, memos, notes, announcements, etc.
Box 207

USA, Los Angeles County Museum of Art (LACMA)

Box 207, Folder 1-2

Contract correspondence and agreement, 1984-1986

Scope and Content Note

much correspondence with Earl A. Powell regarding possible acquisition of the collection and copies of contract draft.
Box 207, Folder 3

List of works

Scope and Content Note

copies of lists made by Panza.
Box 207, Folder 4

Acquisition recommendation, 1985

Scope and Content Note

list of works recommended for acquisition, generated by Los Angeles County Museum of Art (LACMA).
Box 207, Folder 5-6

Third and Fourth floor plans

Scope and Content Note

blueprints of Los Angeles County Museum of Art (LACMA)'s Anderson building's fourth floor and Panza drawings for installations.
Box 207, Folder 7

Correspondence

Scope and Content Note

includes letters about visits to the collection from Maurice Tuchman and loan requests.
Box 207, Folder 8

Press releases

Scope and Content Note

announcements, press releases, collection lists, etc.
Box 208

USA, Museum of Modern Art, New York (MOMA)

Box 208, Folder 1

1960-1969

Scope and Content Note

membership cards.
Box 208, Folder 2-6

1972-1984

Scope and Content Note

consists of material from the International Council of MOMA, such as correspondence, meeting minutes and itineraries, exhibition lists, financial statements, reports, etc.
Box 209

USA, Museum of Modern Art, New York (MOMA)

Box 209, Folder 1-5

1985-1990

Scope and Content Note

mostly general membership materials, including newsletters, calendars, correspondence, announcements, invitations and some items from the International Council,.
Box 210

USA, Whitney Museum of Art

Box 210, Folder 1

Correspondence

Scope and Content Note

letters from Richard Armstrong and other personnel about visits to Varese and loans.
Box 210, Folder 2-3

Membership letters and info., 1988-1990

Scope and Content Note

much material requesting donations and listing events.
Box 210, Folder 4

Announcements and invitations

Scope and Content Note

ca.35 items.
Box 211

USA, A-F; includes:

Folder 1

Arizona

Scope and Content Note

primarily contains material from Phoenix Art Museum in the form of correspondence and schedules regarding the Panza's visit there (1987).
Box 211, Folder 2-4

California, La Jolla Museum of Art, 1985-1987

Scope and Content Note

includes extensive correspondence with Hugh Davies and others about possible loan and installation of the collection at the B Street Pier Warehouse (1985-1986), with copy of a letter from Panza outlining 10 different exhibition programs. Also includes announcements and Biennial Report 1986 and 1987.
Box 211, Folder 5-6

California, Long Beach Museum of Art

Scope and Content Note

substantial correspondence with Jan Ernst Adlmann regarding 15 year loan of the collection (1974-75) with agreement, contract, blueprints of I.M. Pei's design for new museum and 6 slides of model.
Box 211, Folder 7

California, miscellaneous

Scope and Content Note

includes correspondence and announcements from various art institutions in Calif.
Box 211, Folder 9

Florida, Center for the Fine Arts, Miami, 1979-1980

Scope and Content Note

polite correspondence re Jan van der Marck's appointment as director.
Box 212

USA, I-N; includes:

Box 212, Folder 1

Illinois, ca. 1974-1985

Scope and Content Note

correspondence from James Speyer of the Art Institute of Chicago about visiting Varese and from various staff from Museum of Contemporary Art, Chicago.
Box 212, Folder 2-4

Iowa, Des Moines Art Center, 1987-1990

Scope and Content Note

includes some correspondence with Julia Brown Turrell about personal matters and long-term loans from the collection (1987), and "New Museum Architecture and Contemporary Art" symposium and copy of text written by Brown Turrell for Journal of Art about Panza's contractual arrangements with artists concerning fabrication (1990). Also includes press releases and telegrams, ca.27 items.
Box 212, Folder 5-7

Massachusetts, Museum of Contemporary Art

Scope and Content Note

substantial correspondence with Thomas Krens and others about acquisition and long-term loans of works in the collection and government approval problems associated with the overall MASS Museum of Contemporary Art, Los Angeles (MOCA) project (1986-87). Also "MASS Museum of Contemporary Art, Los Angeles (MOCA) Project Realization Political Milestones," "Executive Summary" of project and blueprint (3 copies) of Williams College Contemporary Museum of Art renovation.
Box 212, Folder 9

Michigan, Detroit Institute of Arts

Scope and Content Note

includes letters regarding Panza's 1985 lecture there.
Box 212, Folder 10

Minnesota, Walker Art Center

Scope and Content Note

includes much polite correspondence with Martin Friedman.
Box 212, Folder 12-13

New York, Dia Art Foundation

Scope and Content Note

includes correspondence with Philippa Pellizzi, Heiner Friedrich and Helen Winkler about De Maria's "Lightning Field" (see Series IIA Box 106.5 for some of the original letters) and Panza's museum programs, and announcements, ca.60 items.
Box 213

USA, N-Z; includes:

Box 213, Folder 1

New York, Guggenheim Museum of Art, 1969-1989

Scope and Content Note

correspondence with Tom Messer and other personnel regarding financial contributions, loans for Rothko, Ryman and Lichtenstein exhibitions and visits to Varese (1969-1987), and includes copy of contract draft for purchase of works now at Guggenheim (1989).
Box 213, Folder 2

New York, miscellaneous

Scope and Content Note

correspondence, announcements, membership cards, etc., from various museums.
Box 213, Folder 8

Texas

Scope and Content Note

includes letter from and response to Stephen Nash, Dallas Museum of Art, about collection placement and loan request from Robert Murdock, Dallas Museum of Fine Art.
Box 213, Folder 10

Washington, D.C.

Scope and Content Note

includes some letters from personnel of the Hirshhorn Museum and the National Gallery of Art.
Box 213, Folder 11

Correspondence with directors

Scope and Content Note

thank you notes from, and letters arranging visits and discussing Panza's museum plans with Jan van der Marck, I. Michael Danoff, Richard Koshalek, J. Carter Brown, Marcia Tucker and many others.
Box 214

France

Box 214, Folder 1-2

Bordeaux, Musée d'Art Contemporain, 1980s

Scope and Content Note

correspondence with Jean-Louis Froment and other staff members about loans, visits and other matters. A separate folder contains newsletters, announcements, invitations, etc.
Box 214, Folder 3-4

Lyon, Musée St. Pierre

Scope and Content Note

correspondence with Thierry Raspail about the exhibition of the collection (1989) and "La Couleur Seule (1988), announcements, invitations and newsletters. Also substantial quantity of plans drawn by Panza for Flavin exhibition with many photographs and slides of the museum.
Box 215

France

Box 215, Folder 1-2

Paris, Pompidou Center, 1970s-1980s

Scope and Content Note

correspondence with Dominique Bozo, Pontus Hulten and staff re exhibition and long-term loans, visits and other matters, and a substantial quantity of announcements and invitations.
Box 215, Folder 3

Paris, Musée d'Art Moderne de la Ville de Paris

Scope and Content Note

mostly correspondence about "Electra" exhibition (1983) and also a letter from Pierre Gaudibert about the date change of the Rauschenberg show (1968).
Box 215, Folder 4-5

St. Etienne

Scope and Content Note

primarily correspondence with Bernard Ceysson regarding the exhibition of Nauman and Long works (1988-1990) and 5 different plans drawn by Panza for various installations.
Box 215, Folder 6

France, miscellaneous

Box 216

Germany, Japanese

Box 216, Folder 1

Berlin

Scope and Content Note

includes correspondence with Lucius Grisebach about loans and a text for the "New York in Europa" exhibition (1976) and with Werner Haftmann, both of the Nationalgalerie, regarding loans for the Rothko show (1970-1971).
Box 216, Folder 2

Köln

Scope and Content Note

includes much correspondence with Kasper Koenig regarding "Westkunst" loans (1980-1981), and with Evelyn Weiss and others about Rothko loans (1971-1972).
Box 216, Folder 3

Stuttgart

Scope and Content Note

correspondence with Gudrun Inboden, Peter Beye and others about loans and placement of the collection at Staatsgalerie (1976-85).
Box 216, Folder 4

Germany, miscellaneous

Scope and Content Note

1972-81.
Box 216, Folder 5

Germany, miscellaneous

Scope and Content Note

1983-88.
Box 216, Folder 6

Germany, correspondence with directors

Scope and Content Note

some miscellaneous correspondence
Box 216, Folder 7

Austria

Scope and Content Note

1 item.
Box 216, Folder 8

Japan

Scope and Content Note

correspondence with Fumio Nanjo of the Japan Foundation (1983).
Box 217

Belgium, Iran, Mexico, Holland

Box 217, Folder 1

Belgium, 1971-1972

Scope and Content Note

some correspondence about loans for "Metamorphoses de l'Objet" and announcements.
Box 217, Folder 2

Iran

Scope and Content Note

1 item.
Box 217, Folder 3

Mexico

Scope and Content Note

4 items.
Box 217, Folder 4-5

Holland

Scope and Content Note

includes correspondence with Rudi Fuchs of Van Abbemuseum Eindhoven, Edy de Wilde of Stedelijk Museum, R.W.D. Oxenaar of Rijksmuseum Kröller-Müller and their staffs regarding loans and other matters. Also many blueprints of Van Abbemuseum Eindhoven.
Box 218

Spain, Reina Sofia

Box 218, Folder 1

Correspondence, 1985-1988

Scope and Content Note

with Carmen Giménez and others regarding the loans, 1988 exhibition of the collection and other matters.
Box 218, Folder 2

Announcements and invitations

Scope and Content Note

ca.40 items.
Box 218, Folder 3-6

Plans for 1988 Exhibition

Scope and Content Note

includes blueprints, schematics, installation plans, and checklist.
Box 218, Folder 7

Articles

Scope and Content Note

clippings and journals, some about the 1988 exhibition.
Box 218, Folder 8

miscellaneous

Scope and Content Note

includes correspondence, insurance information and visitors record for 1988 show, 7 photographs of the building before it was renovated and 4 photographs of the interior after renovation.
Box 219

Scandinavia, Spain (miscellaneous), Switzerland, United Kingdom

Box 219, Folder 1

Scandinavia

Scope and Content Note

letters from Knud Jensen of Louisiana Museum of Modern Art about possible loans and acquisition of the collection (1971, 1978), Björn Springfeldt and others.
Box 219, Folder 2-3

Spain

Scope and Content Note

some correspondence about collection placement, 10 items, and 1 architectural drawing and installation designs for El Borne project.
Box 219, Folder 4

Bern, Kunsthalle

Scope and Content Note

includes letters from Franz Meyer regarding 1959 Tàpies exhibition and much material for 1979 exhibition of the collection, such as correspondence with Johannes Gachnang, checklist, installation plans, blueprints, typescript "Un conciliante dialogo d'arte" and 20 photographs of the exhibition.
Box 219, Folder 5

Geneva, Musée Barbier-Mueller

Scope and Content Note

letters from Martine Renaud and others from l'Association des Amis du Musée Barbier-Mueller concerning shows, bulletins and other matters, and also includes announcements and invitations, 1981-87.
Box 219, Folder 6

Zürich, Kunsthalle

Scope and Content Note

includes correspondence with Erika Billeter and R. Wehrli about loans, and collection lists.
Box 219, Folder 7

Switzerland, miscellaneous

Scope and Content Note

includes correspondence with Martin Schwander regarding loans for Internationale Skulpturen-Ausstellung, Wenkenpark Riehen (1980) and many press releases and announcements from Kunstmuseum Luzern and other various institutions (see Series I, Box 11-13, for more regarding Basel, especially the long-term loan negotiations).
Box 219, Folder 8

United Kingdom

Scope and Content Note

miscellaneous correspondence from Alan Bowness of the Tate Gallery and the staff of various museums about loans, collection placement and visits to Varese.
Box 220

Canada, Australia, Italy

Box 220, Folder 1

Vancouver Art Gallery, 1977-1984

Scope and Content Note

mostly correspondence with Luke Rombout about long-term loans of the collection and booklet "Vancouver Sculpture Project 86."
Box 220, Folder 2

Canada, miscellaneous

Scope and Content Note

contains mostly correspondence with the staff of the National Gallery of Canada about Panza writing a text on his collection, various loans and visits.
Box 220, Folder 3

Australia

Scope and Content Note

2 items.
Box 220, Folder 4-5

miscellaneous Italy

Scope and Content Note

letters, brochures, announcements, invitations, etc.
Box 220, Folder 6

miscellaneous Italy, correspondence with directors

Scope and Content Note

includes 2 letters from Palma Bucarelli (1974, 1980) and 2 letters to (1979, 1982).
Box 220, Folder 7-8

Biennale di Venezia, 1986

Scope and Content Note

includes much correspondence regarding loans for "Arte e scienza" (1986) and loans for other exhibitions, and announcements and invitations.
Box 221, Folder 1-6

Italy, Triennale di Milano

Scope and Content Note

Primarily extensive material for "Light, Space, Perception, Energy" (1990), such as correspondence, background materials, checklists, cost sheet, blueprints, installation plans.
Box 222

Italy, Brera

Box 222, Folder 1-2

Project Palazzo Citterio

Scope and Content Note

blueprints, Panza notes, "Relazione Architettonica" by Stirling, Wilford & Associates, 2 photographs of model.
Box 222, Folder 3-4

miscellaneous

Scope and Content Note

includes much information from L'Associazione Amici di Brera, such as correspondence, schedules, invitations, invitation lists, financial report, etc. (see also Amici di Brera in Series I); and also letters from Sovrintendenza per i beni artistici e storici, newsletters, announcements and blueprints from Gregotti Associati, 1976-86, n.d.
Box 223

Italy

Box 223, Folder 1

Milan, Museo Poldi-Pezzoli, 1979-1990

Scope and Content Note

mostly announcements and invitations, but also some letters from Alessandra Mottola Molfino (see also Series I, Box 3 for Associazione Amici del Museo Poldi Pezzoli).
Box 223, Folder 2-3

Prato, Museo d'Arte Contemporanea Luigi Pecci, 1986-1990

Scope and Content Note

includes many letters from Massimo Bellandi, programs of activities, Panza typescript "L'arte europea ed il mondo oggi," announcements and invitations.
Box 223, Folder 4

Turin, Lingotto, 1987-1988

Scope and Content Note

some correspondence and installation drawings by Panza for Luce-Torino exhibition.
Box 223, Folder 5

Varese, Lodovico Pogliaghi, 1987

Scope and Content Note

correspondence with Vera Rosnati Pogliaghi and lists of Panza donations.
Box 223, Folder 6-7

Venice, Palazzo Grassi, 1984-1987

Scope and Content Note

includes correspondence with Pontus Hulten and others regarding exhibitions (Arcimboldi and Tinguely), letters from Furio Colombo with materials regarding Amici di Palazzo Grassi, announcements and invitations.
 

Series VI.  Galleries, 1959-1990

Physical Description: 7.5 lin. ft. 19 boxes

Scope and Content Note

Series VI contains printed ephemera in the form of announcements and invitations, with some notable correspondence interfiled. A separate box contains correspondence with prominent gallery owners, including Leo Castelli and Richard Demarco, about purchases, the settlement of accounts and Panza's involvement with the Edinburgh Art Festival.
Box 224

France

Box 224, Folder 1

Dijon, 1988-1990

Box 224, Folder 2

Nice, 1988-1990

Box 224, Folder 3

Marseille, 1988

Box 224, Folder 4

France, miscellaneous, 1982, 1985-1990

Box 224, Folder 5

Paris, 1959-1986

Scope and Content Note

Includes letters from Gualtieri di San Lazzaro of Société Internationale d'Art XXe Siècle (1959, n.d.), René Drouin about selling his Wols (1959), Yvon Lambert (1968, 1976) and Betty Anderson (1976).
Box 225

France

Box 225, Folder 1-5

Paris, 1987-1990

Box 226

Germany

Box 226, Folder 1

Berlin, 1976-1990

Box 226, Folder 2

Bonn, 1980, 1987-1990

Box 226, Folder 3-4

Düsseldorf, 1978-1981, 1983-1990

Box 226, Folder 5

Frankfurt, 1960-1990

Box 226, Folder 6

Hamburg, 1972-1990

Box 227

Germany, Austria

Box 227, Folder 1-2

Köln, 1974-1990

Box 227, Folder 3-4

Munich, 1968-1990

Box 227, Folder 5

Stuttgart, 1988-1990

Box 227, Folder 6

Germany, miscellaneous, 1978-1990

Box 227, Folder 7

Innsbruck, 1983-1990

Box 227, Folder 8

Vienna

Scope and Content Note

1987-90.
Box 228

Italy

Box 228, Folder 1

Emilia-Romagna, 1978-1990

Box 228, Folder 2

Florence, 1986-1990

Box 228, Folder 3

Genoa, 1975-1990