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Photographs of the Panama-Pacific International Exposition, 1915
BANC PIC 1969.035--PIC
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Collection Title: Photographs of the Panama-Pacific International Exposition,
Date (single): 1915
Collection Number: BANC PIC 1969.035--PIC
Extent:
31 photographic prints, 36 x 27 cm. or smaller; 1 photomechanical reproduction of painting, mounted, 25 x 36 cm.
32 digital objects
Photographer: Cardinell-Vincent Company
Repository:
The Bancroft Library.
Berkeley, California 94720-6000
Languages Represented:
English
Collection is available for use.
Copyright has not been assigned to The Bancroft Library. All requests for permission to publish photographs must be submitted
in writing to the Curator of Pictorial Collections. Permission for publication is given on behalf of The Bancroft Library
as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must
also be obtained by the reader.
Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted
to research and educational purposes.
[Identification of item],
Photographs of the Panama-Pacific International Exposition, BANC PIC 1969.035--PIC, The Bancroft Library, University of California, Berkeley.
Digital Representations Available
Digital representations of selected original pictorial materials are available in the list of materials below. Digital image files were prepared from selected Library originals by the Library Photographic Service. Library originals were
copied onto 35mm color transparency film; the film was scanned and transferred to Kodak Photo CD (by Custom Process); and
the Photo CD files were color-corrected and saved in JFIF (JPEG) format for use as viewing files.
Unknown.
Finding aid and digital representations of archival material funded in part by a grant from the National Endowment for the
Humanities.
The Panama-Pacific International Exposition (P.P.I.E.), held in 1915 in San Francisco, commemorated the opening of the Panama
Canal in July of that year and sought to display to the world the recovery of San Francisco from the devastating earthquake
and fire of 1906. Conceived as early as 1904, the extravagant P.P.I.E. covered circa 300 acres along the picturesque bayside
Marina district of San Francisco. Temporary palaces, towers, gardens, fountains and miscellaneous attractions were constructed,
creating a diverse yet harmonious "city of domes," which combined Spanish and Italian baroque designs with those of Byzantium
and the Orient. In addition to inviting nations from all over the world to erect buildings and exhibits on the grounds, the
P.P.I.E. also employed a distinguished array of architects, sculptors, painters and other artisans to develop the design of
the larger palaces and courts. The Exposition was held from February 4 to December 4, and attracted circa 19 million visitors.
The only original structure remaining on site from the Exposition is Bernard Maybeck's Palace of Fine Arts, which was restored
in the 1960s. The California Palace of the Legion of Honor, built in 1924 at San Francisco's Land's End, is a replica of France's
palace of the same name, which was originally replicated for the P.P.I.E. as the French Pavilion.
The Photographs of the Panama-Pacific International Exposition collection contains 31 photographic prints of the 1915 Panama-Pacific
International Exposition taken by the Cardinell-Vincent Company, the official photographers of the Exposition. Attractions
of the Exposition featured in the collection include the Palace of Fine Arts, the Tower of Jewels, the Court of the Universe,
the Court of Abundance, the Court of Four Seasons, the Court of Palms, Festival Hall, and the Italian Pavilion, as well as
various paintings and sculptural works. Architects, sculptors and painters whose work is featured in the collection include
Bernard Maybeck, A. Stirling Calder, Thomas Hastings, George W. Kelham, Gertrude Vanderbilt Whitney, James Earle Fraser, Edward
Berge, Robert I. Aitken, Louis Christian Mullgardt, Daniel Chester French, Arthur F. Mathews, Adolph A. Weinman, Robert Farquhar,
Frank Brangwyn, Henry Bacon, and Albert Jaeger.
Several of the prints are hand-colored. The collection also includes a mounted color photomechanical reproduction of an Exposition
painting.