Information for Researchers
Scope and Content
Collection Title: The Records of an Unbroken Friendship but the Mortal Severance,
Collection Number: BANC PIC 1993.028 -- fALB
Kato, Taizo, d. 1924
Circa 410 photographs of various sizes, compiled in album measuring 24 x 38 cm.; circa 30 loose items (photographic prints,
drivers licenses, U.S. registration cards) of various sizes; 1 panorama photograph, 26 x 123 cm.
80 digital objects
The Bancroft Library. University of California, Berkeley.
Berkeley, California 94720-6000
Information for Researchers
Collection is available for use.
Copyright has not been assigned to The Bancroft Library. All requests for permission to publish photographs must be submitted
in writing to the Curator of Pictorial Collections. Permission for publication is given on behalf of The Bancroft Library
as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must
also be obtained by the reader.
Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted
to research and educational purposes.
[Identification of item],
The records of an unbroken friendship but the mortal severance, 1907-1924, BANC PIC 1993.028 --fALB, The Bancroft Library, University of California, Berkeley.
Digital Representations Available
The Records of an Unbroken Friendship but the Mortal Severance album and related photographs were purchased in 1993. The panorama
photograph was purchased in 1996.
Scope and Content
The Records of an Unbroken Friendship but the Mortal Severance album contains approximately 410 photographs apparently created
as a memorial to Taizo Kato, a Japanese-American who died in 1924 at the age of 36. The album title implies that it was compiled
by one or more of Kato's friends. The collection also contains circa 30 loose photographs and other items and one photographic
Kato was an amateur photographer and painter, and several of the photographs refer to his involvement with these practices.
Although only four of the prints bear either Kato's signature or embossed stamp, it is possible that a large percentage of
the work in the album is his. There is at least one self-portrait by Kato. With Kamejiro Sawa, Kato was the proprietor of
a Los Angeles photo, art and stationery goods business. This business, named The Korin, is featured in some of the photographs.
Sawa is likely one of the friends appearing throughout the album, and may have been the compiler of the album as loose items
in the collection include his United States registration card and two of his driver's licenses.
The majority of the photographs in the album are portraits and snapshots of Kato and his friends and family. They convey a
strong sense of intimacy between the subjects and provide a rich glimpse of Japanese-American culture of early twentieth century
California. In addition to these more personal subjects, the album also features portraits and snapshots of individuals such
as President Woodrow Wilson, Hollywood celebrities Douglas Fairbanks, William S. Hart and Sessue Hayakawa, and the model Antonio
Photographs of outdoor recreation are omnipresent. Activities featured include picnicking, hiking, boating, driving, motorcycling,
carriage rides, hunting, angling and flying. Another common subject is the arts, as many prints feature painters, paintings,
photographers, sculpture, models and actors. Several photographs of pets are also included.
Among the identifiable California locations shown in the photographs are the Los Angeles area, Mission Santa Barbara, Mission
San Gabriel, White Point, Yosemite, the San Diego area, and San Francisco. Several unidentified landscapes, coastal scenes
and other views of nature are likely of California locations as well. Other probable locations include England, Japan and--as
the print is of a bullfight--Latin America or Spain. On the front of a photograph of a group of students is written the name
Rowell (or Powell?) High School.
The overall impression afforded by the album is one of a closely knit group of friends and family members who enjoyed a lifestyle
of travel, recreation and the arts, and who deeply valued the memories of their time together. The few photographs of Kato's
gravestone enhance the memorial aspect of the album.
The album contains approximately 100 pages, 20 of which remain unused. Several prints have come unglued or were removed from
their original locations and thus are lacking. The front cover of the album reads "T. Kato." Besides Kato, the only other
identifiable photographer is T. Akashi, whose studio name appears on one print. As the prints are not accompanied by captions,
and as they are glued by their backs to the album pages (thus preventing access to any possible verso captions), precise dating
and subject identification is difficult.
The panorama photograph pictures the attendees of Taizo Kato's funeral, dated "Taisho 13, January 9th."