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Guide to the Roy Maxwell Talbot Papers
105  
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Collection Details
 
Table of contents What's This?
  • Descriptive Summary
  • Administrative Information
  • Biography
  • Scope and Content

  • Descriptive Summary

    Title: Roy Maxwell Talbot Papers
    Accession number: 105
    Creator: Talbot, Roy Maxwell, 1881-1963
    Extent: Number of containers: 12 boxes
    Repository: Sonoma State University Library
    North Bay Regional and Special Collections
    1801 E. Cotati Avenue
    Rohnert Park, California 94928-3609
    Language: English

    Administrative Information

    Note

    Collection is open for research by appointment .

    Publication Rights

    The library can only claim physical ownership of the collection. Users are responsible for satisfying any claimants of literary property.

    Preferred Citation

    [Identification of item]. Roy Maxwell Talbot Papers. North Bay Regional and Special Collections, University Library, Sonoma State University.

    Biography

    Roy Maxwell Talbot (1881-1963) began his career with the Chinese Maritime Customs in 1908. He served as Commissioner of Customs from 1935 until 1938, when he became Audit Secretary in the Inspectorate General's Office. He was in that position until 1942. He served in Canton, Icheng, Nanking, Shanghai, Harbin, Swatow, Kongmoon, Aigun, Antung, Changsha, Amoy and Kunning. In July, 1932, Talbot was arrested by Japanese officials in Amtung, Manchuria for refusing to hand over Chinese customs revenues. In 1941, he was held in the Bridge House, an infamous dungeon, for 42 days. Talbot's detention by the Japanese created an international incident. Newspapers around the world carried headlines of an arrest of an "American employed by the Chinese".

    Scope and Content

    Diaries, photographs, personal correspondence, a radio script, copies of official papers, artifacts and ephemera document the life of “China hand”, Roy Maxwell Talbot. Talbot worked in China as a Customs Service Agent from 1908-1942. The diaries contain the greatest depth of information. The subjects in most photographs are not identified.