Finding Aid for the George P. Johnson Negro Film Collection, 1916-1977
Processed by Hilda Bohem; machine-readable finding aid created by Caroline Cubé
UCLA Library, Department of Special Collections
Manuscripts Division
Room A1713, Charles E. Young Research Library
Box 951575
Los Angeles, CA 90095-1575
Email: spec-coll@library.ucla.edu
URL: http://www.library.ucla.edu/libraries/special/scweb/
© 2001
The Regents of the University of California. All rights reserved.
Note
Finding Aid for the George P. Johnson Negro Film Collection, 1916-1977
Collection number: 1042
UCLA Library, Department of Special Collections
Manuscripts Division
Los Angeles, CA
Contact Information
- Manuscripts Division
- UCLA Library, Department of Special Collections
- Room A1713, Charles E. Young Research Library
- Box 951575
- Los Angeles, CA 90095-1575
- Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific
Time)
- Email: spec-coll@library.ucla.edu
- URL: http://www.library.ucla.edu/libraries/special/scweb/
- Processed by:
- Hilda Bohem, February 1981
- Revisions by:
- Manuscripts Division staff, October 1995
- Encoded by:
- Caroline Cubé
- Text converted and initial container list EAD tagging by:
- Apex Data Services
- Online finding aid edited by:
- Josh Fiala, June 2003
© 2001 The Regents of the University of California. All rights reserved.
Descriptive Summary
Title: George P. Johnson Negro Film Collection,
Date (inclusive): 1916-1977
Collection number: 1042
Creator: Johnson, George P., 1885-1977
Extent:
71 boxes
Repository:
University of California, Los Angeles. Library. Department of Special Collections.
Los Angeles, California 90095-1575
Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23).
After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national
importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection
consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to
early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers.
Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department
of Special Collections Reference Desk for paging information.
Language:
English.
Administrative Information
Restrictions on Use and Reproduction
Copyright to portions of this collection has been assigned to the UCLA Library, Department of Special Collections. The library
can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote
must be submitted in writing to
the Manuscripts Librarian, Department of Special Collections.] Credit shall be given as follows: [c in circle] The Regents
of the University of California on behalf of the UCLA Library, Department of Special Collections.
Restrictions on Access
COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access.
Portions of the collection available on microfilm (12 reels) in the Department of Special Collections. Originals of boxes
1-47 not available for consultation due to fragile condition.
Additional Physical Form Available
A copy of the original version of this online finding aid is available at the UCLA Department of Special Collections for in-house
consultation and may be obtained for a fee. Please contact:
- Public Services Division
- UCLA Library, Department of Special Collections
- Room A1713, Charles E. Young Research Library
- Box 951575
- Los Angeles, CA 90095-1575
- Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific
Time)
- Email: spec-coll@library.ucla.edu
Provenance/Source of Acquisition
- George P. Johnson, purchase and gift, 1968-71.
- Gift of Charles Caballero, 1992.
Preferred Citation
[Identification of item], George P. Johnson Negro Film Collection (Collection 1042). Department of Special Collections, Charles
E. Young Research Library, University of California, Los Angeles.
Biography
George Perry Johnson was born in Colorado Springs, Colorado, October 29, 1885; after his graduation from the Hampton Institute,
Virginia (1904), he settled in Tulsa, Oklahoma and started the first Negro paper in the territory,
The Tulsa Guide (June 9, 1906); moved to Omaha, Nebraska (1913) and was the first Negro employee at the U.S. Post Office in that city; he
eventually moved to Los Angeles and continued working for the post office while he worked as a writer, producer, and distributor
for the Lincoln Motion Picture Company (1916-23); after the company closed, he established and ran the Pacific Coast News
Bureau for the dissemination of Negro news of national importance (1923-27); he started the Negro in film collection about
the time he started working for Lincoln; he died October 17, 1977.
Scope and Content
Collection consists primarily of material related to the Lincoln Motion Picture Company, Johnson's brother, Noble Johnson,
Oscar Micheaux, and the Oscar Micheaux Film and Book Company. Includes newspaper clippings, photographs, publicity material,
posters, correspondence, and business records. Also includes materials related to early Black film companies, Black films,
and films with Black casts, and Black musicians, sports figures, and entertainers. Also contains personal papers of George
P. Johnson.
Expanded Scope and Content
The George P. Johnson Negro Film Collection was assembled over a period of more than fifty years by one of the industry's
pioneer producers and distributors of Black films. It contains newspaper clippings, photographs, publicity materials, posters,
and, in some instances, correspondence and business records of early Black film companies. Mr. Johnson often added his own
remembered information about films or performers, typing this information on slips of paper or cards.
The collection has its greatest depth in material relating to Mr. Johnson's own Lincoln Motion Picture Company, to Noble Johnson
who was George P. Johnson's brother, and to Oscar Micheaux and the Oscar Micheaux Film and Book Company whose moving pictures
Johnson distributed. It also has hard-to-find material on Black musicians, sports figures, entertainers, and on Black films
and on Black films and film companies and films with Black casts.
The register for the collection is a card file (shelf list) which is divided into two alphabets, one for personal names and
one for films and film companies. This brings together films made by the Lincoln Motion Picture Company. All of the films
in which Oscar Micheaux appeared are brought together under his name. There is no indication of how much material will be
found for an entry. It may be anything from a single clipping to several folders full of material.
The collection has been microfilmed. Positive microfilm is available for use in the reading room.
Revised October 1995
Organization and Arrangement
Arranged in the following series:
- Research files (Boxes 1-47).
- Newspapers and magazines (Boxes 48-50, 70).
- Films and videotape (Boxes 51, 53, 63).
- Personal papers, photographs & negatives, magazines, books, files of Lincoln Motion Picture Company (Boxes 51-69).
- Posters (Oversize folder 71).
Note
* An Asterisk indicates that within these frames one will find biographical information concerning a performer and a list
of his or her films. For example, Dorothy Dandridge's main entry is between frame numbers 275-358 *. For additional information
concerning her life it would also be worthwhile to check information on each of her films. Information concerning each film
is listed under the film's title.
Expanded Organization and Arrangement
The following statement appears at the beginning of each reel of microfilm of the George P. Johnson Collection:
George P. Johnson who started in the motion picture industry in 1961 as General Booking Manager for Lincoln Motion Picture
Company, has assembled a collection primarily of ephemeral materials - correspondence, playbills, newspaper clippings, advertisement
materials, photographs relating to Blacks in all fields of entertainment, sports and the arts. Its major strength is in the
area of motion pictures. It contains records of films made by Blacks, films in which Blacks appeared, films with all Black
casts, Black motion picture houses, booking agencies, music publishers, magazines and similar related subjects.
Mr. Johnson's materials revealing the history of the Lincoln Motion Picture Company are the highlight of the collection. Correspondence
and other manuscripts focus on the problems, politics, psychological conflicts, deals, business failures, promotional techniques,
and financial solicitations of the company and depict how this black enterprise managed to exist from 1916 to 1923. Information
concerning the company itself is found throughout the collection, with concentrations of material found under the following
headings. (see Index for reel and frame numbers.):
-
Birth of a Race (film)
- Brooks, Clarence
- Dudley, S.H.
- Film Production Companies
- Foster, William
- Gant, Harry
- Ireland, Thomas D.
- Johnson, George
- Johnson, Noble
- Levy Robert
- Lincoln Motion Picture Company
- Micheaux, Oscar
- Smith, James Rodney
- Teycer, B.L.
- Turpin, Charles H.
- Vann, Robert
Some names and events are not listed separately in the index itself, but are included within certain broad headings listed
below. Check this special list of headings for possible leads to additional information on related subjects. Reel and frame
numbers are located in the index under the following headings:
- Academy Awards
- Actors Replaced by Other Actors
- Afro-American Film Exhibitors
- Black Film Theatres
- Black Man in Films
- Black Musicians' Union
- Casting
- Colored Americans War Film
- Colored and Indian Film
- Colored Champions of Sport
- Comedians
- Entertainers, Negro
- Federal Theatre Project
- Film Production Companies
- Footlite Magazine
- Harlem
- Hollywood Maids
- Hollywood Productions
- Sambo Comedies
- Lincoln Motion Picture Company
- List of White & Black Companies Producing Black Films
- Motion Picture Industry
- Moving Picture Film Companies
- Moving Picture Film History
- Music Score Arrangers, Writers
- Negro
- Actors
- Authors
- Book Dealers
- Boxers
- Comedy Films
- History
- In Moving Pictures
- In Radio
- In Television
- Newspapers
- Theatre
- Theatres
- Westerns
- 100 years of Negro Entertainment, an
Ebony article.
-
Outlet - a Western Monthly
- Pacific News Bureau
- Racism & Entertainment
- Theatrical Booking Agencies
- Unions
- Vaudeville Stars
- War Films
Indexing Terms
The following terms have been used to index the description of this collection in the library's online public access catalog.
Johnson, George P., 1885-1977--Archives.
Johnson, Noble, b. 1897.
Micheaux, Oscar, 1884-1951.
Lincoln Motion Picture Company.
Micheaux Film Corporation.
African Americans in the motion picture industry.
African Americans in motion pictures.
Related Material
Collector of Negro film history [oral history transcript] / George P. Johnson, interviewee. UCLA Oral History Department interview, 1970. Available at Department
of Special Collections, UCLA.
Container List
Research Files
Note
These have been microfilmed.
Further information can be found in the following sections:
- Cambridge, Godfrey
-
Footlite Magazine
Reels - Positive Microfilm
Note
(Microfilm is for boxes 1-47 only of the collection)
Reel 1
Abandoned to
Boar's Tooth Ceremonial.
Reel 2
Bob Mathias Story to
Close Harmony.
Reel 3
Cole, Carol to Davis, Robert.
Reel 4
Davis, Sammy to
Four Feathers.
Reel 5
Four for Texas to Hoosman, Alabama.
Reel 7
The Kid from Left Field to
Lonesome Road.
Reel 8
Lone Star Motion Picture Producers to Moving Picture History.
Reel 9
Moving Picture Industry to
The Nun's Story.
Reel 10
Oceans 11 to Quinn, Carol.
Reel 11
Rachel, Rachel to Still, William Grant.
Reel 12
Stop the World, I Want to Get Off to end.
Reel 8
Abrams, Dick
Abstract: Frame(s) 392-562.
Reel 8
Abrams, Ed
Abstract: Frame(s) 392-562.
Reel 5
Abstract: Frame(s) 294-5,
Gunsanlus Mystery.
Reel 11
Absent
Abstract: Frame(s) 353-363, Rosebud Film Company.
Reel 9
Abstract: Frame(s) 4, Motion Picture Industry.
Reel 5
Actors Replaced by Other Actors
Reel 1
Adams, Fay
Abstract: Frame(s) 16,
Rhythm & Blues.
Reel 2
Abstract: Frame(s) 311-312,
Carmen Jones.
Reel 2
Abstract: Frame(s) 406-429, Ray Charles.
Reel 9
Adderley, Julian Cannonball
Abstract: Frame(s) 667,
New Face in Hell.
Reel 3
Adderly, Nat
Abstract: Frame(s) 418, Miles Davis.
Reel 1
Adventures in Paradise
Abstract: Frame(s) 20, Juano Hernadez.
Reel 1
Adventures of a Young Man
Abstract: Frame(s) 21, Juano Hernadez.
Reel 1
Adventures of Ali Baba
Abstract: Frame(s) 22, Greg Morris.
Reel 1
Adventures of Hajai Baba
Abstract: Frame(s) 23, Nat King Cole.
Reel 1
Adventures of Huckleberry Finn
Reel 2
Abstract: Frame(s) 159, Merville Brown.
Reel 1
A for Assasin
Abstract: Frame(s) 28, Raymond St. Jacques.
Reel 1
Affair in Trinidad
Abstract: Frame(s) 27, Juanita Moore.
Reel 1
The African
Abstract: Frame(s) 31, Early Hyman.
Reel 1
African Fury
Abstract: Frame(s) 32.
Note
See also
Cry the Beloved Country.
Reel 1
African in London, An
Abstract: Frame(s) 18, Robert Adams.
Reel 7
Afro-American Concert Band
Afro-American Film Exhibitors
Reel 1
Abstract: Frame(s) 33, Film Productions.
Reel 3
Abstract: Frame(s) 405, A. Porter Davis.
Reel 8
Abstract: Frame(s) 118, Organized.
Reel 4
Aquabello, Francesco
Abstract: Frame(s) 352, Katherine Dunham.
Reel 4
Aikens, Vanoye
Abstract: Frame(s) 350, Katherine Dunham.
Reel 8
Ailey, Alvin
Abstract: Frame(s) 209-218, Claudia McNeil.
Reel 7
Ain't She Sweet
Abstract: Frame(s) 166-174, Sain Langford.
Reel 12
Abstract: Frame(s) 884,
White Witch Doctor.
Reel 1
Aladdin & His Lamp
Abstract: Frame(s) 35, Madi Comfort.
Reel 1
Alamo, The
Abstract: Frame(s) 36, Jester Hairston.
Reel 1
Abstract: Frame(s) 37, Negro history,
Othello.
Reel 1
Abstract: Frame(s) 3, Robert Abrams.
Reel 9
Alex in Wonderland
Abstract: Frame(s) 537, 543.
Reel 1
Alexander, Chip
Abstract: Frame(s) 39,
Flower Drum Song.
Reel 1
Ali Baba Goes to Town
Abstract: Frame(s) 40, The Peters Sisters.
Reel 2
Abstract: Frame(s) 121, Jim Brown; 484-491.
Reel 6
Abstract: Frame(s) 553-575, James Earl Jones.
Reel 8
Abstract: Frame(s) 666-677, Archie Moore.
Reel 9
Abstract: Frame(s) 426, Negro Boxers.
Reel 11
Abstract: Frame(s) 92,
Requiem for a Heavyweight.
Reel 12
Abstract: Frame(s) 408,
Two for Texas.
Reel 1
Alice Adams
Abstract: Frame(s) 43, Hattie McDaniels.
Reel 1
Alix, Mae
Abstract: Frame(s) 145, Photo.
Reel 1
All American, The
Abstract: Frame(s) 41, Clarence Wilson.
Reel 1
All By Myself
Abstract: Frame(s) 42, Louise Beavers.
Reel 1
All-American News, Incorporated
Abstract: Frame(s) 44, Negro Newsreels.
Reel 1
All Brother's were Valiant
Abstract: Frame(s) 53, Robert Craig.
Reel 1
All Crooked Hearts
Abstract: Frame(s) 45, William Marshall.
Reel 1
All God's Children
Abstract: Frame(s) 52, Richard Rust, Hari Rhodes.
Reel 1
All Night Long
Abstract: Frame(s) 54, Paul Harris, Marti Stevens.
Reel 1
All the Fine Young Cannibals
Abstract: Frame(s) 55, 56, Pearl Bailey, Louise Beavers.
Reel 1
Abstract: Frame(s) 57-61.
Reel 1
Allen, Anna E.
Abstract: Frame(s) 46,
The Harlem Globetrotters.
Reel 5
Allen, Anna Lo
Abstract: Frame(s) 476-477,
Hearts of the Woods.
Reel 1
Allen, Billie
Abstract: Frame(s) 47,
Black Like Me; 644-648,
Black Like Me.
Reel 3
Allen, Charles
Abstract: Frame(s) 405-409, A. Porter Davis.
Reel 1
Allen, Clarice
Abstract: Frame(s) 385, Death.
Reel 1
Allen, Dick
Abstract: Frame(s) 48, Vignette Films.
Reel 1
Allen, George H.
Abstract: Frame(s) 33, Afro-American Film Company.
Reel 1
Allen, Shepard
Abstract: Frame(s) 49-51.
Reel 1
Aloma of the South Seas
Abstract: Frame(s) 62, Nobel Johnson.
Reel 1
Alston, Barbara
Abstract: Frame(s) 63-64,
Sepia Magazine.
Reel 1
Alston, James
Abstract: Frame(s) 70, American Black Star Productions.
Reel 1
Alvarez Kelly
Abstract: Frame(s) 65, Mantan Moorland.
Reel 1
Amateur Daddy
Abstract: Frame(s) 66, Clarence Wilson.
Reel 1
Ambushers, The
Abstract: Frame(s) 67, Senta Berger.
Reel 8
Amen Corner, The
Abstract: Frame(s) 679-686, Beah Richards.
Reel 1
America by Night
Abstract: Frame(s) 68, Lionel Hampton.
Reel 1
American Hero, An
Abstract: Frame(s) 69, Medford.
Reel 1
American Black Star Production
Reel 1
American Motion Picture Company
Abstract: Frame(s) 71, Organized.
Reel 3
American Negro Public Opinion (ANPO)
Abstract: Frame(s) 270, Mrs. Ruby Dale, Director.
American Society of Composers, Authors and Publishers (ASCAP)
Reel 1
Abstract: Frame(s) 156-495, Louis Armstrong.
Reel 11
Abstract: Frame(s) 910, William Still Grant.
Reel 1
Abstract: Frame(s) 72-73, 17, Joe Adams.
Reel 5
Abstract: Frame(s) 153-155, Roy Glenn; 300-305, Jester Hairston.
Reel 7
Abstract: Frame(s) 222, John Lee.
Reel 11
Abstract: Frame(s) 23, Amanda Randolph.
Reel 12
Abstract: Frame(s) 942-959, Spencer Williams.
Reel 1
Anatomy of a Murder
Abstract: Frame(s) 74-75, Duke Ellington.
Reel 1
And Now Tomorrow
Abstract: Frame(s) 115, Ernest Anderson.
Reel 1
Anderson, Allegretti
Abstract: Frame(s) 76, Georgia Rose; 144-149.
Reel 2
Abstract: Frame(s) 247, Jam session.
Reel 4
Abstract: Frame(s) 449-489, Duke Ellington.
Reel 7
Anderson, Mrs. Charles
Abstract: Frame(s) 262, Robert Levy.
Reel 1
Anderson, Ernest
Abstract: Frame(s) 88-89, His films & movie career.
Note
Films are listed within these frame numbers.
Reel 10
Abstract: Frame(s) 256, Pacific Coast News Bureau.
Reel 1
Anderson, Inez
Abstract: Frame(s) 91,
Eagle of the Sea.
Reel 1
Abstract: Frame(s) 92, 97, Her films.
Reel 4
Abstract: Frame(s) 37,
A Day at the Races.
Reel 1
Anderson, Joseph B. Jr. Lt.
Reel 1
Abstract: Frame(s) 93-107.
Reel 4
Abstract: Frame(s) 513, 651.
Reel 7
Abstract: Frame(s) 152-154,
Lady from Philadelphia.
Reel 9
Abstract: Frame(s) 407-417, Negro Authors.
Reel 10
Abstract: Frame(s) 25-27,
Of Men & Music.
Reel 11
Abstract: Frame(s) 909-910, Willam Grant Still.
Reel 12
Abstract: Frame(s) 306,
Tonight We Sing.
Reel 5
Abstract: Frame(s) 253,
Green Pastures.
Reel 1
Andlauer Productions
Abstract: Frame(s) 111-114.
Reel 5
Andrews, Charles
Abstract: Frame(s) 253,
Green Pastures.
Reel 1
Androcles & the Lion
Abstract: Frame(s) 117-118, Wally Strode.
Reel 1
Angel Levine
Abstract: Frame(s) 457-529, Harry Belafonte.
Reel 1
Angelo in the Crowd
Abstract: Frame(s) 119, Angelo Maggio.
Reel 2
Angelou, Maya
Abstract: Frame(s) 259,
Calypso Heat Wave.
Reel 1
Abstract: Frame(s) 120-126.
Reel 7
Abstract: Frame(s) 180, Rosetta La Noire.
Reel 11
Abstract: Frame(s) 664-672, Hilda Simms (Theatre)
Footlite Magazine.
Reel 1
Annapolis Farewell
Abstract: Frame(s) 127, Louise Beaver.
Reel 1
Anna's Sin
Abstract: Frame(s) 128-130.
Reel 1
Another Face
Abstract: Frame(s) 132, Hattie McDaniels.
ANPO
Note
See American Negro Public Opinion
Reel 1
Apache
Abstract: Frame(s) 133, Archie Savage.
Reel 1
Apache, The
Abstract: Frame(s) 134, Noble Johnson.
Reel 1
Apache Drums
Abstract: Frame(s) 135, Clarence Muse.
Reel 4
Apex, The
Abstract: Frame(s) 629-672.
Reel 1
Abstract: Frame(s) 153, Henry Armstrong.
Reel 3
Abstract: Frame(s) 170, Ralph Cooper.
Reel 4
Abstract: Frame(s) 407, Billy Eckstine; 629-672.
Reel 5
Abstract: Frame(s) 80,
Gang War; 576, Billie Holliday.
Reel 1
Apostle of Freedom
Abstract: Frame(s) 138, Juano Hernandez.
Reel 1
Appaloosa
Abstract: Frame(s) 139-140.
Reel 5
Appley, Hilda
Abstract: Frame(s) 511, Herald Pictures.
Reel 1
Arch of Triumph
Abstract: Frame(s) 142, Hazel Brooks.
Reel 1
Argus Pictures
Abstract: Frame(s) 236,
Double Deal.
Reel 1
Aristo Art Film Corporation
Reel 1
Aristo Films
Abstract: Frame(s) 144-149.
Reel 1
Arizonian, The
Abstract: Frame(s) 150, Willie Best.
Reel 1
Abstract: Frame(s) 85, 87, 153-155.
Reel 6
Abstract: Frame(s) 624,
Keep Punching.
Reel 1
Armstrong, Lil Hardin
Abstract: Frame(s) 156, 159, Death; 163-167, Louis Armstrong's death; 178, 213-217.
Reel 1
Abstract: Frame(s) 156-227; * 495, 556, The Berry Brothers.
Reel 2
Abstract: Frame(s) 361, Benny Carter; 612, Nat King Cole.
Reel 3
Abstract: Frame(s) 373, Billy Daniels.
Reel 4
Abstract: Frame(s) 629-672,
Footlite Magazine.
Reel 10
Abstract: Frame(s) 171,
The Out-of-Towners.
Reel 1
Arrowsmith
Abstract: Frame(s) 232-233, Clarence Brooks.
Reel 1
As the World Rolls On
Abstract: Frame(s) 111-114.
ASCAP
Note
See American Society of Composers, Authors & Publishers
Reel 1
Assignment
Abstract: Frame(s) 237, Eric Portman.
Reel 1
Associated Negro Picture Distributers
Abstract: Frame(s) 238-239, Negro Westerns.
Reel 1
Associated Producers of Negro Motion Pictures
Reel 1
Abstract: Frame(s) 243-244.
Reel 10
Abstract: Frame(s) 11-12,
Raintree Country 690-692,
The President's Lady.
Reel 12
Abstract: Frame(s) 382,
The Truant.
Reel 1
Abstract: Frame(s) 243, 678.
Reel 1
Attorney for the Defense
Abstract: Frame(s) 245, Clarence Muse.
Reel 1
Auf Wiederschen
Abstract: Frame(s) 246, Louis Armstrong.
Reel 1
Aul, Carmen
Abstract: Frame(s) 247,
La Pacha.
Reel 1
Autobiography of Malcolm X
Reel 4
Avalos, Ricardo
Abstract: Frame(s) 352, Katherine Dunham.
Reel 1
Ayler, Ethel
Abstract: Frame(s) 249, Lena Horne.
Reel 1
Baby Doll
Abstract: Frame(s) 251, Uncle Pleasant Trotter.
Reel 1
Baby Sister
Abstract: Frame(s) 252, Chester Himes, Melvin Van Peebles.
Reel 1
Baccus (M.V.) Film Company
Reel 1
Bachelor Bait
Abstract: Frame(s) 254, Clarence Wilson.
Reel 1
Bachelor of Arts
Abstract: Frame(s) 255, Stepin Fetchit.
Reel 1
Badlands
Abstract: Frame(s) 258-259, Sammy Davis, Jr., & U.S. Prestige.
Reel 1
Abstract: Frame(s) 262,
Cabin in the Sky 270, Pearl Bailey; 284 drug charge.
Reel 2
Abstract: Frame(s) 236, Photos.
Reel 1
Abstract: Frame(s) 264-306.
Reel 2
Abstract: Frame(s) 311-312, 527, Carmen Jones; Nat King Cole.
Reel 3
Abstract: Frame(s) 1-96, Nat King Cole.
Reel 4
Abstract: Frame(s) 396-397, Billy Eckstine.
Reel 4
Baily, Thurmond
Abstract: Frame(s) 502, Negro Entertainers.
Reel 1
Abstract: Frame(s) 308,
Story of a 3-Day Pass &
Sapphire.
Reel 2
Abstract: Frame(s) 57, Harvey Brooks.
Reel 1
Baird, Johnnie
Abstract: Frame(s) 309,
Sapphire.
Reel 1
Abstract: Frame(s) 70, Has troubles; 336-384.
Reel 2
Abstract: Frame(s) 363, Carol Carter; 431, Japanese sons.
Reel 3
Abstract: Frame(s) 207,
The Count.
Reel 4
Abstract: Frame(s) 629-672.
Reel 11
Abstract: Frame(s) 690,
Siren of the Tropics.
Reel 1
Abstract: Frame(s) 331-334.
Reel 11
Abstract: Frame(s) 6, Muriel Kahn; 333,
Rock, Rock, Rock.
Reel 1
Baker, Sam
Abstract: Frame(s) 335 *.
Reel 1
Balago
Abstract: Frame(s) 260, Edmund Low, Oscar Smith.
Reel 1
The Balcony
Abstract: Frame(s) 261, Ruby Dee.
Reel 1
Abstract: Frame(s) 132,
Another Country; 385-397, 687.
Reel 9
Abstract: Frame(s) 407-417, Negro Authors; 489-490, Sidney Poitier.
Reel 11
Abstract: Frame(s) 640-659, Frank Silvera.
Reel 1
Ballantyne, Lon
Abstract: Frame(s) 398-399.
Reel 1
Ballard, Florence
Abstract: Frame(s) 400, New Career; 432-433
Beach Ball.
Reel 4
Bamboche!
Abstract: Frame(s) 346-347, Katherine Dunham.
Reel 1
Bamboo Curtain
Abstract: Frame(s) 401, Negro army doctor.
Reel 1
Abstract: Frame(s) 402-407.
Reel 4
Abstract: Frame(s) 238, Carolle Drake.
Reel 1
Band of Gold
Abstract: Frame(s) 408, Lena Torrence.
Reel 1
Bandwagon
Abstract: Frame(s) 409, Salary of Leroy Sloppy Daniels.
Reel 7
Bandy, John
Abstract: Frame(s) 299,
The Life of Dr. Starke.
Reel 1
Banjo on my Knee
Abstract: Frame(s) 411, Hall Johnson Choir.
Reel 1
Baptism of Fire
Abstract: Frame(s) 419, Craig Hill & Russell Evans.
Reel 1
Barbary Coast Gentleman
Abstract: Frame(s) 413, Louise Beavers.
Reel 2
Barefield, Eddie
Abstract: Frame(s) 255, Cab Calloway.
Reel 1
Barefoot Contessa
Abstract: Frame(s) 415, Ben Mitchell.
Reel 6
Barnes, Charles
Abstract: Frame(s) 159,
The Intruder.
Reel 1
Barnes, John Berrel
Abstract: Frame(s) 416,
Finian's Rainbow.
Reel 1
Abstract: Frame(s) 26,
Advise and Consent.
Reel 2
Abstract: Frame(s) 159,
Advise and Consent.
Reel 1
Barrabbas
Abstract: Frame(s) 412, Harold Bradley.
Reel 1
Barracuda, Jamaica
Abstract: Frame(s) 417,
Parrish.
Reel 1
Barrel House Blues
Abstract: Frame(s) 418, All Black Musical.
Reel 1
Bartless, Barbara
Abstract: Frame(s) 420,
Learning Tree &
The Ten Commandments.
Reel 5
Bartolomew, Freddie
Abstract: Frame(s) 511, Herald Pictures.
Reel 1
Abstract: Frame(s) 241, Astor Pictures; 421-423.
Reel 2
Abstract: Frame(s) 474,
Cinderfella; 601-602, Nat King Cole.
Reel 3
Abstract: Frame(s) 221,
Crazy House.
Reel 4
Abstract: Frame(s) 393,
Ebony Parade.
Reel 5
Abstract: Frame(s) 561,
Hit Parade of 1943 576, Billie Holliday; 529-553, Al Hibbler.
Reel 8
Abstract: Frame(s) 230,
Made in Paris.
Reel 11
Abstract: Frame(s) 583,
Sex & the Single Girl.
Reel 12
Abstract: Frame(s) 45, Studio Film Incorporated; 311,
Top Man.
Reel 1
Abstract: Frame(s) 11, Oscar Winner; 425,
Song of the South, His death.
Reel 5
Abstract: Frame(s) 394,
Harlem is Heaven.
Reel 6
Abstract: Frame(s) 143, Rex Ingram.
Reel 7
Abstract: Frame(s) 716, Lincoln Pictures.
Reel 11
Abstract: Frame(s) 820,
Song of the South.
Reel 1
Bassey, Shirley
Abstract: Frame(s) 424-428 *.
Reel 4
Bates, Peg Leg
Abstract: Frame(s) 537,
Pittsburg Courier.
Reel 1
Battle Hymn
Abstract: Frame(s) 429, James Edwards.
Reel 1
The Battle of Broadway
Abstract: Frame(s) 430, Hattie McDaniel.
Reel 1
Baylor, Elgin
Abstract: Frame(s) 431,
Global Affair; backs sports club.
Reel 1
Be Ready with Bells & Drums
Abstract: Frame(s) 551, Sidney Poitier.
Reel 1
Beach Ball
Abstract: Frame(s) 432-433, The Supremes.
Reel 5
Abstract: Frame(s) 7-9,
Foxes of Harrow.
Reel 4
Bearden, Bessye
Abstract: Frame(s) 294-295,
Gunsaulus Mystery.
Reel 1
Beat Generation
Abstract: Frame(s) 436, Louis Armstrong and Billy Daniels.
Reel 1
Beau Sabreur
Abstract: Frame(s) 438, Oscar Smith.
Reel 4
Beauty Contest, 1921
Abstract: Frame(s) 162-163, Dickson Harris Film Corporation.
Reel 1
Beauty Contest
Abstract: Frame(s) 439, Leslie Uggams.
Reel 1
Abstract: Frame(s) 440-446 *.
Reel 5
Abstract: Frame(s) 611, husband's death.
Reel 1
Bechet, Sidney
Abstract: Frame(s) 447, 686,
Blues.
Reel 1
Abstract: Frame(s) 438, James Edwards.
Reel 2
Abstract: Frame(s) 306, Barbara McNair.
Reel 1
The Bedford Incident
Abstract: Frame(s) 449-450, Sidney Poitier.
Reel 1
Bedside
Abstract: Frame(s) 451, Louise Beaver.
Reel 1
Beggars of Life
Abstract: Frame(s) 452-455, Blue Washington.
Reel 1
Abstract: Frame(s) 456, Carmen Jones.
Reel 2
Abstract: Frame(s) 306, Carmen Jones.
Reel 1
Abstract: Frame(s) 457-530.
Reel 4
Abstract: Frame(s) 688, Gloria Foster.
Reel 5
Abstract: Frame(s) 342,
The Hand.
Reel 1
Abstract: Frame(s) 2, Robert Abrams; 457-530 679,
Bloomer Girl.
Reel 4
Abstract: Frame(s) 455, signs contract; 539, 688, Gloria Foster.
Reel 1
Belafonte, Julie
Abstract: Frame(s) 457-529, Harry Belafonte.
Reel 1
Belafonte, Margurite
Abstract: Frame(s) 457-529, Harry Belafonte (497,
Ebony Cover Story).
Reel 1
Bell of the Nineties
Abstract: Frame(s) 452, Duke Ellington.
Reel 1
Bell, Spencer
Abstract: Frame(s) 530, Christy Comedies.
Reel 1
Bellamy, Madge
Abstract: Frame(s) 659,
Black Paradise.
Reel 1
Bells
Abstract: Frame(s) 532, Noble Johnson.
Reel 1
Bells are Ringing
Abstract: Frame(s) 534, Bobbi Cote.
Reel 1
Beloved Brat
Abstract: Frame(s) 535, Stymie Beard.
Reel 1
Ben Hur
Abstract: Frame(s) 537-540.
Reel 2
Abstract: Frame(s) 497,
Cleopatra.
Reel 1
Ben Roy Productions
Abstract: Frame(s) 547-548,
Man From Texas.
Reel 1
Bend of the River
Abstract: Frame(s) 536, Stepin Fetchit.
Reel 1
The Benny Goodman Story
Abstract: Frame(s) 543-546.
Reel 2
Abstract: Frame(s) 406-429, Ray Charles.
Reel 1
Berger, Santa
Abstract: Frame(s) 67,
The Ambushers.
Reel 1
Bernadine
Abstract: Frame(s) 552, Ernestine Wade.
Reel 1
Berry Brothers
Abstract: Frame(s) 553-554.
Reel 11
Berry, Chuck
Abstract: Frame(s) 333,
Rock, Rock, Rock.
Reel 1
The Best Man
Abstract: Frame(s) 555, Mahalia Jackson.
Reel 1
Best, Willie
Abstract: Frame(s) 556-559 *, List of Films.
Reel 5
Bethea, David
Abstract: Frame(s) 253,
Green Pastures.
Reel 1
Between Two Worlds
Abstract: Frame(s) 561, All Black film.
Reel 2
Beverly Hills Jazz Festival
Abstract: Frame(s) 362, Benny Carter.
Reel 1
Beyond the Pass
Abstract: Frame(s) 562, James Edwards.
Reel 1
Bezaleel, Kahalil (Ben Nimini)
Abstract: Frame(s) 563,
The President's Analyst.
Reel 1
The Bible
Abstract: Frame(s) 564, Katherine Dunham.
Reel 1
Big Boy
Abstract: Frame(s) 566, Lois Morrison.
Reel 1
The Big Broadcast, 1932
Abstract: Frame(s) 567, Mills Brothers, Cab Calloway.
Reel 1
The Big Broadcast, 1936
Abstract: Frame(s) 568, Bill Robinson, Nicholas Brothers.
Reel 1
The Big City
Abstract: Frame(s) 569, All Black cast.
Reel 1
Big Man
Abstract: Frame(s) 571, Diahann Carroll.
Reel 1
Big Operator
Abstract: Frame(s) 573, Bill Daniels.
Reel 1
The Big Parade
Abstract: Frame(s) 574, Rex Ingram.
Reel 1
The Biggest Bundle of Them All
Abstract: Frame(s) 575-576.
Reel 1
Biggs, Howard
Abstract: Frame(s) 333, LaVern Baker.
Reel 4
Beginnsville
Abstract: Frame(s) 515, Negro Entertainers.
Reel 1
Bikini Party in a Haunted House
Abstract: Frame(s) 579, Rozelle Gayle, Anna Zette Williams.
Reel 1
Abstract: Frame(s) 577-578.
Reel 2
Abstract: Frame(s) 62, Shelton Brooks.
Reel 5
Abstract: Frame(s) 7-9,
Foxes of Harrow; 469-475
Hearts in Dixie.
Reel 1
The Bill Robinson Story
Abstract: Frame(s) 580, Eartha Kitt.
Reel 1
Billie
Abstract: Frame(s) 581, Rafer Johnson.
Reel 1
The Billie Holliday Story
Abstract: Frame(s) 582, Dorothy Dandridge.
Reel 1
Billings, Elmo
Abstract: Frame(s) 583, Death.
Reel 5
Billiups, Billie
Abstract: Frame(s) 187-199,
Gone With the Wind.
Reel 1
Billy Bright
Abstract: Frame(s) 584, Pauline Meyers.
Reel 1
Biograph Company
Abstract: Frame(s) 586, Bert Williams.
Reel 4
Bird, Anthony
Abstract: Frame(s) 236,
Down-Whipper-Allen.
Reel 1
Abstract: Frame(s) 71, American Motion Picture Company; 587.
Reel 1
Abstract: Frame(s) 588-627.
Reel 9
Abstract: Frame(s) 10, Motion Picture Industry.
Reel 8
Birthright
Abstract: Frame(s) 392-562, Oscar Micheaux.
Reel 1
Bishop of the Ozarks
Abstract: Frame(s) 629, George Reed.
Reel 4
Black Academy of Arts and Letters
Reel 2
Black Boomerang
Abstract: Frame(s) 51, William Clifford.
Reel 4
Black, Clarence
Abstract: Frame(s) 629-672.
Reel 1
Black Gold
Abstract: Frame(s) 636, Racism.
Reel 4
Black Hollywood
Abstract: Frame(s) 509, Negro Entertainers.
Reel 9
Black is Beautiful
Abstract: Frame(s) 547, 561.
Reel 1
Black Klansman
Abstract: Frame(s) 638-642.
Reel 1
Abstract: Frame(s) 47, Billie Allen; 644-648.
Reel 2
Abstract: Frame(s) 162, Roscoe Lee Browne.
Reel 1
Abstract: Frame(s) 651, Mantan Moreland.
Reel 1
Black Majesty
Abstract: Frame(s) 649, Eric Conner.
Reel 1
Black Man in Films - Cowboys
Abstract: Frame(s) 655, Bill Cosby.
Reel 1
Black Moon
Abstract: Frame(s) 656, Clarence Muse.
Reel 4
Abstract: Frame(s) 499, 506, 515, 629-672.
Reel 1
Black Orpheus
Abstract: Frame(s) 657-658.
Reel 9
Black Panthers
Abstract: Frame(s) 524-571.
Reel 8
The Black Thunderbolt
Abstract: Frame(s) 585-591, Millman Production.
Reel 1
Black Tulip
Abstract: Frame(s) 662, Nina Mae McKinney.
Reel 1
Blackboard Jungle
Abstract: Frame(s) 631-634.
Reel 1
Blackburn-Velde Productions
Abstract: Frame(s) 635, Jack Johnson.
Reel 1
Blackman, Don
Abstract: Frame(s) 652-654 *.
Reel 2
Abstract: Frame(s) 29, Harry Bradford; 261-284 Godfrey Cambridge.
Reel 7
Abstract: Frame(s) 197, Mittie Lawrence.
Reel 9
Abstract: Frame(s) 590-661, Negroes in the Theatre.
Reel 1
Blackwell, James
Abstract: Frame(s) 664,
Louisiana.
Reel 1
The Black Widow
Abstract: Frame(s) 665, Hilda Simms.
Reel 1
Abstract: Frame(s) 38, Bill Alexander; 666.
Reel 2
Abstract: Frame(s) 254-255, Cab Calloway Show.
Reel 2
Abstract: Frame(s) 590, Nat King Cole.
Reel 4
Abstract: Frame(s) 502, Negro Entertainers; 629-672,
Footlite Magazine.
Reel 5
Abstract: Frame(s) 394,
Harlem's Heaven.
Reel 7
Abstract: Frame(s) 716, Lincoln Pictures.
Reel 11
Abstract: Frame(s) 692-699, Noble Sissle.
Reel 1
Blake, Johnny
Abstract: Frame(s) 668,
Revolt in the Big House.
Reel 1
Abstract: Frame(s) 669,
Man of Two Worlds.
Reel 8
Abstract: Frame(s) 274, 377.
Reel 5
Blakeley, Rubie
Abstract: Frame(s) 511, Herald Pictures.
Reel 1
Bland, Billy
Abstract: Frame(s) 51, Shep Allen.
Reel 8
Bland, James A.
Abstract: Frame(s) 605-606,
Minstrel Man.
Reel 1
Blandino, Althea
Abstract: Frame(s) 670,
Sapphire.
Reel 1
Bledsoe, Jules
Abstract: Frame(s) 671,
Drums of the Congo, and
Showboat.
Reel 1
Blindfold
Abstract: Frame(s) 672, Hari Rhodes.
Reel 1
Abstract: Frame(s) 673, Althea Deans.
Reel 1
Blondell, Juanita
Abstract: Frame(s) 674,
Legend of the Lost.
Reel 1
Blonde Venus
Abstract: Frame(s) 675, Dewey Robinson, Evelyn Preer.
Reel 1
Blood and Sand
Abstract: Frame(s) 676, Roy Smith.
Reel 1
Blood and the Cook
Abstract: Frame(s) 677, Edith Peters.
Reel 1
Blood on the Forge
Abstract: Frame(s) 678, William Attaway.
Reel 1
Bloomer Girl
Abstract: Frame(s) 679, Harry Belafonte.
Reel 1
Abstract: Frame(s) 680,
The Party.
Reel 1
Blount, Mildred E.
Abstract: Frame(s) 681-684.
Reel 1
The Blue Angel
Abstract: Frame(s) 685, Dorothy Dandridge.
Reel 1
Blue Singer
Abstract: Frame(s) 689, Mamie Smith.
Reel 1
Blue Soul
Abstract: Frame(s) 690, Della Reese, Bessie Smith.
Reel 1
Blues
Abstract: Frame(s) 686, Sidney Bechet.
Reel 1
Blues for Trumpet & Koto
Abstract: Frame(s) 688, Quincy Jones.
Reel 1
Bly, Wesley E.
Abstract: Frame(s) 57,
All Young Men; 61, Death.
Reel 1
Board, Collena
Abstract: Frame(s) 691,
Jungle Maneater.
Reel 2
Bob Mathias Story
Abstract: Frame(s) 1, Milton Campbell.
Reel 11
Body and Soul (1)
Abstract: Frame(s) 227, Paul Robeson.
Reel 2
Body and Soul (2)
Abstract: Frame(s) 2, Canada Lee and Hazel Brooks.
Reel 9
Boesman and Lena
Abstract: Frame(s) 547, James Earl Jones.
Reel 2
Boland, Gene
Abstract: Frame(s) 4-5,
Hotel.
Reel 3
Bolling, Gary
Abstract: Frame(s) 160-164, The Cool World.
Reel 2
Bomba and the Jungle Girl
Abstract: Frame(s) 6, Don Blackman, Roy Glenn.
Reel 2
Bomba on Panther Island
Abstract: Frame(s) 7, Bill Walker.
Reel 2
Bon Ben
Abstract: Frame(s) 8, Jean Pace, Bob Doque.
Reel 1
Boney, George
Abstract: Frame(s) 238-239.
Reel 8
Bonie, John
Abstract: Frame(s) 219, Claudia McNeil.
Reel 2
Bontemps, Arna
Abstract: Frame(s) 9,
St. Louis Women; 431,
Free and Easy.
Reel 12
Abstract: Frame(s) 163-165,
The $10,000 Trail.
Reel 2
Booth, James
Abstract: Frame(s) 12,
Sparrows Can't Sing.
Reel 2
Born to Kill
Abstract: Frame(s) 13, Ester Howard.
Reel 2
Boston Strangler
Abstract: Frame(s) 14, William Marshall.
Reel 2
Bourbon Street
Abstract: Frame(s) 15, Diahann Carroll, Spencer Williams, Jr.
Reel 2
Bowen, Clarence
Abstract: Frame(s) 63, Shelton Brooks.
Reel 2
Bower, Jamie
Abstract: Frame(s) 16-18, Ballet career.
Reel 2
Bowery to Broadway
Abstract: Frame(s) 19, Ben Carter, Mantan Moreland.
Reel 7
Bowles, Lottie
Abstract: Frame(s) 693-709,
Realization of the Negro's Ambition.
Reel 1
Abstract: Frame(s) 3, Robert Abrams.
Reel 2
Abstract: Frame(s) 20, 21, Death.
Reel 5
Abstract: Frame(s) 583, Hollywood Productions.
Reel 7
Abstract: Frame(s) 255-279, Robert Levy.
Reel 2
The Boy From Korea
Abstract: Frame(s) 25, James Edwards.
Reel 2
Abstract: Frame(s) 26, all Black cast.
Reel 5
Abstract: Frame(s) 511, Herald Pictures.
Reel 4
Boyd, Joe
Abstract: Frame(s) 629-672.
Reel 1
Abstract: Frame(s) 569,
The Big City.
Reel 5
Abstract: Frame(s) 108,
Gentlemen Prefer Blondes; 148,
Girl in Every Port.
Reel 8
Abstract: Frame(s) 384,
Merrily We Go to Hell.
Reel 1
Abstract: Frame(s) 569,
The Big City.
Reel 2
Abstract: Frame(s) 23,
The Big City.
Reel 5
Abstract: Frame(s) 394,
Harlem is Heaven.
Reel 7
Abstract: Frame(s) 716, Lincoln Pictures.
Reel 2
Abstract: Frame(s) 24,
Sport of the God.
Reel 7
Abstract: Frame(s) 269, Robert Levy.
Reel 2
Boys of the City
Abstract: Frame(s) 27, Sunshine Sammy.
Reel 5
Bradford, Jack
Abstract: Frame(s) 285,
The Gun.
Reel 2
Abstract: Frame(s) 29-32.
Reel 3
Abstract: Frame(s) 159,
Cool Hand Luke.
Reel 9
Bradshaw, Booker
Abstract: Frame(s) 402-404.
Reel 2
Brady, Will
Abstract: Frame(s) 35,
Tarzan of the Apes.
Reel 12
Braithwaite, Eustace A.
Abstract: Frame(s) 285-295,
To Sir With Love.
Reel 5
Branden, Edward
Abstract: Frame(s) 399,
Harlem on the Prairie.
Reel 2
Breaking Point
Abstract: Frame(s) 37, Juano Hernandez.
Reel 2
Breed of the Sea
Abstract: Frame(s) 38, Matthew Jones.
Reel 1
Brewer, Sherri (Peaches)
Abstract: Frame(s) 294,
Hello Dolly.
Reel 4
Bridtop (Ada Du Conge Smith)
Abstract: Frame(s) 249-256.
Reel 2
Bride Walks Out
Abstract: Frame(s) 39, Hatti McDaniel.
Reel 2
The Bride Wore Boots
Abstract: Frame(s) 40, Willie Best.
Reel 2
Bridge of Ashes
Abstract: Frame(s) 41, Gail Fisher.
Reel 2
Bright Leaf
Abstract: Frame(s) 41B, Bill Walker.
Reel 5
Abstract: Frame(s) 19, Louis Franklin.
Reel 2
Bright Victory
Abstract: Frame(s) 43, James Edwards.
Reel 2
Broadway Bill
Abstract: Frame(s) 44, Clarence Muse.
Reel 2
Broadway or Bust
Abstract: Frame(s) 45, Ethel Waters.
Reel 2
Broadway Rhythm
Abstract: Frame(s) 46, Lena Horne, Eddie Anderson & Hazel Scott.
Reel 8
The Broken Violin (Micheaux)
Abstract: Frame(s) 392-562, Oscar Micheaux.
Reel 2
The Bronze Bell (Para. 1921)
Abstract: Frame(s) 49, Noble Johnson.
Reel 2
The Bronze Buckeroo (Hollywood 1939)
Abstract: Frame(s) 50, Clearence Brooks; 61, Lucius Brooks.
Reel 5
Abstract: Frame(s) 583, Hollywood Productions.
Reel 1
Brooke, Sorrell
Abstract: Frame(s) 644-648,
Black Like Me.
Reel 1
Abstract: Frame(s) 2-3, Robert Abrams.
Reel 2
Abstract: Frame(s) 50-56 *.
Reel 5
Abstract: Frame(s) 86-87, Harry Gant; 96, Gateway Productions.
Reel 7
Abstract: Frame(s) 276, Robert Levy; 327-715, LMPPC.
Reel 9
Abstract: Frame(s) 9, Motion Picture Industry.
Reel 10
Abstract: Frame(s) 714, Producers D Company.
Reel 11
Abstract: Frame(s) 353-363, Rosebud Film Company.
Reel 7
Brooks, Dudley
Abstract: Frame(s) 327-715, LMPPC.
Reel 4
Brooks, Eunice
Abstract: Frame(s) 536-538,
The Exile.
Reel 1
Abstract: Frame(s) 142,
Arch de Triumph; 2,
Body and Soul; 58,
Sleep My Love.
Reel 11
Abstract: Frame(s) 711,
Sleep My Love.
Reel 2
Brooks, Huel
Abstract: Frame(s) 59, Larry Seanmon.
Reel 2
Abstract: Frame(s) 61,
Bronze Buckeroo.
Reel 5
Abstract: Frame(s) 400,
Harlem Rides the Range.
Reel 5
Brooks, Robert
Abstract: Frame(s) 469-475
Hearts In Dixie.
Reel 1
Abstract: Frame(s) 236, Argus Pictures.
Reel 2
Abstract: Frame(s) 62-63.
Reel 2
Abstract: Frame(s) 65; 466-467, Christie Comedies.
Reel 7
Abstract: Frame(s) 149,
The Lady Fare.
Reel 2
Broonzy, Big Bill
Abstract: Frame(s) 404-429, Ray Charles.
Reel 2
Brother Rat (Warner Brothers 1938)
Abstract: Frame(s) 67, Louise Beavers.
Reel 8
The Brotherhood (journal)
Abstract: Frame(s) 392-562, Oscar Micheaux.
Reel 2
The Brotherhood of Hate (Ince)
Abstract: Frame(s) 68, George Reed.
Reel 2
Abstract: Frame(s) 69,
Rhapsody in Blue.
Reel 11
Abstract: Frame(s) 102,
Rhapsody in Blue.
Reel 1
Brown Buddies (play)
Abstract: Frame(s) 145, a play.
Reel 9
Brown, Cecil
Abstract: Frame(s) 407-417.
Reel 2
Brown, Charles
Abstract: Frame(s) 600, Nat King Cole.
Reel 2
Brown, Chelsea
Abstract: Frame(s) 70,
Laugh-In.
Reel 8
Abstract: Frame(s) 277,
Manchild in the Promised Land.
Reel 2
Brown, Ester
Abstract: Frame(s) 70,
The Ten Commandments.
Reel 5
Abstract: Frame(s) 187-199,
Gone With the Wind; 496,
Hall's Headquarters.
Reel 2
Brown, George
Abstract: Frame(s) 73,
The Comedians.
Reel 2
Abstract: Frame(s) 74,
Funny Face.
Reel 5
Abstract: Frame(s) 66,
Funny Face.
Reel 2
Brown, Honey
Abstract: Frame(s) 75, Nina Mae McKinney.
Reel 4
Brown, J. Rufus
Abstract: Frame(s) 581-582,
Easy Money.
Reel 4
Abstract: Frame(s) 499, 513, 514, Negro Entertainers.
Reel 6
Abstract: Frame(s) 261,
James Brown Story.
Reel 11
Abstract: Frame(s) 700,
Ski Party.
Reel 2
Brown, Jeff
Abstract: Frame(s) 399-429, Ray Charles.
Reel 2
Brown, Jim
Abstract: Frame(s) 75-156 *.
Reel 2
Brown, Marie
Abstract: Frame(s) 158,
Where It's At.
Reel 2
Brown, Naaman
Abstract: Frame(s) 160,
Sergeant Rutledge; 480
Clarence, the Cross-eyed Lion.
Reel 4
Brown, Ray
Abstract: Frame(s) 596, Ella Fitzgerald.
Reel 2
Brown, Ruth
Abstract: Frame(s) 402-429- Ray Charles.
Reel 12
Brown, Silas
Abstract: Frame(s) 163-165,
The $10,000 Trail.
Reel 1
Brown, Winnie
Abstract: Frame(s) 51, Shep Allen.
Reel 1
Abstract: Frame(s) 644-648,
Black Like Me.
Reel 2
Abstract: Frame(s) 161-165.
Reel 4
Abstract: Frame(s) 546-550, Lola Falana.
Reel 8
Abstract: Frame(s) 363-365, Julian Mayfield.
Reel 2
Browning, Razaf
Abstract: Frame(s) 166, Ivan Browning.
Reel 2
Bruce, Gladys
Abstract: Frame(s) 167, Billie Holliday.
The Brute (Micheaux 1920)
Reel 7
Abstract: Frame(s) 166-174, Sam Langford.
Reel 8
Abstract: Frame(s) 392-562, Oscar Micheaux; 498.
Reel 1
Abstract: Frame(s) 174, movie musicals.
Reel 2
Abstract: Frame(s) 169-175.
Reel 5
Abstract: Frame(s) 307,
Half an Angel.
Reel 12
Abstract: Frame(s) 200,
That Gang of Mine.
Reel 1
Abstract: Frame(s) 274, Pearl Bailey.
Reel 2
Abstract: Frame(s) 176-180.
Reel 12
Abstract: Frame(s) 406,
Twisted Road.
Reel 2
Bryant Productions
Abstract: Frame(s) 181,
George Washington Carver.
Reel 2
Abstract: Frame(s) 152,
Somewhere in the World.
Reel 11
Abstract: Frame(s) 813
Somewhere in the World.
Reel 1
Bryant, Willie
Abstract: Frame(s) 153, Henry Armstrong.
Reel 2
The Buccaneer (Paramount 1958)
Abstract: Frame(s) 183-184.
Reel 1
Abstract: Frame(s) 242,
Atlantic City.
Reel 2
Abstract: Frame(s) 188-192.
Reel 4
Abstract: Frame(s) 659-672.
Reel 11
Abstract: Frame(s) 817,
A Song is Born.
Reel 12
Abstract: Frame(s) 780-781,
A Cabin in the Sky.
Reel 2
Buck Benny Rides Again (Paramount 1940)
Reel 2
Buck, Leon
Abstract: Frame(s) 187,
Harlem on the Prairie.
Reel 2
Buffalo Soldiers
(1959)
Abstract: Frame(s) 193-194.
Reel 5
Abstract: Frame(s) 583, Hollywood productions.
Reel 2
The Bull Drew Aces (Rochester 1955)
Reel 2
Bullets or Ballots (1st National 1936)
Abstract: Frame(s) 198, Louise Beavers.
Reel 9
Bullfrog in the Sun (Nigram Corp.)
Reel 2
The Bull's Eye (Universal 1918)
Abstract: Frame(s) 199, Noble Johnson.
Reel 4
Bumbry, Grace
Abstract: Frame(s) 499, Negro entertainers; 511, 515.
Reel 2
Abstract: Frame(s) 200-214.
Reel 5
Abstract: Frame(s) 491,
Hell has no Gates.
Reel 2
Burbridge, Edward
Abstract: Frame(s) 215-216.
Reel 2
Burden of Truth (Allender Productions 1958)
Reel 2
The Burglar
Abstract: Frame(s) 219, James Leonard.
Reel 1
Abstract: Frame(s) 121-124,
Anna Lucasta.
Reel 2
Abstract: Frame(s) 220,
Anna Lucasta.
Reel 1
Abstract: Frame(s) 588-627,
Birth of a Race; 604
Birth of a Race.
Reel 11
Abstract: Frame(s) 910, William Grant Still.
Reel 9
Burn
Abstract: Frame(s) 407, 538.
Reel 2
Burn, Killer, Burn (Embassy 1963)
Reel 2
The Burning Cross (Screen Guild 1947)
Reel 5
Burns, Fannetta
Abstract: Frame(s) 556-557,
His Great Chance.
Reel 5
Burns, Sandy
Abstract: Frame(s) 556,
His Great Chance.
Reel 5
Burress, Jimmy
Abstract: Frame(s) 253,
Green Pastures.
Reel 5
Abstract: Frame(s) 290,
Gunpoint.
Reel 7
Abstract: Frame(s) 229,
The Legend of Jimmy Blue Eyes.
Reel 10
Abstract: Frame(s) 476,
Planet of the Apes.
Reel 5
Abstract: Frame(s) 317-321,
Hallelujah.
Reel 3
Burwell, Myra
Abstract: Frame(s) 117, Colored Players Film Company.
Reel 2
Buster Keaton Story (Paramount 1956)
Abstract: Frame(s) 227, Bill Walker.
Reel 2
The Busy Body (Paramount 1967)
Abstract: Frame(s) 228, Godfrey Cambridge.
Reel 2
But Not For Me
(1959)
Abstract: Frame(s) 229, Ella Fitzgerald.
Reel 3
Butler, Ted
Abstract: Frame(s) 160-164,
The Cool World.
Reel 9
Butter, Charles
Abstract: Frame(s) 3, Motion Picture Industry.
Reel 2
Abstract: Frame(s) 230, Death.
Reel 9
Abstract: Frame(s) 718,
Nine Lives.
By Right of Birth (Lincoln 1920)
Reel 1
Abstract: Frame(s) 2, Robert Abrams.
Reel 2
Abstract: Frame(s) 50-56, Clarence Brooks.
Reel 4
Abstract: Frame(s) 53, Deanwood Pictures Corporation.
Reel 7
Abstract: Frame(s) 327-715, LMPPC.
Reel 2
Bye, Bye Braverman (7 Arts 1967)
Reel 2
Byles, Louis
Abstract: Frame(s) 231,
The Crowning Experience.
Reel 12
Abstract: Frame(s) 690,
Voice of Conscience.
Reel 2
Byrd, Carl
Abstract: Frame(s) 235 *.
Reel 5
Byron & Byron
Abstract: Frame(s) 1,
Four for Texas.
Reel 2
Cabin in the Cotton
Abstract: Frame(s) 237, Clarence Muse.
Reel 1
Abstract: Frame(s) 262, Bill Bailey; 369, Vince Minelli.
Reel 6
Abstract: Frame(s) 257, Leon James.
Reel 8
Abstract: Frame(s) 296, Claude Marchant.
Reel 11
Abstract: Frame(s) 906, Nicodemes Stewart.
Reel 1
Abstract: Frame(s) 18, Robert Adams.
Reel 2
Abstract: Frame(s) 238, Eartha Kitt.
Reel 2
Caine Mutiny (Columbia)
Abstract: Frame(s) 239, James Edwards.
Reel 2
Cain's Hundred
(1961)
Abstract: Frame(s) 240, Dorothy Dandridge.
Reel 2
Cairo (MGM 1933)
Abstract: Frame(s) 241, Ethel Waters.
Reel 2
Caleb Match
(1968)
Abstract: Frame(s) 242, Bernie Hamilton.
Reel 11
Calhoun, Authur
Abstract: Frame(s) 910, William Grant Still.
Reel 2
California Straight Ahead (Universal 19??)
Call Me Back
Note
Frame(s) see
The Slender Thread
Reel 11
The Call of His People
(1921)
Abstract: Frame(s) 83-90, Reol Productions.
Reel 2
Calling All Husbands (Warners 1940)
Abstract: Frame(s) 246, Ernest True, Sam McDaniels.
Reel 2
Calloway, Blanche
Abstract: Frame(s) 523-524, Cozy Cole.
Reel 1
Abstract: Frame(s) 241,
Ebony Parade; 556, The Berry Brothers; 264, 274, Pearl Bailey.
Reel 2
Abstract: Frame(s) 247-256 *; 431 recording; 523-524, Cozy Cole.
Reel 3
Abstract: Frame(s) 373, Billy Daniels.
Reel 4
Abstract: Frame(s) 478, 629-672.
Reel 1
Abstract: Frame(s) 295, 301,
Hello Dolly.
Reel 2
Abstract: Frame(s) 252, Cab Calloway, Hugh Masakela.
Reel 4
Abstract: Frame(s) 461, Career.
Reel 1
Calloway, Ernest
Abstract: Frame(s) 241,
Reward.
Reel 2
Abstract: Frame(s) 257, 505.
Reel 3
Abstract: Frame(s) 235,
The Reivers.
Reel 1
Cavalcade of Negro Music
Abstract: Frame(s) 17, Joe Adams.
Reel 2
Calypso Heat Wave (Columbia 1957)
Abstract: Frame(s) 259, Trenier Twins.
Reel 2
Calypso Joe (Warner 1957)
Abstract: Frame(s) 258, Herb Jeffries.
Reel 2
Abstract: Frame(s) 261-284 *.
Reel 5
Abstract: Frame(s) 10, Redd Foxx.
Reel 5
Camby, William
Abstract: Frame(s) 253,
Green Pastures.
Reel 2
Cameo Kirby (Fox 1927)
Abstract: Frame(s) 285, George Reed & Noble Johnson.
Reel 5
Abstract: Frame(s) 291,
Guns at Batasi.
Reel 11
Abstract: Frame(s) 660,
Simba.
Reel 2
Campbell, C.B. Company
Abstract: Frame(s) 288,
The Negro of Today.
Reel 11
Campbell, Choker
Abstract: Frame(s) 591,
Shake, Rattle & Roll.
Reel 2
Campbell, Huntely
Abstract: Frame(s) 289,
Simba.
Reel 2
Campbell, Milton
Abstract: Frame(s) 1, 290,
Bob Mathias Story.
Reel 2
Campos, Rafael
Abstract: Frame(s) 291, Dinah Washington.
Reel 2
Can This Be Dixie? (Fox 19??)
Abstract: Frame(s) 295, Hattie McDaniels.
Reel 2
Canary Murder Case
Abstract: Frame(s) 292, Oscar Smith.
Reel 2
Candy (United Artists 1968)
Abstract: Frame(s) 293, Sugar Ray Robinson.
Reel 2
The Candy Web (Columbia 1963)
Abstract: Frame(s) 294, Judy Pace.
Reel 2
Abstract: Frame(s) 296,
A Man Called Peter.
Reel 8
Abstract: Frame(s) 261,
A Man Called Peter.
Cape Smoke
Note
See
Black Magic (Fox 1929)
Reel 2
Abstract: Frame(s) 297,
The Necessity Woman.
Reel 9
Abstract: Frame(s) 301,
The Necessity Woman.
Reel 2
Caprice
(1967)
Abstract: Frame(s) 301B, Consuela Neal.
Reel 2
Captain Buffalo (Warner Brothers 1959)
Abstract: Frame(s) 299, Juano Hernandez & Woody Strode.
Reel 2
Captain Flamingo
(1956)
Abstract: Frame(s) 300, Herb Jeffries.
Reel 2
Captain Sinbad German (MGM 1962)
Abstract: Frame(s) 301, Bernie Hamilton.
Reel 2
The Caravan (Universal 19??)
Abstract: Frame(s) 302-A, Noble Johnson.
Reel 2
The Cardinal (Fox 1939, 1969)
Abstract: Frame(s) 302-B-305, Ossie Davis, Eric Portman.
Reel 1
Abstract: Frame(s) 438,
Bed of Fear.
Reel 2
Abstract: Frame(s) 306,
Bed of Fear.
Reel 2
Carib Gold
(1956)
Abstract: Frame(s) 309, Geoffrey Holder.
Reel 2
Caribbean (Paramount 1952)
Abstract: Frame(s) 307, Clarence Muse, Woody Strode.
Reel 2
Caribbean Story
Abstract: Frame(s) 308, Calla Scrivner.
Reel 5
Carlyle, Richard
Abstract: Frame(s) 469-471,
Hearts in Dixie.
Reel 4
Carmen (Beta 19??)
Abstract: Frame(s) 515, Grace Bumbry.
Carmen Jones (Fox/play 1955)
Reel 1
Abstract: Frame(s) 17, Joe Adams.
Reel 2
Abstract: Frame(s) 311-312.
Reel 11
Abstract: Frame(s) 5-6, Muriel Rahn.
Reel 2
Carney, Harry
Abstract: Frame(s) 247, jam session.
Reel 2
Carnival Fantastique
Abstract: Frame(s) 314, Edric Conner.
Reel 2
Carnival of Rhythm
Abstract: Frame(s) 313, Katherine Dunham.
Reel 11
Carol, Connie
Abstract: Frame(s) 337,
Rockin' the Blues.
Reel 2
Carolina (Fox 1934)
Abstract: Frame(s) 315, Stepin Fetchit.
Reel 2
Carolina Blues (Columbia 1944)
Abstract: Frame(s) 316, Harold Nicholas, 4 Step Brothers.
Reel 2
Carolina Moon (Republic 1940)
Abstract: Frame(s) 317, Etta McDaniels.
Reel 1
Abstract: Frame(s) 421, Count Basie.
Reel 6
Abstract: Frame(s) 16, in Brazil.
Reel 2
The Carpet baggers (Paramount 1963)
Abstract: Frame(s) 318-319, Archie Moore.
Reel 1
Abstract: Frame(s) 166, Death.
Reel 5
Abstract: Frame(s) 343,
Handle with Care.
Reel 2
Carr, Jack
Abstract: Frame(s) 321,
Wamba.
Reel 1
Abstract: Frame(s) 8, Academy Awards; 267, Pearl Bailey; Shirley Bassey; 465, 474, Harry Belafonte.
Reel 2
Abstract: Frame(s) 82, 128, 146-147, Jim Brown; 273, Godfrey Cambridge; 323-353 * 353.
Reel 10
Abstract: Frame(s) 532-637, Sidney Poitier.
Reel 4
Carroll, Nansi
Abstract: Frame(s) 507, Negro Entertainers.
Reel 2
Carroll, Ted
Abstract: Frame(s) 354-356.
Reel 2
Carruthers, Ben
Abstract: Frame(s) 358,
Shadows.
Reel 2
Carry Me Back to Morningside Heights
(1965)
Abstract: Frame(s) 359, Sidney Poitier.
Reel 1
Carson, Charles
Abstract: Frame(s) 32,
African Fury.
Reel 4
Carson, Tee
Abstract: Frame(s) 596, Ella Fitzgerald.
Reel 2
Cartens, Marianne
Abstract: Frame(s) 360,
Rachael Cade.
Reel 1
Abstract: Frame(s) 421, Count Basie.
Reel 2
Abstract: Frame(s) 361-362; 524, Cozy Cole.
Reel 2
Abstract: Frame(s) 363, career.
Reel 5
Abstract: Frame(s) 143,
Giovanni Sposi.
Reel 2
Carter, Dr. Fred
Abstract: Frame(s) 364, 458,
A Child Waits.
Reel 4
Abstract: Frame(s) 216, Domino Production.
Reel 5
Abstract: Frame(s) 511, Herald Pictures.
Reel 2
Abstract: Frame(s) 365,
Enter Laughing.
Reel 4
Abstract: Frame(s) 498,
Enter Laughing.
Reel 2
Carter, Terry
Abstract: Frame(s) 367,
Parrish.
Reel 2
Carthage in Flames (Italian 1968)
Abstract: Frame(s) 368, Edith Peters.
Reel 2
Abstract: Frame(s) 26,
Boy, What a Girl!
Reel 5
Abstract: Frame(s) 511, Herald Pictures.
Carver, George Washington (1954)
Reel 1
Abstract: Frame(s) 38, Bill Alexander.
Reel 2
Abstract: Frame(s) 280, experimental film.
Reel 2
Casablance (Warner Brothers 1942)
Abstract: Frame(s) 369, Clarence Muse & Dooley Wilson.
Reel 2
Casanova Man (Italian 1955)
Abstract: Frame(s) 370, Billy Daniels.
Reel 2
Casbah (Universal 1947)
Abstract: Frame(s) 371, Katherine Dunham.
Reel 2
Abstract: Frame(s) 381-384.
Reel 5
Abstract: Frame(s) 293,
Guns of the Magnificent 7.
Reel 6
Abstract: Frame(s) 131,
The Informer.
Cass Timberlane (MGM 1947)
Reel 2
Abstract: Frame(s) 372, Jessica Grayson.
Reel 5
Abstract: Frame(s) 231, Jessica Grayson.
Reel 9
The Cast (Magazine)
Abstract: Frame(s) 625-643, Negroes in theatre.
Reel 9
Abstract: Frame(s) 2,4, Black Actors Directory of 1923; 9, 10, 304-306, Negro actors.
Reel 12
Abstract: Frame(s) 263,
Thunderbolt.
Reel 2
Castle Keep (Filmways 1968)
Reel 2
Cat Ballou (Warner Brothers 1964)
Abstract: Frame(s) 374, Nat King Cole.
Reel 2
A Cat Called Jesus
Abstract: Frame(s) 375-377, controversy.
Reel 2
Cato, Minto
Abstract: Frame(s) 378,
Benny Goodman Story.
Reel 2
Cavalry (Republic 1936)
Abstract: Frame(s) 385, Martin Turner.
Reel 2
Cavanaugh, Page Trio
Abstract: Frame(s) 386,
Romance on the High Seas.
Reel 2
Cease Fire
Abstract: Frame(s) 435, Johnnie Mayes.
Reel 2
The Centurions (Red Lion 1965)
Abstract: Frame(s) 388, Gordon Heath.
Reel 2
A Certain Smile (RKO 1958)
Abstract: Frame(s) 389, Johnny Mathias.
Reel 2
Champs-Elysee
Abstract: Frame(s) 391, Sugar Ray Robinson.
Reel 2
Charity
(1968)
Abstract: Frame(s) 394, Sammy Davis, Jr.
Reel 8
Abstract: Frame(s) 357,
Mau Mau Drums.
Reel 2
Charles, Ray
Abstract: Frame(s) 399-429; 600, Nat King Cole.
Reel 2
Charlie Chan
Abstract: Frame(s) 395-397, Mantan Moreland.
Reel 2
Charlie Chan in Egypt (Fox 1935)
Abstract: Frame(s) 396, Steppin Fetchit.
Reel 2
The Charmer (Paramount 1925)
Reel 2
The Charming Enemy (Ital.)
Abstract: Frame(s) 431, Ben Turpin.
Reel 2
Charter Pilot (Fox 1940)
Abstract: Frame(s) 432, Etta McDaniel.
Reel 2
The Chase (Columbia 1955)
Abstract: Frame(s) 433-434.
Reel 2
Chasing Trouble (Monogram 1940)
Abstract: Frame(s) 436, Mantan Moreland.
Reel 4
Chatman, Frank
Abstract: Frame(s) 626,
Foolish Lives.
Reel 2
Chatterbox (Republic 1943)
Abstract: Frame(s) 437, Mills Brothers.
Reel 4
Chavence, Janice
Abstract: Frame(s) 56,
Dear Negro.
Reel 2
Che (Fox 1968)
Abstract: Frame(s) 438, Max Julien, Woody Strode.
Reel 2
Cheaters
Abstract: Frame(s) 439, Louise Beavers.
Reel 2
Abstract: Frame(s) 440-448.
Reel 4
Abstract: Frame(s) 220,
Don't Knock the Twist.
Reel 6
Abstract: Frame(s) 190,
It's Trad, Dad.
Reel 12
Abstract: Frame(s) 405,
Twist Around the Clock.
Reel 2
The Chelsea Flat (London 1967)
Abstract: Frame(s) 449, Joanna Moore.
Reel 3
Abstract: Frame(s) 117, Colored Players Film Corporation.
Reel 8
Abstract: Frame(s) 392-562, Oscar Micheaux.
Reel 5
Chester, Alfred
Abstract: Frame(s) 511, Herald Pictures.
Reel 5
Chester, Slick
Abstract: Frame(s) 394,
Harlem is Harlem.
Reel 6
Chestnutt, Charles
Abstract: Frame(s) 27,
House Behind the Cedars.
Reel 2
Chiari, Walter
Abstract: Frame(s) 452,
The Little Hut.
Reel 2
Chicago Calling (United Artists 1961)
Abstract: Frame(s) 453, Roy Glenn.
Reel 2
Les Chiffoniers D'emmaus (French 19??)
Abstract: Frame(s) 454, Babe Wallace.
Reel 2
A Child is Waiting
Abstract: Frame(s) 455, Juanita More.
Reel 11
Abstract: Frame(s) 33, Jamie Rawls.
Reel 2
A Child Waits
(1963)
Abstract: Frame(s) 458, Fred Carter.
Reel 7
Childress, Alice
Abstract: Frame(s) 292, Claire Leyba.
Reel 1
Abstract: Frame(s) 72-73, Amos; 121-125,
Anna Lucasta.
Reel 2
Abstract: Frame(s) 456-457.
Reel 8
Abstract: Frame(s) 270,
Man in the Net.
Reel 2
The China Gate (Fox 1957)
Abstract: Frame(s) 459-461, Nat King Cole.
Reel 2
The Chinese Ring (Monogram 1947)
Abstract: Frame(s) 462, Mantan Moreland.
Reel 2
Choice
(1964)
Abstract: Frame(s) 463, Goldwater campaign.
Reel 7
Chrisman, Gertrude
Abstract: Frame(s) 693-709,
Realization of Negro's Ambition.
Reel 2
Christ-Mark Productions
Abstract: Frame(s) 468, Sammy Davis, Jr.
Reel 2
Christie Comedies
Abstract: Frame(s) 464-467.
Reel 5
Christmas, Leonard
Abstract: Frame(s) 400,
Harlem Rides the Range.
Reel 2
Chubasco (Warner Brothers 1968)
Abstract: Frame(s) 469, Ron Rich.
Reel 2
Cimarron (RKO 1931)
Abstract: Frame(s) 470, Eugene Jackson.
Reel 2
The Cimarron Kid (Universal 1951)
Abstract: Frame(s) 471, Frank Silvera.
Reel 2
Cincinnati Kid (MGM 1965)
Abstract: Frame(s) 472, Cab Calloway.
Reel 1
Abstract: Frame(s) 234,
The Art of Love.
Reel 2
Abstract: Frame(s) 476,
The Art of Love.
Reel 2
Cinderella Swings (RKO 1943)
Abstract: Frame(s) 473, Willie Best.
Reel 2
Cinderfella
(1959)
Abstract: Frame(s) 474, Count Basie.
Reel 2
Cinema Corps of the Eastern Region of Nigeria
Abstract: Frame(s) 475, Eartha Kitt.
Reel 2
City Beneath the Sea (Universal 1953)
Abstract: Frame(s) 477, Wally Strode.
Reel 2
Clancy Street Boys (Monogram 1943)
Abstract: Frame(s) 478, Sammy Morrison.
Reel 2
Abstract: Frame(s) 479,
The Cool World.
Reel 3
Abstract: Frame(s) 160-164,
The Cool World.
Reel 2
Clarence, the Cross-eyed Lion
(1964)
Abstract: Frame(s) 480, Naamon Brown.
Reel 2
Clarke, Alberta
Abstract: Frame(s) 481, receives award.
Reel 2
Abstract: Frame(s) 482,
The Lawman.
Reel 7
Abstract: Frame(s) 194,
The Lawman.
Reel 2
Abstract: Frame(s) 479,
The Cool World.
Reel 3
Abstract: Frame(s) 144,
The Connection; 160-164,
The Cool World.
Reel 10
Abstract: Frame(s) 673,
Portrait of Jason.
Reel 5
Clavell, James
Abstract: Frame(s) 163,
Glory Tent.
Reel 2
Claw
(1927)
Abstract: Frame(s) 483, Ernest Wilson.
Reel 2
Abstract: Frame(s) 398, 492,
Mau Mau Drums.
Reel 2
Clayton, Ed
Abstract: Frame(s) 495, death.
Reel 3
Clayton, William, Jr.
Abstract: Frame(s) 117, Colored Players Film Corporation, 1926.
Reel 9
Cleaver, Eldridge
Abstract: Frame(s) 524-571, Negroes in Moving Pictures.
Reel 9
Cleaver, Kathleen
Abstract: Frame(s) 404, movie role.
Reel 1
Cleaver, Zeldo
Abstract: Frame(s) 402-407.
Reel 2
Clements, Lynda (Rosalyn Anita)
Reel 4
Cleveland, James
Abstract: Frame(s) 512, Negro entertainers.
Reel 3
Abstract: Frame(s) 198-202, Cosmopolitan Pictures Corporation.
Reel 2
Clinical Film Corporation
Abstract: Frame(s) 500, medical films for Black doctors.
Reel 1
Abstract: Frame(s) 236, Argus Pictures.
Reel 2
Abstract: Frame(s) 501, death.
Reel 2
The Clock Strikes Three
Abstract: Frame(s) 502, Diahann Carroll.
Reel 2
Close Harmony (Paramount 1929)
Abstract: Frame(s) 503, Oscar Smith.
Reel 4
Abstract: Frame(s) 381-382,
Easy Money.
Reel 12
Abstract: Frame(s) 266,
Ties of Blood.
Reel 11
The Clovers
Abstract: Frame(s) 335,
Rock 'n Roll Jamboree.
Reel 5
Cobb, Arnett
Abstract: Frame(s) 339, Lionel Hampton.
Reel 2
Cochrane, Myron
Abstract: Frame(s) 243,
Winston Affair.
Reel 1
Abstract: Frame(s) 33, Afro-American Film Exhibitors.
Reel 3
Abstract: Frame(s) 405-409, A. Robert Porter.
Reel 8
Abstract: Frame(s) 118,
Lure of a Woman.
Reel 10
Abstract: Frame(s) 718, Progress Pictures Association.
Reel 2
Abstract: Frame(s) 504-522; 527-619.
Reel 4
Abstract: Frame(s) 413, Negro entertainers.
Reel 4
Cole, Celeste
Abstract: Frame(s) 536-538,
The Exile.
Reel 1
Abstract: Frame(s) 174, movie musicals; 284, Pearl Bailey.
Reel 2
Abstract: Frame(s) 523-524,
Carmen Jones.
Reel 5
Abstract: Frame(s) 159,
Glenn Miller Story.
Reel 2
Cole, Ike
Abstract: Frame(s) 525; 527-619, Nat King Cole.
Reel 2
Cole, Maria
Abstract: Frame(s) 505-522; 526-619, Nat King Cole.
Reel 4
Abstract: Frame(s) 402, Billy Eckstine.
Reel 6
Abstract: Frame(s) 51,
Hurry, Charlie, Hurry.
Reel 1
Abstract: Frame(s) 51, Shep Allen; 85-87, Why Stars Go Broke; 268, Pearl Bailey.
Reel 2
Abstract: Frame(s) 277, school honor; 402-429, Ray Charles; 505-522, Carol Cole; 526-527, Marie Cole; 527-619 *.
Reel 3
Abstract: Frame(s) 1-96; 468, Sammy Davis, Jr.
Reel 5
Abstract: Frame(s) 100, Marvin Gaye; 346-357, W.C. Handy.
Reel 12
Abstract: Frame(s) 45, Studio Film Company 1095, Roosevelt Zanders.
Reel 2
Cole, Natalie
Abstract: Frame(s) 504-522; 526-619, Nat King Cole.
Reel 1
Abstract: Frame(s) 153, J. Rosamond Johnson.
Reel 6
Abstract: Frame(s) 450, J. Rosamond Johnson.
Reel 11
Abstract: Frame(s) 910, William Grant Still.
Reel 3
Coleman, Ornette
Abstract: Frame(s) 414, Miles Davis.
Reel 3
Coleman, Paralee
Abstract: Frame(s) 97,
The Bargain Hunt.
Reel 1
Coles & Atkins
Abstract: Frame(s) 283, Pearl Bailey.
Reel 3
College Scandal (Paramount 1935)
Abstract: Frame(s) 100, Oscar Smith.
Reel 12
Collette, Buddy
Abstract: Frame(s) 337
Trauma.
Reel 3
Collette, Florine
Abstract: Frame(s) 101, Mauri Lynn.
Reel 3
Collins, Barry
Abstract: Frame(s) 103,
Time of the Heathen.
Reel 2
Abstract: Frame(s) 466, Christie Comedies.
Reel 7
Abstract: Frame(s) 149,
The Lady Fare.
Reel 4
Abstract: Frame(s) 92, Carmen DeLavallade 299-300, Katherine Dunham.
Reel 1
Abstract: Frame(s) 241, Astor Pictures.
Reel 3
Abstract: Frame(s) 106,
The Betrayal.
Reel 5
Collins, Valerie
Abstract: Frame(s) 187-199,
Gone With The Wind.
Reel 3
The Color of Love (English 1966)
Abstract: Frame(s) 109, Gordon Heath.
Reel 3
Colorado Sundown (Republic 1952)
Abstract: Frame(s) 108, Louise Beavers.
Colored Americans War Film (1918)
Reel 3
Abstract: Frame(s) 110-111.
Reel 9
Abstract: Frame(s) 9, Motion Picture Industry.
Colored American Winning His Suit (Doug. 1919)
Reel 9
Abstract: Frame(s) 10, Motion Picture Industry.
Colored and Indian Film Company (1917)
Reel 3
Abstract: Frame(s) 113, List of Films.
Reel 8
Abstract: Frame(s) 98,
Love & Undertakers.
Colored Champions of Sport (Newsreel 1940)
Reel 3
Abstract: Frame(s) 114, Joe Louis
et al.
Reel 7
Abstract: Frame(s) 282, Edward Lewis.
Reel 3
Colored Feature Photoplay Incorporated
Reel 12
Colored Motion Picture Company
Abstract: Frame(s) 398-400, Turpin Film Company.
Reel 3
Colored Motion Picture Producers Company
Colored Players Film Corporation
Reel 5
Abstract: Frame(s) 140-141, Charles Gilpin.
Reel 10
Abstract: Frame(s) 703-705,
Prince of His Rose.
Colored Troops at Chillicotho
Reel 4
Abstract: Frame(s) 586, Finley Film.
Reel 4
Comathaire, A.B.
Abstract: Frame(s) 536-538,
The Exile.
Reel 3
Come Back Africa
Abstract: Frame(s) 119-120.
Reel 3
Come Blow Your Horn
(1963)
Abstract: Frame(s) 121, Sammy Davis, Jr.
Reel 3
Come Midnight (Sepia Art Picture Company 1939)
Reel 2
Comedians
Abstract: Frame(s) 261-284.
Reel 1
Abstract: Frame(s) 34,
Aladdin and His Lamp.
Reel 3
Abstract: Frame(s) 126-135, List of Films.
Reel 4
Abstract: Frame(s) 263,
Duel on Mississippi.
Reel 5
Abstract: Frame(s) 569, Billie Holliday.
Reel 7
Abstract: Frame(s) 48,
Kiss Me Deadly.
Reel 3
Comfort Sisters
Abstract: Frame(s) 134-135.
Confessions of Nat Turner (Fox 1967)
Reel 3
Abstract: Frame(s) 136-138, controversy.
Reel 8
Abstract: Frame(s) 381-383, Louise Meriweather.
Reel 3
Congo Crossing
(1955)
Abstract: Frame(s) 139, Rex Ingram.
Reel 4
Abstract: Frame(s) 53, Deanwood Pictures.
Reel 6
Congo Pictures
Abstract: Frame(s) 132-135,
Ingagi.
Reel 3
Conjure Woman (Micheaux 1926)
Reel 3
Abstract: Frame(s) 143, List of Films.
Reel 12
Abstract: Frame(s) 218,
This Day of Age.
Reel 6
Conn, Irene
Abstract: Frame(s) 113-114,
In The Depths of Our Hearts.
Reel 3
Connor, Edric
Abstract: Frame(s) 144-148 *.
Reel 3
Conquering Power (Metro 1921)
Abstract: Frame(s) 149, Rex Ingram.
Reel 4
Consolidated Colored Musical Association
Reel 3
Constellation Film Corporation
Abstract: Frame(s) 150-154.
Reel 3
Continental Film Enterprise
Abstract: Frame(s) 155-156.
Reel 3
Convicts Four (Kaufman-Lubin 1962)
Abstract: Frame(s) 157, Sammy Davis, Jr.
Reel 3
Coogan's Bluff
(1968)
Abstract: Frame(s) 158, James Edwards.
Reel 11
Cook, Will Marion
Abstract: Frame(s) 910, William Grant Still.
Reel 4
Cooke, Louise
Abstract: Frame(s) 536-538,
The Exile.
Reel 3
Cool Hand Luke (Warner Brothers 1967)
Reel 3
The Cool World
(1964)
Abstract: Frame(s) 160-164.
Reel 1
Abstract: Frame(s) 442, Louise Beavers.
Reel 3
Abstract: Frame(s) 165-197.
Reel 7
Cooper, Blondell
Abstract: Frame(s) 230, Juanity Blondell.
Reel 2
Abstract: Frame(s) 249, Cab Calloway; 269, Godfrey Cambridge.
Reel * 3
Abstract: Frame(s) 170-172.
Reel 2
Abstract: Frame(s) 26,
Boy What a Girl.
Reel 5
Abstract: Frame(s) 511, Herald Pictures.
Reel 3
Cornick, Walter
Abstract: Frame(s) 174,
Midnight Ace.
Reel 3
The Corpse in the Trunk (French 1960)
Abstract: Frame(s) 175, Lajuene Hundley.
Reel 3
Corregidor (Producers Release 1943)
Abstract: Frame(s) 176, Ruby Dandridge.
Reel 1
Abstract: Frame(s) 457-530, Harry Belafonte 655, Black Man in Films.
Reel 2
Abstract: Frame(s) 263, Godfrey Cambridge.
Reel 3
Abstract: Frame(s) 177-197 *.
Reel 5
Abstract: Frame(s) 58,
From Florence with Love.
Reel 8
Abstract: Frame(s) 164-171, Janet MacLachlan.
Reel 3
Cosmopolitan Pictures Corporation
Abstract: Frame(s) 198-202.
Reel 3
Cosmos Jones - Crime Smasher (Monogram 1943)
Abstract: Frame(s) 198, Mantan Moreland.
Reel 4
Costosa, Marie
Abstract: Frame(s) 352, Katherine Dunham.
Reel 1
Cote, Bobbie
Abstract: Frame(s) 534,
The Bells are Ringing.
Reel 1
Abstract: Frame(s) 534,
The Bells are Ringing.
Reel 3
Cotton Blossom Film Corporation
Abstract: Frame(s) 204,
Undisputed Evidence.
Reel 1
Abstract: Frame(s) 145; 556, Berry Brothers.
Reel 2
Abstract: Frame(s) 247-256, Cab Calloway; 310 Una Mae Carlisle.
Reel 3
Abstract: Frame(s) 205,
Ain't She Sweet.
Reel 4
Abstract: Frame(s) 629-672.
Reel 5
Abstract: Frame(s) 394,
Harlem is Heaven; 607-693, Lena Horne.
Reel 6
Abstract: Frame(s) 1-10, Lena Horne; 463, Mae Johnson.
Reel 3
Abstract: Frame(s) 205,
Ain't She Sweet.
Reel 4
Abstract: Frame(s) 538, Cora LaRedd.
Reel 7
Abstract: Frame(s) 149,
The Lady Fare.
Cotton Comes to Harlem (United Artists 1966)
Reel 3
Abstract: Frame(s) 206, Chester Himes.
Reel 9
Abstract: Frame(s) 304-406; 411; 524-571, Negro in Moving Pictures.
Reel 3
The Count (Paris, 1927)
Abstract: Frame(s) 207, Josephine Baker.
Reel 3
The Count of Monte Cristo (United Artists 1934)
Abstract: Frame(s) 208, Clarence Wilson & Clarence Muse.
Reel 3
The County Chairman (Fox 1935)
Abstract: Frame(s) 209, Steppin Fetchit.
Reel 3
Courage (Eagle-Lion 1947)
Abstract: Frame(s) 210, Jackie Robinson.
Reel 3
Courageous Coward
(1924)
Abstract: Frame(s) 211, Robert DeCoy.
Reel 3
The Covered Trailer (Republic 1939)
Abstract: Frame(s) 213, Willie Best.
Reel 1
Abstract: Frame(s) 241, Astor Pictures.
Reel 3
Abstract: Frame(s) 214,
The Betrayal.
Reel 3
Cowboy Cantee (Columbia 1944)
Abstract: Frame(s) 215, Mills Brothers.
Reel 4
Cox, Ida
Abstract: Frame(s) 629-672.
Reel 4
Cox, Jewell
Abstract: Frame(s) 626,
Foolish Lives.
Reel 3
Craig, Fay
Abstract: Frame(s) 216,
Sapphire.
Reel 1
Abstract: Frame(s) 53,
All Brothers Were Valiant.
Reel 3
Crash Dive
Abstract: Frame(s) 219, Ben Carter.
Reel 1
Crawford, Sam
Abstract: Frame(s) 111-114, Andlauer Productions.
Reel 3
Crazy Boy
Abstract: Frame(s) 220, Robert Webb.
Reel 3
Crazy House (Universal 1943)
Abstract: Frame(s) 221, Count Basie & Delta Rhythm Boys.
Reel 3
Creole Venus (Italian 1961)
Reel 3
Cressan, Alex
Abstract: Frame(s) 225,
Meeting on the Esperanza.
Reel 3
Crime Afloat (TREO Exch. 1938)
Abstract: Frame(s) 226, Etta McDaniel.
Reel 7
Abstract: Frame(s) 149,
The Lady Fare; 255-279, Robert Levy.
Reel 3
Crisis of the Deep South
Abstract: Frame(s) 229, Ed Smith.
Reel 3
Crispus Attucks News Review
Reel 3
Criss Cross (Universal 1967)
Abstract: Frame(s) 231, Brock Peters.
Reel 3
Critics' Choice
Abstract: Frame(s) 232, Mimi Dillard.
Reel 3
Abstract: Frame(s) 233, Stuntman.
Reel 12
Abstract: Frame(s) 163-165,
The $10,000 Trail.
Reel 9
Cross and the Switchblade
Abstract: Frame(s) 541, 555, 556, 560.
Reel 3
Abstract: Frame(s) 234,
If I Should Die.
Reel 6
Abstract: Frame(s) 91,
If I Should Die.
Reel 3
Crosse, Rupert
Abstract: Frame(s) 235-237.
Reel 1
Abstract: Frame(s) 294, 296, 298,
Hello Dolly.
Reel 6
Crowell, Wild Bill
Abstract: Frame(s) 27,
House Behind Cedars.
Reel 3
The Crowning Experience
(1960)
Abstract: Frame(s) 234-241, Mary M. Bethune & Muriel Smith.
Reel 5
Abstract: Frame(s) 7-9,
The Foxes of Harrow.
Reel 3
Cruisin' Down the River (Columbia 1953)
Abstract: Frame(s) 243, Billy Daniels & Jester Hairston & Chorus.
Reel 3
Cry for the Angels (Fillipo Film 1965)
Abstract: Frame(s) 244, Sandy Lewis.
Reel 3
The Cry of Jazz (documentary 1958)
Cry, The Beloved Country (United Artists 1952)
Reel 3
Abstract: Frame(s) 246-249, Canada Lee & Sidney Poitier.
Reel 7
Abstract: Frame(s) 200,
Laws Be Their Enemy.
Reel 3
Cuckoo Comedies
Abstract: Frame(s) 250, Bobby Burns.
Reel 3
Cullen, Countee
Abstract: Frame(s) 242,
God Sends Sunday.
Reel 3
Abstract: Frame(s) 252-253.
Reel 12
Abstract: Frame(s) 203-206, Theatrical Booking Agencies.
Reel 3
Abstract: Frame(s) 254,
Carib Gold.
Reel 5
Abstract: Frame(s) 288, Bill Gunn.
Reel 6
Abstract: Frame(s) 51,
Hurry, Charlie, Hurry.
Reel 11
Abstract: Frame(s) 856, Splendorn Film Corporation.
Reel 1
Abstract: Frame(s) 569,
The Big City.
Reel 3
Abstract: Frame(s) 255,
The Big City.
Reel 3
Curley (Hal Roach 1947)
Abstract: Frame(s) 256, banned.
Reel 3
Curry, John
Abstract: Frame(s) 257,
West of Zanzibar.
Reel 3
Curry, Mary
Abstract: Frame(s) 258,
Mammy in Louisiana.
Reel 1
Abstract: Frame(s) 569,
The Big City.
Reel 3
Abstract: Frame(s) 259, List of Films.
Reel 5
Abstract: Frame(s) 399,
Harlem on the Prairie.
Reel 3
Curse of the Cat People (RKO 1944)
Reel 3
Curtis, Nero
Abstract: Frame(s) 264,
Kongo.
Reel 2
Abstract: Frame(s) 42,
Bright Road.
Reel 3
Abstract: Frame(s) 265,
Period of Adjustment.
The Custard Nine (Colored Stories 1921)
Reel 4
Abstract: Frame(s) 162, Dickson Harris Film Corporation.
Reel 3
Cuttler, Byron
Abstract: Frame(s) 267, 399,
Daughter of Mata Hari.
Reel 4
D.W.D. Film Corporation
Abstract: Frame(s) 364,
A Child in Pawn.
Reel 8
Dabney, Ardel
Abstract: Frame(s) 392-562, Oscar Micheaux.
Reel 3
Daffy (Brando Company 1960)
Abstract: Frame(s) 269, Lloyd Richards.
Reel 1
Daily, M.P.
Abstract: Frame(s) 241, Astor Pictures.
Reel 4
Dale, Rosa
Abstract: Frame(s) 325-527, Eureka Film Company.
Reel 3
Dammond, Mrs. Mae K.
Abstract: Frame(s) 271, United Artist.
Reel 3
Damn Yankees (Warner Brothers 19??)
Abstract: Frame(s) 272, Louis Johnson.
Reel 3
Dancer (Fox 1924)
Abstract: Frame(s) 274, Noble Johnson.
Reel 1
The Dancing James Berry
Abstract: Frame(s) 556, Berry Brothers.
Reel 1
Abstract: Frame(s) 85, Why Stars Go Broke; 152, Eleanor Roosevelt; 284, sues
Confidential Magazine; 399, husband; 457, Harry Belafonte.
Reel 2
Abstract: Frame(s) 507, Carol Cole.
Reel 3
Abstract: Frame(s) 275-358 *.
Reel 4
Abstract: Frame(s) 619, Joel Fluellen.
Reel 5
Abstract: Frame(s) 19, Louise Franklin; 39-45, Ernie Freeman; 439, Maggie Hathaway; 510, Phillip Hepburn; 629, 690, Lena Horne.
Reel 7
Abstract: Frame(s) 140, Nolelia Kyle.
Reel 9
Abstract: Frame(s) 304-306, Negro actors.
Reel 5
Dandridge, Putney
Abstract: Frame(s) 394,
Harlem is Heaven.
Reel 5
Abstract: Frame(s) 439, Maggie Hathaway.
Reel 3
A Dandy in Aspic (Columbia 1967)
Abstract: Frame(s) 361, Quincy Jones.
Reel 3
Un Danger Jardin (Paris 1964)
Abstract: Frame(s) 362, Sandy Lewis.
Reel 3
Danger Quest (MGM 1923)
Abstract: Frame(s) 363, George Reed.
Reel 3
Danger Street (Paramount 1947)
Abstract: Frame(s) 364, Nina Mae McKinney.
Reel 3
Daniel Boone (RKO 1936)
Abstract: Frame(s) 365, Clarence Muse.
Reel 1
Abstract: Frame(s) 174, Movie musicals.
Reel 2
Abstract: Frame(s) 612, Nat King Cole.
Reel 3
Abstract: Frame(s) 367-381 *.
Reel 5
Abstract: Frame(s) 511, Herald Pictures.
Reel 6
Daniels, Jerry
Abstract: Frame(s) 146-147, Ink Spots.
Reel 1
Abstract: Frame(s) 409,
Bandwagon.
Reel 3
Dark Delusion (MGM 1947)
Abstract: Frame(s) 365, 382, George Reed.
Reel 3
Dark Manhattan (Million $ Prod. 1938)
Reel 3
Dark of the Moon (MGM 1966)
Abstract: Frame(s) 387, Jim Brown, Sidney Poitier.
Reel 3
Dark of the Sun (MGM 1967)
Abstract: Frame(s) 388, Jim Brown.
Reel 3
Dark Sands (Record Pictures 1938)
Abstract: Frame(s) 389, Paul Robeson.
Reel 3
The Dark Star (German 1955)
Abstract: Frame(s) 390, Elfie Fiegert.
Reel 3
Dark Waters (United Artists 1944)
Abstract: Frame(s) 391, Nina Mae McKinney.
Reel 3
Darktown Affairs (Mt. Olympus 1921)
Reel 2
Darktown Entertainers
Abstract: Frame(s) 26, Laura Bowman.
Reel 3
Darktown Jubilee
(1914)
Abstract: Frame(s) 393, Bert Williams.
Reel 3
Darktown Strutters Ball (Randol 1940)
Reel 3
Dastager, Sabu
Abstract: Frame(s) 396, life & death.
Reel 3
Date with Duke (Puppetoon 1946)
Reel 3
Daughter of Mati Hari (Italian 1924)
Abstract: Frame(s) 399, Byron Cuttler.
Reel 3
Daughter of Pharoah (Trinity)
Reel 3
Dave, Peggy
Abstract: Frame(s) 402,
Rachael Cade.
Reel 3
David Harum (Fox 1934)
Abstract: Frame(s) 404, Steppin' Fetchit.
Reel 3
Davis, George W.
Abstract: Frame(s) 413,
I Accused.
Reel 3
Abstract: Frame(s) 414,
Voodoo Women.
Reel 3
Abstract: Frame(s) 416,
Istanbul.
Reel 2
Abstract: Frame(s) 400-429, Ray Charles; 601, Nat King Cole.
Reel 3
Abstract: Frame(s) 417-418.
Reel 4
Abstract: Frame(s) 447-448.
Reel 7
Abstract: Frame(s) 228,
Left to the Gallows.
Reel 12
Abstract: Frame(s) 419, Cicely Tyson.
Reel 2
Abstract: Frame(s) 302B-305; 264, Godfrey Cambridge.
Reel 3
Abstract: Frame(s) 136-138, protests
Confessions Of Nat Turner; 419-437 *.
Reel 5
Abstract: Frame(s) 10, Redd Foxx; 186.
Reel 3
Abstract: Frame(s) 405-409,
Lure of a Woman.
Reel 8
Abstract: Frame(s) 118,
Lure of a Woman.
Reel 3
Abstract: Frame(s) 438, List of Films.
Reel 7
Abstract: Frame(s) 120-124,
Knock on any Door.
Reel 1
Abstract: Frame(s) 3, Robert Abrams; 5, Academy Awards; 184; 342, retirement of father; 399, fiance; 437, 495, on interracial marriage;
503, Harry Belafonte & Sidney Poitier; 504-507,
Strollin' 20's.
Reel 2
Abstract: Frame(s) 221, production company; 263, Godfrey Cambridge; 468, production company.
Reel 3
Abstract: Frame(s) 439-615 *.
Reel 4
Abstract: Frame(s) 1-26; 546-550, Lola Folana.
Reel 5
Abstract: Frame(s) 13-15, Vera Frances.
Reel 8
Abstract: Frame(s) 308-310; Pigmeat Markham.
Reel 3
Davis, Sammy Sr.
Abstract: Frame(s) 439-615, Sammy Davis Jr.
Reel 4
Davis, Vance
Abstract: Frame(s) 27,
Boys in the Band.
Reel 4
Dawn, Marpessa
Abstract: Frame(s) 29-35.
Reel 4
Day, Ilene
Abstract: Frame(s) 36, comeback.
Reel 4
A Day at the Races (MGM 1937)
Abstract: Frame(s) 37, Ivie Anderson.
Reel 4
A Day in the Magic City of Birmingham (Pyramid)
Reel 4
Daylie, Holmes Daddy-o
Abstract: Frame(s) 40, libel suit.
Reel 4
Day of the Gun
(1959)
Abstract: Frame(s) 41, Johnny Cactus.
Reel 7
A Day with the 10th Cavalry
Abstract: Frame(s) 327-715, Lincoln Motion Picture (Separate section begins: 541-596).
Reel 4
Dead Man's Eyes (Universal 1944)
Abstract: Frame(s) 42, Acquanetta.
Reel 4
Deadfall (Fox 1968)
Abstract: Frame(s) 43, Eric Portman.
Reel 4
Deadlier Than The Male (Universal)
Abstract: Frame(s) 44, Sylvana Henriquez.
Reel 4
Deadly Affair (Columbia 1967)
Abstract: Frame(s) 45, Quincy Jones.
Reel 4
The Deadly Peacemaker
(1955)
Abstract: Frame(s) 46, Maidie Norman.
Reel 4
Deadwood Dick
(1968)
Abstract: Frame(s) 47, Sammy Davis, Jr.
Reel 4
Deanwood Pictures Corporation
Abstract: Frame(s) 53-54, Ed Green, George Johnson.
Reel 4
Dear Brat (Paramount 1951)
Abstract: Frame(s) 55, Lillian Randolph.
Reel 4
Dear Negro (French 1963)
Abstract: Frame(s) 56, Janice Chavence.
Reel 4
Death Dance at Banner (Universal 1966)
Reel 4
Death Tide
(1954)
Abstract: Frame(s) 58, Frank Silvera.
Reel 4
Abstract: Frame(s) 294-295,
Gunsaulus Mystery.
Reel 8
Abstract: Frame(s) 392-562, Oscar Micheaux.
Reel 8
Abstract: Frame(s) 392-562, Oscar Micheaux.
Reel 4
Decision (documentary 1957)
Abstract: Frame(s) 60, documentary.
Reel 4
Decision (Mindenberg & Peck 1956 & 1963)
Abstract: Frame(s) 60, feature film.
Reel 4
The Decks Ran Red (MGM 1958)
Abstract: Frame(s) 63, Dorothy Dandridge,
et al.
Reel 4
DeComthiere, A.B.
Abstract: Frame(s) 66, Porgy.
Reel 4
DeComthiere, A.B.
Abstract: Frame(s) 66, Porgy.
Reel 7
Abstract: Frame(s) 167,
The Brute.
Reel 8
Abstract: Frame(s) 499, Oscar Micheaux; 574-577,
Midnight Ace.
Reel 3
Abstract: Frame(s) 211,
The Courageous Coward.
Reel 4
Abstract: Frame(s) 60,
Decision; 67.
Reel 10
Abstract: Frame(s) 172,
Outpost on the Nile.
Reel 4
Abstract: Frame(s) 68-72 *.
Reel 5
Abstract: Frame(s) 185-186; 346-357, W.C. Handy; 362-369, Lorraine Hansberry; 629, Lena Horne.
Reel 8
Abstract: Frame(s) 141, Maxine F. McCrey; 363-365, Julian Mayfield.
Reel 4
Deep is the Well (United Artists 1951)
Abstract: Frame(s) 73-75, Ernest Anderson,
et al.
Reel 11
Deep River Broadcast
Abstract: Frame(s) 910, William Grant Still.
Reel 4
The Deep Six (Warner Brothers 1957)
Abstract: Frame(s) 76, Louis Lewis.
The Defiant One (Kramer 1958)
Reel 4
Abstract: Frame(s) 77-85, Sidney Poitier.
Reel 1
Dehn, Murs
Abstract: Frame(s) 556, Berry Brothers.
Reel 4
DeJoie, Norman
Abstract: Frame(s) 88, Motion Picture Guild.
Reel 5
DeKnight, Fannie Bell
Abstract: Frame(s) 317-321,
Hallelujah.
Reel 4
Abstract: Frame(s) 90-96 *.
Reel 6
Abstract: Frame(s) 11, Lester Horton.
Reel 6
DeLavallade, Herman
Abstract: Frame(s) 113-114,
In The Depths of Our Hearts.
Reel 4
Abstract: Frame(s) 90-96, Carmen DeLavallade.
Reel 8
Abstract: Frame(s) 640,
Mole People.
Reel 4
Delight Film Company
Abstract: Frame(s) 96-108.
Reel 1
The Dell-Vikings
Abstract: Frame(s) 565,
The Big Beat.
Reel 4
Delsarte Film Corporation
Abstract: Frame(s) 109-110.
Reel 4
Abstract: Frame(s) 86-87 *.
Reel 6
Abstract: Frame(s) 542-543, Carl Jones.
Reel 12
Abstract: Frame(s) 45, Studio Film Company.
Reel 1
Abstract: Frame(s) 128-130,
Anna's Sin.
Reel 4
Abstract: Frame(s) 111,
Anna's Sin.
Reel 4
Demetrius & the Gladiators (Fox 1953)
Abstract: Frame(s) 113, William Marshall,
et al.
Reel 4
Demetruis, Claude
Abstract: Frame(s) 112,
King Creole.
Reel 4
Democracy Film Corporation
Abstract: Frame(s) 115-128.
Reel 4
Democracy Paid For
Abstract: Frame(s) 129, W.M. Bowman.
Reel 4
Dempsey, Pauline
Abstract: Frame(s) 130-131; 523,
Eternal Mothers.
Reel 12
Dennis, E.M.
Abstract: Frame(s) 163-165,
The $10,000 Trail.
Reel 4
DePriest, Jimmy
Abstract: Frame(s) 104, with Aunt Marian Anderson.
Reel 4
The Derma Road (Fox 1964)
Reel 2
Dern, Bruce
Abstract: Frame(s) 373,
Castle Keep.
Reel 4
Desert Legion
Abstract: Frame(s) 134, Don Blackman.
Reel 4
Desert Search
Abstract: Frame(s) 135,
Breaking Point.
Reel 4
The Desert Song (Warner Brothers 1943)
Abstract: Frame(s) 136, Noble Johnson.
Reel 4
Desire in the Dust (Fox 1960)
Abstract: Frame(s) 137, Rex Ingram.
Reel 1
Abstract: Frame(s) 638-642,
The Black Klansman.
Reel 4
Abstract: Frame(s) 138, birth.
Reel 11
Abstract: Frame(s) 859,
Spirit of Youth.
Reel 7
Abstract: Frame(s) 255-279, Robert Levy.
Reel 4
Le Desordre de la Nuit
(1958)
Abstract: Frame(s) 139, Hazel Scott; 177.
Reel 4
DeSousa, Ruth
Abstract: Frame(s) 140, Sinha Moca.
Reel 4
The Detective (Fox 1967)
Abstract: Frame(s) 141, Sugar Ray Robinson.
Reel 4
The Detective Story (Paramount)
Abstract: Frame(s) 143-145, Russell Evans.
Reel 11
Dett, Nathaniel
Abstract: Frame(s) 910, William Grant Still.
Reel 4
The Devil at 4:00 (Columbia 1960)
Abstract: Frame(s) 146-147, Bernie Hamilton,
et al.
Reel 4
Devil for a Day (Ebony Film 1917)
Reel 4
The Devil is a Sissy (MGM 1936)
Abstract: Frame(s) 149, Etta McDaniel.
Reel 4
The Devil's Disciple (Micheaux)
Abstract: Frame(s) 150, Evelyn Preer.
Reel 4
Devil's Harvest
(1957)
Abstract: Frame(s) 151, James Edwards.
Reel 4
Abstract: Frame(s) 153,
The Spectrum.
Reel 11
Abstract: Frame(s) 848-850
The Spectrum.
Reel 4
Diamond City (British 1949)
Abstract: Frame(s) 154-155, Norris Smith.
Reel 4
Abstract: Frame(s) 156-159.
Reel 8
Abstract: Frame(s) 745, Moulin Rouge.
Reel 1
The Diamonds
Abstract: Frame(s) 565,
The Big Beat.
Reel 1
Abstract: Frame(s) 212, Louis Armstrong.
Reel 4
Abstract: Frame(s) 629-672.
Reel 5
Dickerson, Dudley
Abstract: Frame(s) 253,
Green Pastures.
Reel 4
Dickson Comedies
Abstract: Frame(s) 162-163, Dickson Harris Film Corporation.
Dickson Harris Film Corporation
Note
See Dickson Comedies
Reel 4
Dillard, Mimi
Abstract: Frame(s) 165-169 *.
Reel 4
Dimples (Fox 1936)
Abstract: Frame(s) 170, Stepin Fetchit,
et al.
Reel 4
Dinty (MGM)
Abstract: Frame(s) 172, Aaron Mitchell (minor).
Reel 4
Dirty Dozens (MGM 1966)
Abstract: Frame(s) 173-174, Jim Brown.
Reel 4
Disc Jockey
Abstract: Frame(s) 176, Herb Jeffries,
et al.
Reel 4
Divorce in the Family (MGM 1932)
Abstract: Frame(s) 178, Louise Beavers.
Reel 4
Dixie (Paramount 1942)
Abstract: Frame(s) 179, George Reed,
et al.
Reel 4
Dixie Dugan (Fox 1943)
Abstract: Frame(s) 180, Sam McDaniel.
Reel 4
Dixie Jamboree
(1944)
Abstract: Frame(s) 182, Louise Beavers.
Reel 5
Dixie Jubilee Feminine Quartet
Abstract: Frame(s) 317-321,
Hallelujah.
Reel 4
Dixon, Ivan
Abstract: Frame(s) 187-193.
Reel 4
Do Negroes have a Future in Hollywood
Abstract: Frame(s) 194, Jeanna Limyou.
Reel 4
Do Re Mi (Fox 1956)
Abstract: Frame(s) 195, Fats Domino.
Reel 4
Do The Dead Talk (Ebony Film)
Abstract: Frame(s) 196, Jack MacCullough,
et al.
Reel 4
Dobbs, Mattwilda
Abstract: Frame(s) 500, 503, 513, Negro entertainers.
Reel 4
Dr. Doolittle (Fox 1965)
Abstract: Frame(s) 197, Geoffrey Holder.
Reel 4
Dr. No
(1963)
Abstract: Frame(s) 198-199, John Kitzmiller.
Reel 4
Dr. Strangelove (Columbia 1963)
Abstract: Frame(s) 200, James Earl Jones.
Reel 4
Dr., You've Got To Be Kidding
(1967)
Abstract: Frame(s) 201, Michelle Nichols.
Reel 1
Dodds, Baby
Abstract: Frame(s) 629-672, Louis Armstrong.
Reel 1
Dodds, Johnny
Abstract: Frame(s) 629-672, Louis Armstrong.
Reel 4
Dodson, Marge
Abstract: Frame(s) 500, Negro entertainers.
Reel 4
Dolan, Harry
Abstract: Frame(s) 204-205.
Reel 11
Dolphy, Eric
Abstract: Frame(s) 165, Stanley Robertson.
Reel 1
Abstract: Frame(s) 284, fans faint.
Reel 4
Abstract: Frame(s) 206-215 *.
Reel 4
Domino Productions Incorporated
Abstract: Frame(s) 216, Nina Mae McKinney
et al.
Reel 4
Abstract: Frame(s) 115-128, Dickson Harris Film Corporation; 217-218.
Reel 7
Abstract: Frame(s) 269-279, Robert Levy.
Reel 12
Abstract: Frame(s) 163-165,
The $10,000 Trail.
Reel 4
Don't Betray Me
Abstract: Frame(s) 219, Hugh Masekala.
Reel 9
Don't Bother, I Can't Cope
Abstract: Frame(s) 334-343.
Reel 4
Don't Knock the Twist (Columbia 1961)
Abstract: Frame(s) 220, Chubby Checker.
Reel 2
Abstract: Frame(s) 8,
Bon Ben.
Reel 1
Doscher, Doris
Abstract: Frame(s) 588-627,
Birth of a Race Co..
Reel 2
Abstract: Frame(s) 50, Monte Hawley; 63, Shelton Brooks.
Reel 4
Douglas Amusement Company
Abstract: Frame(s) 224-230.
Reel 4
Abstract: Frame(s) 231,
The Scapegoat.
Reel 5
Abstract: Frame(s) 528,
Heroic Colored Soldiers of the War.
Reel 4
Down Argentine Way
Abstract: Frame(s) 232, Nicholas Brothers.
Reel 4
Down the Stretch (1st National 1936)
Abstract: Frame(s) 233, Willie Best.
Reel 4
Down the Stretch (Universal 1926)
Abstract: Frame(s) 233, Will Herman,
et al.
Reel 4
Down to Earth (Fox 1932)
Abstract: Frame(s) 234, Clarence Wilson.
Reel 4
Downing Film Company
Abstract: Frame(s) 235,
Our Colored Fighters.
Reel 5
Downs, Johnny
Abstract: Frame(s) 96, Gateway Productions.
Reel 4
Downs-Whipper-Allen
Abstract: Frame(s) 236, Leigh Whipper,
et al.
Reel 4
Dragon Murder Case (1st National 1934)
Abstract: Frame(s) 237, Charles Wilson.
Reel 1
Abstract: Frame(s) 402-407,
Band of Angels.
Reel 4
Abstract: Frame(s) 238; 394-425, Billy Eckstine; 427, Ronnie Eckstine.
Reel 1
Dreamers
Abstract: Frame(s) 18, Robert Adams.
Reel 4
Dress Rehersal (Sepia 1939)
Reel 2
Drew, Allan
Abstract: Frame(s) 269-284, Godfrey Cambridge.
Reel 4
Drifting Sand
Abstract: Frame(s) 240, Ernest Wilson.
Reel 4
Abstract: Frame(s) 241,
A Place in the Sun.
Reel 10
Abstract: Frame(s) 475,
A Place in the Sun.
Reel 4
Drums Along the Mohawk (Fox 1949)
Abstract: Frame(s) 243, Clarence Wilson,
et al.
Reel 4
Drums of Africa (Panavision)
Abstract: Frame(s) 244, Hari Rhodes.
Reel 4
Drums of Fate (Paramount 1923)
Abstract: Frame(s) 245, Noble Johnson.
Reel 4
Dubarry was a Lady
Abstract: Frame(s) 246, Louise Beavers.
Reel 9
Dubois, William E.B.
Abstract: Frame(s) 443-523, Negroes.
Reel 4
Duchess of Idaho
Abstract: Frame(s) 247, Lena Horne.
Reel 4
Duckett, Leona
Abstract: Frame(s) 248, Negro Artists.
Reel 4
Dudley, Marry
Abstract: Frame(s) 258, S.H. Dudley.
Reel 3
Abstract: Frame(s) 117, Colored Players Film Corporation.
Reel 4
Abstract: Frame(s) 257-258; 381-382,
Easy Money.
Reel 11
Abstract: Frame(s) 49,
Reckless Money.
Duel at Diablo (United Artists 1965)
Reel 4
Abstract: Frame(s) 259-261, Sidney Poitier.
Reel 11
Abstract: Frame(s) 57, William Redfield.
Reel 4
Duel in the Sun
Abstract: Frame(s) 262, Butterfly McQueen.
Reel 4
Duel on the Mississippi
Abstract: Frame(s) 263, Madi Comfort.
Reel 4
Duffy
(1963)
Abstract: Frame(s) 264, Lou Rawls.
Reel 4
Duffy of San Quentin
(1954)
Abstract: Frame(s) 265, Joel Fluellen.
Reel 4
Duke Ellington Story
(1954)
Reel 4
Duke is Tops (Million $ 1938)
Abstract: Frame(s) 267, Ralph Cooper,
et al.
Reel 5
Dumas, Wade
Abstract: Frame(s) 400,
Harlem Rides the Range.
Reel 12
Dumont, Dorothye
Abstract: Frame(s) 163-165,
The $10,000 Trail.
Reel 4
Abstract: Frame(s) 221, Sidney P. Dones.
Reel 11
Abstract: Frame(s) 73,
Reformation.
Reel 4
Dunbar, Alice R.N.
Abstract: Frame(s) 538, lecture tour.
Reel 4
Dunbar Amusement Corporation
Abstract: Frame(s) 224-230, Douglas Amusement Corporation.
Reel 4
Dunbar, Dorothy
Abstract: Frame(s) 269,
The Flaming Crisis; 610
The Flaming Crisis.
Reel 4
Abstract: Frame(s) 270, financial data, movie list.
Reel 8
Abstract: Frame(s) 574-577,
The Midnight Ace.
Reel 9
Dunbar, Louise
Abstract: Frame(s) 10, Motion Picture Industry.
Reel 1
Abstract: Frame(s) 556, The Berry Brothers.
Reel 2
Abstract: Frame(s) 24,
Sport of the Gods.
Reel 11
Abstract: Frame(s) 866-870, The Berry Brothers.
Reel 12
Abstract: Frame(s) 558-562,
Unchained.
Reel 2
Duncan, George
Abstract: Frame(s) 207, Ralph Duncan.
Reel 4
The Dungeon (Micheaux 1922)
Abstract: Frame(s) 273, William Fountaine.
Reel 1
Abstract: Frame(s) 84, Rochester; 496, Harry Belafonte; 564,
The Bible.
Reel 2
Abstract: Frame(s) 29, Archie Savage; 178, Marie Bryant; 363, Carol Carter.
Reel 4
Abstract: Frame(s) 274-355.
Reel 5
Abstract: Frame(s) 251,
Green Mansions.
Reel 8
Abstract: Frame(s) 234,
Magic Island; 251-256,
Mambo.
Reel 11
Abstract: Frame(s) 782-789, Carolyne Snowden; 885,
Star Spangled Rhythm.
Reel 4
Duplex Colored Motion Picture Production Company
Reel 4
Abstract: Frame(s) 360-361.
Reel 5
Abstract: Frame(s) 30-38, Al Freeman.
Reel 1
Dyer, E.C.
Abstract: Frame(s) 144-148,
Georgia Rose.
Reel 4
Dyson, Rita
Abstract: Frame(s) 363,
Who Killed Teddy Bear.
Reel 4
Dyson, Ronnie
Abstract: Frame(s) 514, Negro entertainers.
Reel 4
Eagle Film Company
Abstract: Frame(s) 366-368.
Reel 4
Eagle of the Sea
Abstract: Frame(s) 369-370.
Reel 4
Early, Jon
Abstract: Frame(s) 371,
The Naked Truth 278,
The Naked Truth.
Reel 1
Easley, Kid
Abstract: Frame(s) 553, Berry Brothers.
Reel 4
East of Borneo (Universal 1931)
Abstract: Frame(s) 373, Noble Johnson.
Reel 4
East of Java (Universal 1935)
Abstract: Frame(s) 374, Clarence Muse.
Reel 4
East of Suez
(1925)
Abstract: Frame(s) 376, Raoul Walsh.
Reel 4
Easter Parade
Abstract: Frame(s) 378, Jeni LeGon.
Reel 4
Easy Come, Easy Go
Abstract: Frame(s) 379, Carol Cole.
Reel 4
Easy Living (RKO)
Abstract: Frame(s) 380, Larams.
Reel 4
Easy Money (Reol. 1921)
Abstract: Frame(s) 381-382.
Reel 4
Easy Pickens (1st National 1927)
Reel 4
Easy to Love (MGM 1953)
Abstract: Frame(s) 383, Pearl Bailey.
Reel 4
Ebony Film Corporation
Abstract: Frame(s) 385-392; 162, Dickson Film Company.
Reel 4
Ebony Parade (Astor 1947)
Abstract: Frame(s) 393, Cab Calloway,
et al.
Reel 1
Abstract: Frame(s) 429; 50, Shepard Allen.
Reel 3
Abstract: Frame(s) 367, Billy Daniels.
Reel 4
Abstract: Frame(s) 266,
Duke Ellington Story; 394-427.
Reel 6
Abstract: Frame(s) 613,
Jump for Joy.
Reel 11
Abstract: Frame(s) 702,
Skirts Ahoy.
Reel 2
Abstract: Frame(s) 310,
Carmen Jones.
Reel 4
Abstract: Frame(s) 394-427, Billy Eckstine.
Reel 8
Abstract: Frame(s) 104,
Love Ins.
Reel 4
Edelen, Norman
Abstract: Frame(s) 428, Vignette Films.
Reel 4
Edge of the City (MGM 1957)
Abstract: Frame(s) 429-431.
Reel 4
Edmondson, William
Abstract: Frame(s) 432,
Midnight Ace.
Reel 4
Edwards, Al
Abstract: Frame(s) 433, fraud news story.
Reel 2
Abstract: Frame(s) 43, 239.
Reel 3
Abstract: Frame(s) 155, Continental Film Enterprise.
Reel 4
Abstract: Frame(s) 434-440 *.
Reel 5
Abstract: Frame(s) 210, Gordon Productions.
Edwards, Jodie
Note
See Butterbeans & Susie
Reel 4
Abstract: Frame(s) 441, Vinci, Vinci.
Reel 4
Edwards Junius
Abstract: Frame(s) 442,
If We Must Die.
Reel 1
Edwards Sisters
Abstract: Frame(s) 50, Shep Allen.
Edwards, Susan
Note
See Butterbeans & Susie
Reel 4
The Egyptian (Fox)
Abstract: Frame(s) 443-446, Carmen Delavallade.
Reel 1
Abstract: Frame(s) 156, Louis Armstrong.
Reel 2
Abstract: Frame(s) 601, Nat King Cole.
Reel 4
Elevator to the Gallows (French 1958)
Abstract: Frame(s) 447, Miles Davis.
Reel 4
Elevator to the Scaffold
Abstract: Frame(s) 448, Miles Davis.
Reel 9
Elizabeth of Toro
Abstract: Frame(s) 498, 535, 546.
Reel 1
Abstract: Frame(s) 50, Shep Allen; 92, Ivey Anderson, 270, Pearl Bailey; 495, interracial marriages;
The Strollin Twenties; 556 Berry Brothers.
Reel 2
Abstract: Frame(s) 247, jam session; 249, Cab Calloway; 310, Una Mae Carlisle; 523-524, Cozy Cole.
Reel 4
Abstract: Frame(s) 449-489 *; 629-672; 507, Hodges quits.
Reel 5
Abstract: Frame(s) 529-533, Al Hibbler.
Reel 12
Abstract: Frame(s) 45, Studio Film, Incorporated.
Reel 4
Ellington, Edna
Abstract: Frame(s) 449-489, Duke Ellington.
Reel 4
Ellington, Mercede
Abstract: Frame(s) 472-487, Duke Ellington.
Reel 4
Ellington, Mercer
Abstract: Frame(s) 449-489, Duke Ellington.
Reel 7
Elliott, Lu
Abstract: Frame(s) 13, B.B. King.
Reel 4
Abstract: Frame(s) 651-672.
Reel 6
Abstract: Frame(s) 162,
Interrupted Melody.
Reel 4
Ellis, Lucille
Abstract: Frame(s) 350, Katherine Dunham.
Reel 5
Ellis, Patricia
Abstract: Frame(s) 565,
Hold 'em Yale.
Reel 4
Elzy, Ruby
Abstract: Frame(s) 487-488, published essay.
Reel 4
Embrace
Abstract: Frame(s) 489, Dorothy Dandridge.
Reel 4
Emmitt Till Story (Panorana)
Reel 4
Emperor Jones (United Artists 1943)
Abstract: Frame(s) 491, Otto Sterman.
Reel 4
Emperor Jones (Universal 1957)
Abstract: Frame(s) 491, Rex Ingram, Paul Robeson.
Reel 4
Emperor Jones
Abstract: Frame(s) 491, Harry Belafonte.
Reel 4
Enchanted Island
(1927)
Abstract: Frame(s) 493, Floyd Shackleford.
Reel 4
End of the World (MGM 1968)
Abstract: Frame(s) 494, Harry Belafonte.
Reel 4
English, E.
Abstract: Frame(s) 495,
East is East.
Reel 4
The English Teacher (Mexico 1962)
Abstract: Frame(s) 496, Nat King Cole.
Reel 4
Ennis, Floyd
Abstract: Frame(s) 4, in television series.
Reel 4
Enter Laughing
(1966)
Abstract: Frame(s) 498, Mel Carter Sings.
Reel 4
Entertainers, Negro
Abstract: Frame(s) 499-518, miscellaneous articles on many stars.
Reel 4
Erby, Morris
Abstract: Frame(s) 519,
The Blacks.
Reel 6
Errol, Leon
Abstract: Frame(s) 51,
Hurry, Charlie, Hurry.
Reel 4
Escape from Devil's Island (Disney)
Abstract: Frame(s) 520, Daniel Haynes.
Reel 4
E.S. & L. Colored Feature Photoplay Company
Abstract: Frame(s) 522,
Square Joe.
Reel 4
Eternal Mother
Abstract: Frame(s) 523, Pauline Dempsey.
Reel 4
Etula, Asa
Abstract: Frame(s) 524,
Mogambo.
Reel 4
Eureka Film Corporation
Abstract: Frame(s) 525-529.
Reel 1
Abstract: Frame(s) 402-407,
Band of Angels; 419,
Baptism of Fire.
Reel 4
Abstract: Frame(s) 141-145,
The Detective; 531.
Reel 4
Ever for Each Other
Abstract: Frame(s) 532, Pearl Bailey.
Reel 1
Everett, Francine
Abstract: Frame(s) 153, Henry Armstrong.
Reel 4
Everlasting Whisper
(1925)
Abstract: Frame(s) 533, Noble Johnson.
Reel 1
Abstract: Frame(s) 57-61
All the Young Men.
Reel 4
Executive Suite
Abstract: Frame(s) 535, Diana Sands.
Reel 4
The Exile, (Micheaux 1931)
Abstract: Frame(s) 536-538.
Reel 4
The Exodusters (Har-Bel 1959)
Abstract: Frame(s) 534, Belafonte-Poitier.
Reel 4
The Expert (Warner Brothers 1932)
Abstract: Frame(s) 540, Louise Beavers.
Reel 4
Explosion (American International 1968)
Abstract: Frame(s) 541, Ossie Davis.
Reel 4
Extraordinary Seaman (MGM 1967)
Abstract: Frame(s) 542, Juano Hernandez.
Reel 4
Eyes of Youth (Quality Amusement 1920)
Abstract: Frame(s) 545, Abbie Mitchell.
Reel 2
Abstract: Frame(s) 161, 165,
Liberation of LB Jones.
Reel 4
Abstract: Frame(s) 546-550.
Reel 4
False Faces (Republic 1943)
Abstract: Frame(s) 551, Etta McDaniel, Nicodemus.
Reel 4
Family Honeymoon (Universal 19??)
Abstract: Frame(s) 553, Hattie McDaniel.
Reel 4
Family Secret (Columbia 1951)
Abstract: Frame(s) 554, Bill Walker.
Reel 4
Famous Artist Corporation
Reel 4
Fantauzzi, John
Abstract: Frame(s) 556,
Up the Down Staircase.
Farina (Allen Clay Hoskins)
Reel 11
Abstract: Frame(s) 41,
Reckless.
Reel 6
Abstract: Frame(s) 17-20.
Reel 12
Abstract: Frame(s) 1080,
You Said a Mouthful.
