Information for Researchers
Scope and Content
Collection Title: Mills College : Record of a Campus
Collection Number: BANC PIC 1984.014--ALB
55 items, including 53 photographic prints, 1 map, and 1 postscript of text describing the collection, all mounted on boards
in 1 box ; 8 x 10 in. photographs, 14 x 18 in. boards
53 digital objects
The Bancroft Library. University of California, Berkeley.
Berkeley, California 94720-6000
Information for Researchers
Collection stored off-site. Advance notice required for use.
Copyright has not been assigned to The Bancroft Library. All requests for permission to publish photographs must be submitted
in writing to the Curator of Pictorial Collections. Permission for publication is given on behalf of The Bancroft Library
as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must
also be obtained by the reader.
Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted
to research and educational purposes.
[Identification of item],
Mills College : Record of a Campus, BANC PIC 1984.014--ALB, The Bancroft Library, University of California, Berkeley.
Digital Representations Available
The Mills College photographs were a gift of Roi Partridge in 1983.
Roi Partridge (George Roy Partridge) was born in 1888 in the Territory of Washington. After taking courses in art for a year
or two, Partridge formed a group called "The Triad" with two classmates, John Davidson Butler and Clare Shepard. They visited
museums together, studied art, and entered work in Seattle's Alaska-Yukon-Pacific Exposition, where Partridge won silver medals
for his ceramics and black and white paintings. Partridge moved to New York City at the age of 20 and enrolled in the National
Academy of Design. He was awarded the Academy's Suydam Silver Medal in 1910 for a still-life painting. In July of that year,
he left for Europe with Butler and learned the art of etching in Munich. Partridge and Butler traveled to Italy and France,
settling in Paris. Here Partridge could not afford formal classes but learned what he could from art books and magazines,
drawing Parisian street scenes, cathedrals, bridges, and other picturesque landmarks in lieu of models. He himself turned
to modeling to earn money, posing as St. Francis of Assisi and Jesus, complete with beard and crown of thorns.
Partridge's chosen art practice was etching, and despite the influence of Parisian modern art movements, he remained a conservative
artist and skeptical of abstract art. Gradually his talents were recognized, and Partridge sold enough prints to allow him
to remain in Paris for several more years. Partridge became a member of the Chicago Society of Etchers in 1913, where his
friend Bertha Jaques had exhibited his work. Meanwhile, Partridge's friend Clare Shepard back in Seattle organized an exhibition
of Partridge's etchings and drawings for the Seattle Fine Arts Society. She was assisted by Imogen Cunningham, whom Partridge
married in 1915 after returning to the States in 1914; the couple soon had 3 sons. In February 1915, forty-two of Partridge's
etchings were included in San Francisco's Panama-Pacific International Exposition.
In 1917 the Partridge family moved to Carmel and then San Francisco, California, allowing Partridge and Cunningham to enter
new artistic circles, which included artists Maynard Dixon and Dorothea Lange (who were introduced by Partridge and later
married), Ansel Adams, Edward Weston, and Margarethe Mather. Partridge traveled extensively throughout the American West making
prints, including the Pacific Northwest and the desert Southwest as well as California. He began to teach drawing and painting
and was hired on at Mills College in 1920 where he also taught photography. In 1934, Partridge and Cunningham divorced. Partridge
married Marion Meredith Lyman in 1937, a textile artist and photographer who died in 1940. In 1941 Partridge married May Ellen
Fisher, with whom he remained for the rest of his life.
Partridge retired from Mills College in 1954, after a 34-year career there, in which he was appointed Department Chairman
and the first director of the Art Gallery. From 1913 to 1953, Partridge's etchings were regularly exhibited in such places
as the Chicago Society of Etchers, California Society of Etchers, National Academy of Design, the Library of Congress, and
the California Palace of the Legion of Honor in San Francisco. Today his work is represented in the Mills College Art Gallery,
the California Palace of the Legion of Honor, The Bancroft Library at U.C. Berkeley, The Oakland Museum, and the Art Institute
of Chicago, among others. Partridge died in 1984.
(Source: White, Anthony R.
The Graphic Art of Roi Partridge : A Catalogue Raisonne. Los Angeles : Hennessy & Ingalls, 1988.)
Scope and Content
This collection of Mills College photographs consists of 55 items (53 photographic prints) mounted on boards, taken by Roi
Partridge, circa 1940. The other two items are a map of Mills based on a drawing, and a postscript describing the collection.
The text of the postscript is as follows:
"The purpose of this group of photographs is to record the appearance -and still more, whenever it could be achieved, the
mood and the charm -of a place upon whose ninety acres I have spent a large part of life and whose faculty, officers and students
have been my friends. An attempt has been made to keep the record as nearly dateless as possible. For this reason, save in
minor instances, the human occupants of this scene, with their ever changing costumes, have been intentionally omitted. --Photographs,
lettering and map by Roi Partridge, who reserves all reproductive rights. The map based on a scale drawing by John Brown."
Images include a statue of a Chinese lion at the entrance to the art building, the art gallery, Olney Hall, the music building,
Graduate House, Orchard Hall, Lisser Hall, the drama building, the gymnasium, Mills Hall, the library, the campanile, the
science building, Ethel Moore Hall, Wetmore Gate, Lake Aliso, the Greek Theater, Chabot Observatory, and overviews of campus.
Handwritten captions which appear below the photographs are reprinted in the container listing.