INVENTORY OF THE GALERIE PAUL MAENZ KÖLN RECORDS, 1956-1991 (bulk 1970-1990)

Finding aid prepared by Lynda Bunting
The Getty Research Institute
Research Library
Special Collections and Visual Resources
1200 Getty Center Drive, Suite 1100
Los Angeles, California 90049-1688
Phone: (310) 440-7390
Fax: (310) 440-7780
Email Requests: http://www.getty.edu/research/conducting_research/library/reference_form.html
URL: http://www.getty.edu/research/conducting_research/library
©1998
J. Paul Getty Trust.

INVENTORY OF THE GALERIE PAUL MAENZ KÖLN RECORDS, 1956-1991 (bulk 1970-1990)

Accession no. 910066

Finding aid prepared by Lynda Bunting
Getty Research Institute

Contact Information:

  • The Getty Research Institute
  • Research Library
  • Special Collections and Visual Resources
  • 1200 Getty Center Drive, Suite 1100
  • Los Angeles, California 90049-1688
  • Phone: (310) 440-7390
  • Fax: (310) 440-7780
  • Email Requests: http://www.getty.edu/research/conducting_research/library/reference_form.html
  • URL: http://www.getty.edu/research/conducting_research/library/
Processed by:
Lynda Bunting
Date Completed:
July 1994, revised August 2005
Encoded by:
Philip Curtis
©1998 J. Paul Getty Trust.

Descriptive Summary

Title: Galerie Paul Maenz Köln records
Dates: 1956-1991
Dates: 1970-1990
Collection number: 910066
Creator: Galerie Paul Maenz Köln
Extent: ca. 40 linear feet (89 boxes)
Repository: Getty Research Institute
Research Library
Special Collections and Visual Resources
1200 Getty Center Drive, Suite 1100
Los Angeles, CA 90049-1688
Abstract: German gallery in Cologne, dealing in contemporary art. Maenz exhibited, loaned, and sold works by conceptual artists and the German neo-Expressionist painters. Correspondence, financial files, artists' biographies, press clippings, printed matter, and photographs cover virtually every facet of the gallery's operations, 1970-1990. The photograph files comprise approximately half of the archive and document works by artists and most of the gallery's exhibitions.
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Language: Collection material in English, and German

Administrative Information

Access

Open for use by qualified researchers.

Publication Rights

Preferred Citation

Galerie Paul Maenz Köln records, 1956-1991 (bulk 1970-1990) Getty Research Institute, Research Library, Accession no. 910066.

Acquisition Information

Acquired in 1991 from Paul Maenz.

Processing History

Lynda Bunting physically processed the manuscript portion of the archive and wrote the finding aid from February-July, 1994. Rose Lachman assisted by describing some of the letters in Series I and II. Deborah Derby, a consultant for the Book Lab at GCI, analysed and wrote a brief report (3/14/94) on the best procedure for removing adhesive tape from the color transparencies in preparation for their printing. Natalia Costea and Laurie King helped execute Derby's recommendations beginning May, 1994. Jobi Benjamin of the Photo Services Department conducted the printing project from June, 1994 to November 1996. A cross-reference was made for each artist in Series IX. Photographs in the ARTISTS database of STAR.

Biographical /Historical Note

Galerie Paul Maenz Köln was instrumental in introducing avant-garde art of the 1970s and 1980s to what was initially a German audience, but would later move beyond to the rest of Europe and North America. The gallery functioned as a facilitator for artists to realize their work in a new context. This was particularly important in the early years of the gallery, which focused on the difficult-to-exhibit Conceptual Art. In the late 1970s and early 1980s, the gallery embraced the new painting of the young Italian Trans-avantgardists and the German Neo-Expressionists. With the help of Maenz's representation, the German artists in particular had a profound impact on Cologne's importance as a cultural and artistic center.
Paul Maenz was born December 7th, 1939 in Gelsenkirchen, Germany. After he finished school he apprenticed at a department store, then worked at a printing company. Maenz found this period to be "more or less excruciating." In 1958 Maenz enrolled in Folkwangschule für Gestaltung, Essen, and studied under Max Burchartz. Maenz stated that, "the concept of this school, developed along Bauhaus lines, was to give individual talents room to develop --to encourage rather than direct them toward a specific goal."
In the mid 1960s Maenz worked as an assistant art director for Young & Rubicam, an American advertising agency, in Frankfurt. There he met Peter Roehr, who, through his work, had a profound impact on how Maenz thought about art. They remained friends until Roehr's untimely death in 1968 at the age of 24. Maenz represented the Roehr estate and frequently exhibited his works at the gallery.
Maenz lived in New York City from 1965-67, while still working as an art director for Young & Rubicam. He also founded "Kineticism Press" with Willoughby Sharp, which was "dedicated to the total distribution of artistic information in all media." It was during this period that Maenz bought his first art work from Sol LeWitt's studio. This was "Structure," LeWitt's first modular construction.
In 1967 Maenz moved back to Germany. He organized the influential exhibition "Serielle formationen" with Peter Roehr for the University of Frankfurt. Many of the artists, such as Sol LeWitt, Carl Andre, Donald Judd, Dan Flavin, Jan Dibbets and Agnes Martin, were seen here in Germany for the first time. Maenz also organized "19:45-21:55," a multimedia event lasting about 2 hours, in which he invited artists to create ephemeral situations. Konrad Lueg (aka Konrad Fischer) was one of the participants. Lueg opened a gallery shortly thereafter in Düsseldorf and exhibited the artists whom he had met in Frankfurt. "It is Fischer's achievement to have developed along with his artists a totally new individual type of gallery, which was taken as a model for other avant-garde galleries, here and abroad; I should think my own gallery has profited from it when it was formed later in 1970/71."
Maenz gave up advertising in 1968. He opened a head shop called "Pudding Explosion" with Roehr in the Frankfurt Holzgraben. "After two intense years during which this shop also became commercially profitable, it cancelled itself out as 'alternative to the status quo,' and so I closed it."
In 1970 with the encouragement of his friend Gerd de Vries, Maenz opened a gallery for contemporary art in Cologne. He contacted many Minimal and Conceptual artists for their ideas and suggestions of other artists to exhibit. Most of these artists, including Joseph Kosuth, Robert Barry, Art & Language artists, David Askevold, Daniel Buren, Victor Burgin and Hans Haacke, a German expatriate living in New York, were well-known in their own countries, but had shown very little in Germany. Fischer was the only gallerist at the time in Germany showing the same kind of work.
The gallery officially opened on January 16th, 1971, with a Hans Haacke exhibition. Two years later a second gallery in Brussels was opened, with less success. Situated at Belgium 195, Avenue Louise, it closed the following year. The main gallery in Cologne moved three times: once in 1976 from Lindenstraße 32 to Lindenstraße 23, again in 1978 to Schaafenstraße 25 and lastly in 1983 to Bismarckstraße 50, which was an old factory with an interior space designed and built by Thiess Marwede.
The early exhibitions of the gallery primarily featured the Conceptual artists mentioned above. By the mid 70s, Maenz was slowly moving away from Conceptualism. He began to show the work of the Italian artists Salvo and Giulio Paolini. His interest in the Trans-avantgarde culminated in 1978 when the gallery had what Maenz called the "Italian Year." The gallery only exhibited works by young Italian artists such as Giuseppe Penone, Francesco Clemente, Luciano Fabro, Mimmo Paladino, Salvo, Sandro Chia and Paolini. Maenz followed up with the "Arte Cifra" show in 1979.
The end of 1980 was a turning point for the gallery and for German art in general. Maenz organized the landmark exhibition "Mülheimer Freiheit & Interessante Bilder aus Deutschland," which introduced younger German artists working in Neo-Expressionism. The exhibition showed that the generation of artists after Beuys, who were, like Kiefer, interested in painting and rediscovering German tendencies prior to World War I. For the next four years these artists, which included Martin Disler, Walter Dahn, Jiri-Georg Dokoupil, Hans-Peter Adamski and Peter Bömmels, exhibited throughout Germany and the rest of Europe in major museums and galleries.
Maenz's client list reads like a who's who of German contemporary art collectors. Friedrich Rentschler, Gerhard Sohst, Helmut Anton Krätz, Hans-Joachim Etzold and Peter Ludwig were among the many who looked to Maenz for information and advice. He was in frequent contact with museum directors and curators, such as Jean-Christophe Ammann, Dieter Koepplin, Zdenek Felix, Kasper König and Grazia Nunn, about acquisitions and exhibitions.
Furthermore, Maenz cooperated extensively with other galleries. In addition to borrowing works from Gian Enzo Sperone and Studio Marconi for his Italian program, when the Mülheimer Freiheit group became successful Maenz loaned works to Ileana Sonnabend, Leo Castelli, Mary Boone, Marian Goodman, Asher/Fauer, Ascan Crone, Reinhard Onnasch, Six Friedrich and many other galleries throughout North America and Europe. Maenz also exhibited his artists annually at the Basel art fair and Köln Kunstmarkt, and at various Documenta and Prospekt exhibitions.
In 1975, de Vries became an editor at DuMont Buchverlag, which published many of Maenz's books. De Vries' involvement with the publishing world might explain the gallery's prolific publishing activities. Some sort of catalog, large or ephemeral, was produced for almost every exhibition. Additionally, Maenz was friendly with the critics Germano Celant and Wolfgang Max Faust, both of whom wrote texts for the gallery's yearbooks.
As the Neo-Expressionist artists became successful and began to leave the gallery, Maenz was unable to find others to replace them. The increasingly commercial aspect of the art world was not interesting to Maenz, who decided to close the gallery in 1990 after the Kiefer exhibition. He felt the times had changed too much. Maenz stated, "I liked the idea that my own gallery should close while still in conditions that corresponded to the idealism with which it opened."
Maenz moved to Berlin in 1993. He believed there were more opportunities in East Germany for "someone who wanted to start all over again." He donated his private collection of 150 paintings, sculptures and projects, and 170 drawings to the Kunstsammlungen zu Weimar in 1994 for its opening in 1998.

Scope and Content of Collection

The Galerie Paul Maenz Köln archive documents the gallery's extensive engagement in the promotion of contemporary and avant-garde art in Germany. Maenz represented, exhibited, loaned and sold works by many of the leading artists involved with Conceptualism, the Trans-avantgarde, and German Neo-Expressionism. The bulk of the material spans the gallery's entire operations from 1970 when Maenz first wrote to numerous artists about his tentative plans to open a gallery, to 1990 the year the gallery closed its doors.
The collection contains letters and papers relating to the day-to-day activities of the gallery. Maenz corresponded with numerous artists, museum personnel, gallery owners, private collectors throughout Europe and North America, and art critics. The content of most letters relates to artists' works and theories, exhibitions and installations, private and public acquisitions, loan and consignment agreements, and photograph requests. There are a small number of financial papers, which almost fully document the gallery's finances from 1979-1980, and reference material in the form of artists' biographies, press clippings and printed matter. Approximately half of the collection consists of photographs, color transparencies, negatives, contact sheets and slides documenting works by artists and almost all of the gallery's exhibitions.

Arrangement

Indexing Terms

Subjects

Maenz, Paul
Galerie Paul Maenz (Cologne, Germany)
Art—Marketing
Art dealers—Germany—Cologne
Art galleries, Commercial
Art, German—Germany—20th century—Exhibitions
Art, Modern—20th century
Avant-garde (Aethetics)—Germany
Conceptual art
Neo-expressionism
Trans-avantgarde

Genres and Forms of Material

Ephemera
Photographic prints
Photographs, Original
Slides (photographs)

Contributors

Ammann, Jean Christophe
Askevold, David, 1940-
Barry, Robert, 1936-
Bertholin, Jean Marie, 1936-
Bömmels, Peter, 1951-
Boyle, Mark, 1934-
Buren, Daniel
Burgin, Victor
Celant, Germano
Chia, Sandro, 1946-
Dahn, Walter, 1954-
Darboven, Hanne
De Maria, Nicola, 1954-
Disler, Martin
Dokoupil, J. G. (Jiri George), 1954-
Fabro, Luciano, 1936-
Feldmann, Hans-Peter, 1941-
Fetting, Rainer, 1949-
Haacke, Hans, 1936-
Haring, Keith
Hillard, John
Insley, Will, 1929-
Kiefer, Anselm, 1945-
Kosuth, Joseph
Krätz, Helmut Anton, 1978-
Ludwig, Peter, 1925-
Paolini, Giulio, 1940-
Penone, Giuseppe
Poirier, Anne
Poirier, Patrick
Rentschler, Friedrich Erwin
Rushton, Dave
Rutault, Claude
Salvo, 1947-
Schuyff, Peter
Sohst, Gerhard
Sperone, Gian Enzo
Sturtevant, Elaine
Toroni, Niele, 1937-
Wéry, Marthe, 1930-
Rockenschaub, Gerwald, 1952-
Art & Language (Group)
Endart (Group)

Separated Material

Maenz's reference library containing ca. 2500 volumes/titles were separated from the archive and cataloged by the Center library from November, 1992-February, 1993. Gallery publications were separated and accessioned to the library from June-July, 1994. These consisted of all 16 of the gallery yearbooks and ca. 60 exhibition catalogs and monographs. The following is a list of accessioned items.
13 "Projekt'74" artists : Paul Maenz, [4 27 July 1974]. 19:45 21:55 : September 9th 1967, Frankfurt, Germany / [arranged by Paul Maenz] Anselm Kiefer, Giulio Paolini, Gerwald Rockenschaub ... [et al.] : ausstellungen Herbst 1985 Sommer 1986 = exhibitions autumn 1985 summer 1986. Arte cifra : Chia, Clemente, De Maria, Longobardi, Paladino, Tatafiore. Koeln : P. Maenz, c1979. Bartolini, Luciano. The pearl mosque / [Luciano Bartolini]. Koeln : P. Maenz, [1978?] Der Blick zurueck ist ein Blick auf die Gegenwart, und/oder, Die Wahrheit hat viele Brueste : Paul Maenz Koeln 1970 1980. Peter Boemmels : Lichtzaehne zeigen, 25. Jan. 23. Feb. 1985, Galerie Paul Maenz, Koeln. Bremen. Kunsthalle. Joseph Kosuth : Beitraege zur konzeptuellen Kunst, 1965 1976 : Ausstellung / Kunsthalle Bremen, 11. April bis 29. April, 1976. Busche, Ernst A. Jiri Georg Dokoupil / herausgeber Ernst A. Busche zusammen mit Paul Maenz. Berlin : Galerie Paul Maenz, 1987. Crown, sky, war : Francesco Clemente, Paul Maenz Koeln 1988. Francesco Clemente : "il viaggiatore napoletano" / Paul Maenz, Hrsg. Koeln : Gerd de Vries, 1982. Enzo Cucchi : un'immagine oscura / herausgegeben von Zdenek Felix. Essen : R. Bacht, [1982] Dahn/Dokoupil : die Duschbilder : Ricki 1982 1983. [Cologne : Paul Maenz Galerie], c1983. Walter Dahn. Frechen : Borowsky + Co., c1982. Walter Dahn, Ausstellung vom 26.2. 23.3.1982, Paul Maenz Koeln. Walter Dahn und Georg Dokoupil / fotografiert von Roman Soukup. [Germany? ; P. Maenz, 1982] Martin Disler : Museum Folkwang Essen, 10.V. 30.VI.1985, ARC/Musee d'art moderne de la ville de Paris, 16.X. 1.XII.1985. Jiri Georg Dokoupil : Christus Bilder = cuadros de Cristo. Santa Cruz de Tenerife : Galeria Leyendecker ; Koeln : Galerie Paul Maenz, 1987. Jiri Georg Dokoupil, corporations & products : the sculptures = die Skulpturen / Paul Maenz, Ed., Hrsg. Koeln : Galerie Paul Maenz ; San Fransisco : Gallery Paule Anglim ; Los Angeles : Asher/Faure, 1985. Jiri Georg Dokoupil, "neue koelner Schule" : Ausstellung 30. April 25. Mai 1982 : Galerie Paul Maenz. Koeln : Die Galerie, c1982. Egonavigatio : Sandro Chia, Francesco Clemente, Nicola de Maria, Mimmo Paladino : [Ausstellung] Mannheimer Kunstverein e.v., 30. Maerz 27. April 1980 / [Bearbeitung, Gerd de Vries]. Die enthauptete Hand : 100 Zeichnungen aus Italien : Chia, Clemente, Cucchi, Paladino : [Ausstellung] Bonner Kunstverein, 20. Januar 28. Februar 1980; Staedtische Galerie Wolfsburg, 9. Maerz 6. April 1980; Groninger Museum, 6. Juni 6. Juli 1980. Faust, Wolfgang Max, 1944 Hunger nach Bildern : deutsche Malerei der Gegenwart / Wolfgang Max Faust, Gerd de Vries. Koeln : DuMont, c1982. Fleisches lust : die wiederkehr des sinnlichen, die erotik der neuen kunst : Adamski ... [et al.]. Koeln : P. Maenz, [1981] Galerie Paul Maenz, Koeln : ausstellungs saison 1983 84. Hans Haacke, der Pralinenmeister. Koeln : Galerie Paul Maenz, [1981] Keith Haring at Paul Maenz. [Koeln : Galerie Paul Maenz, 1984] Anselm Kiefer / Paul Maenz & Gerd de Vries (hrsg.) ; mit einem Essay von Gudrun Inboden. Koeln : Galerie Paul Maenz, 1986. Joseph Kosuth. Koeln : P. Maenz, 1971. Joseph Kosuth : ten propositions "titled 'Art as idea as idea,'" 1967 and 1968. Brussels ; Cologne : P. Maenz, 1973. The Sixth investigation 1969, proposition 14 = Die sechste Untersuchung 1969, proposition 14 / Joseph Kosuth. Koeln : G. de Vries, c1971. 1970 1975, Paul Maenz, Koeln / [Zusammenstellung der Zitate, Redaktion und Layout, Paul Maenz, Gerd de Vries]. Maenz, Paul. Art Deco : Formen zwischen zwei Kriegen / Paul Maenz. 5. Aufl. Koeln : DuMont, 1990. Peter Boemmels, Furniere, der Schatz = veneers, the treasure / Paul Maenz, Hrg. Koeln : W. Koenig, c1989. Maenz, Paul, 1939 Die 50er Jahre : Formen eines Jahrzehnts / Paul Maenz. 4. Aufl. Koeln : DuMont, 1990. Maenz, Paul, 1939 Die 50er Jahre : Formen eines Jahrzehnts / Paul Maenz. Stuttgart : G. Hatje, c1978. Maenz, Paul, 1939 Art deco : 1920 1940 : formas entre dos guerras / P. Maenz ; [version castellana de Pere Ancochea Millet]. Barcelona : G. Gili, [1974] Reject objects / [Martin Maloney]. Koeln : P. Maenz, 1971. Muelheimer Freiheit : die Seefahrt und der Tod. [Wilhelmshaven : Kunsthalle Wilhelmshaven, 1981] Nieuwe duitse kunst 1, Muelheimer Freiheit : H.P. Adamski, Peter Bommels, Walter Dahn, Jiri Georg Dokoupil, Gerard Kever, Gerhard Naschberger : Groninger Museum, Groningen.

Groningen : Het Museum, [1981] Una Novia vuelve (a tiempo) : el redescubrimiento del dibujo por el arte de los anos ochenta - 80 obras de una coleccion privada / con una introduccion de Zdenek Felix y fragmentos de un texto de Wolfgang Max Faust = A bride returns (timely) : the rediscovery of drawing through the art of the eighties - 80 works from a private collection / with an introduction by Zdenek Felix and excerpts from a text by Wolfgang Max Faust. [S.l.] : Gobierno de Canarias, c1989. Giulio Paolini, Einladung zur Eroeffnung der Ausstellung bei Paul Maenz, Koeln, am Dienstag, dem 30. Juni 1981, 19 bis 21 Uhr. Giulio Paolini, giorno e notte : Koelnischer Kunstverein 1988. Koeln : Der Verein, [1988] Giulio Paolini, Mannheimer Kunstverein e.V., 31. Juli 28. August 1977. [Koeln] : Paul Maenz : Gerd de Vries, 1977. Paul Maenz, Jahresbericht 1973, Koeln & Bruessel : [Askevold ... [et al.]]. Paul Maenz, Jahresbericht 1977 : Ausstellungen der galerie, 29.01. 25.02. Anne und Patrick Poirier ... [et al.]. Paul Maenz, Jahresbericht 1978. Koeln : P. Maenz, c1979. Paul Maenz Koeln, 1970 1980 1990 : eine Avantgarde Galerie und die Kunst unserer Zeit = an avant garde gallery and the art of our time / Gerd de Vries (ed.). Koeln : DuMont, c1991. Paul Maenz Koeln, Ausstellungen : Herbst 1986 Sommer 1987 = exhibitions autumn 1986 summer 1987. Paul Maenz Koeln, Ausstellungen : Martin Disler ... [et al.]. Koeln : P. Maenz, c1989. Paul Maenz Koeln, Ausstellungs Saison 1984 85. Paul Maenz Koeln, Jahresbericht 1971 : [Barry ... [et al.]]. Paul Maenz Koeln, Jahresbericht 1972 : [art & language ... [et al.]]. Koeln : P. Maenz, c1972. Paul Maenz Koeln, Jahresbericht 1974 : Askevold ... [et al.]. Paul Maenz Koeln, Jahresbericht 1979 : 20.01 28.02. Robert Barry ... [et al.] Koeln : P. Maenz, c1980. Paul Maenz Koeln, Jahresbericht = annual 1976. Paul Maenz, neun ausstellungen 81 82 = nine shows 81 82. Koeln : P. Maenz, c1983. Giuseppe Penone : Museum Folkwang Essen 1.IX. 1.X.1978 / [Redaktion, Paul Maenz, Gerd de Vries ; UEbersetzung des Textes von Germano Celant, Christa Lueck, Gerd de Vries].

[Essen] : Das Museum, [1978] Raussmueller Sauer, Christel. Die Sammlung FER / Christel Sauer ; Paul Maenz, Hrsg. ; [UEbersetzung, Radka Donnell] Koeln : G. de Vries : Vertrieb, Buchhandlung Walther Koenig, c1983. Peter Roehr, 1944 1968. (Ausstellg.) 15. Jan. 28 Febr. 1971. (Katalog.) Leverkusen, Schloss Morsbroich, Staedtisches Museum [1971]. Peter Roehr : Kunsthalle Tuebingen, Stedelijk Van Abbemuseum Eindhoven, Frankfurter Kunstverein : Tuebingen 15.I. 13.II.1977, Eindhoven 18.II. 20.III. 1977, Frankfurt am Main, 25.III. 24.IV. 1977 / Rudi H. Fuchs ... [et al. ; UEbers. ins Engl., James K. Whitman]. Koeln : DuMont, [1977] Peter Roehr, Saemtliche Textmontagen. Koeln : G. de Vries, 1972. Peter Roehr, Ziffern. Koeln : Gerd de Vries, c1970. Peter Roehr, zum 20. Todestag, 1968 1988. Koeln : Paul Maenz, c1988. Della pittura, imitazione di Wittgenstein = On painting, in the style of Wittgenstein = UEber die Malerei, im Stile Wittgensteins / Salvo ; [translations, Elizabeth Shriver (English), Marianne Wienert Ricci (German]. Koeln : P. Maenz : Buchhandlung Walther Koenig, Distribution. c1986. Salvo, Gemaelde, Manuskripte, Fotos, Zeichnungen, Marmortafeln, Objekte : 21.Januar bis 6. Marz 1977, Museum Folkwang, Essen. Essen : Das Museum, [1977] Salvo, Gemaelde und Zeichnungen, Ausstellung 8. XII. 1984 19. I. 1985 : Galerie Paul Maenz. Vangelo / [storia di Salvo]. Koeln : G. de Vries, 1973. Rob Scholte, Amsterdam : all the portraits up to date, 1983 1988. Cologne : P. Maenz, 1988. Serielle formationen : Studio Galerie, 22. Mai bis 30. Juni 1967 / zusammenstellung und organisation der ausstellung Peter Roehr und Paul Maenz. [Frankfurt : Studio Galerie, 1967] Vries, Gerd de, comp. UEber Kunst; Kuenstlertexte zum veraenderten Kunstverstaendnis nach 1965. On art; artists' writing on the changed notion of art after 1965. [Koeln] M. DuMont Schauberg [c1974] What do you expect ? / edited and translated by Christine Bernhardt ; [Buren ... [et al.]]. Koeln : P. Maenz, 1977.

 

Series I.  General correspondence, 1970-1990

Physical Description: 7 lin. ft. 14 boxes

Scope and Content Note

Series I contains letters concerning the gallery's daily operations, accumulated and generated by Maenz and also by his partner Gerd de Vries and assistants Elke Ctortnik and Claudia Bäz. Correspondence concerns exhibition loans and consignment arrangements (see Series III for loan forms and more correspondence after 1982), acquisitions by museums and private collectors, photograph permission requests prior to 1986 (see Series IV for after 1986). artists who showed with Maenz write about exhibitions, their work and sales (see Series II for those artists represented by Maenz or who exhibited at the gallery from 1970-1980). Some artists (well-known) advise Maenz about his new gallery (1970-1971). Young artists seek=representation. A folder contains farewell letters sent to Maenz upon the closing of the gallery. Many letters are annotated by Maenz with notes or instructions. This series is filed alphabetically, and then chronologically (except 1980-1981 and 1982, which are in loose chronological order). Institutions are mostly filed by city of origin (i.e. Stedelijk Museum, Amsterdam, is filed under "A").
Box 1

A

Box 1, Folder 1

1970-1979

 

Acconci, Vito

Scope and Content Note

4 items about opening the gallery.
 

Andre, Carl

Scope and Content Note

3 postcards from Andre, one of which is about Deurle Declaration, and 1 letter to.
 

Doris Wintgens, Fundatie Kunsthuis Amsterdam

Scope and Content Note

2 items regard loans.
 

E. de Wilde, Stedelijk Museum, Amsterdam

Scope and Content Note

4 items about loans.
 

Attalai, Gabor (artist)

Scope and Content Note

4 letters from.
Box 1, Folder 2

1980-1981

 

Frau Aarsbergen

Scope and Content Note

letter signed by Adamski and Doukoupil regarding lease of Maastrichter Str. 36, Köln, for Mülheimer Freiheit group (see also "H" for Hamburg 1980-1981 for letter from Maenz).
 

René Block, Akademie der Künste, Berlin

Scope and Content Note

letter from.
 

Stedelijk Museum, Amsterdam, various correspondents

Scope and Content Note

4 items about loans, acquisition of Paolini's "Nesso" and book order.
 

Askevold, David

Scope and Content Note

letter to regarding financial matters.
 

Ammann, Jean-Christophe

Scope and Content Note

2 postcards and photocopied ms. "Zur Utopie der mythischen Bilder..."
Box 1, Folder 3

1982

 

Grazia Gunn, Australian National Gallery

Scope and Content Note

from Maenz offering works by Clemente (see 1983 for more on acquisitions).
 

Audretsch, Dr. W.

Scope and Content Note

note and 5 photos of his collection.
 

Argentofot

Scope and Content Note

ca. 17 items, mostly regarding postcard printings, with proofs.
 

Barbara Farber, American Graffiti, Amsterdam

Scope and Content Note

re acquisitions, 4 items (see also "F").
 

Adamski, Hans Peter

Scope and Content Note

letter to.
 

Han Jansefu, Akademie voor beeldende Kunsten, Arnhem

Scope and Content Note

letter to Walter Dahn.
Box 1, Folder 4

1983

 

Allington, Edward

Scope and Content Note

4 items.
 

Anselmo, Giovanni

Scope and Content Note

about "Enigmatic Column" and Anselmo's schedule, 5 items.
 

Australian National Gallery (various)

Scope and Content Note

4 items about Grazia Nun seeing exhibitions in Cologne and 12 concerning acquisitions (for correspondence dated after 1983, see "C" for Canberra ).
 

Attalai, Gabor

Scope and Content Note

letter from.
 

Stedelijk Museum, Amsterdam

Scope and Content Note

letter from regarding Chia loan with request form.
 

Art

Scope and Content Note

17 items regarding "galerienkalender" (see "G" for Gruner + Jahr AG after 1984 for letters regarding Art).
Box 1, Folder 5

Jan-Aug 1984

 

Thomas Ammann

Scope and Content Note

Regarding dispute over Dokoupil's "Maske" series with 1 letter from Friedrich Rentschler, 6 items.
Box 1, Folder 6

Sept-Dec 1984

 

Allington, Edward

Scope and Content Note

note from.
 

Thomas Ammann

Scope and Content Note

about works offered, 4 items.
 

Stedelijk Museum, Amsterdam

Scope and Content Note

re purchase of 2 Disler works, 2 items.
 

Artefactum

Scope and Content Note

re ads and borrowing of transparencies, 7 items.
 

AQ-Verlag

Scope and Content Note

re Lippert's text for "Peter Roehr," 3 items.
Box 1, Folder 7

Jan-June 1985

 

Art Gallery of South Australia

Scope and Content Note

Regarding Bömmels acquisition, ca. 15 items.
 

Thomas Ammann

Scope and Content Note

letter to about Dokoupil/Rentschler problem.
 

Allington, Edward

Scope and Content Note

letter to.
 

Kunst RAI '85, Amsterdam

Scope and Content Note

ca. 10 items regarding fair organization and exhibition with list of works Maenz sent.
 

Paule Anglim Gallery

Scope and Content Note

ca.14 items regarding Dahn/Dokoupil exhibition with schematics of Anglim and Asher/Faure galleries.
 

Asher/Faure

Scope and Content Note

5 items regarding Dahn/Dokoupil exhibition.
Box 1, Folder 8

July-Dec 1985

 

Art Gallery of South Australia

Scope and Content Note

Regarding German art exhibition, 4 items.
Box 1, Folder 9

1986

 

Art Gallery of South Australia

Scope and Content Note

6 items.
 

Thomas Ammann

Scope and Content Note

2 items regarding a Clemente work.
 

Stedelijk Museum, Amsterdam

Scope and Content Note

letter to regarding price of Warhol's "Flowers."
 

Armleder, John

Scope and Content Note

letter to.
 

Galerie Arnesen

Scope and Content Note

2 items about Dahn/Dokoupil/Schulze show with schematic of gallery.
 

Art & Project

Scope and Content Note

5 items mostly regarding Salvo's book "Della Pintura."
 

Artnews

Scope and Content Note

ca. 8 items regarding ads.
Box 1, Folder 10

1987

 

Art Gallery of South Australia

Scope and Content Note

3 items regarding Paolini works for acquisition.
 

Stedelijk Museum, Amsterdam

Scope and Content Note

3 items regarding Dahn acquisition and Scholte exhibition.
 

Gallery Paule Anglim

Scope and Content Note

3 items regarding Dokoupil availability.
 

Artscribe

Scope and Content Note

8 items regarding ads.
Box 1, Folder 11

1988

 

Neuer Aachener Kunstverein

Scope and Content Note

checklist of Dahn show.
 

Achenbach, Helge

Scope and Content Note

contract between Dahn and Achenbach.
 

Ammann, Jean-Christophe

Scope and Content Note

letter to.
 

Wim Beeren, Stedelijk Museum, Amsterdam

Scope and Content Note

letter to promoting Schuyff.
Box 1, Folder 12

1989

 

Abbaye Saint-André, Centre d'Art Contemporain

Scope and Content Note

2 items regarding acquisitions.
 

Thomas Ammann

Scope and Content Note

4 items regarding Warhol catalog and offering work.
 

Attalai, Gabor

Scope and Content Note

letter from.
Box 1, Folder 13

1990

 

Galerie Albrecht

Scope and Content Note

letter from regarding bill for Rentschler's purchase of Paolini's "Voyager II."
 

Armleder, John

Scope and Content Note

letter from.
Box 2

B 1970-1985

Box 2, Folder 1

1970-1979

 

Baldessari, John

Scope and Content Note

5 items, some regarding artist showing with Fischer instead of Maenz.
 

Jean-Christophe Ammann, Kunsthalle Basel

Scope and Content Note

much correspondence about Kosuth exhibition and catalog, text for gallery's tenth anniversary yearbook, and other matters, ca.22 items.
 

Kunstmuseum Basel

Scope and Content Note

checklists for "Konzept" art exhibition.
 

Baxter, Iain

Scope and Content Note

3 items.
 

Sender Freies Berlin

Scope and Content Note

re film "Modell Valentino," 7 items.
 

Verwertungsgesellschaft Bild-Kunst

Scope and Content Note

ca.10 items.
 

Bonito Oliva, Achille

Scope and Content Note

letter to regarding Maenz not being able to use Bonito Oliva's text for the yearbook and letter from.
 

Breakwell, Ian

Scope and Content Note

about Maenz obtaining slides and photos of his work, 11 items.
 

Bernhard Schnackenburg, Kunsthalle Bremen

Scope and Content Note

re materials for Kosuth show and catalog, 7 items.
 

Broodthaers, Marcel

Scope and Content Note

note to.
 

Karel Geirlandt, Palais des Beaux-Arts, Bruxelles

Scope and Content Note

re Wéry acquisition, 4 items.
Box 2, Folder 2

1980-1981

 

Bartolini, Luciano

Scope and Content Note

short note from with piece of gold leaf and announcement with gold leaf swirl and signed by Bartolini.
 

Büttner, Werner and Albert Oehlen

Scope and Content Note

letter to regarding Büttner's and Oehlen's objection to the title of the exhibition "Mülheimer Freiheit & interessante Bilder aus Deutschland" which the Cologne artists wanted to title "Dumme Fresse."
 

Boetti, Alighiero

Scope and Content Note

3 items.
 

Buren, Daniel

Scope and Content Note

Regarding text for the Jahresbericht, 2 items.
 

Barry, Robert

Scope and Content Note

contains two items about the sale of "Phosphorus -32" and a poster.
 

Dieter Koepplin, Kunstmuseum Basel

Scope and Content Note

re Paladino drawings exhibition, 6 items.
Box 2, Folder 3

1982

 

Barry, Robert

Scope and Content Note

includes letter describing his works and preparations for Dokumenta (ca. 23 Mar 1982), 5 items.
 

Galerie Buchmann

Scope and Content Note

Regarding Adamski show, 8 items.
 

Büttner, Werner

Scope and Content Note

2 letters to.
 

Bundesverband Deutscher Galerien

Scope and Content Note

Regarding sponsorship of Naschberger and "Premierentage 1982," 10 items.
 

Dieter Koepplin, Kunstmuseum Basel

Scope and Content Note

Regarding loans of drawings for Paladino show, 11 items.
 

Kunsthalle Basel

Scope and Content Note

some letters about the catalog for "12 Künstler aus Deutschland," 10 items.
 

Berner, Oskar (artist)

Scope and Content Note

letter from.
 

Bömmels, Peter

Scope and Content Note

letter to.
Box 2, Folder 4

Jan-July 1983

 

Baechler, Donald (artist)

Scope and Content Note

Regarding potential show of young Americans, 2 items.
 

Barry, Robert

Scope and Content Note

Regarding book with Dr. Franz and "In Other Words," an exhibition curated by Barry at Franklin Furnace, 3 items.
 

Art 14'83, Basel

Scope and Content Note

8 items.
 

Dieter Koepplin, Kunstmuseum Basel

Scope and Content Note

mostly regarding Clemente drawings, 3 items (see also 1984).
 

Bertholin, Jean-Marie

Scope and Content Note

2 letters to.
 

Kunsthalle Bielefeld

Scope and Content Note

Regarding acquisitions, 5 items.
 

Mary Boone Gallery

Scope and Content Note

mostly regarding Dahn/Dokoupil show, 6 items.
 

Bundesverband Deutscher Galerien

Scope and Content Note

Regarding sponsorship of Naschberger, ca.12 items.
Box 2, Folder 5

Aug-Dec 1983

 

Dieter Honisch, Nationalgalerie Berlin

Scope and Content Note

4 items regarding acquisitions.
 

Klaus Honnef, Rheinisches Landesmuseum Bonn

Scope and Content Note

Regarding potential exhibition "Zwischenbilanz" and publication in Kunstforum, 5 items.
 

Mary Boone Gallery

Scope and Content Note

list of Dahn/Dokoupil works sold with prices and collectors, 4 items.
Box 2, Folder 6

Jan-Aug 1984

 

Dieter Koepplin, Kunstmuseum Basel

Scope and Content Note

mostly regarding Clemente drawings exhibition and acquisition, 11 items.
 

Dieter Honisch, Nationalgalerie, Berlin

Scope and Content Note

Regarding various acquisitions, 7 items.
 

Barbara Claassen-Schmal, Gesellschaft für Aktuelle Kunst, Bremen

Scope and Content Note

Regarding loans for "Kunstlandschaft Bundesrepublik," 11 items.
 

Musee des Beaux-Arts de Mons, Belgique

Scope and Content Note

Regarding Feldmann loans, 8 items.
 

Bundesverband Deutscher Galerien

Scope and Content Note

Regarding sponsor program for young artists.
 

Buren, Daniel

Scope and Content Note

includes letter from Buren describing the past possessors of "EZ 5" and copy of Rentschler's "avertissement" for "In and Out of the Frame," 5 items.
Box 2, Folder 7

Sept-Dec 1984

 

Art Basel 1985

Scope and Content Note

6 items.
 

Barry, Robert

Scope and Content Note

letter to.
 

Dieter Koepplin, Kunstmuseum Basel

Scope and Content Note

Regarding Clemente drawing, 5 items.
 

Nationalgalerie, Berlin

Scope and Content Note

Regarding acquisition of Kiefer's "Cherubim und Serafim," 5 items.
 

Karin Bolz Galerie

Scope and Content Note

postcard of Heinrich Nicolaus show with pen drawing.
 

Galerie Brusberg

Scope and Content Note

Regarding Disler loans, 9 items.
Box 2, Folder 8

Jan-June 1985

 

Art Basel 1985

Scope and Content Note

mostly consists of lists of works for Customs.
 

Jean-Christophe Ammann, Kunsthalle Basel

Scope and Content Note

Regarding text for Jahresbericht 1985, 3 items.
 

Boehringer Ingelheim Zentrale

Scope and Content Note

Regarding "100 Jahre Kunst in Deutschland, 1885-1985," 5 items.
 

Städtisches Kunstmuseum, Bonn

Scope and Content Note

Regarding acquisition of three Dokoupil works, 4 items.
 

Boyle, Mark

Scope and Content Note

note to.
Box 2, Folder 9

July-Dec 1985

 

Bömmels, Peter

Scope and Content Note

postcard from.
 

Beuys, Joseph

Scope and Content Note

note to.
 

Burda, Hubert

Scope and Content Note

4 letters regarding potential acquisitions with many price lists.
Box 3

B, C-D (1986-1990), C-D (1970-1983) 1970-1990

Box 3, Folder 1

B 1986

 

Barry, Robert

Scope and Content Note

letter to.
 

Art'17, Basel

Scope and Content Note

includes list of works shown by Maenz.
 

Christian Geelhaar and Dieter Koepplin, Kunstmuseum Basel

Scope and Content Note

Regarding Dahn and Clemente acquisitions, ca.12 items (see also 1987).
 

Jean-Louis Froment, CAPC Musée d'Art Contemporain de Bordeaux

Scope and Content Note

4 letters regarding loans for show.
 

Busche, Ernst

Scope and Content Note

Regarding Fokus art information on Dokoupil, 3 items.
Box 3, Folder 2

B 1987

 

Barry, Robert

Scope and Content Note

about new work and exhibition at Maenz and letters with Palais des Beaux Arts, Brussels, and Société mutuelle des administrations publiques regarding exhibition "Time: the 4th Dimension in Art," in which one piece of Barry's "19 Pieces" was lost, ca.22 items.
 

Christian Geelhaar and Dieter Koepplin, Kunstmuseum Basel

Scope and Content Note

Regarding Dahn acquisition and Clemente show, ca.12 items.
 

Bauer, Wolf Otto

Scope and Content Note

about acquiring a Dahn sculpture, 10 items.
 

Staatliche Museen Preussischer Kulturbesitz Berlin, Haus der Geschichte der Bundesrepublik Deutschland, Bonn, and Städtisches Kunstmuseum Bonn

Scope and Content Note

Regarding Maenz soliciting Darboven's "Bismarckzeit."
Box 3, Folder 3

B 1988

 

Baril, Mrs. George M.

Scope and Content Note

Regarding acquisition of Scholte work, 5 items.
 

Barry, Robert

Scope and Content Note

about works to be shown at Lambert's, sales, commissions and an exhibition at Maenz, 6 items.
 

Jean-Christophe Ammann, Kunsthalle Basel

Scope and Content Note

letter to.
 

Bömmels, Peter

Scope and Content Note

correspondence with others regarding restoration of "o.T. (Tänzer II auf Tier), 1980, and letter to, 3 items.
 

Städtisches Kunstmuseum Bonn

Scope and Content Note

4 items.
Box 3, Folder 4

B 1989

 

Barry, Robert and Julie

Scope and Content Note

about recent work and Julie's thoughts on Barry's Nice installation, 7 items.
 

Galerie Beaubourg

Scope and Content Note

Regarding possible Dahn consignment agreement and purchase of works, ca.7 items.
 

Bömmels, Peter

Scope and Content Note

letter to.
 

Galerie Lars Bohman

Scope and Content Note

Regarding consignment of Dahn works, 6 items.
 

Rheinisches Landesmuseum, Bonn

Scope and Content Note

Regarding loan of Scholte and acquisition of Bömmels, 3 items.
 

Katharina Schmidt and Klaus Schrenk, Städtisches Kunstmuseum Bonn

Scope and Content Note

5 items.
 

Brunn, Dr. B.

Scope and Content Note

letter from with comments on critics Werner Spies and Werner Hofmann, 2 items.
 

Buren, Daniel

Scope and Content Note

Regarding exhibiting a work shown in Projekt '74 and copy of a fax to Fischer about the "forgery" of "Bilderstreit" with Maenz expressing his support, 5 items.
 

James Grauerholz for William S. Burroughs

Scope and Content Note

letter from about selection of works for show.
Box 3, Folder 5

B 1990

 

Barry, Robert and Julie

Scope and Content Note

Regarding new work, schedule, explanation of "Famous Paintings" and personal matters, 9 items.
 

Boezem, Marinus (artist)

Scope and Content Note

2 items.
 

Pierre Baudson, Musées Royaux des Beaux-Arts de Belgique

Scope and Content Note

about a Kiefer acquisition and its possible damage in transport, 9 items.
 

James Grauerholz for William S. Burroughs

Scope and Content Note

Regarding sales, return of works on consignment from Shafrazi and arranging a meeting with Burroughs and Dahn, ca.15 items.
 

Buren, Daniel

Scope and Content Note

2 faxes from about returning works to Buren.
Box 3, Folder 6

C-D 1970-1979

 

Camorani, Marcello (artist)

Scope and Content Note

rejection letter to.
 

Leo Castelli Gallery

Scope and Content Note

Regarding availability and sale of works to clients of Maenz, especially of Barry's slide piece "Four Seasons," 11 items.
 

Celant, Germano

Scope and Content Note

substantial correspondence about Celant requesting transparencies and infomation on artists, texts written by Celant for Maenz gallery publications, including Jahresbericht 1970-1975 and 1978 and Giulio Paolini, and Kunstforum article on Italian art, ca.27 items.
 

Charlier, Jacques (artist)

Scope and Content Note

3 items.
 

Chiari, Giuseppe (artist)

Scope and Content Note

4 items.
 

Art Institute of Chicago

Scope and Content Note

correspondence with James Speyer and Anne Rorimer, 5 items.
 

Corris, Michael (A & L artist)

Scope and Content Note

2 items.
 

Crimp, Douglas

Scope and Content Note

Regarding potential Agnes Martin exhibition at Maenz, 3 items.
 

Crown Point Press

Scope and Content Note

correspondence with Robin White regarding subscription of View and its content and with Thomas Way regarding Maenz's purchase of Buren etchings, 13 items.
 

Cutforth, Roger (artist)

Scope and Content Note

3 items.
 

Dibbets, Jan

Scope and Content Note

includes letters which attempt to mend a rift in their relationship, 5 items.
 

Dolla, Noel

Scope and Content Note

Regarding his show and sale of works, 11 items.
 

Städtische Kunsthalle Düsseldorf

Scope and Content Note

Regarding loans for "Prospect-Retrospect Europa 1946-1976" and loans and catalog infomation for "Prospect '71," ca.20 items.
 

Dumont

Scope and Content Note

Regarding publications on Art & Language, Art Deco and Peter Roehr (1977 traveling exhibition catalog), ca.10 items.
Box 3, Folder 7

C-D 1980-1981

 

Clemente, Francesco

Scope and Content Note

2 letters to.
 

Chia, Sandro

Scope and Content Note

3 letters to.
 

Celant, Germano

Scope and Content Note

mostly regarding text for Jahresbericht 1970-80, 5 items.
 

Disler, Martin

Scope and Content Note

3 items.
 

Darboven, Hanne

Scope and Content Note

photocopied installation plans signed by the artist, 5 sheets, and 7 other items about her show and potential sales.
 

Cucchi, Enzo

Scope and Content Note

postcard from and letter to.
 

De Maria, Nicola

Scope and Content Note

some letters which document a strain in their relationship, 5 items.
 

Disler, Martin

Scope and Content Note

2 letters to regarding financial matters.
Box 3, Folder 8

C-D 1982

 

Clemente, Francesco

Scope and Content Note

4 letters to.
 

Rainer Crone

Scope and Content Note

Regarding text for Clemente catalog, 3 items.
 

Disler, Martin

Scope and Content Note

2 letters to regarding exhibition and 2 letters from.
 

Celant, Germano

Scope and Content Note

postcard from and letter to.
Box 3, Folder 9

C-D 1983

 

Galerie Ascan Crone

Scope and Content Note

Regarding proposed Dokoupil show, 8 items.
 

Disler, Martin

Scope and Content Note

3 items, including letter with inventory list of paintings at the gallery.
 

Dokoupil damage

Scope and Content Note

sustantial correspondence with Horst Hahn (restorer), C. Gielisch (claims adjuster) and others regarding water damage to a work of Dokoupil's at the Biennale, ca.30 items.
 

Eugen Thiemann, Museum Am Ostwall, Dortmund

Scope and Content Note

Regarding Bömmels exhibition, acquisitions of Dahn and Dokoupil and transport of works in "Wilde Malerei" show, 9 items.
 

Clemente, Francesco

Scope and Content Note

mostly regarding acquisition by Kunstmuseum Basel of 73 drawings with letters from Dieter Koepplin of Kunstmuseum Basel, 4 items.
 

Darboven, Hanne

Scope and Content Note

2 letters to regarding "Wende 80/81."
Box 4

C-D, E 1984-1990, 1970-1990

Box 4, Folder 1

C-D Jan-Aug 1984

 

Grazia Gunn, Australian National Gallery, Canberra (see "A" for correspondence dated prior to 1984)

Scope and Content Note

10 items regarding possible acquisitions.
 

Galerie Ascan Crone

Scope and Content Note

Regarding Dahn and Dokoupil shows, 4 items.
 

Disler, Martin

Scope and Content Note

letter to.
 

Dokoupil, Jiri Georg

Scope and Content Note

letter of recommendation from Maenz.
Box 4, Folder 2

C-D Sept-Dec 1984

 

Leo Castelli Gallery

Scope and Content Note

about show for Dokoupil, 2 items.
 

Darboven, Hanne

Scope and Content Note

letter to.
 

Dumont

Scope and Content Note

4 items.
Box 4, Folder 3

C-D Jan-June 1985

 

Leo Castelli Gallery

Scope and Content Note

Regarding Dokoupil exhibition, 4 items.
 

Clemente, Francesco

Scope and Content Note

letter to.
 

Disler, Martin

Scope and Content Note

2 items.
Box 4, Folder 4

C-D July-Dec 1985

 

Grazia Gunn, Australian National Gallery, Canberra

Scope and Content Note

4 items.
 

Dokoupil, Jiri Georg

Scope and Content Note

8 page conversation between the artist and Maenz with corrections.
 

Darboven, Hanne

Scope and Content Note

letter to.
Box 4, Folder 5

C-D 1986

 

Grazia Gunn, Australian National Gallery, Canberra

Scope and Content Note

substantial correspondence regarding acquisitions, especially Darboven's "Ein Monat/Mai 1974" and Bömmels' "Die Entlarvungsstation" and "Experiments on Human Beings and Space," ca. 25 items.
 

Leo Castelli Gallery

Scope and Content Note

Regarding finances and other matters related to the Warhol show, ca.10 items.
 

Galerie Ascan Crone

Scope and Content Note

Regarding consignment arrangements for Maenz's Taaffe exhibition, ca.11 items.
 

Darboven, Hanne

Scope and Content Note

letter to.
 

Disler, Martin

Scope and Content Note

2 letters to.
Box 4, Folder 6

C-D 1987

 

Australian National Gallery, Canberra

Scope and Content Note

Regarding potential acquisitions and detailed materials description of Bömmels's painting "The Station Revealing," 7 items.
 

Galerie Charles Carwright

Scope and Content Note

Regarding exhibition and consignment of Dahn and Dokoupil works, ca.6 items.
 

Clemente, Francesco

Scope and Content Note

3 items.
 

Galerie Ascan Crone

Scope and Content Note

Regarding various financial and exhibition matters, 10 items.
 

Darboven, Hanne

Scope and Content Note

letter to.
 

Disler, Martin

Scope and Content Note

3 letters to.
Box 4, Folder 7

C-D 1988

 

Clemente, Francesco

Scope and Content Note

3 letters to.
Box 4, Folder 8

C-D 1989

 

Clemente, Francesco

Scope and Content Note

mostly regarding exhibition, 8 items.
 

Bess Cutler Gallery

Scope and Content Note

about Sturtevant show at Maenz and a subsequent commission dispute, 7 items (see also Sturtevant 1989 and 1990 for extensive material re exhibition).
 

Dahn, Walter

Scope and Content Note

letter to.
 

Darboven, Hanne

Scope and Content Note

Regarding exhibition with notes from the artist on the works to be shown, 8 items.
 

Disler, Martin

Scope and Content Note

3 items.
 

Dumont

Scope and Content Note

Regarding "Paul Maenz Köln1970-1980-1990," 7 items.
Box 4, Folder 9

C-D 1990

 

Galerie Thomas Carstens

Scope and Content Note

Regarding Dahn exhibition with 6 page text written by J. Lebrero Stals, 8 items.
 

Dahn, Walter

Scope and Content Note

letter to and other correspondence with Fred Hoffman Gallery arranging a Los Angeles stay.
 

Darboven, Hanne

Scope and Content Note

2 letters to.
Box 4, Folder 10

E 1970-1979

 

Van Abbemuseum, Eindhoven

Scope and Content Note

substantial correspondence with Rudi Fuchs and others regarding loans for exhibitions of Roehr, Burgin, Barry and group shows, ca.40 items.
 

Elk, Ger van (artist)

Scope and Content Note

2 letters to.
 

Esposito, Diego (artist)

Scope and Content Note

4 items.
 

Museum Folkwang Essen

Scope and Content Note

correspondence with Zdenek Felix and others regarding Salvo and Penone exhibitions, group Italian show and acquisitions, ca.25 items (see also "F" for Felix).
 

Etzold, Hans-Joachim

Scope and Content Note

includes long letter from Mrs. Etzold regarding her husband's suicide, 4 items.
 

Europäische Kunsthändler Vereinigung

Scope and Content Note

about Internationale Kunstmarkt, 7 items.
Box 4, Folder 11

E 1980-1981

Box 4, Folder 12

E 1982

 

Museum Folkwang Essen

Scope and Content Note

correspondence with Dr. Vogt and Zdenek Felix regarding "10 junge Künstler aus Deutschland," 8 items.
Box 4, Folder 13

E Jan-July 1983

 

James Bustard, Scottish Arts Council, Edinburgh

Scope and Content Note

Regarding Mülheimer Freiheit exhibition, 10 items.
Box 4, Folder 14

E Aug-Dec 1983

 

James Bustard, Scottish Arts Council, Edinburgh

Scope and Content Note

Regarding Mülheimer Freiheit exhibition, 5 items.
Box 4, Folder 15

E Jan-Aug 1984

 

Endart

Scope and Content Note

2 letters to regarding show.
 

Zdenek Felix, Museum Folkwang Essen

Scope and Content Note

Regarding Dokoupil exhibition, 3 items.
Box 4, Folder 16

E Sept-Dec 1984

 

Endart

Scope and Content Note

5 items relating to exhibition with checklist.
Box 4, Folder 17

E Jan-June 1985

Box 4, Folder 18

E July-Dec 1985

Box 4, Folder 19

E 1986

 

Mark Francis, Fruitmarket Gallery, Edinburgh

Scope and Content Note

Regarding loans for "The Mirror and the Lamp" and Woodrow exhibitions, 16 items.
Box 4, Folder 20

E 1987

 

Eberle, Dr. K.H.

Scope and Content Note

extensive correspondence with Eberle and Maenz's lawyer re Eberle's reneging on a deal.
 

James Bustard, Scottish Arts Council, Edinburgh

Scope and Content Note

Regarding Salvo loans (denied by Maenz) for "Edinburgh International," ca. 10 items.
 

Endart

Scope and Content Note

includes long letter from Maenz discontinuing their relationship with his thoughts on their creative growth as a group and the success of Mülheimer Freiheit, 3 items.
Box 4, Folder 21

E 1988

Box 4, Folder 22

E 1989

 

Galleri Sten Eriksson

Scope and Content Note

Regarding sale of Kiefer's "Jason," 6 items.
Box 4, Folder 23

E 1990

Box 5

F - G 1970-1984

Box 5, Folder 1

F 1970-1979

 

Zdenek Felix, Folkwang Museum

Scope and Content Note

about various art related matters, 6 items.
 

Fischer, Konrad

Scope and Content Note

Regarding Conceptual art show at Zwirner and other topics, 6 letters to and 1 postcard from.
 

Flash Art

Scope and Content Note

Regarding advertising, 12 items.
 

Flavin, Dan

Scope and Content Note

letter to.
 

Forster, Noel (artist)

Scope and Content Note

4 items.
 

Georg Bussman, Frankfurter Kunstverein

Scope and Content Note

mostly regarding Roehr show, 7 items.
 

Fregnac, Dagmar

Scope and Content Note

Regarding refund for French TVA, various art related topics and personal matters, 11 items.
 

Fuchs, Rainer

Scope and Content Note

Regarding acquisitions and non-payment for works purchased by Fuchs, 11 items.
 

Fulton, Hamish

Scope and Content Note

letter and postcard from.
 

Furnival, John

Scope and Content Note

3 items about joining the gallery.
Box 5, Folder 2

F 1980-1981

 

Fetting, Rainer

Scope and Content Note

mostly regarding exhibitions, 6 items.
 

Franzke, Andreas

Scope and Content Note

4 items.
 

Helena Vetter, Kunstverein Freiburg

Scope and Content Note

Regarding Mülheimer Freiheit exhibition and a young Italian exhibition, 2 items.
 

Fabro, Luciano

Scope and Content Note

letter from and letter to.
 

Zdenek Felix, Folkwang Museum

Scope and Content Note

Regarding exhibitions and acquisitions, ca.9 items.
 

Faust, Wolfgang Max

Scope and Content Note

letter from with ms "With It and Against It -Here and Now, Somewhere Else."
 

Feldmann, Hans-Peter

Scope and Content Note

note from.
Box 5, Folder 3

F 1982

 

Fetting, Rainer

Scope and Content Note

letter to.
 

Galerie Six Friedrich

Scope and Content Note

Regarding "5 aus Köln" exhibition, 10 items.
 

Franzke, Andreas

Scope and Content Note

2 items.
Box 5, Folder 4

F Jan-July 1983

 

Fabro, Luciano

Scope and Content Note

letter to.
 

Fetting, Rainer

Scope and Content Note

Regarding sales and exhibitions with price lists and receipts, ca.7 items.
 

Galerie Six Friedrich

Scope and Content Note

mostly regarding Dahn/Dokoupil "Ricki" exhibition, 7 items.
Box 5, Folder 5

F Aug-Dec 1983

 

Fabro, Luciano

Scope and Content Note

letter to.
 

Fetting, Rainer

Scope and Content Note

Regarding exhibition and U.S. green card, 5 items.
Box 5, Folder 6

F Jan-Aug 1984

 

Fetting, Rainer

Scope and Content Note

correspondence with Klaus Ottmann regarding shipping and commission information with list of works sold by Maenz and the names of the collectors who purchased, 5 items.
 

Galerie Six Friedrich

Scope and Content Note

re. exhibition and commission of Dahn's works, 7 items.
Box 5, Folder 7

F Sept-Dec 1984

Box 5, Folder 8

F Jan-June 1985

 

Fabro, Luciano

Scope and Content Note

note to.
 

Flavin, Dan

Scope and Content Note

Regarding possible show, 2 items.
Box 5, Folder 9

F July-Dec 1985

Box 5, Folder 10

F 1986

 

Farber, Barbara

Scope and Content Note

Regarding Dahn and Dokoupil drawings on consignment, 6 items (see also "A" for American Graffiti).
 

Fetting, Rainer

Scope and Content Note

note to.
Box 5, Folder 11

F 1987

 

Giancarlo Politi, Flash Art

Scope and Content Note

Regarding ads and short statement by Maenz about Cucchi's art, 4 items.
Box 5, Folder 12

F 1988

 

Galerie Six Friedrich

Scope and Content Note

Regarding exhibition and commission of Dahn's work, ca.9 items.
Box 5, Folder 13

F 1989

 

Feldmann, Hans-Peter

Scope and Content Note

note to.
 

Giancarlo Politi, Flash Art

Scope and Content Note

Regarding ads, 8 items.
 

Frankfurter Kunstverein

Scope and Content Note

Regarding Pospect 89, 5 items.
 

Jean-Christophe Ammann, Museum für Moderne Kunst, Frankfurt

Scope and Content Note

Regarding exhibition of Roehr's work and copy of a letter to Boch with comments on Darboven's "Existenz," 5 items.
 

Galerie Six Friedrich

Scope and Content Note

Regarding Dahn availabilty and prices, 5 items.
Box 5, Folder 14

F 1990

Box 5, Folder 15

G 1970-1979

 

Gallagher, Carole (photographer)

Scope and Content Note

3 items regarding photographs of Barry's work.
 

Garutti, Alberto

Scope and Content Note

Regarding exhibition, 8 items.
 

Cultureel Informatief Centrum, Gent

Scope and Content Note

Regarding an exhibition, 6 items.
 

Galerie Germain

Scope and Content Note

Regarding various Bertholin shows and commission split, a show of Maenz artists at Germain and other matters, 15 items.
 

Gilbert and George

Scope and Content Note

letter to regarding gallery opening.
 

Gonschior, Kuno (artist)

Scope and Content Note

letter to.
 

Graham, Dan

Scope and Content Note

Regarding possible representation in Germany and some of John Gibson's dealings, 15 items.
 

Nigel Greenwood, Inc.

Scope and Content Note

Regarding book orders, 7 items.
 

Greiner, Werner

Scope and Content Note

6 items.
 

Guben, Günther (artist)

Scope and Content Note

2 items.
 

Günther, Knut

Scope and Content Note

Regarding Art Deco works and book, 5 items.
 

Guggenheim Museum

Scope and Content Note

Regarding young German artists and Haacke show cancellation, 6 items.
Box 5, Folder 16

G 1980-1981

 

Groninger Museum

Scope and Content Note

Regarding Mülheimer Freiheit exhibition, possible Salvo show, catalog orders and other matters, ca.17 items.
Box 5, Folder 17

G 1982

 

Groninger Museum

Scope and Content Note

Regarding exhibitions and acquisitions, 9 items.
 

Galerie Toni Gerber

Scope and Content Note

Regarding Dokoupil show, 6 items.
 

Göröcs, Gabriella (artist)

Scope and Content Note

2 items.
Box 5, Folder 18

G Jan-July 1983

 

Gresty, Hilary

Scope and Content Note

Maenz's recollections of the 1967 exhibition "19:45-21:55," 2 items.
Box 5, Folder 19

G Aug-Dec 1983

 

Gruner + Jahr AG & Co ( Art)

Scope and Content Note

Regarding "galerienkalender" and ads, ca.10 items.
Box 5, Folder 20

G Jan-Aug 1984

 

Groninger Museum

Scope and Content Note

proforma-invoice for "Dahn & Dokoupil, die Afrika-bilder," 3 items.
 

Gruner + Jahr AG & Co ( Art)

Scope and Content Note

mostly regarding "galerienkalender," ca.24 items.
Box 5, Folder 21

G Sept-Dec 1984

 

Wilhelm Glauerdt GmbH

Scope and Content Note

checklist with prices of Endart works to be insured for "Art Cologne 1984."
Box 6

G (1985-1990) - H (1970-1990) 1970-1990

Box 6, Folder 1

G Jan-June 1985

 

Marian Goodman Gallery

Scope and Content Note

Regarding sales and commission of Dahn show, 7 items.
 

Gruner + Jahr AG & Co ( Art)

Scope and Content Note

Regarding "galerienkalender," ca.10 items.
Box 6, Folder 2

G July-Dec 1985

 

Wilhelm Glauerdt GmbH

Scope and Content Note

checklist with prices of works to be insured for "Art Cologne 1985."
 

Greene, Robert (artist)

Scope and Content Note

3 items.
 

Groninger Museum

Scope and Content Note

Regarding Dokoupil acquisitions and Mariani show, 6 items.
 

Gruner + Jahr AG & Co ( Art)

Scope and Content Note

Regarding "galerienkalender," ca.10 items.
Box 6, Folder 3

G 1986

 

Wilhelm Glauerdt GmbH

Scope and Content Note

checklist with prices of works to be insured for "Art Cologne 1986."
 

Marian Goodman Gallery

Scope and Content Note

letter to regarding Goodman dropping Dahn and other letter to.
 

Grassi, Alessandro

Scope and Content Note

Regarding purchase of a Bömmels, 5 items.
 

Gruner + Jahr AG & Co ( Art)

Scope and Content Note

Regarding "galerienkalender" and ads, 8 items.
Box 6, Folder 4

G 1987

 

Gelsenkirchen

Scope and Content Note

Regarding Maenz's gift of 2 Kusama works, 6 items.
 

Wilhelm Glauerdt GmbH

Scope and Content Note

checklist with prices of works to be insured for ARCO Madrid 1987.
Box 6, Folder 5

G 1988

Box 6, Folder 6

G 1989

 

Galerie Le Gall-Peyroulet

Scope and Content Note

Regarding purchase and availability of Dahn's works, 5 items.
Box 6, Folder 7

G 1990

 

Marian Goodman Gallery

Scope and Content Note

Regarding purchase and shipment of Paolini's "Consumption," 7 items.
Box 6, Folder 8

H 1970-1979

 

Hamburger Kunsthalle

Scope and Content Note

correspondence with Siegmar Holsten regarding loans for "Das Bild des Künstlers," ca.17 items.
 

Kunstverein Hamburg

Scope and Content Note

Regarding loans for various exhibitions, 9 items.
 

Kunstverein Hannover

Scope and Content Note

Regarding loans for exhibition "Kunst aus Fotografie" and catalog, 8 items.
 

Harrison, Charles

Scope and Content Note

Regarding suggestions for Maenz's opening, 5 items.
 

Have, Henrik (artist)

Scope and Content Note

3 items.
 

Higgins, Dick

Scope and Content Note

Regarding artists for Maenz's gallery, 4 items.
 

Highstein, Jene

Scope and Content Note

letter from Alanna (wife).
 

Hilliard, John

Scope and Content Note

3 items.
 

Hock, Wolfgang

Scope and Content Note

Regarding acquisitions, 5 items.
 

Huebler, Douglas

Scope and Content Note

long letter from with description of his problems with European representation and his current work and letter from Maenz explaining why they cannot work together, 3 items.
 

Hunov, J[ohn]

Scope and Content Note

info exchange on artists, 7 items.
 

Huot, Robert (artist)

Scope and Content Note

3 items.
Box 6, Folder 9

H 1980-1981

 

Hilliard, John

Scope and Content Note

postcard and letter from.
 

Haacke, Hans

Scope and Content Note

Regarding exhibitions, catalogs and reconstruction of the "gespaltenen Adlers," 10 items.
 

Frau Aarsbergen, Hamburg-Mannheimer Vers.

Scope and Content Note

letter to regarding lease of Maastrichter Str. 36 for Mülheimer Freiheit group.
Box 6, Folder 10

H 1982

 

Hoffmann, Paul

Scope and Content Note

Regarding acquisition of 2 works by Kiefer, 7 items.
 

Haacke, Hans

Scope and Content Note

with letter from Haacke regarding "Gegen das Kriegsrecht in Polen, für Solidarnosc" exhibition, 4 items.
Box 6, Folder 11

H Jan-July 1983

 

Haring, Keith

Scope and Content Note

letter to.
 

Verlag Gerd Hatje

Scope and Content Note

concerning reproductions and copyright for Die 50er Jahre.
 

Herbert F. Johnson Museum of Art, Cornell Univ

Scope and Content Note

Regarding Kiefer acquisition mix-up, 4 items.
Box 6, Folder 12

H Aug-Dec 1983

 

Huebler, Douglas

Scope and Content Note

letter to.
 

Stellan Holm, Galleri 5

Scope and Content Note

Regarding showing young German artists, 6 items.
Box 6, Folder 13

H Jan-Aug 1984

 

Kunstmuseum Hannover

Scope and Content Note

Regarding loans for Bömmels show, ca.9 items.
 

Haring, Keith

Scope and Content Note

3 items regarding exhibition.
Box 6, Folder 14

H Sept-Dec 1984

 

Haring, Keith

Scope and Content Note

Regarding sale of a work to the FER collection, 3 items.
Box 6, Folder 15

H Jan-June 1985

 

Haacke, Hans

Scope and Content Note

letter from.
 

Haring, Keith

Scope and Content Note

typescript for Flash Art 116 (March 1984).
Box 6, Folder 16

H July-Dec 1985

Box 6, Folder 17

H 1986

 

Haacke, Hans

Scope and Content Note

letter to.
 

Pat Hearn Gallery

Scope and Content Note

Regarding Schuyff and Taaffe shows at Maenz, 13 items.
 

Hobbet, Richard and Karla Simon

Scope and Content Note

Regarding acquisition of Dahn and Dokoupil works, 9 items.
Box 6, Folder 18

H 1987

 

Haacke, Hans

Scope and Content Note

letter to.
 

Pat Hearn Gallery

Scope and Content Note

Regarding Schuyff and "New York New" exhibitions, 5 items.
 

Hoekstra, Berend (artist)

Scope and Content Note

letter from.
Box 6, Folder 19

H 1988

 

Pat Hearn Gallery

Scope and Content Note

Regarding Schuyff show, 6 items.
 

Honnef, Klaus

Scope and Content Note

about "Made in Cologne" show and borrowing transparencies for his book on contemporary art, ca.13 items.
 

Ghislaine Hussenot Gallery

Scope and Content Note

Regarding Dahn and Dokoupil works on consignment, 7 items.
Box 6, Folder 20

H 1989

 

Haring, Keith

 

Heidelberger Kunstverein

Scope and Content Note

concerning loans for "Blau -Farbe der Ferne" exhibition, 4 items.
 

Hendeles, Ydessa

Scope and Content Note

Regarding purchase of Paolini's "Intervallo" and description of "Itaca," 4 items.
Box 6, Folder 21

H 1990

Box 7

I, J, K 1970-1983

Box 7, Folder 1

I-J 1970-1979

 

Icaro, Paolo

Scope and Content Note

letters regarding "mail/gallery" exhibition with 2 "molecular card" examples and photo taken by Icaro's wife of "molecular cards" and full portrait of Icaro. Also includes mail art, 17 items.
 

Johnson, John

Scope and Content Note

Regarding his recent work, with detailed descriptions of four ideas and a colored drawing of a cross-section of Wales, 8 items.
Box 7, Folder 2

I-J 1980-1981

 

Ikemura, Leiko

Scope and Content Note

Regarding exhibition "Fleisches Lust," 8 items.
Box 7, Folder 3

I-J 1982

 

Ikemura, Leiko

Scope and Content Note

Regarding her exhibition and other matters, 8 items.
Box 7, Folder 4

I-J Jan-July 1983

Box 7, Folder 5

I-J Aug-Dec 1983

Box 7, Folder 6

I-J Jan-Aug 1984

 

Suzanne Landau, Israel Museum, Jerusalem

Scope and Content Note

Regarding Kiefer loans, 9 items.
Box 7, Folder 7

I-J Sept-Dec 1984

Box 7, Folder 8

I-J Jan-June 1985

Box 7, Folder 9

I-J July-Dec 1985

Box 7, Folder 10

I-J 1986

Box 7, Folder 11

I-J 1987

Box 7, Folder 12

I-J 1988

Box 7, Folder 13

I-J 1989

 

Akira Ikeda Gallery

Scope and Content Note

extensive correspondence regarding sale of Kiefer's "Die Meistersinger" and Dahn book for Art Random series, ca.52 items.
Box 7, Folder 14

I-J 1990

 

Akira Ikeda Gallery

Scope and Content Note

folder consists of substantial correspondence regarding Dahn exhibition, ca.30 items (see also Series III).
Box 7, Folder 15

K 1970-1979

 

Kaldor, John

Scope and Content Note

substantial correspondence regarding acquisitions, ca.38 items.
 

Kalmar, Felix (artist)

Scope and Content Note

4 items.
 

Kaprow, Allan

Scope and Content Note

Regarding potential representation, 2 items.
 

Erich Herzog, Staatliche Kunstsammlung, Kassel

Scope and Content Note

Regarding artists for Documenta, 5 items.
 

Documenta 5, Kassel

Scope and Content Note

Regarding bios and photos for catalog, also list of artists with exhibition history and bibliography from Maenz and letter from Marlis Grüterich to Barry asking for a certain type of work to be shown, ca.16 items.
 

Kawara, On

Scope and Content Note

3 items.
 

Keller, Dieter

Scope and Content Note

Regarding acquisition of Boyle's "Sandstudy," 7 items.
 

Kiefer, Anselm and Julia

Scope and Content Note

Regarding discussions of collaboration with Maenz, 3 items.
 

Kienholz, Ed

Scope and Content Note

Regarding Poirier purchase, 3 items.
 

Knoebel, Wolf (aka Imi)

Scope and Content Note

5 letters to showing interest in his work and regarding sales.
 

König, Kasper

Scope and Content Note

Regarding showing On Kawara's work in Brussels and Münster sculpture exhibition organized by Köning, 9 items.
 

Krätz, Helmut Anton

Scope and Content Note

extensive correspondence regarding acquisitions of Minimal and Conceptual art and works by young German artists, but also letter from Maenz regarding his partnership with de Vries, ca.23 items (see Sotheby's sale 11/13-14/1991 for further information on Krätz collection).
 

Krohn, Luise

Scope and Content Note

Regarding Poirier exhibition and sales, 12 items.
 

Kuehn, George

Scope and Content Note

letter from.
Box 7, Folder 16

Köln 1970-1979

 

Kurt Hackenberg, Kulturdezernat, Stadt Köln

Scope and Content Note

Regarding Maenz's request for funds from city, 7 items.
 

Messe- und Ausstellungs- GES. M.B.H., Köln

Scope and Content Note

mostly regarding Internationale Kunstmarkt Köln 1974, ca.15 items.
 

Stadt Köln

Scope and Content Note

correspondence with various cultural departments, such as Der Oberstadtdirektor, Kunsthalle Köln, Museum Ludwig and Wallraf-Richartz-Museum concerning a variety of topics, ca.16 items.
Box 7, Folder 17

Krefeld, Kaiser Wilhelm Museum 1970-1979

Scope and Content Note

correspondence mostly with Paul Wember about various acquisitions, with many solicitations from Maenz, and exhibitions, ca.34 items.
Box 7, Folder 18

K 1981

 

Kasper König, Museen der Stadt Köln

Scope and Content Note

Regarding "Westkunst" exhibition, 8 items.
 

Michael Schwarz, Badischer Kunstverein, Karlsruhe

Scope and Content Note

Regarding various matters, 5 items.
 

Kiefer, Anselm

Scope and Content Note

3 letters to, 1 letter from Julia Kiefer.
 

Kosuth, Joseph

Scope and Content Note

note and letter to.
 

Kawara, On

Scope and Content Note

3 letters to.
Box 7, Folder 19

K 1982

 

Documenta, Kassel

Scope and Content Note

with Rudi Fuchs regarding various artist in Documenta, 7 items.
 

König, Kasper (König Postkartenverlag)

Scope and Content Note

4 items.
 

Kiefer, Anselm

Scope and Content Note

3 letters to regarding sales.
Box 7, Folder 20

K Jan-July 1983

 

Keuthen, Jiri (artist)

Scope and Content Note

3 items.
 

Kiefer, Anselm

Scope and Content Note

letter and 2 notes to.
 

Karl Ruhrberg, Museum Ludwig, Köln

Scope and Content Note

letter to Ruhrberg wondering why he has not come to see the gallery (see Aug-Dec 1983 for more).
 

Kölnischer Kunstverein

Scope and Content Note

Regarding Italian exhibition, 5 items.
 

Kosuth, Joseph

Scope and Content Note

2 items regarding finances.
Box 7, Folder 21

K Aug-Dec 1983

 

Kapoor, Anish

Scope and Content Note

letter to.
 

Kawara, On

Scope and Content Note

invoice for works on loan for "Masterworks of Conceptual Art."
 

Museum Ludwig, Köln

Scope and Content Note

an angry exchange of letters between Maenz and Karl Ruhrberg, Hugo Borger and Peter Nestler regarding why the museum has not visited or purchased works from Maenz, 5 items.
Box 8

K (1984-1990) - L (1970-1984) 1970-1990

Box 8, Folder 1

K Jan-Aug 1984

 

Kapoor, Anish

Scope and Content Note

2 letters to.
 

Kawara, On

Scope and Content Note

2 letters to.
 

König, Kasper

Scope and Content Note

Regarding "Die neue deutsche Kunst," 2 items.
Box 8, Folder 2

K Sept-Dec 1984

 

Kapoor, Anish

Scope and Content Note

letter from.
 

Kiefer, Anselm

Scope and Content Note

letter to and sheet of paper with list of works and prices.
 

Kitt, Eartha

Scope and Content Note

typescript interview with Maenz.
Box 8, Folder 3

K Jan-June 1985

Box 8, Folder 4

K July-Dec 1985

 

Knap, Jan

Scope and Content Note

2 letters to.
Box 8, Folder 5

K 1986

 

Galerie Kaess-Weiss

Scope and Content Note

Regarding Haring and Endart shows, ca.10 items.
 

Museen der Stadt Köln

Scope and Content Note

contains condition reports for works in Art Gallery of South Australia's "Wild-Visionary-Spectral-New-German-Art."
 

KölnMesse

Scope and Content Note

Regarding Art Cologne fair and theft of 8 Rockenschaub works, 7 items.
 

Koons, Jeff

Scope and Content Note

letter to.
Box 8, Folder 6

K 1987

 

Documenta, Kassel

Scope and Content Note

Regarding Scholte exhibition with letter from Scholte, 5 items.
Box 8, Folder 7

K 1988

 

Leo Kamen Gallery

Scope and Content Note

Regarding possible collaborations, 6 items.
 

Kunstgewerbemuseum, Köln

Scope and Content Note

Regarding acquisitions, ca.6 items.
 

König, Kasper

Scope and Content Note

2 items.
 

Alfred Kren Gallery

Scope and Content Note

Regarding "Brazilian Ex Votos" exhibition, 4 items.
Box 8, Folder 8

K 1989

 

Elisabeth Kaufmann Basel

Scope and Content Note

Regarding loan and transport of various works by Dahn and Disler, 8 items.
 

Kiefer, Anselm

Scope and Content Note

Regarding exhibition, ca.7 items.
 

Klüser, Bernd

Scope and Content Note

Regarding works on consignment to, ca. 5 items.
 

Kosuth, Joseph

Scope and Content Note

contains an angry exchange of letters including a long, frank letter from Kosuth regarding problems with their relationship and how he views trades of work between artists (i.e. Kosuth traded with Gerd, 9/17/87), letter from requesting the return of "One and Three Chairs" and demanding the return of a work from Gerd (12/3/88) and list of works on consignment to Maenz, ca.8 items.
Box 8, Folder 9

K 1990

 

Elisabeth Kaufmann Basel

Scope and Content Note

Regarding Disler and Dahn loans.
Box 8, Folder 10

L 1970-1979

 

Lambert, Françoise

Scope and Content Note

about various cooperative matters, ca.18 items.
 

Lambert, Yvon

Scope and Content Note

6 items.
 

Latham, John

Scope and Content Note

mostly regarding recent work, 9 items.
 

Lauffs, Walther

Scope and Content Note

Regarding acquisitions, 8 items.
 

Städt. Museum Schloß Morsboich, Leverkusen

Scope and Content Note

mostly regarding exhibition "Die verlorene Identität," 13 items.
 

LeWitt, Sol

Scope and Content Note

Regarding Maenz asking advice for gallery and LeWitt book orders, 10 items.
 

Lippert, Werner

Scope and Content Note

2 letters to.
 

Institute of Contemporary Arts, London

Scope and Content Note

Regarding exhibition "Art into Society, Society into Art -Seven German Artist" with copied typescript of Haacke's "From Spring to Summer," 3 items.
 

Tate Gallery, London

Scope and Content Note

mostly about book orders, but some about acquisitions, ca.17 items.
 

Louw, Roelof

Scope and Content Note

Regarding exhibitions at Maenz and elsewhere, recent work and financial matters, ca.16 items.
 

Ludwig, Peter

Scope and Content Note

Regarding sponsoring Kosuth show at Maenz, which Ludwig refuses, and purchase of Haacke's "Spargel-Bild" and a Poirier work, ca.16 items.
 

Galerie Klaus Lüpke

Scope and Content Note

Regarding Roehr and other exhibitions, 14 items.
 

Lüscher, Ingeborg (artist)

Scope and Content Note

4 items.
 

Kunstmuseum Luzern

Scope and Content Note

Regarding Roehr show, 7 items.
Box 8, Folder 11

L 1980-1981

 

Lord, Andrew

Scope and Content Note

letter from with drawings of teapots, 2 items.
 

Tate Gallery, London

Scope and Content Note

Regarding Paolini acquisition and potential Darboven and Kiefer purchases, 12 items.
Box 8, Folder 12

L 1982

 

Whitechapel Gallery, London

Scope and Content Note

Regarding photo requests for Clemente catalog, 8 items.
 

Lord, Andrew

Scope and Content Note

2 items.
 

Tate Gallery, London

Scope and Content Note

mostly regarding Kiefer acquisition, 6 items.
Box 8, Folder 13

L Jan-July 1983

 

LeWitt, Sol

Scope and Content Note

letter to regarding "Modular Structure."
 

Lord, Andrew

Scope and Content Note

3 items.
Box 8, Folder 14

L Aug-Dec 1983

 

Lisson Gallery, London

Scope and Content Note

Regarding shows at Maenz for Kapoor, Woodrow and Allington, 5 items.
 

Tate Gallery, London

Scope and Content Note

about "New Art" exhibition and Haacke biblio, 5 items.
 

Lord, Andrew

Scope and Content Note

4 items regarding potential show.
Box 8, Folder 15

L Jan-Aug, 1984

 

Lord, Andrew

Scope and Content Note

letter to.
Box 8, Folder 16

L Sept-Dec, 1984

 

Lamoree, Jhim (Art Unlimited)

Scope and Content Note

Regarding postcard jobs, ca.7 items.
 

Lippert, Werner

Scope and Content Note

letter from.
Box 9

L (1985-1990) - M (1970-1987) 1970-1990

Box 9, Folder 1

L Jan-June 1985

Folder 2

L July-Dec 1985

 

Lord, Andrew

Scope and Content Note

Regarding exhibition, 7 items.
 

Ludwig, Peter

Scope and Content Note

Regarding acquisitions, ca. 5 items.
Box 9, Folder 3

L 1986

 

Lisson Gallery

Scope and Content Note

mostly regarding Woodrow and Kapoor exhibitions of 1984 and 86, 10 items.
 

Lowenadler, Jan Eric

Scope and Content Note

mostly copies of letters which recommend Lowenadler for citizenship, ca. 10 items.
Box 9, Folder 4

L 1987

 

Lehmkühler, Edgar (artist)

Scope and Content Note

8 items.
 

Ludwig, Peter

Scope and Content Note

3 letters to.
Box 9, Folder 5

L 1988

 

Larsen, Dirk (artist)

Scope and Content Note

letter from.
 

Ludwig, Peter

Scope and Content Note

letter to.
Box 9, Folder 6

L 1989

 

Galeria Leyendecker

Scope and Content Note

ca.5 items, with 7 pg typescript by Norbert Messler.
 

Fonds Regional d'Art Contemporain, Limousin

Scope and Content Note

Regarding acquisition of Disler's "Burning Cat," 8 items.
 

Musée des Beaux-Arts, Le Havre

Scope and Content Note

Regarding Woodrow exhibition, ca.15 items.
 

Lisson Gallery

Scope and Content Note

Regarding Woodrow show and Opie works on consignment to Maenz, ca.15 items.
 

Royal Academy of Arts, London

Scope and Content Note

Regarding Paolini loan for "Italian Art in the Twentieth Century," ca.16 items.
 

Ludwig, Peter

Scope and Content Note

2 letters to.
Box 9, Folder 7

L 1990

Folder 8

M 1970-1979

 

Hans Alexander Baier, Magazin Kunst

Scope and Content Note

11 items.
 

Maloney, Martin

Scope and Content Note

Regarding exhibition with some angry letters from Maloney about their relationship, ca. 23 items.
 

Malzenski, Charles (artist)

Scope and Content Note

4 items.
 

Eva Jahn-Fehsenbecker, Mannheimer Kunstverein

Scope and Content Note

substantial correspondence regarding Paolini and Salvo exhibitions and catalogs, ca.30 items.
 

Marck, Jan van der

Scope and Content Note

2 items.
 

Studio Marconi

Scope and Content Note

extensive correspondence regarding representation, exhibition and sales of Paolini's work in Germany, ca.35 items.
 

Martin, Agnes

Scope and Content Note

2 items.
 

Matta, Gordon

Scope and Content Note

letter and 3 slides from, 2 letters to.
 

Matthys, Roger

Scope and Content Note

Regarding acquisitions, especially Haacke's "Manet-Project '74," 6 items.
 

Städtisches Museum Mönchengladbach

Scope and Content Note

correspondence with Johannes Cladders regarding Paolini exhibition, with annotated checklist, and other matters, ca.15 items.
 

Müller, Hans-Jürgen

Scope and Content Note

Regarding loans for "Europa 1979," acquisition of Kosuth's "One and Three Windows" and Maenz sending information for an article, 7 items.
 

Galerie Margret Müller

Scope and Content Note

mostly about Boyle exhibition, 11 items.
 

Westfälischer Kunstverein, Münster

Scope and Content Note

mostly regarding Poirier work for "Reliefs" exhibition, 6 items.
 

Murphy, John (artist)

Scope and Content Note

2 letters and note from.
 

Mussa, Italo

Scope and Content Note

about various art related matters, 5 items.
 

Mussat Sartor, Paolo

Scope and Content Note

2 letters to.
Box 9, Folder 9

M 1980-1981

 

Müller, Josef-Felix

Scope and Content Note

Regarding "Fleisches Lust" show, 8 items.
 

Mahlmann, Moritz (artist)

Scope and Content Note

4 items.
 

Minini, Massimo

Scope and Content Note

3 letters, 4 slides, 1 photo from.
 

Maloney, Martin

Scope and Content Note

apologetic letter from.
Box 9, Folder 10

M 1982

 

Müller, Josef-Felix

Scope and Content Note

2 items.
Box 9, Folder 11

M Jan-July 1983

 

Marx, Erich

Scope and Content Note

Regarding financial misunderstanding concerning Fetting, 4 items.
Box 9, Folder 12

M Aug-Dec 1983

 

Galerie Silvia Menzel

Scope and Content Note

Regarding potential Dahn show, 5 items.
Box 9, Folder 13

M Jan-Aug 1984

 

Galerie Silvia Menzel

Scope and Content Note

about "Begegnung, Köln Berlin" show, 7 items.
Box 9, Folder 14

M Sept-Dec 1984

Box 9, Folder 15

M Jan-June 1985

Box 9, Folder 16

M July-Dec 1985

 

Mapplethorpe, Robert

Scope and Content Note

note to.
Box 9, Folder 17

M 1986

 

Mucha, Reinhard

Scope and Content Note

letter to.
Box 9, Folder 18

M 1987

 

ARCO, Madrid

Scope and Content Note

Regarding exhibition with checklist, 12 items.
 

Galería La Máquina Española

Scope and Content Note

Regarding Knap show, ca.25 items.
 

Galerie Vera Munro

Scope and Content Note

Regarding purchase and sale of works, 6 items.
Box 10

M (1988-1990) - P-Q (1970-1983) 1970-1990

Box 10, Folder 1

M 1988

 

Galería La Máquina Española

Scope and Content Note

mostly regarding money owed to Maenz for Knap show, 8 items.
 

Galerie Vera Munro

Scope and Content Note

Regarding Dahn show, ca. 11 items.
Box 10, Folder 2

M 1989

 

Fundacio Caixa de Pensions, Madrid

Scope and Content Note

Regarding Dokoupil retrospective and acquisition of Clemente's "War," ca. 13 items.
 

Meijer Film

Scope and Content Note

about filming Kiefer exhibition for Swedish TV, 8 items.
 

Galerie Meyer-Ellinger

Scope and Content Note

Regarding Roehr and Dahn exhibitions, 14 items.
 

Musée d'Art Contemporain de Montréal

Scope and Content Note

Regarding "Blickpunkte" show, ca.5 items from.
 

Städt Galerie im Lenbachhaus, München

Scope and Content Note

5 items.
 

Galerie Vera Munro

Scope and Content Note

Regarding Dahn show, 4 items.
Box 10, Folder 3

M 1990

 

Menzio, Paolo (artist)

Scope and Content Note

letter from.
 

Kunstverein München

Scope and Content Note

primarily regarding Feldmann show, 8 items.
Box 10, Folder 4

N-O 1970-1979

 

MOMA, New York

Scope and Content Note

Regarding information on Art & Language's "Chart" for an exhibition, 8 items.
 

Karl Heinz Schreyl, Stadtgeschichtliche Museen, Nürnberg

Scope and Content Note

Regarding Mariani acquisition, 6 items.
 

Obermüller, Peter, Kunstgewerbemuseum Zürich

Scope and Content Note

4 items.
 

Onnasch Galerie

Scope and Content Note

4 items.
 

Ontani, Luigi (artist)

Scope and Content Note

letter to and mailart piece from.
 

Oppenheim, Dennis

Scope and Content Note

2 items.
 

Galerie Orny

Scope and Content Note

about Insley drawings, 4 items.
 

Ostrow, Saul

Scope and Content Note

Regarding recent work, 5 items.
 

Museum of Modern Art, Oxford

Scope and Content Note

correspondence with David Elliott mainly concerning Roehr show and loss of one work and damage to others in return shipping, ca.20 items.
Box 10, Folder 5

N-O 1980-1981

 

Oehlen, Albert

Scope and Content Note

4 items.
 

Museum of Modern Art, Oxford

Scope and Content Note

Regarding Paolini exhibition, especially works lent by Rentschler which were damaged, 5 items.
Box 10, Folder 6

N-O 1982

 

MOMA, New York

Scope and Content Note

Regarding information requests on Dokoupil and Dahn, 5 items.
 

Reinhard Onnasch Kunsthandel

Scope and Content Note

Regarding proposed Bömmels show, 5 items.
 

Offay, Anthony d'

Scope and Content Note

Regarding Fetting show, 4 items.
 

Guggenheim Museum, New York

Scope and Content Note

Regarding Cucchi works for "Italian Art Now," 7 items.
Box 10, Folder 7

N-O Jan-July 1983

 

Reinhard Onnasch Galerie

Scope and Content Note

Regarding Bömmels, 4 items.
Box 10, Folder 8

N-O Aug-Dec 1983

 

MOMA, New York

Scope and Content Note

Regarding Dahn and Dokoupil loans for "An International Survey of Recent Painting and Sculpture."
Box 10, Folder 9

N-O Jan-Aug 1984

 

Reinhard Onnasch Galerie

Scope and Content Note

Regarding Bömmels exhibition, 7 items.
Box 10, Folder 10

N-O Sept-Dec 1984

 

Reinhard Onnasch Galerie

Scope and Content Note

more about the Bömmels exhibition, 7 items.
 

National Gallery, Ottawa

Scope and Content Note

Regarding Woodrow acquisition, 7 items.
Box 10, Folder 11

N-O 1985

Box 10, Folder 12

N-O 1986

 

Reinhard Onnasch Galerie

Scope and Content Note

loan list of Bömmels exhibition.
Box 10, Folder 13

N-O 1987

 

"New York New"

Scope and Content Note

with Jay Gorney, Ileana Sonnabend and Pat Hearn regarding loans for the exhibition, ca. 9 items.
Box 10, Folder 14

N-O 1988

 

Opie, Julian

Scope and Content Note

letter to.
Box 10, Folder 15

N-O 1989

 

NOEMA

Scope and Content Note

Regarding reviews, 5 items.
Box 10, Folder 16

N-O 1990

 

Musée d'Art Contemporain, Nimes

Scope and Content Note

extensive correspondence regarding damage to Salvo's "Idiota" and Maenz's attempt to get reimbured from the museum's insurance company through legal action, with 3 photos of the damage, ca. 40 items.
Box 10, Folder 17

P-Q 1970-1979

 

Panza di Biumo, Giuseppe

Scope and Content Note

Regarding Barry and Kosuth acquisitions and loans, 10 items.
 

Pauli, J.

Scope and Content Note

Regarding the price of Barry drawings, 11 items.
 

Phillips, Tom

Scope and Content Note

Regarding recent work, sales to Maenz and representation in Germany, 18 items.
 

Galerie Gerald Piltzer

Scope and Content Note

Regarding Dolla exhibition at Maenz, 6 items.
 

Piper, Adrian (artist)

Scope and Content Note

2 items.
 

Poirier, Marc

Scope and Content Note

Regarding why Wéry cannot show, Roehr loans and also mailart postcard, 6 items.
 

Preisig, Rolf

Scope and Content Note

Regarding Barry exhibition at Preisig and trade and sale of works by various conceptual artists, 13 items.
Box 10, Folder 18

P-Q 1980-1981

 

Poirier, Anne and Patrick

Scope and Content Note

Regarding their professional relationship, 4 items.
 

Pohl, Marianne

Scope and Content Note

letter from.
 

Paolini, Giulio

Scope and Content Note

Regarding sales and exhibition, 9 items.
 

Paladino, Mimmo

Scope and Content Note

2 letters to.
 

Penone, Giuseppe

Scope and Content Note

note to.
Box 10, Folder 19

P-Q 1982

 

Paolini, Giulio

Scope and Content Note

Regarding the artist's exhibition, work schedule and sales, 2 items.
 

Pohl, Marianne

Scope and Content Note

letter to.
Box 10, Folder 20

P-Q Jan-July 1983

 

Paolini, Giulio

Scope and Content Note

3 items.
 

Poirier, Anne and Patrick

Scope and Content Note

Regarding picking up works still at Maenz, 6 items.
 

Polke, Sigmar

Scope and Content Note

2 letters to.
Box 10, Folder 21

P-Q Aug-Dec 1983

Box 11

P-Q, R 1979-1990

Box 11, Folder 1

P-Q 1984

 

Paparoni, Demetrio (Tema Celeste)

Scope and Content Note

8 items regarding ads.
 

Galerie Karl Pfefferle

Scope and Content Note

Regarding Dokoupil and Bömmels loans, 5 items.
Box 11, Folder 2

P-Q Jan-June 1985

Box 11, Folder 3

P-Q July-Dec 1985

 

Paolini, Anna and Giulio

Scope and Content Note

letter to.
Box 11, Folder 4

P-Q 1986

 

Paolini, Giulio

Scope and Content Note

4 items.
Box 11, Folder 5

P-Q 1987

 

Paolini, Giulio

Scope and Content Note

2 letters from.
Box 11, Folder 6

P-Q 1988

 

Paolini, Giulio

Scope and Content Note

1 item.
 

Penone, Giuseppe

Scope and Content Note

letter to.
Box 11, Folder 7

P-Q 1989

 

Paladino, Mimmo

Scope and Content Note

letter to.
 

Paolini, Giulio

Scope and Content Note

letter to.
Box 11, Folder 8

P-Q 1990

 

Paolini, Giulio

Scope and Content Note

6 items.
 

Philadelphia Museum of Art

Scope and Content Note

5 items.
 

Poirier, Anne and Patrick

Scope and Content Note

letter from.
Box 11, Folder 9

R 1970-1979

 

Rademacher, Robert

Scope and Content Note

Regarding Roehr acquisition, 4 letters to.
 

Reise, Barbara

Scope and Content Note

Regarding artists for gallery and book orders, 5 items.
 

Rentschler, Friedrich

Scope and Content Note

many long letters from Maenz giving information and counsel to Rentschler for his collecting activities involving conceptual art (Boyle, Barry, Art & Language, Darboven, etc.) and the younger Italians (Paolini, Manzoni and Toroni), while Rentschler stresses the importance of his own decisions in the selection process, 18 items.
 

Richter, Gerhard

Scope and Content Note

letter to.
 

Rotterdamse Kunststichting

Scope and Content Note

correspondence with Gosse Oosterhof regarding Salvo and Feldmann shows, 6 items.
 

Rückriem, Ulrich

Scope and Content Note

2 letters and a note to.
 

Rutault, Claude

Scope and Content Note

note from.
Box 11, Folder 10

R 1980-1981

 

Rutault, Claude

Scope and Content Note

photo and note to.
 

Rentschler, Friedrich

Scope and Content Note

3 items.
 

Museen Städtische Galerie, Regensburg

Scope and Content Note

letter to Haacke and from Haacke to Maenz regarding "Noi Altri -Wir Anderen" show.
Box 11, Folder 11

R 1982

 

Museum Boymans-van Beuningen, Rotterdam

Scope and Content Note

Regarding acquistitions and exhibition "12 Künstler aus Deutschland," 8 items.
 

Rutault, Claude

Scope and Content Note

letter to.
Box 11, Folder 12

R Jan-July 1983

 

Rutault, Claude

Scope and Content Note

note to.
Box 11, Folder 13

R Aug-Dec 1983

 

Rentschler, Friedrich

Scope and Content Note

letter from.
Box 11, Folder 14

R Jan-Aug 1984

 

Rentschler, Friedrich

Scope and Content Note

Regarding loan agreement, 5 items.
Box 11, Folder 15

R Sept-Dec 1984

 

Rentschler, Friedrich

Scope and Content Note

2 letters to.
Box 11, Folder 16

R Jan-June 1985

 

Rentschler, Friedrich

Scope and Content Note

2 letters to.
 

Richter, Gerhard

Scope and Content Note

letter to.
 

Josef Roggendorf

Scope and Content Note

8 items.
Box 11, Folder 17

R July-Dec 1985

 

Rentschler, Friedrich

Scope and Content Note

3 letters to.
 

Richter, Gerhard

Scope and Content Note

letter to.
 

Rockenschaub, Gerwald

Scope and Content Note

Regarding exhibition with checklist, 4 items.
 

Josef Roggendorf

Scope and Content Note

5 items.
Box 11, Folder 18

R 1986

 

Richard/Bennett Gallery

Scope and Content Note

16 color photos of works by Craig Roper.
 

Rockenschaub, Gerwald

Scope and Content Note

letter to.
 

Josef Roggendorf

Scope and Content Note

Regarding shipping, 7 items.
 

Rushton, Dave

Scope and Content Note

Regarding early works of Art & Language still at Maenz, 3 items.
Box 11, Folder 19

R 1987

 

Rentschler, Friedrich

Scope and Content Note

3 letters to.
 

Rockenschaub, Gerwald

Scope and Content Note

2 letters to.
 

Josef Roggendorf

Scope and Content Note

Regarding various shipping matters, 8 items.
Box 11, Folder 20

R 1988

 

Rentschler, Friedrich

Scope and Content Note

letter to.
 

Josef Roggendorf

Scope and Content Note

ca. 5 items.
Box 11, Folder 21

R 1989

 

Rentschler, Friedrich

Scope and Content Note

Regarding acquisitions, 4 items.
 

Reykjavik Municipal Art Museum

Scope and Content Note

Regarding Salvo and Knap exhibition, 5 items.
 

Rockenschaub, Gerwald

Scope and Content Note

note to.
 

Josef Roggendorf

Scope and Content Note

Regarding various export shipments, ca.11 items.
 

Fonds Regional d'Art Contemporain, Rouen

Scope and Content Note

Regarding acquisition of Woodrow's "Island," 5 items.
 

Rüchriem, Ulrich

Scope and Content Note

2 items.
 

Galerie Lia Rumma

Scope and Content Note

Regarding sale of Steinbach's "Sweetest Taboo" to Staatsgalerie Stuttgart, 11 items.
Box 11, Folder 22

R 1990

 

Rentschler, Friedrich

Scope and Content Note

3 items.
 

Josef Roggendorf

Scope and Content Note

ca. 5 items.
Box 12

S and Sch

Box 12, Folder 1

S 1970-1979

 

Seriaal (Mia Visser)

Scope and Content Note

5 items.
 

Sharp, Willoughby (Avalanche)

Scope and Content Note

mostly regarding ads, but some mention of his writings and thoughts on the New York scene, 10 items.
 

Siegelaub, Seth (International General)

Scope and Content Note

8 items.
 

Sohst, Gerhard and Elisabeth

Scope and Content Note

extensive quantity of letters regarding the Sohst's collecting activities in Minimal and Conceptual art (i.e. Visser, Kosuth, Huebler, Weiner, Barry, Richter, Darboven, Buren) with substantial exchanges with Buren over their disagreement of the artist's "avertissement" (1976-78, see also Series II, Buren). Also contains a group of letters and a diagram about Kosuth's "Grass, Vegetation, Green, Lawn" with a letter by Kosuth explaining certificate of ownership (Jun-Sept 1978) and a poem by Sohst, ca.80 items.
 

Galerie Sonnabend

Scope and Content Note

letters concerning commission split of two large Poiriers and Art Deco book, 7 items.
 

Sperone, Gian Enzo

Scope and Content Note

substantial correspondence regarding exhibition and artist representation with discussions of sales, commission and "territorial" disputes, ca.27 items.
Box 12, Folder 2

S 1980-1981

 

Salvo

Scope and Content Note

mostly regarding exhibition, 9 items.
 

Salomé

Scope and Content Note

3 items.
 

Sevilla, Ferran Garcia (artist)

Scope and Content Note

Regarding "Fleisches Lust" exhibition, 4 items.
 

Sohst, Gerhard

Scope and Content Note

4 letters from with copy of a letter to Buren.
 

Sperone, Gian Enzo

Scope and Content Note

letter to regarding success of "Mülheimer Freiheit" show and the poor response to the 7 Italians touring show.
Box 12, Folder 3

S 1982

 

Saatchi, Charles

Scope and Content Note

4 letters to regarding Kiefer and Dokoupil acquisitions.
 

Sperone, Gian Enzo

Scope and Content Note

concerning dispute over Chia works purchased by Maenz, 2 items.
 

Salvo

Scope and Content Note

letter from.
Box 12, Folder 4

S Jan-July 1983

 

Tony Shafrazi Gallery

Scope and Content Note

4 items.
Box 12, Folder 5

S Aug-Dec 1983

 

Ileana Sonnabend Gallery

Scope and Content Note

Regarding Bömmels show, 5 items.
Folder 6

S Jan-Aug 1984

 

Salvo

Scope and Content Note

letter to.
 

Salzmann, Gregory (Yarlow/Salzmann)

Scope and Content Note

Regarding purchase of Fabro's "F. Nietzsche" and contact sheet of Yarlow/Salzmann gallery, ca.10 items.
 

Tony Shafrazi Gallery

Scope and Content Note

Regarding Haring exhibition at Maenz, 11 items.
 

Ileana Sonnabend Gallery

Scope and Content Note

Regarding Bömmels show, 7 items.
Box 12, Folder 7

S Sept-Dec 1984

Box 12, Folder 8

S Jan-June 1985

 

Salvo

Scope and Content Note

2 letters from.
Box 12, Folder 9

S July-Dec 1985

 

Salvo

Scope and Content Note

note to.
Box 12, Folder 10

S 1986

 

Saatchi, Charles

Scope and Content Note

2 letters to regarding acquisitions.
 

Sevilla, Gerran Garcia

Scope and Content Note

2 items regarding lost drawings.
 

Sohst, Gerhard

Scope and Content Note

Regarding Paolini acquisitions, 6 items.
Box 12, Folder 11

S 1987

 

Saatchi, Charles

Scope and Content Note

2 items.
 

Art Gallery of New South Wales, Sydney

Scope and Content Note

Regarding acquisition of Paolini's "L'Altra Figura," 9 items.
Box 12, Folder 12

S 1988

 

Sanders, Pieter

Scope and Content Note

4 items.
 

Sevilla, Ferran Garcia

Scope and Content Note

2 items regarding returning work.
 

Tony Shafrazi Gallery

Scope and Content Note

Regarding Dahn and Burroughs shows, 3 items.
 

Sohst, Gerhard and Elisabeth

Scope and Content Note

mostly regarding Paolini's "Intervallo," 5 items.
 

Speyer, Jerry I

Scope and Content Note

Regarding acquisitions, 4 items.
Box 12, Folder 13

S 1989

 

Sohst, Gerhard and Elisabeth

Scope and Content Note

letter to.
 

Ileana Sonnabend Gallery

Scope and Content Note

Regarding Dokoupil show with letter from Sonnabend giving an itemized rejection of Maenz's terms, ca.10 items.
 

Speyer, Jerry I

Scope and Content Note

Regarding potential acquisitions, 5 items.
 

Art Gallery of New South Wales, Sydney

Scope and Content Note

5 items regarding Kiefer show and aborted Anselmo purchase.
Box 12, Folder 14

S 1990

 

Tony Shafrazi Gallery

Scope and Content Note

Regarding Burroughs works on consignment to Maenz, 7 items.
Box 12, Folder 15

Sch 1970-1979

 

Scharpff, Rudolf

Scope and Content Note

Regarding interest in Boyle and Dolla, 6 items.
 

Schley, Evander

Scope and Content Note

letter to canceling show.
 

Schmidt, Peter (artist)

Scope and Content Note

2 items.
 

Schmidt, Ingrid and Volker

Scope and Content Note

substantial correspondence regarding acquisitions, especially a Rückriem piece which was different than the one commissioned and the purchase of a Buren work, ca.23 items.
 

Schöttle, Rüdiger

Scope and Content Note

Regarding Barry sales, Kosuth show at both galleries and letter to Rentschler with text to accompany Kosuth work, 9 items.
 

Schum, Gerry

Scope and Content Note

Regarding "Peter Roehr, Film-Montagen I," 6 items.
Box 12, Folder 16

Sch 1980-1981

 

Schmidt, Ingrid and Volker

Scope and Content Note

Regarding acquisitions and financial matters, 8 items.
Box 12, Folder 17

Sch 1982

 

Schwarzwaelder, Rosemarie, Galerie Nächst St. Stephan

Scope and Content Note

Regarding "Neue Skulptur" show, 4 items.
 

Schmidt, Ingrid and Volker

Scope and Content Note

2 items.
Box 12, Folder 18

Sch Jan-July 1983

Box 12, Folder 19

Sch Aug-Dec 1983

Box 12, Folder 20

Sch Jan-Aug 1984

Box 12, Folder 21

Sch Sept-Dec 1984

Box 12, Folder 22

Sch Jan-June 1985

Box 12, Folder 23

Sch July-Dec 1985

Box 12, Folder 24

Sch 1986

 

Scholte, Rob

Scope and Content Note

Regarding his prolonged illness, his exhibition and other matters, 5 items.
 

Schuyff, Peter

Scope and Content Note

letter to.
Box 12, Folder 25

Sch 1987

 

Schuyff, Peter

Scope and Content Note

2 letters to.
Box 12, Folder 26

Sch 1988

 

Schmidt, Volker and Ingrid

Scope and Content Note

letter to.
 

Scholte, Rob

Scope and Content Note

Regarding new work and exhibition, 5 items.
 

Schuyff, Peter

Scope and Content Note

letter from.
Box 12, Box 12, Folder 27

Sch 1989

 

Scholte, Rob

Scope and Content Note

contains 4 pg letter from Scholte explaining his break with fellow artists in Amsterdam and his move to Brussels, his relationship with Maenz, new assistants and upcoming shows, 3 items.
Box 12, Folder 28

Sch 1990

 

Scholte, Rob

Scope and Content Note

3 items.
Box 13

St and T-V

Box 13, Folder 1

St 1970-1980

 

Galerie Stähli

Scope and Content Note

11 items.
 

Studio International

Scope and Content Note

6 items.
 

Kunstausstellungen, Stuttgart

Scope and Content Note

Regarding shipment of work by Tatafiore, 5 items.
 

Württembergischer Kunstverein, Stuttgart

Scope and Content Note

correspondence mostly with Tilman Osterwold about an Insley show, 6 items.
Box 13, Folder 2

St 1980-1981

 

Gudrun Inboden, Staatsgalerie Stuttgart

Scope and Content Note

Regarding Kosuth loan and works in private German collections, Paolini and potential Kiefer acquisitions, Bömmels loan for "Szenen der Volkskunst" and other matters, ca.9 items.
 

Galerie Stähli

Scope and Content Note

letter to Rolf Winnewisser about his work and regarding Ikemure loans for Maenz exhibition, 5 items.
 

Württembergischer Kunstverein, Stuttgart

Scope and Content Note

Regarding various matters, 5 items.
Box 13, Folder 3

St 1982

 

Staatsgalerie Stuttgart

Scope and Content Note

Regarding acquisitions of Kiefer and Kosuth, 10 items.
Box 13, Folder 4

St 1983

 

Galerie Stähli

Scope and Content Note

Regarding Maenz's decision not to purchase Ikemura's works, 2 items.
 

Staatsgalerie Stuttgart

Scope and Content Note

Regarding potential acquisitions, 12 items.
Box 13, Folder 5

St 1984

 

Stringer, Edward L.

Scope and Content Note

Regarding acquisition of Kiefer's "Des Malers Atelier," 6 items.
 

Staatsgalerie Stuttgart

Scope and Content Note

Regarding acquisitions, 6 items.
Box 13, Folder 6

St 1985

 

Württembergischer Kunstverein, Stuttgart

Scope and Content Note

Regarding loans, 3 items.
Box 13, Folder 7

St 1986

 

Washington University, St. Louis

Scope and Content Note

Regarding "Hunger for Images" exhibition with checklist and timetable, 4 items.
Box 13, Folder 8

St 1987

 

Staff-Reitzenstein, Elsa von

Scope and Content Note

Regarding an acquisition, 5 items (see also 1988).
Box 13, Folder 9

St 1988

 

Stöcker, Ingvild

Scope and Content Note

Regarding acquisitions, 4 items.
Folder 10

St 1989

 

Sturtevant, Elaine

Scope and Content Note

correspondence primarily with Christian Leigh and some with Sturtevant regarding Maenz exhibition with Leigh's text for mailers, ca.16 items (see 1990 for more).
Folder 11

St 1990

 

Sturtevant, Elaine

Scope and Content Note

folder consists of substantial material regarding exhibition, including correspondence with Christian Leigh and Sturtevant and with Heydt, Vieregge & Partner concerning Eva Beuys' attempt to bring a copyright infringement suit against Sturtevant's "copy" of Beuys' "Fat Chair," and also contains an exhibition checklist, ca. 50 items (see also Bess Cutler Gallery, 1989).
Box 13, Folder 12

T-V 1970-1979

 

Götz Adriani, Kunsthalle Tübingen

Scope and Content Note

mostly regarding Roehr exhibition and some about acquisitions and other matters, 15 items.
 

Verelst, Patrick

Scope and Content Note

Regarding Verelst's non-payment to Maenz of works by Roehr, ca.7 items.
 

Verna, Annemarie

Scope and Content Note

mostly about Roehr, ca.23 items.
 

Viner, Frank Lincoln (artist)

Scope and Content Note

letter to.
 

Visser, Carel

Scope and Content Note

substantial correspondence mostly regarding exhibitions with letters about why Maenz does not want to do a drawings show (4/16/73) and Maenz rethinking their relationship (7/4/74), ca.28 items.
 

Visser, Mia

Scope and Content Note

6 items (see also Seriaal 1970-79).
Box 13, Folder 13

T-V 1980-1981

Box 13, Folder 14

T-V 1982

 

Toroni, Niele

Scope and Content Note

3 items.
Box 13, Folder 15

T-V 1983

Box 13, Folder 16

T-V Jan-Aug 1984

 

Kunio Motoé, National Museum of Modern Art, Tokyo

Scope and Content Note

Regarding Bömmels loans for "Metaphor and/or Symbol," ca.13 items.
Box 13, Folder 17

T-V Sept-Dec 1984

Box 13, Folder 18

T-V Jan-July 1985

Folder 19

T-V Aug-Dec 1985

 

Galerie Tanit

Scope and Content Note

5 items.
 

Vanity Fair and Paul Taylor

Scope and Content Note

Regarding Dokoupil article, 6 items.
Box 13, Folder 20

T-V 1986

 

Taaffe, Philip

Scope and Content Note

5 letters to.
Box 13, Folder 21

T-V 1987

 

Taaffe, Philip

Scope and Content Note

4 letters to.
 

Vaisman, Meyer

Scope and Content Note

letter to.
 

L.A. Louvre, Venice

Scope and Content Note

Regarding purchase of Woodrow's "By the Light of Day" by Jay Chiat, 8 items.
Box 13, Folder 22

T-V 1988

 

Taaffe, Philip

Scope and Content Note

letter to.
Folder 23

T-V 1989

 

A 11 Art Forum Thomas München

Scope and Content Note

5 items regarding works on consignment.
 

Toroni, Niele

Scope and Content Note

note to.
Box 13, Folder 24

T-V 1990

 

Castello di Rivara, Turin

Scope and Content Note

Regarding Feldmann loans to "65-75 Aspetti e Pratiche dell' Arte Europea," ca.10 items.
Box 14

W-Z

Box 14, Folder 1

W 1970-1979

 

Walker, Aldo (Swiss artist)

Scope and Content Note

2 items.
 

John Weber Gallery

Scope and Content Note

Regarding Mr. Krätz purchase of a LeWitt work, 5 items.
 

Weiner, Lawrence

Scope and Content Note

about Weiner updating his records to reflect ownership of work bought by the Sohsts, 6 items.
 

Westdeutscher Rundfunk Köln

Scope and Content Note

Regarding Maenz's thoughts on a WDR broadcast on homosexuality, Maenz's proposal to Werner Höfer to produce a TV program on art, contract agreement between Maenz and WDR for "Die Wirklichkeit ist nicht sichtbar," and copies of letters showing tension between Höfer and Gerry Schum, 9 items.
 

Anny De Decker, Wide White Space

Scope and Content Note

6 items.
 

Wilson, Ian

Scope and Content Note

letter to.
 

Günter Aust, Museum der Stadt, Wuppertal

Scope and Content Note

Regarding Roehr, Boyle loans and Art Deco works for "Um 1930," 7 items.
 

Christian Rathke, Kunst -und Museumverein, Wuppertal

Scope and Content Note

Regarding exhibition "50'er Jahre," 5 items.
Box 14, Folder 2

W 1980-1981

 

Städtische Galerie Wolfsburg

Scope and Content Note

letter to Klaus Hoffmann trying to sell "Mülheimer Freiheit" exhibit.
 

Museum Wiesbaden

Scope and Content Note

Regarding acquiring Kiefer's work, 3 items.
Box 14, Folder 3

W 1982

 

Städtische Galerie Wolfsburg

Scope and Content Note

letters about "Mülheimer Freiheit" exhibition with a letter signed by Dahn, Dokoupil, Bömmels, Naschberger and Adamsky, 3 items.
 

Wéry, Marthe

Scope and Content Note

2 items.
 

Werner, Hermann (artist)

Scope and Content Note

Regarding sending photos of his work to Maenz, 2 items.
Box 14, Folder 4

W Jan-July 1983

 

Städtische Galerie Wolfsburg

Scope and Content Note

Regarding acquisitions of Dahn and Dokoupil with list of works and prices, 9 items.
Box 14, Folder 5

W Aug-Dec 1983

 

Woodrow, Bill

Scope and Content Note

2 letters to.
Box 14, Folder 6

W 1984

 

Woodrow, Bill

Scope and Content Note

letter to.
Box 14, Folder 7

W Jan-June 1985

 

Thomas Krens, Williams College Museum of Art

Scope and Content Note

letter from regarding German painting exhibition plans.
 

Wittrock Kunsthandel

Scope and Content Note

Regarding works sold to the Deutschen Bank with list of works and prices, 4 items.
Box 14, Folder 8

W July-Dec 1985

 

Warhol, Andy

Scope and Content Note

2 letters to.
 

Wencke, Claus-H.

Scope and Content Note

4 letters to about acquisitions and account problems.
Box 14, Folder 9

W 1986

 

Warhol, Andy

Scope and Content Note

material concerning Warhol exhibition, including correspondence with Heiner Bastian and Fred Hughes about commission dispute between Maenz and Bastian over the sale of "Flowers," 1964, loan agreements, shipping and insurance documents and list of works in show, ca.20 items.
 

Thomas Krens, Williams College

Scope and Content Note

letter from regarding exhibition "German Painting Now."
 

Woodrow, Bill

Scope and Content Note

3 letters to regarding sales and consignment arrangement.
Box 14, Folder 10

W 1987

 

Alexander Weder Kunsthandel

Scope and Content Note

Regarding Disler's work, 5 items.
 

Wesdeutscher Rundfunk Köln

Scope and Content Note

Regarding co-sponsored festival, 4 items.
 

Kunstmuseum Winterthur

Scope and Content Note

Regarding loans for John Armleder exhibition, 2 items with loan forms.
 

Woodrow, Bill

Scope and Content Note

correspondence with Pauline Woodrow about updating the artist's records, 4 items.
Box 14, Folder 11

W 1988

 

Washington University, St. Louis

Scope and Content Note

5 items.
 

Thomas Krens, Williams College

Scope and Content Note

letter to regarding selection of works for German painting exhibition.
 

Woodrow, Bill

Scope and Content Note

2 letters to and form letters to museums and collectors re artist's exhibition, 8 items.
Box 14, Folder 12

W 1989

 

Sally G. Shafto, Williams College

Scope and Content Note

Regarding Bömmels poster with press release of "Refigured Painting: The German Image 1960-1988," 3 items (see also 1990).
 

Willisch, Susanne

Scope and Content Note

about restoration of Dahn's work owned by Jobst family, 7 items.
Box 14, Folder 13

W 1990

 

Sally G. Shafto, Williams College

Scope and Content Note

Regarding Shafto's interest in Bömmels, 8 items.
Box 14, Folder 14

X-Z 1970-1979

 

Zizmann, Rolf

Scope and Content Note

Regarding Buren creating a work for Zizmann and certificates for the piece, with photo of the interior of Zizmann's house.
 

Kunsthaus Zürich

Scope and Content Note

loan forms and shipping documents regarding loans for "Malerei und Photographie im Dialog," 6 items.
 

Galerie Rudolf Zwirner

Scope and Content Note

about various exhibitions, 7 items.
Box 14, Folder 15

X-Z 1980-1981

 

Zacharopoulos, Denys

Scope and Content Note

letter to about why Maenz did not use his text in the Jahresbericht."
Box 14, Folder 16

X-Z 1982

 

Ursula Perucchi, Kunsthaus Zürich

Scope and Content Note

primarily regarding Cucchi exhibition loans, 5 items.
 

Christos M. Joachimides, "Zeitgeist"

Scope and Content Note

letter to.
Box 14, Folder 17

X-Z 1983

 

Galerie Rudolf Zwirner

Scope and Content Note

Regarding "Premierentage" catalog, 3 items.
Box 14, Folder 18

X-Z 1984

Box 14, Folder 19

X-Z 1985

 

Yarlow/Salzman Inc.

Scope and Content Note

Regarding sales and commission dispute, 5 items.
Box 14, Folder 20

X-Z 1986

Box 14, Folder 21

X-Z 1987

Box 14, Folder 22

X-Z 1988

Box 14, Folder 23

X-Z 1989

Box 14, Folder 24

Farewell letters 1990

Scope and Content Note

letters sent to Maenz from artists, gallery owners, museum directors, etc., expressing sorrow over his closing the gallery and good wishes for the future. Correspondents include: Holly Solomon, Martin Disler (with small drawing on one sheet), Gisela Kapp, Dieter Koepplin, Heliod Spiedermann-Kothe, Frans Haks, Werner Lippert, Jean-Christophe Ammann, Julie and Robert Barry, Daniel Buren, Julian Opie, Johannes Cladders, Gerhard Sohst, Anne and Patrick Poirier.
Box 14, Folder 25

Assorted unidentified artists, 1987-1990

Scope and Content Note

solicitations from unknown artists seeking representation, 1987-1990.
Box 14, Folder 26

Lists

Scope and Content Note

mailing and artists lists.
Folder 27-28

Art organizations, 1985-1990

Scope and Content Note

correspondence with and information from Bundesverband Deutscher Galerien, Köln (1988-1990), and Gesellschaft für Moderne Kunst am Museum Ludwig, Köln (1985-1989), Maenz was a member of both organizations.
 

Series II.  Artists' correspondence, 1970-1980

Physical Description: 1 lin. ft. 2 boxes

Scope and Content Note

Series II consists of letters to and from artists whom Maenz represented or exhibited from 1970-80, such as Art & Language artists, David Askevold, Robert Barry, Jean-Marie Bertholin, Mark Boyle, Daniel Buren, Victor Burgin, Hanne Darboven, Hans-Peter Feldmann, Hans Haacke, John Hilliard, Will Insley, Joseph Kosuth, Anne and Patrick Poirier, Dave Rushton, Claude Rutault and Marthe Wéry. Arranged alphabetically. Letters regard exhibitions, financial arrangements, sales at Maenz and other galleries, publications, production of new works, artistic theories, and the then current art scene. Letters written after 1980 can be found in Series I.
Box 15

A-F

Box 15, Folder 1

Art & Language, 1971-1978

Scope and Content Note

correspondence with Terry Atkinson, Charles Harrison and Michael Baldwin about creation and translation of works; book production of DuMont anthology; exhibitions, including Basel and Documenta (1971-1972), and others; book sales; a lost work, which was shown in "Project '74"; financial matters; and problems within the group (see especially letters ca. March or April 1976, in which Baldwin requests Maenz to send him socialist literature). Also includes brief text on "Loop" for Basel show (3/15/72), ca. 85 items, bulk 1971-1975. See also Ian Burn and Joseph Kosuth for more on Art & Language.
Box 15, Folder 2

Askevold, David, 1971-1979

Scope and Content Note

letters about his shows at the gallery, including description of works and installations; his works in general; finances and prices of works; tape and film editions of his works "FFACC" and "Rubber Band"; certificates for tapes and films; making a tape with Gerry Schum; and an interesting letter about why he wants to show with John Gibson considering Gibson's reputation (9/18/73); ca. 70 items.
Box 15, Folder 3

Barry, Robert, 1970-1980

Scope and Content Note

extensive correspondence, includes many detailed descriptions of his slide pieces, drawings and other works (see especially an undated letter, ca. early 1971, for "Something which is ..."); confusion over "Invitation Piece" mailer (late 1972-early 73); a discrepancy in the documentation of "Argon" (5/11/77); various publications; exhibitions for the gallery, Prospekt, Documenta, Kunstmarkt and others; sales (especially to Dr. Friedrich Rentschler); work availability; Maenz's business dealings with other European galleries representing Barry; Barry's work, exhibition and travel schedules and some installation instructions. ca. 126 items.
Box 15, Folder 4

Bertholin, Jean-Marie, 1975-1979

Scope and Content Note

letters about exhibitions at the gallery, Art in Progress and Galerie Germain; sales; and discontinuance of their working relationship. ca.17 items.
Box 15, Folder 5

Boyle, Mark, 1970-1076 1970-1973

Scope and Content Note

correspondence about exhibitions at the gallery, Documenta (1972), and elsewhere; financial matters with the artist's account statements; prices of works; and a poor translation of a review by Günther Wirth (9/28/73) for Studio International, which makes mention of Boyle. ca. 40 items.
Box 15, Folder 6

Büttner, Werner

Scope and Content Note

includes a copy of an interesting letter from Büttner to Paparoni about why he will not participate in an Italian exhibition because of the political situation there, 4 items.
Box 15, Folder 7

Buren, Daniel, 1972-1980

Scope and Content Note

problems with the "Deurle" publication; a large work commissioned by Gerhard and Elisabeth Sohst, which they decided to return in part due to Buren's "avertissement" (see also Series I "S" 1970-1979 for extensive Sohst correspondence on this matter); creation and sales of other works; and various exhibitions of his work in Germany, ca.42 items.
Box 15, Folder 8

Burgin, Victor, 1971-1977 bulk 1971-1973

Scope and Content Note

many letters discussing edition size and sales of "Bracket Performative," "IV 2," "VI" and "Hussonet"; exhibitions at the gallery, Documenta and Project '74; publications, especially one with Latimer Press 1971-73 (see 7/2/73 for contents outline); some installation instructions; Maenz's dissatisfaction with the three-language-version of "New York Cultural Center Piece" (7/28 & 8/3/71); reason for Maenz (or de Vries) not wanting to sell "Photopath" to the Tate (2/16/73); and letter from Maenz showing bitter feelings about Burgin's attack on Maenz's and Gerd's work in their last meeting (2/26/77, see also Kosuth file 3/7/77 and Haacke file 4/22/77 for related letters). Other items include title sheet for "Bracketed Performative," 1971. ca. 87 items.
Box 15, Folder 9

Burn, Ian and Mel Ramsden, 1971, 1973-1976

Scope and Content Note

includes letters from Ramsden about his disillusionment with the gallery because Burn and Ramsden were not included in the Dumont anthology (1/13/73); from Burn about current direction of Art & Language (ca.3/7/73); from Ramsden documenting tensions between A & L in USA and England (7/11/75); Kunstmarkt text typescript with frank letter from Maenz about its unsuitability for the exhibition (8/29/75) and a revised typescript from Ramsden; and others describing works for the gallery and the Ludwig collection, exhibitions, publications, prices and sales of works. ca.60 items.
Box 15, Folder 10

Darboven, Hanne, 1979-1980

Scope and Content Note

includes letters about an exhibition at the gallery and sales. Also contains postcard and letter with numbers and her characteristic scribbles, copy of sketch for title-page of "Jahresbericht 1979" annotated with a note from Darboven and photocopied article, ca.14 items.
Box 15, Folder 11

Feldmann, Hans-Peter, 1972-1975, 1978-1979

Scope and Content Note

includes correspondence about works, exhibitions, sales and other gallery representation; letter which substantiates reasons for using notebook format for exhibition (n.d., ca.1972-73); letters in which Feldmann explains his refusal to give autobiographical data (1974); and letter in which Feldmann theorizes on the meaning of art in conjunction with his toy exhibition (n.d., ca.1974-75).
Box 16

H-W

Box 16, Folder 1-2

Haacke, Hans, 1969-1979

Scope and Content Note

extensive and rich correspondence demonstrating the political and economic issues that preoccupied Haacke. Including letters about the gallery's first show in 1971 and the delay of the opening (1970); Haacke's description of his Tokyo installation "Circulation," recommendation of several Japanese artists and his ideas on art and politics (6/17/70); how to install the first show and Haacke's reasons for withdrawing from "Conceptual Art and Conceptual Aspects" exhibition due to alienation from Kosuth (12/27/70); many letters about the Guggenheim "scandal," including Haacke describing the ban of Buren at Guggenheim (2/13, 2/28/71), expulsion of Haacke from Guggenheim show, possible legal action and seeking letters of support from Maenz (4/17/71) and artists boycotting Guggenheim on grounds of artistic freedom (5/10/71); Haacke expressing views on Artforum and Arts Magazine and Barbara Rose's critiques (3/14/71); financing for "Questionnaire" and its installation at Documenta (2/13/72); dispute between Haacke and Onnasch about display of "Eisring" (4/13, 4/18/72); Barry dispute with Maenz (12/15, 12/19/72); many letters about Haacke's Manet project for Projekt '74 including proposals, subsequent rejection by the selection committee, Haacke's threats to expose the Wallraf-Richartz-Museum for hindering artistic freedom and Haacke's insistance that they publish his proposals and their reasons for his rejection in the Projekt '74 catalog (Jan-May 1974, see also ** for poster of Manet project exhibition at Maenz, which illustrates letters between the artist and Dr. Horst Keller, director of Wallraf-Richartz-Museums); Haacke asking Maenz to send him biographical information for future pieces (1975); Prospect-Retrospective 1946-76 (10/76); misunderstanding between Burgin and Maenz (4/22/77); and Maenz re-asking Haacke to state his political orientation after Haacke thought the request inappropriate for a commercial gallery (5/4/77). Other items include Manhattan card to be used for Prospect with text and sketch (7/15/71); contact sheet for a catalog (3/72); blank contract for artist and collector drawn up by Haacke's lawyer; and photocopy of Haacke article "Art into Society-Society into Art" (with letter dated 3/9/75). ca. 126 items.
Box 16, Folder 3

Hilliard, John, 1977-1979

Scope and Content Note

letters about his exhibition at Maenz; showing "Horse-Chestnut Leaves" at Documenta, which was purchased by Maenz (1977); exhibiting "Velazquez" at several venues including Maenz; invitation cards; and Maenz's inability to sell Hilliard's work. 18 items.
Box 16, Folder 4

Insley, Will, 1971-1977, bulk 1972-1973

Scope and Content Note

exhibitions at the gallery, Documenta and extensive exchanges about Haus Lange, Krefeld, show; descriptions of new works, especially a new series of small wall fragments (5/31/75) and Insley's thoughts on their installation (11/3/76); sales and financial matters; problems of conserving and framing his early drawings (12/6/77); and from Maenz about why Insley's work will not fit into the gallery's current exhibition program (5/8/79). ca. 50 items.
Box 16, Folder 5

Kosuth, Joseph, 1970-1979, bulk 1971-1977

Scope and Content Note

correspondence about exhibitions at the gallery, Documenta (1972), Projekt '74 (see letter ca. Summer 1974 for list of materials requested by Kosuth) and others; financial arrangements; sales; and publication by Klaus Honnef. Also contains extensive and rich letters regarding Kosuth's current works and the conceptual art scene, including copy of a letter from Kosuth to Karl Heinemann regarding his reasons for no longer selling his "Propositions" and how he accepts "private grants" (ca.1/71); Kosuth's reaction to Fischer's Studio article (3/22/71); dispute between Maenz and Gunter Sachs Gallery over an exhibition of Kosuth's work (see especially 10/11/72); Maenz's description of the Brussels congress (7/5/73); Kosuth's comments concerning the catalog "Non-anthropomorphic art by four young artists" at Lannis Gallery in relation to the recent Luzern catalog (ca. early 1974); Kosuth's reason for ending his "Investigation" series and photocopied statement for "The Tenth Investigation" (ca. early 1975); extensive description of new work which shifts from an analytical to a dialectical model (10/31/75) and Maenz's somewhat negative response to it (3/16/76); the breakup of Provisional Art & Life, NY, problems in Art & Language and the end of Fox (8/16, 9/20/76); and lengthy and emotional letter from Kosuth about Burgin's dismissal from the gallery (3/7/77). ca. 88 items.
Box 16, Folder 6

Michals, Duane, 1977

Scope and Content Note

letters from Maenz regarding an exhibition and copy of a letter from Michals to Ann and Jurgen Wilde about shipment of works to them with information on how they are to be dispersed to Documenta and Maenz, 6 items.
Box 16, Folder 7

Pohl, Marianne, 1977-1979

Scope and Content Note

includes letters about exhibitions at the gallery and elsewhere; letter with installation instructions in pen and crayon (11/26/78); and letter about Pohl's decision to paint for her own pleasure, not for sales, with a small piece of painted canvas annotated and sent as a momento (9/7/79). ca. 10 items.
Box 16, Folder 8

Poirier, Anne and Patrick, 1972-1980

Scope and Content Note

exhibitions at the gallery, Project '74 and elsewhere; prices; works to be exchanged between Edward Kienholz and the Poiriers (1973, see also Series I "K"); not wanting 10 steles separated (5/8/73); current low artistic output and intended future direction of their art (5/18/74); descriptions of works, especially one which uses the Domus Aurea as inspiration (6/2/75); the Poirier's unwillingness to sell "Ausée" to a private collection because they hope a public institution will acquire it (6/12/78); and rethinking their working relationship (see especially 11/1/78 and 1/3/79). ca. 75 items.
 

Ramsden, Mel

Scope and Content Note

see Ian Burn.
Box 16, Folder 9

Rushton, Dave, 1972-1974, undated

Scope and Content Note

letters about distributing "Suggestion from the Following Gallery" at Galerie für zeitgenössische Kunst; list of works and prices given to Maenz for display (5/24/73); works not to be exhibited in Maenz's possession and descriptions of works which can be sent for a show (6/7/73); and destruction of 25 copies of "the Portrait of Harriet Smith" from water damage in Brussels (2/12/74). ca. 17 items.
Box 16, Folder 10

Rutault, Claude, 1976-1980

Scope and Content Note

correspondence regarding exhibitions, such as "Accrochage des toiles carrées" in which Rutault's proposed design for the invitation is rejected by Maenz (1977) and Maenz gallery schematic with list of works and annotations by Rutault as to where they should be displayed (7/16/79); descriptions of works; letter written to de Vries about finding texts written by French minimal artists (6/3/77); and letter with copy of text "une toile chasse l'autre no. 3" (12/1/77). ca. 30 items.
Box 16, Folder 11

Toroni, Niele, 1971, 1975-1977, 1979-1980

Scope and Content Note

letters about exhibitions, sales and why the artist does not leave works on consignment (6/7/77). ca. 11 items.
Box 16, Folder 12

Wéry, Marthe, 1974-1980

Scope and Content Note

correspondence regarding exhibitions, including how her work should be displayed (1/1/77); sales; Wéry's disappointment with Maenz and discusses her ideas on art (1/10/78); why Maenz has excluded her from "Colonia Italiana" exhibition (1/11/78); Maenz expressing his opposition to Wéry's text on color, form and material (3/26/78); and Maenz ending their working relationship (1/3/79). ca. 33 items.
 

Series III.  Loans, 1975-1990, 1982-1990

Physical Description: 2.5 lin. ft. 5 boxes

Scope and Content Note

Loan documentation with museums and galleries, consists of letters requesting loans, loan request forms, shipping and insurance documents and some correspondence about exhibitions. This series also contains consignment agreements with other galleries with checklists and prices of works on loan and discussions of financial arrangements. Series I should also be consulted.
Box 17

A-D

Box 17, Folder 1

A 1975-1981

Scope and Content Note

contains material from Stedelijk Museum, Amsterdam, on the Wéry exhibition, 1975 (extensive documentation); Penone, 1979; and "Sieben Junge Italiener," 1981 (Clemente and Cucchi).
Box 17, Folder 2

A 1982-1985

Scope and Content Note

includes documents for Stedelijk Museum for "'60-'80 Attitudes/Concepts/Images," 1981 (Paolini).
Box 17, Folder 3

A 1986

Scope and Content Note

extensive documentation of Art Gallery of South Australia's "Wild Visionary Spectral: New German Art," (Bömmels, Fetting, Kiefer and Dokoupil).
Box 17, Folder 4

A 1987

Scope and Content Note

correspondence with Galería Juana de Aizpuru, Madrid, about puchasing works by Dokoupil and the possibility of shows for Dokoupil and Salvo at Aizpuru; Stedelijk Museum for "Anselm Kiefer"; and Galerie Arnesen, Copenhagen, regarding works by Bömmels, Dokoupil and Dahn lent on consignment (see also 1988).
Box 17, Folder 5

A 1988

Scope and Content Note

mostly letters to Galerie Arnesen about works that had not yet been returned from consignment and money owed to Maenz.
Box 17, Folder 6

A 1989

Scope and Content Note

Achenbach Art Consulting about Kiefer and Dahn and works by Bömmels on consignment to Artinizing.
Box 17, Folder 7

A 1990

Scope and Content Note

letters regarding works on consignment to Achenbach (Darboven and Dahn) and Artinizing (Sturtevant and Bömmels) and with Museum van Hedendaagse Kunst, Antwerp, about Kosuth's exhibition "Exchange of Meaning."
Box 17, Folder 8

B 1977-1981

Scope and Content Note

Dorothee Freifrau von Stetten, Bonn, Bonner Kunstverein and Staatliche Museen Preussischer, Berlin, all requesting loan of works by Poirier; Neuer Berliner Kunstverein (Haake); and Kunstalle Berlin IBK (various artists).
Box 17, Folder 9

B 1982-1985

Scope and Content Note

includes documents from Kunsthalle Basel regarding Dahn exhibition and "12 Künstler aus Deutschland"; Martin-Gropius-Bau, Berlin, "Zeitgeist" (Dahn, Dokoupil, Bömmels, Büttner); Neuer Berliner Kunstverein "Elementarzeichen" (Haring); Akedemie der Künste, Berlin, "Das Selbstportrait im Zeitalter der Photographie" (Salvo); Museé d'Art Contemporain de Bordeaux and Hans-Thoma-Museum, Bernau, about Kiefer exhibitions; Galleria d'Arte Moderne, Bologna, "La giovane pittura in Germania" (Naschberger, Dahn, Bömmels, Dokoupil); Kunstfonds Bonn "Neue Malerei" (various); Rheinisches Landesmuseum, Bonn, "Zwischenbilanz" (Bömmels, Dahn, Dokoupil); Centre de Développement Culturel du Boulonnais "Cologne.... Nouveaux Regards" (Bömmels, Dahn, Dokoupil).
Box 17, Folder 10

B 1986

Scope and Content Note

contains substantial material, including checklists, for Kunsthalle Basel's Dahn exhibition.
Box 17, Folder 11

B 1987

Scope and Content Note

Neue Gesellschaft für bildende Kunst, Berlin, "Endart" and Palais des Beaux-Arts, Brussels, "Au Coeur du Maelström" (Scholte).
Box 17, Folder 12

B 1989

Scope and Content Note

works on consignment to Galerie Inge Baecker (Poirier), Galerie Harald Behm (Bömmels), Galleri Bohman (Dahn), Galerie Raymond Bollag (Bömmels, Dahn); and for exhibitions at Haus am Waldee, Berlin, "Enzo Cucchi: Zeichnungen 1977-88" and Rheinisches Landesmuseum, Bonn, "Kunst der Gegenwart aus der Bundesrepublik Deutschland" (Dahn, Ireland exchange).
Box 17, Folder 13

B 1990

Scope and Content Note

Bonner Kunstverein "2000 Jahre: Die Gegenwart der Vergangenheit" (Paolini, Salvo) and works on consignment to Galerie Buchmann (Bömmels) since 1985.
Box 17, Folder 14

C-D 1979

Scope and Content Note

contains documents for Kunsthalle Düsseldorf's "Museum des Geldes" (Penone, Salvo).
Box 17, Folder 15

C-D 1982-1985

Scope and Content Note

Maison de la Culture, Chalon-sur-Saone, (Roehr); Museum am Ostwall, Dortmund, (Bömmels); Kunstmuseum Düsseldorf "z.B. Stühle: Ein Streifzug durch die Kulturgeschichte des Sitzens" (Kosuth), "Nehmen Sie Dada ernst -Es lohnt sich!" (Dokoupil) and "Anselm Kiefer"; Rosc, Dublin, (Bömmels, Dahn/Dokoupil); and Messe Düsseldorf "Von hier aus" (Dokoupil).
Box 17, Folder 16

C-D 1987

Scope and Content Note

Palais des Beaux-Arts, Charleroi, "L'Exotisme au Quotidien" (Dokoupil, Mariani) and Stedelijk Museum Het Prinsenhof, Delft, "Contour Exhibition" (Scholte).
Box 17, Folder 17

C-D 1988

Scope and Content Note

loan receipt for Galerie Christoph Dürr "Broken Neon" (Dokoupil).
Box 17, Folder 18

C-D 1989

Scope and Content Note

works on consignment to Galerie Charles Cartwright (Dahn, Dokoupil) and a loan to Museum am Ostwall, Dortmond "Schrift-Bilder" (Kosuth).
Box 17, Folder 19

C-D 1990

Scope and Content Note

works on consignment to Galerie Luis Campana.
Box 18

E-J

Box 18, Folder 1

E 1978-1980

Scope and Content Note

Museum Folkwang, Essen, "Penone" and "7 junge Italiener" (Cucchi, Chia); and Van Abbemuseum, Eindhoven, (separate shows involving Kosuth, Haacke, Barry, Askevold).
Box 18, Folder 2

E 1982-1985

Scope and Content Note

extensive documentation of Scottish Arts Council, Edinburgh, "Mulheimer Freiheit" (various) and of Van Abbemuseum "Walter Dahn, René Daniels, Isa Genzken, Jenny Holzer, Robert Longo, Henk Visch"; also contains loan agreements for Museum Folkwang "Die Erschaffung des Universums" (Dokoupil), "Künstliche Paradiese" (Salvo), "Martin Disler," "Enzo Cucchi," and "10 junge Künstler aus Deutschland."
Box 18, Folder 3

E 1986

Scope and Content Note

Fruitmarket Gallery, Edinburgh, "The Mirror and the Lamp" (Paolini, Dokoupil) and Folkwang Museum "Georg Dokoupil."
Box 18, Folder 4

E 1987

Scope and Content Note

contains extensive documentation of Van Abbemuseum "Walter Dahn" with checklists.
Box 18, Folder 5

E 1988

Scope and Content Note

Scottish Arts Council "Edinburgh International" and "Memory and Imagination" (Salvo).
Box 18, Folder 6

F 1982-1985

Scope and Content Note

Frankfurter Kunstverein "Vom Zeichnen" (various) and Galerie Six Friedrich (Dahn, Dokoupil).
Box 18, Folder 7

F 1986

Scope and Content Note

works on consignment to Galerie Fahlbusch (various) and works shown at Frankfurter Kunstverein "Prospect 86" (various).
Box 18, Folder 8

F 1987

Scope and Content Note

Galerie Fahlbusch (Bömmels, see also 1988) and Frankfurter Kunstverein (Dahn, Dokoupil).
Box 18, Folder 9

F 1988

Scope and Content Note

Galerie Fahlbusch and Kunstverein Freiburg "Malerei Salvo."
Box 18, Folder 10

F 1989

Scope and Content Note

works on consignment to Galerie Fahlbusch (Dahn) and Galerie Erika & Otto Friedrich (Salvo), and lent to Portikus, Frankfurt am Main (Feldmann).
Box 18, Folder 11

F 1990

Scope and Content Note

works on consignment to Galerie Six Friedrich (Dahn, Dokoupil).
Box 18, Folder 12

G 1980-1981

Scope and Content Note

Groninger Museum "Mülheimer Freiheit" (various).
Box 18, Folder 13

G 1982-1985

Scope and Content Note

Steirischer Herbst, Graz, "Phase 2/Das Bild einer Ausstellung" (Dokoupil).
Box 18, Folder 14

G 1986

Scope and Content Note

Musée Grenoble "Walter Dahn."
Box 18, Folder 15

G 1988

Scope and Content Note

Galerie Gmurzynska.
Box 18, Folder 16

G 1990

Scope and Content Note

works on consignment to "121" Dahn, Dokoupil).
Box 18, Folder 17

H 1978, 1982-1985

Scope and Content Note

Hamburger Kunsthalle "Das Bild des Künstlers" and works on consignment to Galerie Max-Ulrich Hetzler (Dahn).
Box 18, Folder 18

H 1986

Scope and Content Note

works on consignment to Galerie Heinz Holtmann (Bömmels, Dahn, Dokoupil) and on loan to Louisiana Museum, Humlebaek "Global Dialogue -Primitive and Modern Art" (Dahn, Dokoupil, Woodrow).
Box 18, Folder 19

H 1987

Scope and Content Note

works on consignment to Galerie Tilly Haderek (Roehr) and on loan to Hamburger Kunsthalle "Schrecken und Hoffnung" (Bömmels).
Box 18, Folder 20

H 1988

Scope and Content Note

extensive documentation of works on consignment from Pat Hearn Gallery (Schuyff).
Box 18, Folder 21

H 1989

Scope and Content Note

Haags Gemeentemuseum (Dahn), Kunsthaus Hamburg "Arbeit in Geschichte/Geschichte in Arbeit" (Dokoupil) and works on consignment to Hirschl & Adler Modern "Repetitions" (Roehr, Toroni, Paolini).
Box 18, Folder 21

H 1990

Scope and Content Note

see L 1990 for Kunstverein Hamburg "D & S Ausstellung" (Opie, Sturtevant, Disler).
Box 18, Folder 22

I-J 1982-1985

Scope and Content Note

Ingelheim am Rhein "100 Jahre Kunst in Deutschland, 1885-1985" (Dokoupil) and Israel Museum, Jerusalem, "Anselm Kiefer."
Box 18, Folder 23

I-J 1986

Scope and Content Note

works on consignment to Barbara J.-Jandrig Galerie (Dahn).
Box 18, Folder 24

I-J 1987

Scope and Content Note

works on loan to Margarethe Jochimsen for exhibition "Sie Machen Was Sie Wollen: Junge Rheinische Kunst" traveling to Museo de Arte Contemporaneo de Sevilla and Galerie Shipka, Sofia, Bulgaria (Bömmels, Dahn) and works on consignment to Galerie Jöllenbeck (various).
Box 18, Folder 25

I-J 1990

Scope and Content Note

works on consignment to Akira Ikeda Gallery (Dahn, see also extensive correspondence in Series I).
Box 19

K-M 1977-1987

Box 19, Folder 1

K 1977-1980

Scope and Content Note

loan documents for Documenta (1977, Art & Language, Kosuth, Wéry); and Badischer Kunstverein, Karlsruhe, "Hans Haacke," "Mimmo Paladino" and "Monumente -Denkmal" (Salvo).
Box 19, Folder 2

K 1982-1985

Scope and Content Note

Badischer Kunstverein, Karlsruhe, "Francesco Clemente"; Kasseler Kunstverein (Dokoupil); much material for Documenta 7 (Dahn, Dokoupil) and Kitakyushu Municipal Museum of Art "Painting Now" (Dahn, Dokoupil, Bömmels); and Kölnischer Kunstverein "Acht in Köln."
Box 19, Folder 3

K 1987

Scope and Content Note

works on consignment to Galerie Kaess-Weiss (Dahn, Salvo, Dokoupil, Salvo) and on loan to Documenta (Scholte).
Box 19, Folder 4

K 1988

Scope and Content Note

Museum Fridericianum, Kassel, "Schlaf der Vernunft" (Barry); Kasseler Kunstverein "Rob Scholte"; and Museum Ludwig, Köln, "Marcel Duchamp und die Avantgarde seit 1950" (Barry, Paolini, Anselmo).
Box 19, Folder 5

K 1989

Scope and Content Note

works on consignment to Galerie Kaess-Weiss (Clemente, Paladino); and on loan to Museum Ludwig, Köln, "Bilderstreit" (Paolini) and Stadtmuseum Köln, "Augen-Blicke" (various).
Box 19, Folder 6

K 1990

Scope and Content Note

works on consignment to Galerie Kaess-Weiss (various) and Elisabeth Kaufmann Basel (Dahn); and on loan to Statens Museum for Kunst, København (Dahn/Dokoupil).
Box 19, Folder 7

L 1978

Scope and Content Note

contains material for three Kunstmuseum Luzern exhibitions "Peter Röhr," "Serielle Prinzip..." (various) and "16 Italienische Künstler" (Paolini).
Box 19, Folder 8

L 1982-1985

Scope and Content Note

Whitechapel Art Gallery, London, "Anselm Kiefer"; Tate Gallery, London, "New Art" (Dokoupil, Dahn); Wilhelm-Hack-Museum, Ludwigshafen, "Die Apokalypse -Ein Prinzig Hoffnung" (Dahn, Dokoupil, Bömmels, Cucci); and Kunstmuseum Luzern "Salvo."
Box 19, Folder 9

L 1987

Scope and Content Note

Goethe Institut, Lagos (Dahn/Dokoupil); works on consignment to Galerie Leyendecker (Bömmels); substantial documents relating to both LACMA's "Avant Garde in the Eighties" (Dahn, Dokoupil) and Musée St. Pierre, Lyon, "Rob Scholte" (includes letter from Scholte while visiting Candelaria).
Box 19, Folder 10

L 1988

Scope and Content Note

works given by the artists to Galerie Yvon Lambert for "Aids-Aid" (Dokoupil, Dahn, Bömmels).
Box 19, Folder 11

L 1989

Scope and Content Note

Tate Gallery, Liverpool, "Art from Köln" (Dahn).
Box 19, Folder 12

L 1990

Scope and Content Note

works on consignment from Lisson Gallery (Opie) and on loan to Kunstverein Hamburg "D & S Ausstellung" (Opie, Sturtevant, Disler).
Box 19, Folder 13

M 1977-1980

Scope and Content Note

Mannheimer Kunstverein "Salvo," "Giulio Paolini," "Poirier" and "Chia, Clemente, De Maria, Paladino"; Westfälisches Landesmuseum, Münster, "Reliefs" (Poirier).
Box 19, Folder 14

M 1982-1985

Scope and Content Note

Bonnefantenmuseum, Maastricht, and Kunstverein München "Künstliche Paradiese" (Salvo); Städtischen Museum Mülheim, "Nehmen sie Dada Ernst" (Dokoupil); Kunstverein München; Instituto Nacional de Bellas Artes, Mexico, "Ursprung und Vision -Neue Deutsche Malerei (Dahn/Dokoupil); and Galerie-Verein München (Adamski, Dahn, Dokoupil, Kever).
Box 19, Folder 15

M 1986

Scope and Content Note

Galerie Herbert Meyer-Ellinger (Roehr); Haus der Kunst, München, "Das Automobil in der Kunst" (Roehr); Städtische Galerie im Lenbachhaus, München, "Hommage a Beuys" (Fabro, Dahn, Dokoupil); and Galerie Vera Munro (Dahn/Dokoupil).
Box 19, Folder 16

M 1987

Scope and Content Note

includes Galerie Philomene Magers "Ping-Pong" (Dahn); Mannheimer Kunstverein "Skulpturen von Malern" (Dahn); works on consignment to Galerie Herbert Meyer-Ellinger (Dahn, Roehr); and Kunstverein München "Bill Woodrow, Skulpturen" and "Werner Büttner."
Box 20

M - R 1977-1990

Box 20, Folder 1

M 1988

Scope and Content Note

Studio Marconi (Dokoupil), Abbaye Saint-Andre, Meymac, "Les Années 80 à la surface de la peinture" (Disler, Dahn, Dokoupil) and works on consignment to Galerie Silvia Menzel (Dahn).
Box 20, Folder 2

M 1989

Scope and Content Note

works on loan to Fundacion Caja, Madrid, "Dokoupil"; Galerie Magers "Nature Morte" (Salvo, Dokoupil); Kunstverein München "Walter Dahn"; and works on consignment to Galerie Am Kleinen Markt (Dahn), Galerie Herbert Meyer-Ellinger (Dahn, Roehr) and Galerie Vera Munro (Dahn).
Box 20, Folder 3

M 1990

Scope and Content Note

works on consignment to Galerie Maier-Hahn (Feldmann) and Galerie Meyer-Ellinger (Dahn).
Box 20, Folder 4

N-O 1978

Scope and Content Note

Museum of Modern Art, Oxford (Roehr).
Box 20, Folder 5

N-O 1982-1985

Scope and Content Note

Guggenheim, New York, "Italian Art Now: An American Perspective" (Cucchi); Museum of Modern Art, New York, "An International Survey of Recent Painting and Sculpture" (Bömmels, Mariani); Evangelischen Kirchbautag, Nürnberg, "Imago -Das Künstlerische Credo" (Dokoupil, Bömmels, Disler, Kiefer); and Rijksmuseum Kröller-Müller, Otterlo (Darboven).
Box 20, Folder 6

N-O 1987

Scope and Content Note

Whitney Museum of American Art, New York, "1987 Biennial Exhibition with correspondence about Taaffe's "Four Quad Cinema" being sold to the Saatchi Collection.
Box 20, Folder 7

N-O 1988

Scope and Content Note

works on consignment to Herrn Job, Otterndorf (Roehr).
Box 20, Folder 8

P-Q 1979-1981

Scope and Content Note

includes loan agreements for Centre Pompidou, Paris, "La Cartographie" (Poirier); Musée d'Art moderne de la Ville de Paris "Art Allemand Arc" (Haacke).
Box 20, Folder 9

P-Q 1982-1985

Scope and Content Note

works on consignment to Produzentengalerie (Dahn, Dokoupil); and on loan to XIIIe Biennale de Paris (Dokoupil), Musée d'Art moderne de la Ville de Paris "Martin Disler" and Carnegie Institute, Pittsburgh, "Carnegie International" (Dokoupil).
Box 20, Folder 10

P-Q 1986

Scope and Content Note

Obalne Galerije Piran "New Drawing" (Dokoupil, Bömmels, Dahn).
Box 20, Folder 11

P-Q 1987

Scope and Content Note

works on consignment to Galerie Roger Pailhas (Dahn) and on loan to Galerie Pfefferle (Bömmels, Dahn).
Box 20, Folder 12

P-Q 1988

Scope and Content Note

Galerie Pfefferle (Dahn).
Box 20, Folder 13

P-Q 1989

Scope and Content Note

PPS Galerie F.C. Gündlach Hamburg "Walter Dahn: Fotoarbeiten 1973-87."
Box 20, Folder 14

P-Q 1990

Scope and Content Note

extensive documentation for Musée d'Art moderne de la Ville de Paris "L'art conceptuel, une perspective" (Barry, Burn, Kosuth, Lewitt, Ramsden).
Box 20, Folder 15

R 1977

Scope and Content Note

Museum Boymans-van Beuningen, Rotterdam, "Sechzehn italienische Künstler" (Paolini).
Box 20, Folder 16

R 1982-1985

Scope and Content Note

Rotterdamse Kunststichting (Dahn, Dokoupil).
Box 20, Folder 17

R 1987

Scope and Content Note

Castello di Rivoli "Ouverture" (Dahn).
Box 20, Folder 18

R 1988

Scope and Content Note

includes works on consignment to Galerie Wanda Reiff (Bömmels) and extensive documentation of Museum Boymans-van Beuningen, Rotterdam, "Rob Scholte" and "Salvo."
Box 20, Folder 19

R 1989

Scope and Content Note

Galleria Nazionale d'Arte Moderna, Rome, "Giulio Paolini."
Box 20, Folder 20

R 1990

Scope and Content Note

Gerwald Rockenschaub.
Box 21

S-Z

Box 21, Folder 1

S 1982-1985

Scope and Content Note

Stadtgalerie, Saarbrücken (Dokoupil); 18. Biennale Sao Paulo (Bömmels, Dokoupil); and Galerie Swat "Mülheimer Freiheit" (various).
Box 21, Folder 2

S 1986

Scope and Content Note

Tony Shafrazi Gallery "What it is" (Dahn, Dokoupil); Sonsbeek 86 (Paolini, Dokoupil); and Biennale of Sydney (Dokoupil).
Box 21, Folder 3

S 1987

Scope and Content Note

Walter Smerling "Der Andere Blick" (Dahn, Dokoupil, Bömmels).
Box 21, Folder 4

S 1988

Scope and Content Note

works on consignment to Holly Solomon Gallery (Knap).
Box 21, Folder 5

S 1989

Scope and Content Note

mostly consists of documents relating to works on consignment to Sonnabend Gallery (Bömmels).
Box 21, Folder 6

S 1990

Scope and Content Note

works on consignment to Galerie Swart (Dahn, Dokoupil).
Box 21, Folder 7

Sch 1982-1985

Scope and Content Note

Rosemarie Schwarzwaelder, Galerie nächst St. Stephan (Bömmels, Dokoupil).
Box 21, Folder 8

Sch 1988

Scope and Content Note

works on consignment to Galerie Schurr (Dahn, Dokoupil, Knap).
Box 21, Folder 9

Sch 1990

Scope and Content Note

works on consignment to Galerie Schurr (Dahn).
Box 21, Folder 10

St 1982-1985

Scope and Content Note

Württembergischer Kunstverein, Stuttgart, "Das Selbstportrait im Zeitalter der Photographie" (Bömmels, Salvo).
Box 21, Folder 11

St 1986

Scope and Content Note

Staatsgalerie Stuttgart "Giulio Paolini."
Box 21, Folder 12

St 1987

Scope and Content Note

Württembergischer Kunstverein, Stuttgart, "Exotische Welten -Europëische Phantasien" (Dahn/Dokoupil, Clemente, Salvo).
Box 21, Folder 13

T-V 1980

Scope and Content Note

Venice Biennale 1980 (Poirier).
Box 21, Folder 14

T-V 1982-1985

Scope and Content Note

National Museum of Modern Art, Tokyo, "Metaphor and/or Symbol" (Bömmels, Allington); Turin, Palazzo Promotrice delle Belle Arti "Rheingold" (Dahn, Dokoupil); Ulmer Museum "Peter Bömmels" and another exhibition (various); and Le Nouveau Musée, Villeurbanne, "Salvo" (see also 1986).
Box 21, Folder 15

T-V 1986

Scope and Content Note

Musee de Toulon "Berlin Aujourd'hui" (Endart) and Le Nouveau Musée, Villeurbanne, "Salvo."
Box 21, Folder 16

T-V 1987

Scope and Content Note

Museum van Bommel-Van Dam, Venlo, "Beelden van Schilders" (Dokoupil, Bömmels, Dahn) and Le Nouveau Musée, Villeurbanne, "Luciano Fabro."
Box 21, Folder 17

T-V 1988

Scope and Content Note

works on consignment to A11 Art Forum Thomas (Darboven, Dokoupil).
Box 21, Folder 18

T-V 1989

Scope and Content Note

extensive documents regarding Viceconsejeria de Culture y Deportes, Santa Cruz de Tenerife, "International Painting/Canarias" (Salvo, Dokoupil, Dahn).
Box 21, Folder 19

W 1982

Scope and Content Note

Kunsthalle Wilhelmshaven.
Box 21, Folder 20

W 1987

Scope and Content Note

works on consignment to Kunsthandel Wolfgang Wittrock (Bömmels, Disler, Dokoupil).
Box 21, Folder 21

W 1988

Scope and Content Note

works on consignment to Galerie Edition E Wassermann (Barry) and Wolfgang Wittrock (Feldmann, Disler).
Box 21, Folder 22

W 1989

Scope and Content Note

extensive materials for Williams College Museum of Art and Guggenheim Museum "Refigured Painting: The German Image 1960-88" (various); and works on consignment to Wolfgang Wittrock (Disler).
Box 21, Folder 23

W 1990

Scope and Content Note

Museum Moderner Kunst, Wien, "20. Biennale, Sao Paulo" (Rockenschaub).
Box 21, Folder 24

X-Z 1976-1977

Scope and Content Note

Kunsthaus Zürich "Malerei im Zeitalter der Fotografie" (Roehr, Salvo, Kosuth).
Box 21, Folder 25

X-Z 1987

Scope and Content Note

works on consignment to Yarlow/Salzman Inc., Cold City Gallery (Dahn).
Box 21, Folder 26

X-Z 1989

Scope and Content Note

Kunsthaus Zürich "Enzo Cucchi."
 

Series IV.  Photograph permission requests, 1983-1990, bulk 1987-1989

Physical Description: 1 lin. ft. 2 boxes

Scope and Content Note

Series IV consists of letters and forms from magazines, museums, galleries, publishers and private individuals requesting transparencies and photographs. Requests are usually for publications, such as articles, reviews, exhibition catalogs and monographs, but also for sales and galleries interested in showing an artists work (i.e. samples). Also contains letters of compliance and return reminders from Maenz and some photocopies of transparencies sent. Series IV is arranged alphabetically by institution or individual and chronologically within each alpha letter. See Series I for pre-1987 and Series IX for annotated folders of each transparency.
Box 22, Folder 1-9

A-K

Box 23, Folder 1-11

L-Z

 

Series V.  Financial, 1979-1980

Physical Description: 1.5 lin. ft. 3 boxes

Scope and Content Note

Series V holds various receipts, Deutsche Bank transaction receipts, tax records, and gallery bookkeeping ledgers for 1979-1980 only.
Box 24

1979

Box 24, Folder 1-12

Receipts Jan-Dec

Scope and Content Note

various receipts for taxis, postage, photocopies, restaurants, hotels, etc.
Box 24, Folder 13-14

Deutsche Bank Deposit Receipts Jan-Dec

Box 25

1979

Box 25, Folder 1

Deutsche Bank Withdrawal Receipts Jan-Dec

Box 25, Folder 2

Income Tax Records

Scope and Content Note

prepared by Dieter Gassen. Also contains copies of 1978 filing for record keeping purposes.
Box 25, Folder 3

Gallery Accounts Receivable

Scope and Content Note

list of works sold, recorded alphabetically by artist.
Box 25, Folder 4

Gallery Accounts Payable

Scope and Content Note

various expenses related to the running of the gallery, such as the purchase of photographic reproductions and books, texts written by various authors, artists' transportation, auto club, etc., filed alphabetically by payee.
Box 25, Folder 5

Gallery Tax Records

Scope and Content Note

prepared by Dieter Gassen. Includes summary of finances and gallery inventory as of 32 Dec 1979.
Box 25, Folder 6

Bookkeeping Ledgers.

Box 26

1980

Box 26, Folder 1-2

Deutsche Bank Deposit Receipts Jan-Dec

Box 26, Folder 3

Deutsche Bank Withdrawal Receipts Jan-Dec

Box 26, Folder 4

Gallery Tax Records

Scope and Content Note

prepared by Dieter Gassen. Includes summary of finances, gallery inventory as of 21 Dec 1980 and ledgers.
Box 26, Folder 5

Bookkeeping Ledgers

Box 26, Folder 6

Misc. Bookkeeping

 

Series VI.  Artists' biographies, ca. 1977-1990

Physical Description: 1 lin. ft. 2 boxes

Scope and Content Note

Series VI contains research files of photocopied articles and reviews, clippings, ephemera, biographies compiled by the gallery and biographies compiled and received from other galleries. This series also includes a few copies of manuscripts by various authors about the artists, exhibition checklists and book complimentary lists. Arranged alphabetically by artist.
Box 27, Folder 1-19

A-I

Scope and Content Note

Contains bios for Armleder, Barry, Beuys, Bömmels, Burroughs, Chia, Clemente, Dahn, Darboven, Disler, Dokoupil, Endart, Fabro, Feldmann, Fetting, Haacke, Haring, Insley.
Box 28, Folder 1-17

K-Z

Scope and Content Note

Kapoor, Kiefer, Knap, Mülheimer Freiheit, Opie, Paolini, Posenenske, Rockenschaub, Roehr, Salvo, Scholte, Schuyff, Sturtevant, Taaffe, Visser, Warhol, Woodrow.
 

Series VII.  Clippings and miscellaneous ephemera, 1956-1991, bulk 1973-1990

Physical Description: 1.5 lin. ft. 2 boxes

Scope and Content Note

Series VII contains newspaper and magazine clippings, photocopies of reviews of shows at Maenz and elsewhere involving Maenz's artists, interviews with Maenz and artists, announcements, and invitations. Arranged in loose chronological order.
Box 29, Folder 1-8

Clippings, 1978-1985

Box 30, Folder 1-6

Clippings and miscellaneous ephemera, 1986-1991

Box 30, Folder 7-17

Miscllaneous ephemera, 1956-1990

 

Series VIII.  Gallery publications and printed matter, 1970-1990

Physical Description: 3 lin. ft. 2 flat file folders, 1 roll

Scope and Content Note

Series VIII contains production material for Paul Maenz Köln 1970-1980-1990, gallery publicity, posters and a complete set of invitation mailers. For a full listing of Maenz gallery publications and yearbooks see the separation list.
Box 31, Folder 1-8

Production material for Paul Maenz Köln 1970-1980-1990

Scope and Content Note

mss, page proof, galley, layout, unbound signatures.
Box 31, Folder 9-10

Publicity

Scope and Content Note

mostly photocopies of Maenz ads for exhibitions throughout the gallery's history with annotations where published. Also includes some production material for ads, such as negs and layouts. A separate folder has misc. leaflets and copies of ads mostly for Maenz's and de Vries' publications.
Box 32, Folder 1-15

Invitation mailers, 1971-1989

Scope and Content Note

Contains postcards, cards, small exhibition brochures and copies of announcements.
Flat file folder 1**

Posters

Scope and Content Note

"Egonavigatio: Chia, Clemente, De Maria, Paladino," 30. 3 - 27.4, 1980, Mannheimer Kunstverein.
Flat file folder 1**

"Master Works of Conceptual Art," 11 Okt/19 Nov: "Anselm Kiefer," 25 Nov/23 Dec, Paul Maenz (two announcements on same poster).

Flat file folder 1**

"Arte Cifra" 21.6 - 21.7.79, Paul Maenz (printed texts on verso by Celant).

Flat file folder 1**

"Haackes Manet-Projekt '74," 4-30 July, 1974, Paul Maenz (reproductions of Haacke correspondence with Dr. Horst Keller, director of Wallraf-Richartz-Museums).

Flat file folder 2**

"7 junge Künstler aus italien," 17 Okt - 30 Nov, 1980, Museum Folkwang Essen (two copies).

Flat file folder 2**

"Mülheimer Freiheit & Interessante Bilder aus Deutschland," 13.11 - 20.12.80, Paul Maenz.

Flat file folder 2**

"Endart," 15.-21.11.84, Paul Maenz, Kölner Kunstmarkt.

Flat file folder 2**

"Journey to the Surface of the Earth: Manual and Atlas," Mark Boyle.

Flat file folder 2**

"Anselm Kiefer," 17 Nov 89 - 13 Jan 90, Paul Maenz.

Roll 1**

"Robert Barry and the Art Cologne Wall Piece" at the Fair 10-16 Nov and "Francesco Clemente, Neue Arbeiten New York" at the Gallery 11 Nov - Dec 23 (two announcements on same poster)

Roll 1**

"New York New," 5.6.-31.7.87.

 

Series IX.  Photographs, ca. 1971-1990

Physical Description: ca. 9,350 items

Scope and Content Note

Series IX consists of ca. 9,350 color transparencies, black/white and cibachrome color prints, negatives, contact sheets and slides. The color prints, numbering ca. 1,350, were printed by the repository directly from the color transparencies. All prints are filed in alpha order by artist with their original file folders, which are annotated as to who borrowed, for what purpose and when. Three albums house a complete set of black/white negatives and contact sheets of exhibitions and installations at the gallery and elsewhere.
Box 33-35

Negatives and contact sheets, 1971-1989

Box 33

Artists 1971-1979

 

Anselmo; Art & Language; Askevold; Barry; Bertholin; Boyle; Buren; Burgin; Feldmann; Haacke; Insley; Kosuth; Paolini; Paul Maenz at Paris Galerie Germain; Penone; Poirier; Roehr; Salvo; Toroni; Wéry.

Box 34

Artists 1971-1983

 

Bömmels; Dokoupil '83; Paolini '83; Dahn '83; Clemente '82; Fetting '82; Disler '82; Kiefer '82; Ikemura/Dokoupil '82; Dahn '82; Bömmels '82; Adamski/Cucchi/Darboven '81; "Fleisches Lust" '81; Adamski '81; Buren '81; Paladino/Chia '80; Collection FER '81; Darboven/Oehlen/ Büttner '81; Darboven "Milieu 80"; "Mülheimer Freiheit" Groninge '81, and '80; Kiefer '81; Cucchi '80; Summer '80 (Barry, Buren, Adamski, Lord); Clemente '80; Chia; "Egonavigatio" '80; Basel '80; Anselmo '80; Clemente/ Paladino; Darboven '79; Private '79 Barry-Böhning; Darboven/Cucchi/De Maria '79; "Arte Cifra" '79; Pohl '79; Schaafenstr. Neue Galerie Sept. '78; Mariani '78; N. De Maria '78; De Vries portraits; Clemente '78; Fabro/Boetti/Clemente '78; Paladino '78; Longobardi; Chia/Icaro '78; Bartolini/Tatafiore '78; Mariani/KKM (Köln Kunst Markt)/Rutault '77; Rutault '79, '78, '77, '76; Hilliard '77; Michals '77; Sartor '76; Andre '75, '71, and others; LeWitt "Kunst-über Kunst"; Louw; Maloney '71; Manzoni; Kawara; Rückreim '74, '71; Visser '75, '72, '71; Venedig '76; "Kunst-über Kunst" '74; KKM '75, '72; Konzept Kunst, Basel, '72; Documenta V '72; DEZ '74.

Box 35

Diverse 1983-1989

 

Kiefer '89; Paolini '89; Taaffe '86; Dahn '86; Kiefer '86; Woodrow '86; Maenz '86; Salvo '85; Warhol '85; Endart/Dokoupil/Disler '85; Salvo/Bömmels '84/85; Dahn '84; Kapoor/Woodrow '84; Haring '84; Disler '84; Fabro '84; Kiefer '84; "Master Works of Conceptual Art" '83; Bismarckstrasse '83 (new gallery).

Box 36-62

Prints

Box 36

A-BAR

Box 36, Folder 1

Allington, Edward

Box 36, Folder 2-6

Andre, Carl

Box 36, Folder 7

Anselmo

Box 36, Folder 8

Armleder, John

Box 36, Folder 9-10

Art & Language; with copy of text "Theory as Practice or Practise as Theory?"

Box 36, Folder 11

Askevold, David

Box 36, Folder 12-26

Barry, Robert

Box 37

BER-BO

Box 37, Folder 1

Bertholin, Jean-Marie

Box 37, Folder 2

Bickerton, Ashley

Box 37, Folder 3-14

Bömmels, Peter

Box 37, Folder 15

Boetti, Alighiero

Box 37, Folder 16-18

Boyle, Mark

Box 38

BU-CL

Box 38, Folder 1-4

Büttner, Werner

Box 38, Folder 5

Buren, Daniel

Box 38, Folder 6

Burgin, Victor

Box 38, Folder 7-11

Burroughs, William S

Box 38, Folder 12-21

Chia, Sandro

Box 38, Folder 22-32

Clemente, Francesco

Box 39

CL-CU

Box 39, Folder 1-5

Clemente, Francesco

Box 39, Folder 6-32

Cucchi, Enzo.

Box 40, Folder 1-33

DAHN

Box 41, Folder 1-50

DAHN/DOKOUPIL

Box 42

DA-DI

Box 42, Folder 1-9

Darboven, Hanne

Box 42, Folder 10

De Maria, Nicola

Box 42, Folder 11

Dibbets, Jan.

Box 42, Folder 12-31

Disler, Martin.

Box 43

DI-DOK

Box 43, Folder 1-28

Disler, Martin

Box 43, Folder 29-46

Dokoupil, Jiri-Georg (see also Dahn/Dokoupil)

Box 44

DOL-F

Box 44, Folder 1

Dolla, Noël

Box 44, Folder 2-24

Endart

Box 44, Folder 25-30

Fabro, Luciano

Box 44, Folder 31

Feldmann, Hans-Peter

Box 44, Folder 32-49

Fetting, Rainer

Box 45

HA

Box 45, Folder 1-3

Haacke, Hans

Scope and Content Note

ca. 100 photos, in which ca. 40-50% were taken by Haacke, and photocopies of some of his text pieces, such as "Mobil," "Bildunterschrift," "The Constituency," "On the Wallraf-Richartz-Museum's censorship of my work for Projekt '74," and "Interview with Hans Haacke by Mary Gordon."
Box 45, Folder 4-19

Haring, Kieth

Box 46

HI-KI

Box 46, Folder 1

Hilliard, John

Box 46, Folder 2

Ikemura, Leiko

Box 46, Folder 3

Insley, Will

Box 46, Folder 4-6

Italian

Box 46, Folder 7-11

Kapoor, Anish

Box 46, Folder 12

Kawara, On

Box 46, Folder 13

Kever, Gerard: see also Naschberger, Box 51

Box 46, Folder 14-22

Kiefer, Anselm

Box 47, Folder 1-31

KIEFER

Box 48, Folder 1-27

KIEFER

Box 49, Folder 1-38

KNAP

Box 50

KO-MA

Box 50, Folder 1

Knoebel, Imi

Box 50, Folder 2-4

Koons, Jeff

Box 50, Folder 5-9

Kosuth, Joseph

Box 50, Folder 10

Longobardi, Nino

Box 50, Folder 11

Lord, Andrew

Box 50, Folder 12

Louw, Roelof

Scope and Content Note

includes catalog layout, 2 letters from Louw about layout and installation, correspondence with others regarding same, installation drawing and photocopied article.
Box 50, Folder 13

Manzoni, Piero

Box 50, Folder 14-19

Mariani, Carlo Maria

Box 51

MI-PAL

Box 51, Folder 1-2

Mariani, Carlo Maria

Scope and Content Note

with typed excerpts of some of the paintings the artist appropriated.
Box 51, Folder 3

Michals, Duane

Box 51, Folder 4

Morris, Robert

Box 51, Folder 5-6

Naschberger, Gerhard

Scope and Content Note

also includes small photos of Kever's work.
Box 51, Folder 7-15

Oehlen, Albert

Box 51, Folder 16-17

Opie, Julian

Box 51, Folder 18

Paladino, Mimmo

Box 52, Folder 1-26

PAOLINI

Box 53

PAO-PO

Box 53, Folder 1-2

Paolini, Giulio.

Box 53, Folder 3-4

Penone, Giuseppe.

Box 53, Folder 5

Pohl, Marianne.

Box 53, Folder 6

Poirier, Anne and Patrick.

Box 53, Folder 7

Posenenske, Charlotte.

Box 54

R

Box 54, Folder 1-29

Rockenschaub, Gerwald

Box 54, Folder 30

Rückriem, Ulrich

Box 54, Folder 31-32

Rutault, Claude

Scope and Content Note

also many installation instructions, and 2 letters and 2 notes from Rutault.
Box 55, Folder 1-44

SALVO

Box 56, Folder 1-41

SALVO

Box 57, Folder 1-30

SALVO

Box 58, Folder 1-25

SCHOLTE

Box 59

SCHO-SCHU

Box 59, Folder 1-29

Scholte, Rob

Box 59, Folder 30-44

Schuyff, Peter

Box 60

St-T

Box 60, Folder 1-3

Steinbach, Haim

Box 60, Folder 4-16

Sturtevant, Elaine

Box 60, Folder 17-25

Taaffe, Philip

Box 60, Folder 26

Tatafiore, Ernesto

Box 60, Folder 27

Toroni, Niele

Box 61

V-W

Box 61, Folder 1

Vaisman, Meyer

Box 61, Folder 2

Visser, Carel

Box 61, Folder 3-7

Warhol, Andy

Box 61, Folder 8

Wéry, Marthe

Box 61, Folder 9-30

Woodrow, William

Box 62, Folder 1-15

Miscellaneous, 1976-1987

Scope and Content Note

Includes Kunst-über Kunst, 1974; exhibit at Eric and Xiane Germain, 1976; Fleisches Lust, 1981; Bismarckstr. 50, 1983; Masterworks of Conceptual Art, 1983; Sechs Richtige, 1984; New York New, 1987; photos of publications; photos of art fairs; portraits of Maenz; and miscellaneous.
Box 63-89

Color transparencies (cold storage)

Box 63, Folder 1-21

A-BAR

Box 64, Folder 1-9

BER-BO

Box 65, Folder 1-18

BU-CL

Box 66, Folder 1-9

CL-CU

Box 67, Folder 1-18

DAHN

Box 68, Folder 1-40

DAHN/DOKOUPIL

Box 69, Folder 1-26

DAR-DI

Box 70, Folder 1-33

DI-DOK

Box 71, Folder 1-41

DOL-F

Box 72, Folder 1-15

HA

Box 73, Folder 1-11

I-KI

Box 74, Folder 1-29

KI

Box 75, Folder 1-24

KI

Box 76, Folder 1-37

KN

Box 77, Folder 1-10

KO-MAR

Box 78, Folder 1-9

MAR-PAL

Box 79, Folder 1-12

PAO

Box 80, Folder 1-4

PAO-PO

Box 81, Folder 1-30

R

Box 82, Folder 1-9

SALVO

Box 83, Folder 1-32

SALVO

Box 84, Folder 1-28

SALVO

Box 85, Folder 1-25

SCHOLTE

Box 86, Folder 1-42

SCHO-SCHU

Box 87, Folder 1-27

ST-T

Box 88, Folder 1-26

V-W

Box 89, Folder 1-7

Miscellaneous