Inventory of the Alexander F. Edouart papers
Processed by Hoover Institution Archives Staff.
Hoover Institution Archives
Stanford University
Stanford, California 94305-6010
Phone: (650) 723-3563
Fax: (650) 725-3445
Email: archives@hoover.stanford.edu
© 2009
Hoover Institution Archives. All rights reserved.
Inventory of the Alexander F. Edouart papers
Hoover Institution Archives
Stanford University
Stanford, California
- Processed by:
- Hoover Institution Archives Staff
- Date Completed:
- 2009
- Encoded by:
- Machine-readable finding aid derived from MARC record by Elizabeth Konzak.
© 2009 Hoover Institution Archives. All rights reserved.
Collection Summary
Title: Alexander F. Edouart papers
Dates: 1904-1948
Collection Number: 80165
Creator: Edouart, Alexander F.
Collection Size:
1 manuscript box, 2 oversize boxes, 35 envelopes
(4.7 linear feet)
Repository:
Hoover Institution Archives
Stanford, California 94305-6010
Abstract: Photographs depicting war scenes and social conditions in France during World War I, and conditions in Germany and the Balkans
at the end of the war; and writings and press summaries, relating to the motion picture industry.
Physical Location: Hoover Institution Archives
Languages:
English
Administrative Information
Access
Collection is open for research.
The Hoover Institution Archives only allows access to
copies of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives
at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see
or hear. Please note that not all audiovisual material is immediately accessible.
Publication Rights
For copyright status, please contact the Hoover Institution Archives.
Preferred Citation
[Identification of item], Alexander F. Edouart papers, [Box number], Hoover Institution Archives.
Acquisition Information
Acquired by the Hoover Institution Archives in 1980.
Accruals
Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find
the collection in Stanford University's online catalog at
http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the online catalog is larger than the number
of boxes listed in this finding aid.
Biographical/Historical Note
American photographer; Sergeant first class, United States Army, 1917-1919; Major, American Red Cross, 1919-1920.
Scope and Content of Collection
Photographs depicting war scenes and social conditions in France during World War I, and conditions in Germany and the Balkans
at the end of the war; and writings and press summaries, relating to the motion picture industry.
Indexing Terms
The following terms have been used to index the description of this collection in the library's online public access catalog.
American National Red Cross.
United States. Army. American Expeditionary Forces.
Motion picture industry.
World War, 1914-1918--France.
World War, 1914-1918--Pictorial works.
World War, 1914-1918--Balkan Peninsula.
World War, 1914-1918--Germany.
Envelope A
circa 25 prints of miscellaneous World War I scenes and of U.S. Army personnel records for Alexander F. Edouart/
Envelope B
circa 50 negatives of war scenes during World War I and of social conditions in Europe at the end of the war
Envelope C
circa 100 prints of conditions in France during World War I and of conditions in the Balkans at the end of the war
Envelope D
circa 100 prints of conditions in Germany at the end of World War I
Envelope E-F
circa 200 prints of war scenes, primarily in France during World War I
Envelope G
circa 65 prints depicting conditions in the Balkans as well as activities of the American Red Cross in the Balkans at the
end of World War I
Envelope H
12 prints of Alexander F. Edouart
Envelope I
circa 175 prints of scenes in Paris at the end of World War I and time of the Paris Peace Conference
Envelope J
circa 50 prints of war damage in Rheims, France, at the end of World War I
Envelope K
circa 25 prints of war damage in St. Quentin, France , at the end of World War I
Envelope L
8 prints of war damage in Château-Thierry, France, at the end of World War I
Envelope M
circa 70 prints of scenes in Rouen, France, at the end of World War I, many of them from the American Red Cross motion picture
Rouen, The quaintest City of Normandy
Scope and Content Note
Includes a few prints of Paris.
Envelope N
circa 35 prints of daily life in Normandy at the end of World War I, from the American Red Cross motion picture
Apple Blossom Time in Normandy
Envelope O
circa 100 prints of daily life in Brittany at the end of World War I, from the American Red Cross motion picture
Oyster Fishers of Brittany
Envelope P
12 prints of military activities in Italy during World War I
Envelope Q
circa 35 prints and post cards of ancient ruins in Greece
Envelope R-S
circa 100 prints of daily life and Red Cross relief activities in Albania at the end of World War I
Envelope T-U
circa 125 prints of daily life and Red Cross relief activities in Montenegro at the end of World War I
Envelope V
circa 35 prints of daily life in Romania at the end of World War I
Envelope W-X
circa 250 unidentified and miscellaneous prints, mainly of France and the Balkans at the end of World War I
Envelope mY
4 oversize prints, 3 unidentified, and 1 of a reunion of UI.S. Army Signal Corps photographers, 1940
Envelope Z
7 prints of scenes in Germany at the end of World War I
Envelope AA
circa 20 prints of scenes in Italy at the end of World War I
Envelope AB
circa 30 prints of scenes in Greece at the end of World War I
Envelope AC
circa 75 prints of scenes in Albania at the end of World War I
Envelope AD
circa 25 prints of scenes in Bosnia at the end of World War I
Envelope AE
circa 75 prints of scenes in Montenegro at the end of World War I
Envelope AF, mAG
circa 150 prints of scenes in various parts of Europe at the end of World War I
Envelope AH
circa 75 negatives of scenes in various parts of Europe at the end of World War I
Envelope AI
67 prints of miscellaneous scenes, mainly in Europe at the end of World War I
Box 1
Correspondence and clippings,
Box 2
Mounted and captioned photographs and printed matter,
Box 3
Oversize photographs and printed matter,
