Scope and Content of Collection
Title: Bennett Maric Collection,
Date (inclusive): ca. 1957-1965
Collection Number: Bernath Mss 12
.4 linear feet
(1 document box)
University of California, Santa Barbara. Library. Department of Special Collections
Santa Barbara, California 93106-9010
Physical Location: Del Sur
Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or
quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given
on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply
permission of the copyright holder, which also must be obtained.
Bennett Maric Collection. Bernath Mss 12. Department of Special Collections, Davidson Library, University of California, Santa
Donated by Bennett Maric.
The following is drawn in part from an obituary that appeared in the
Santa Barbara News-Press on October 8, 1989. (See also a letter from Maric's attorney in folder 1/8 of the collection which supplies a number of additional
details mainly relating to the legal issues of the theft and recovery of the art works.)
Bennett "Bo" Maric was born on July 22, 1905, in Split, Yugoslavia. He studied at the University of Belgium and then moved
to Paris, His lifelong interest in art was fueled by his friendship with the French painter Maurice de Vlaminck. In Paris,
he was a news correspondent for a Yugoslav newspaper attached to the Yugoslav embassy when the Germans occupied the city.
It was there that he had acquired a valuable art collection. Maric moved to Spain and eventually to Los Angeles in 1948.
He became a naturalized US citizen in 1952 He moved to Montecito, California where he lived for 30 years. Bennett Maric died
at his home in Montecito on October 6, 1989. He was survived by his wife, Irene; his stepdaughter, Kathleen D. Roche; and
two granddaughters, all of Santa Barbara, California.
Scope and Content of Collection
The collection consists of material, primarily correspondence (mostly outgoing) related to Maric's efforts through international
legal action to recover eight paintings stolen from him in Paris during World War II. The paintings were to have been transferred
from Paris to Lisbon under the supervision of one Feodor Dobrovic, the Yugoslav chargé d'affaires. Dubrovic later confessed
to his role in the theft. Six of the paintings were by Renoir, one was a Pissarro, and one a Corot. In 1957, Maric's paintings
were located and turned over to the Yugoslav government and eventually placed in a public museum in Belgrade for safekeeping.
Maric then attempted for several years to have them returned, contacting various officials in the American government and
others to request their help. Among those whom he contacted were Eleanor Roosevelt and William Douglas.
In 1961 an agreement was reached with the Yugoslav government. In exchange for the release of four of the Renoirs, Maric agreed
that the remaining four paintings would be given to the People's Republic of Yugoslavia. He then spent several years attempting,
anonymously via various brokers, to auction or privately sell the recovered four paintings. The correspondence does not make
clear if he was ultimately successful in doing so. In addition to the correspondence, there is some research material: notes,
extracts from art catalogs, clippings and photographs (or color transparencies), most of which is related to the stolen paintings.
Nicholas, Lynn H., Nicholas, Lynn H.,
The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War. Special Collections call number: N8795.3.E85 N53 1994.