The Art and Technology program was initiated at the Los Angeles County Museum of Art (LACMA) in 1967, when curator Maurice
Tuchman proposed the idea of formulating a relationship between contemporary artists and high-tech corporations that would
lead to experiments conjoining art and industry and possibly produce new works of art. The program attracted the participation
of some of the most renowned artists of the period--Andy Warhol, Robert Rauschenberg, Claes Oldenburg, and Robert Irwin, to
name just a few--who were paired with "Patron Sponsors" who hosted some of the artists at corporate facilities and in some
cases collaborated on projects. In March 1970, several works resulting from these pairings were shown in the American Pavilion
at Expo '70 (the world's fair in Osaka, Japan) and in an exhibition at LACMA from May 16 to August 29, 1971. This archive
consists of documentation relating to the Art and Technology program, including correspondence between LACMA curators, artists,
and corporate participants, notes and drafts of essays written for a report on the A&T Program by curators Jane Livingston
and Tuchman, transcriptions of interviews and conversations with artists, and drawings, photographs, and negatives of artists'
The Art and Technology program was organized by the Modern Art Department at the Los Angeles County Museum of Art (LACMA).
This department was renamed the Twentieth-Century Art Department in 1981, and fifteen years later, in 1996, became the Modern
and Contemporary Art Department. In 2005, modern and contemporary art were separated into two departments, reflecting the
disciplinary distinctions now existing between these two historical periods.(1)
Contact the Balch Research Library for information on publishing or reproducing materials included in these records. Permission
is granted by the Los Angeles County Museum of Art as the owner of the physical materials, and does not imply permission from
the copyright holder. It is the responsibility of the researcher to obtain all necessary permissions from the copyright holder.