Description
The Mai Kitazawa Arbegast Collection documents Arbegast's projects and professional activities through drawings, manuscripts,
photographs, and slides. The collection is arranged in four series: Personal Papers, Professional Papers, Office Records,
and Project Records. Personal Papers include biographical information, personal correspondence, and photographs of herself,
family, friends, and her college years at Oberlin. Professional Papers contain correspondence related to her professional
activities and potential commissions, her activities in professional organizations and committees, consultations, course materials
from her teachings at U.C. Berkeley Department of Landscape Architecture, and the manuscript for an unfinished book project
done in collaboration with Santa.Barbara based photographer Bob Werlitz. Office Records consists of extensive correspondence
with clients, contractors, architects, and plant brokers. Project Records document projects designed by Arbegast from 1966
to 2003 and contain drawings, slides, photographs, and manuscripts. The collection includes documentation of her work for
the U.C. Davis Arboretum (1975-1977), Trefethen Vineyard (1976, 1990), California Palace of the Legion of Honor renovation
(1991-1995), Shanel Estate (1992-1995), The Embarcadero Center (1992, 1996), and the Rudd Estate (1996-1999). The collection
also includes her designs for many private gardens, vineyards, and some public/civic projects in collaboration with other
landscape architects and architects.
Background
Mai Arbegast was born in San Jose, CA in 1922. Her father Gijiu Kitazawa and his brother Buemon started the Kitazawa Seed
Company and nursery in 1916. When they split the business a year later, Arbegast's father moved the seed brokerage to a downtown
San Jose storefront and sold seeds wholesale and retail, adding his own line of Asian vegetables. This became the main seed
source for the growing population of Japanese tenant farmers in California and Oregon. In an interview Mai recalled, "I spent
much of my early life in boots stomping on particular tomatoes and collecting the seed for further crosses."
Restrictions
All requests for permission to publish, reproduce, or quote from materials in the collection should be discussed with the
Curator.