Description
A telegraph operator for Pancho Villa during
the Mexican Revolution; a radio personality and popular recording artist
in Los Angeles; an immigration activist framed for political purposes
and sent to San Quentin prison; and finally, a man fighting for the
rights of his fellow veterans of the Division Del Norte in Mexico for
plots of land (ejidos) that they could call their own. Pedro Gonzalez
played all these roles and this collection consists of his papers,
correspondence, music, serialized fiction about him, and many
photographs and photo montages documenting his interests and those who
participated in his active life.
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Background
Pedro Jose Gonzalez Ramos was born on April 28, 1895 in Carrizal,
Chihuahua, Mexico. In his youth, his schoolteacher mother emphasized the
importance of education and sent him to school in Ciudad Juarez and El
Paso, Texas. In 1909, at the age of 14, Pedro became a telegraph
operator with the Ferrocarriles Nacionales de Mexico (Mexican National
Railroads). One year later, the Mexican Revolution erupted, but Pedro
continued his work with the railroads until 1914 when he was drafted
into Francisco Pancho Villa's Division del Norte (the Northern
Division). Pedro served as Villa's telegraph operator under the command
of Raul Madero (brother of former Mexican president Francisco Madero).
In 1916 the United States recognized Venustiano Carranza instead of
Pancho Villa as the legitimate leader of Mexico. Villa and his troops
fell out of favor in both the U.S. and Mexico. Pedro found work loading
mail at the train station in El Paso, Texas and later across the border
as a telegraph operator in Ciudad Juarez. In 1921 he returned to work as
a telegraph operator with the Ferrocariles Nacionales de Mexico in
Tampico, Taumalipas, Mexico, and then in Chico, Chihuahua,
Mexico. In 1924 he was working as a telegraph operator with
the Mexican and Northwest Railroad in El Paso, Texas. Three years later
he left his job in El Paso to take his family to Los Angeles,
California. They settled in Wilmington, Ca. where Pedro worked as a
longshoreman on the docks in San Pedro. Shortly after, he began to
exploit his musical talent and recorded Spanish language songs for the
Columbia, Okey, and Maya record companies on the 78rpm record
format. Pedro's experience as a telegraph operator along with
his fascination with new technologies led him into the early years of
radio broadcasting in Los Angeles. Working at KMTR, KFBD, KMPC and KELW
in Los Angeles, he broadcast and recorded commercials in Spanish for
U.S. companies and products. Soon Pedro sought out commercial accounts
and formed his own radio show, becoming one of the first Spanish
speaking radio announcers in the United States. By 1930 his immensely
popular show was broadcast daily between 4 and 6 a.m. and featured his
own musical group, Los Madrugadores (The Early Risers). Pedro was lead
singer and composed many of their songs which were recorded on Columbia,
Maya, and Okey. In Los Angeles in the 1930s many new Spanish speaking
singers and musicians made their debuts on Pedro's radio program. Pedro
J. Gonzalez fan clubs sprung up over the Southwest and thousands of
radio listeners clamored to attend the show. By the mid 1930s
the Great Depression intensified anti immigrant attitudes in Los
Angeles. Pedro's immense popularity made some Los Angeles city officials
fearful of Pedro's potential influence among the Mexican and Spanish
speaking population. They feared Pedro might rally his listeners against
the Anglos in the city. After unsuccessfully trying to revoke his
broadcasting license, city officials found a young woman who had had
problems with the law and pressured her into accusing Pedro of
rape. The trial drew the immediate attention of the media. The
key witness perjured herself, but in 1934 the all Anglo jury sent the
Mexican community's most popular recording star to San Quentin prison
for 50 years. Novels and plays were written about his case. In Los
Angeles, the young victim said she had lied because the city officials
had promised to keep her out of reform school if she accused Pedro. The
judge refused to admit her affidavit. In prison, Pedro served as a
translator and de facto liaison helping fellow Spanish speaking inmates
and was instrumental in a hunger strike that led to the reforms in the
California penal system. Pedro J. Gonzalez defense committees sprung up
throughout the Southwest and northern Mexico. Pedro's family, fans, and
the Mexican consul in Los Angeles worked tirelessly on his behalf until
finally in 1940, he was released from prison on the condition that he be
deported from the United States. Pedro and his family settled
in Tijuana where Pedro was instrumental in the development of the radio
broadcasting industry. He formed a new group of Madrugadores and
broadcast daily. While living in Tijuana Pedro became active in forming
a national organization to recognize and defend the rights of the
Veterans of the Mexican Revolution. The organization was able to get
land grants for veterans as well as health and pension benefits. The
land grants were given in the form of ejidos, and Pedro kept detailed
records of their activities and of the owners of each of the land
parcels. His activities frequently put him at odds with the ambitions of
local politicians and land speculators. In 1973 Pedro and his
wife moved to San Ysidro, California to escape the opposition against
Pedro in Tijuana and to be near their children, all U.S. citizens who
had settled in southern California. He continued his activities in
support of the Mexican Veterans and of the civil rights of people of
Mexican heritage in the U.S. until his death sometime in 1991.
Restrictions
For students and faculty researchers of UCLA, all others by
permission only. Copyright has not been assigned to the Chicano Studies
Research Center. All requests for permission to publish or quote from
manuscripts must be submitted in writing to the Archivist and/or the
Librarian at the Chicano Studies Research Center Library. Permission for
publication is given on behalf of the UCLA Chicano Studies Research
Center as the owner of the physical items and is not intended to include
or imply permission of the copyright holder, which must also be
obtained.