INVENTORY OF THE JULIUS S. HELD PAPERS, ca. 1921-1999

Box 76, Folder 30

Genre: Lovers, 1974-1994, undated

Scope and Content Note

16 items: 7 photographs, 1 color transparency, 2 leaves of illustrated matter, 1 note, a 1976 letter to Held from Donald D. Keyes at Smith College, expert opinion of painting Le soldat et la jeune fille by Didier Bodart, and expert opinion of painting Der Soldat und das Mädchen by Justus Müller Hofstede. [Color transparency with a note are shelved in Box 163, F. 16.]

Box 76, Folder 31

Genre: Woman and boy by candlelight, undated

Scope and Content Note

ca. 5 items: 3 photographs, 1 color transparency and 2 leaves of printed and illustrated matter. [Color transparency is shelved in Box 163, F. 17.]

Box 76, Folder 32

Genre: Garden of love, 1988, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of illustrated matter.

Box 76, Folder 33

Genre: Peasants dancing and Kermesse, 1988, undated

Scope and Content Note

5 items: 1 photograph, 1 leaf of illustrated matter, 1 postcard labelled Bauerntanz, 1988 letter to Held from Heribert R. Hutter at Gemäldegalerie der Akademie der bildenden Künste in Wien, and 1 leaf of printed matter. The photograph is extensively annotated by Held on verso. [The illustrated matter ( Kermesse) is shelved in Box 149*, F.8.]

Box 76, Folder 34

Genre: Drinking bout, 1987-1992, undated

Scope and Content Note

3 items: 1 color photograph, expert opinion of painting referred to as Beuverie de soldats devant une ferme by Didier Bodart (copy of typescriupt, 5 leaves), and Held's correspondence with M. D. Acosta at Wallach-Gracer Export Corporation in New York. [Color photograph is shelved in Box 163, F. 18.]

Box 76, Folder 35

Genre: Drinking bout, undated

Scope and Content Note

16 items: 8 photographs, including 1 in color. Titles on verso of some photographs: Zechende Soldaten, Soldaten vor der Schenke, Landsknechte. Included are 2 expert opinions from 1946 and 1951 by Ludwig Burchard, and 1941 expert opinion by Simon Muller concerning Rubens attribution of a painting referred to as Maraudeurs. Also present is Held's correspondence with Olav Le Maire Amundsen in Oslo (4 letters to Held and 1 letter from Held) regarding painting Swiss knights and farmers. [Color photograph is shelved in Box 163, F. 19.]

Box 76, Folder 36

Genre: correspondence with Colnaghi, 1991

Scope and Content Note

1 letter to Held from Richard Knight at Colnaghi. With a mention of Donald Garstang.

Box 76, Folder 37

Genre: correspondence with H. M. Cramer, 1959

Scope and Content Note

2 letters to Held from H. M. Cramer at G. Cramer Oude Kunst in Hague concerning a painting in the Mary S. Berg collection. With a mention of J. G. Wurfbain.

Box 76, Folder 38

Genre: correspondence with J. G. Wurfbain, 1957

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held.

Box 77, Folder 1

Painting: Judgement of Paris, 1962-1989, undated,

Scope and Content Note

20 items: 16 photographs, including 4 in color, 1 color transparency, 1 postcard, and letters to Held from Iliana Linardos (1962), Robert L. Sandblom at Sandrobel Investment Group (1989). [Color photographs and transparency are shelved in Box 163, F. 20.]

Box 77, Folder 2

Painting: Judgement of Paris, 1964-1989, undated

Scope and Content Note

ca. 6 items: offprint from Wallraf-Richartz-Jahrbuch (1989) with an article by Justus Müller Hofstede Stolidi iudicium Parisis: zur Ikonologie des Parisurteils bei Peter Paul Rubens, annotated by Held; selected pages from the article (photocopies); expert opinion by Justus Müller-Hofstede (German and English versions; 1964 and 1986 versions); and an expert opinion by Leo van Puyvelde from (French and English translation).

Box 77, Folder 3

Painting: Judgement of Paris, undated

Scope and Content Note

12 items: notes, typescripts, printed and illustrated matter. Included is Walter Vanbeselaere's paper "Judgement of Paris" (typescript, 8 leaves).

Box 77, Folder 4

Painting: Judgement of Paris: correspondence with C. Kielland, 1990

Scope and Content Note

1 letter to Held.

Box 77, Folder 5

Painting: Judgement of Paris: correspondence with Fred Salaff, 1990-1991

Scope and Content Note

3 items: 2 letters to Held and 1 letter from Held.

Box 77, Folder 6

Painting: Judgement of Paris: correspondence with Robert L. Sandblom, 1985-1990

Scope and Content Note

18 items: 10 letters to Held and 8 letters from Held.

Box 77, Folder 7

Painting: Judgement of Paris: correspondence with Sotheby's New York, 1987

Scope and Content Note

1 letter to Held from Heidi Chin. Extensively annotated by Held.

Box 77, Folder 8

Painting: Judgement of Paris: correspondence with Staatliche Kunstsammlungen Dresden, 1977-1985

Scope and Content Note

1 letter to Held from A. Mayer-Meintschel (1985). Also present is copy of a l977 letter to Walther Vanbeselaere from Manfred Bachmann and A. Mayer-Meintschel.

Box 77, Folder 9

Painting: Judgement of Paris: correspondence with Charles B. Tyler, 1990

Scope and Content Note

1 letter to Held from an art consultant in Los Angeles.

Box 77, Folder 10

Roman Emperors: Julius Caesar, 1986-1987, undated

Scope and Content Note

ca. 16 items: 5 photographs, 1 postcard, printed and illustratd matter, and Held's 1986-1987 correspondence with Stephen Mazoh & Co. (1 letter to Held and 1 letter from Held).

Box 77, Folder 11

Roman Emperors: Gaius Caligula, 1950, undated

Scope and Content Note

10 items: 7 photographs, illustrated matter, and a 1950 conservation report and letterhead of Sigmund Rothschild. (Caligula, Emperor of Rome, 12-41.)

Box 77, Folder 12

Roman Emperors: Octavian Augustus, undated

Scope and Content Note

7 items: 4 photographs, 1 color transparency with a short note, and 1 leaf of illustrated matter. [Color transparency with note are shelved in Box 163, F. 21.](Augustus, Emperor of Rome, 63 B.C.-14 A.D.)

Box 77, Folder 13

Roman Emperors: Vitellius, undated

Scope and Content Note

5 items: 2 photographs, 1 color transparency with a short note, and 2 leaves of illustrated matter. (Vitellius, Aulus, Emperor of Rome, 15-69.) [Color transparency with note are shelved in Box 163, F. 22.]

Box 77, Folder 14

Roman Emperors: Commodus, 1962, undated

Scope and Content Note

12 items: 8 photographs, 2 color transparencies, 1 leaf of illustrated matter, and Held's letter to Rudolph Condon in Valley Forge, Pa. from 18 Oct. 1962. (Commodus, Emperor of Rome, 161-192.) [Color transparencies are shelved in Box 163, F. 23.]

Box 77, Folder 15

Roman Emperors: Vespasian, 1985-1995, undated

Scope and Content Note

ca. 6 items: 1 color transparency, 3 leaves of illustrated matter, and a 1995 letter to Held from Ian Kenendy at Simon Dickinson in New York regarding Rubens's painting The Emperor Vespasian. (Vespasian, Emperor of Rome, 9-79.) [Color transparency is shelved in Box 163, F. 24.]

Box 77, Folder 16

Roman Emperors: Sergius Galba, 1990-1992

Scope and Content Note

ca. 9 items (16 leaves): 1 photograph, 1 color transparency, Held's 1992 correspondence with Charles Alabaster (1 letter to Held and 1 letter from Held), and printed and illustrated matter. (Galba, Servius Sulpicius, Emperor of Rome, 3 B.C.-69 A.D.) [Color transparency is shelved in Box 163, F. 25.]

Box 77, Folder 17

Roman Emperors: Marcus Aurelius, 1981, undated

Scope and Content Note

8 items: 5 photographs, including 1 in color, 1 color transparency, and 2 leaves of illustrated matter. (Marcus Aurelius, Emperor of Rome, 121-180). [Color photograph and transparency are shelved in Box 163, F. 26.]

Box 77, Folder 18

Roman Emperors: Dominitianus Nero, 1978, undated

Scope and Content Note

ca. 5 items: 2 photographs, including portrait Nero and Galba, and printed and illustrated matter. (Nero, Emperor of Rome, 37-68.)

Box 77, Folder 19

Roman Emperors: Nerva, undated

Scope and Content Note

2 items: 1 photograph and 1 leaf of illustrated matter. (Nerva, Emperor of Rome, ca. 30-98.)

Box 77, Folder 20

Roman Emperors: Trianus, undated

Scope and Content Note

2 items: 1 photograph and 1 leaf of illustrated matter. (Emperor Trianus (98 - 117 AD.)

Box 77, Folder 21

Roman Emperors: Antonius Pius, undated

Scope and Content Note

2 items: 1 photograph and 1 leaf of illustrated matter.

Box 77, Folder 22

Roman Emperors: Ottho, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of illustrated matter. (Otho, Marcus Salvius, Emperor of Rome, 32-69.)

Box 77, Folder 23

Roman Emperors: marble plaques at Vizcaya Museum and Gardens, undated

Scope and Content Note

4 photographs. Labels on verso include provenance information. Marble images of Titus (Vespasianus), Julius Caesar, Aulus Vitellius, and Claudius (Tiberius).

Box 77, Folder 24

Roman Emperors: various images, 1986, undated

Scope and Content Note

17 items: 13 photographs, 1 leaf of illustrated matter, a 1986 letter to Schaeffer Galleries in New York from Thomas Habeck at Dr. Habeck OHG, and illustrated matter. 9 photographs are of engravings after Rubens's drawings of sculptures, busts of Marcus Tullius Cicero, Demosthenes, Publius Cornelius Scipio Africanus, Hippocrates, Democritus, Lucius Annaeus Seneca, Sophocles, and Brutus. [3 items: 2 photographs and illustrated matter are shelved in Box 149*, F. 9.]

Box 77, Folder 25

Roman Emperors, 1971-1990, undated

Scope and Content Note

ca. 25 leaves of various notes and printed and illustrated matter. Included is photocopy of an article by Michael Jaffé "Rubens's Roman Emperors" (published in Burlington Magazine).

Box 77, Folder 26

Roman Emperors: correspondence with Avanti Galleries, 1994

Scope and Content Note

1 letter to Held from director Donald Taglialatella regarding Portrait of Emperor Gaius (Caius) Caligula.

Box 77, Folder 27

Roman Emperors: correspondence with Dino Fabbri, 1978

Scope and Content Note

1 letter from Held regarding a painting of two Roman Emperors at Colnaghi.

Box 77, Folder 28

Roman Emperors: correspondence with Stanley Kenneth Jernow, 1982-1991, undated

Scope and Content Note

13 items (14 leaves): 8 letters to Held and 5 letters from Held, mainly regarding portrait of Emperor Commodus.

Box 77, Folder 29

Roman Emperors: correspondence with Robert Lauwers, 1994

Scope and Content Note

1 letter from Robert Lauwers to Walter Liedtke at Metropolitan Museum of Art, NY regarding a painting referred to as Augustus.

Box 77, Folder 30

Roman Emperors: correspondence with Walther Liedtke, 1994

Scope and Content Note

1 letter to Held, annotated by Held.

Box 77, Folder 31

Roman Emperors: correspondence with Raimund Wünsche, 1978

Scope and Content Note

2 items: letter to Held from Wünsche at Staatliche Antikensammlungen und Glyptothek in Munich, and 1 leaf of illustrated matter. [See item from Box. 77, F. 24 shelved in Box. 149*, F. 9.]

Box 77, Folder 32

Paintings: Leopards and Procession into the arch, 1973-1997, undated

Scope and Content Note

45 items: 2 color transparencies, 1 negative, 25 photographs, and 17 leaves of printed and illustrated matter. Other captions: Pan and Syrinx , Leopards with a satyr and a nymph. [8 photographs of Leopards with a satyr and a nymphare shelved in Box 149*, F. 10; the color transparencies and the negative are shelved in Box 163, F. 27.]

Box 77, Folder 33

Paintings: Leopards and Procession into the arch, undated

Scope and Content Note

ca. 30 leaves of notes, printed matter.

Box 77, Folder 34

Painting: Leopards, 1990

Scope and Content Note

1 item (59 leaves) and additional copies of pages 29-34, 39. Conservation report of Institut canadien de conservation; Communications Canada by Marie-Claude Corbeil, Jeremy J. Powell, P. Jane Sirois, and Ian N. M. Wainwright. Annotated by Held.

Box 77, Folder 35

Painting: Leopards : correspondence with Francis Broun, 1986

Scope and Content Note

2 items: letter to Held from Broun at Art Gallery of Ontario, and 4 leaves of typescipt and illustrated matter concerning a painting of leopards at Manchester City Art Gallery, attributed to the school of Snijders.

Box 77, Folder 36

Painting: Leopards : correspondence with Central Picture Galleries, 1971-1975

Scope and Content Note

5 items: letter to Jan Klein at Central Picture Galleries from Metropolitan Museum of Art, NY curator Everett Fahy; letter to Klein from Princeton University Art Museum (registrar Robert H. Lafond), with a loan form; a Central Picture Galleries invoice; and letter to Klein from The Montreal Museum of Fine Arts (director David G. Carter).

Box 77, Folder 37

Painting: Leopards : correspondence with Michael Hornstein, 1990, undated

Scope and Content Note

ca 6 items: 2 letters to Held, 3 letters to Held (1 original), and typescript draft of an expert opinion by Held, (several copies, some annotated, total of 17 leaves).

Box 77, Folder 38

Painting: Leopards : correspondence with Michael Jaffé, 1973, undated

Scope and Content Note

2 items (3 leaves): Jaffé'e letter to Jan Klein at Central Picture Galleries, and David G. Carter's letter to Jaffé (includes Carter's reply to Hornstein; draft, extensively annotated).

Box 77, Folder 39

Painting: Leopards : correspondence with E. J. Kalf, 1974

Scope and Content Note

2 letters to Held.

Box 77, Folder 40

Painting: Leopards : correspondence with Oskar Klein, 1969-1971

Scope and Content Note

2 items : letters to Klein at Central Picture Galleries from Held and Michael Jaffé.

Box 77, Folder 41

Painting: Leopards : correspondence of John Rupert Martin, 1973

Scope and Content Note

1 letter to Oskar Klein at Central Picture Galleries from John Rupert Martin (Princeton University, Department of Art and Archaeology).

Box 77, Folder 42

Painting: Leopards : correspondence with Gerard F. Tempest, 1974

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held.

Box 78, Folder 1

Painting: Jupiter and Cupid (Forbes collection), undated

Scope and Content Note

7 photographs. [1 item is shelved in Box 149*, F.11.]

Box 78, Folder 2

Painting: Jupiter and Cupid (Forbes collection), 1958-1959, undated

Scope and Content Note

ca. 9 items: Held's letter to Mr. Henderson, several press clippings, offprint of an article by John Rupert Martin, drawings by Held, and typescript regarding painting Portrait of a bearded man with a gold chain by Rembrandt.

Box 78, Folder 3

Painting: Jupiter and Cupid (Forbes collection): correspondence with Pierre Dubaut, 1955

Scope and Content Note

1 letter to Held.

Box 78, Folder 4

Painting: Jupiter and Cupid (Forbes collection): correspondence with Kathleen M. Fenwick, 1955, undated

Scope and Content Note

2 items: 1 photograph and letter to Held from Fenwick at National Gallery of Canada.

Box 78, Folder 5

Painting: Jupiter and Cupid (Forbes collection): correspondence with Malcolm S. Forbes, 1970

Scope and Content Note

8 items: 5 letters to Held and 3 letters from Held.

Box 78, Folder 6

Painting: Jupiter and Cupid (Forbes collection): correspondence with Frederick and Betty Mont, 1970

Scope and Content Note

1 letter to Held.

Box 78, Folder 7

Venus, Graces, and nymphs: Judgement of Paris, undated

Scope and Content Note

ca. 8 items: 4 photographs, including 1 in color, and printed and illustrated matter. [Color photograph is shelved in Box 163, F. 28.]

Box 78, Folder 8

Venus, Graces, and Nymphs: Venus and Adonis, 1968-1971, undated

Scope and Content Note

12 items: 3 photographs, including 1 in color, 3 leaves of illustrated matter, copies of expert opinions by G. Heim-Gairac, Arthur Sambon, and Paul Lambotte, letter to Held from John R. Martin at Princeton University, and Held's correspondence with Madame Y. Froustey-Jaffre in Paris. [Color photograph is shelved in Box 163, F. 29.]

Box 78, Folder 9

Venus, Graces, and Nymphs: Three Graces, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of illustrated matter.

Box 78, Folder 10

Venus, Graces, and Nymphs: Diana preparing for the hunt, undated

Scope and Content Note

2 photographs.

Box 78, Folder 11

Venus, Graces, and Nymphs: Venus, Cupid, and Mars, 1981, undated

Scope and Content Note

3 items: 2 photographs, including 1 in color, and letter to Held from Steven Juvelis at The Burlington Trust. [Color photograph is shelved in Box 163, F. 30.]

Box 78, Folder 12

Venus, Graces, and Nymphs: Venus taking a thorn out of her foot, with Cupids, undated

Scope and Content Note

ca. 11 items: 9 photographs, expert opinion by Held (dated April 28 1950), and 2 leaves of printed matter.

Box 78, Folder 13

Venus, Graces, and Nymphs: undated

Scope and Content Note

6 photographs, including 6 in color. [Color photographs are shelved in Box 163, F. 31.]

Box 78, Folder 14

Venus, Graces, and Nymphs: Cupid and Psyche, 1934-1949, undated

Scope and Content Note

8 items: 5 photographs, 1 color transparency, 1 leaf of illustrated matter, and a 1949 letter to Minneapolis Art Gallery from C. E. Fritzes Kungl. Hovbokhandel in Stockholm. The photographs include a statement by Wilhelm Reinhold Valentiner dated Sept. 22 1934. [Color transparency is shelved in Box 163, F. 32.]

Box 78, Folder 15

Venus, Graces, and Nymphs: Centaurs in a wooded landscape (or Loves of the centaurs), undated

Scope and Content Note

10 items: 8 photographs, including 4 in color, and 2 leaves of printed and illustrated matter. [Color photographs are shelved in Box 163, F. 33.]

Box 78, Folder 16

Venus, Graces, and Nymphs: Mars and Rhea Sylvia, undated

Scope and Content Note

1 photograph.

Box 78, Folder 17

Venus, Graces, and Nymphs: Hero and Leander, 1992, undated

Scope and Content Note

5 items: 4 photographs and letter to Held from H.C.P.M. Schubert, annotated by Held.

Box 78, Folder 18

Venus, Graces, and Nymphs: Battle of Greeks and Amazons, undated

Scope and Content Note

11 items: 8 photographs, including 1 in color, 2 color transparencies, and 1 leaf of printed matter. [Color photograph and transparencies are shelved in Box 163, F. 34.]

Box 78, Folder 19

Venus, Graces, and Nymphs: Mercury and Argus, undated

Scope and Content Note

9 items: 4 photographs, 1 color transparency, 1 postcard, and illustrated matter. [Color transparency is shelved in Box 163, F. 35.]

Box 78, Folder 20

Venus, Graces, and Nymphs: Fall of Phaeton, 1947-1987, undated

Scope and Content Note

ca. 4 items: 2 color photographs, 1987 letter to Held from Kurt Delbanco at Delbanco Arts, and copy of a 1947 expert opinion by Ludwig Burchard. [Color photographs are shelved in Box 163, F. 36.]

Box 78, Folder 21

Venus, Graces, and Nymphs: Pythagoras, undated

Scope and Content Note

2 photographs. One extensively annotated by Held on verso.

Box 78, Folder 22

Venus, Graces, and Nymphs: Gods of Olympus, undated

Scope and Content Note

6 items: 5 photographs and 1 postcard.

Box 78, Folder 23

Venus, Graces, and Nymphs: Finding of Erichthonius, 1962, undated

Scope and Content Note

9 items: 8 photographs, including 1 in color, and a 1962 letter to Held from Edgar C. Mayo. [Color photograph and Mayo's letter are shelved in Box 163, F. 37.]

Box 78, Folder 24

Venus, Graces, and Nymphs: Diana and Actaeon, 1988-1997, undated

Scope and Content Note

5 items: 1 photograph, 1 color transparency, 1 leaf of illustrated matter, and Held's correspondence wuth Albin Chalandon at Ministère de la justice in Paris. [Color transparency is shelved in Box 163, F. 38.]

Box 78, Folder 25

Venus, Graces, and Nymphs: Abduction of Leucippos's daughters, undated

Scope and Content Note

2 photographs.

Box 78, Folder 26

Venus, Graces, and Nymphs: Death of Adonis, undated

Scope and Content Note

14 items: 11 photographs, typescript (3 leaves) about the painting, and 2 leaves of illustrated matter.

Box 78, Folder 27

Venus, Graces, and Nymphs: Battle of Greeks and Amazons, undated

Scope and Content Note

3 photographs.

Box 78, Folder 28

Venus, Graces, and Nymphs: various images, undated

Scope and Content Note

12 items: 8 photographs, 2 postcards, and 2 leaves of illustrated matter. Included are: Rape of Ganymede, Mercury at the peasants?, Tarquinius and Lucretia, Venus frigida, Birth of the red rose, Prometheus bound, Putti with a basket of fruit, Death of Hippolytus, Feast of Venus, Venus disarming Mars, a battle scene, goddes Diana, Venus with Cupid. [2 photographs of Venus disarming Mars are shelved in Box 149*, F. 12.]

Box 78, Folder 29

Venus, Graces, and Nymphs, 1951-1992, undated

Scope and Content Note

ca. 17 leaves of notes and printed matter. Includes pages from Christies' 1988 catalog concerning Rubens's painting Hercules, bust length, in profile.

Box 78, Folder 30

Venus, Graces, and Nymphs: correspondence with Duits Ltd., 1970

Scope and Content Note

3 items: 2 letters to Held: from Thomas P. Brod and Graham Duits, and 1 leaf of typescript about Death of Adonis.

Box 78, Folder 31

Venus, Graces, and Nymphs: correspondence with Claire Hatvany, 1974

Scope and Content Note

3 items: 1 letter to Held, 1 letter from Held, and 1 leaf of typescript about Ceres & Pan.

Box 78, Folder 32

Venus, Graces, and Nymphs: correspondence with Fiona Healy, 1990

Scope and Content Note

1 letter to Held (2 leaves) concerning Judgement of Paris.

Box 78, Folder 33

Venus, Graces, and Nymphs: correspondence with John Lowenthal, 1988

Scope and Content Note

2 items: 1 letter from Held and 2 leaves of printed matter. Concerning a painting referred to as Mars.

Box 78, Folder 34

Venus, Graces, and Nymphs: correspondence with Casper Kielland, 1990

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held.

Box 78, Folder 35

Venus, Graces, and Nymphs: correspondence with Annalise Mayer, 1985

Scope and Content Note

2 items (3 leaves): 1 letter to Held from Mayer at Staatliche Kunstsammlungen Dresden, and 1 letter from Held.

Box 78, Folder 36

Venus, Graces, and nymphs: correspondence with Mr. [Michael] Milkovich, 1964

Scope and Content Note

1 letter from Held.

Box 78, Folder 37

Venus, Graces, and Nymphs: correspondence with Stanley Moss, 1986, 1991

Scope and Content Note

ca. 4 items: 1 letter to Held and 1 letter to Held. Enclosed is a 1986 letter to Held from Gallozzi-la Placa Gallery, with an expert opinion in Spanish by Justus Müller Hofstede. Concerning painting referred tio as Enamoured centaurs, or Centaurs mating [also see items filed in Box 87, F.24]. Also mentioned is a painting referred to as Zeus and Io.

Box 78, Folder 38

Venus, Graces, and Nymphs: correspondence with W. L. M. van Ommeren-Korremans, 1983 - 1984

Scope and Content Note

5 items: 2 letters to Held, 1 letter from Held, and a letter to van Ommeren-Korremans from W. Hesterman (conservator), in Dutch with English translation. Concerning painting referred to as Argos and Mercury.

Box 78, Folder 39

Venus, Graces, and Nymphs: correspondence with Vincent Riportella, 1965

Scope and Content Note

1 letter from Held.

Box 78, Folder 40

Venus, Graces, and nymphs: correspondence with Andrew C. Ritchie, 1962

Scope and Content Note

2 items ( 3 leaves): 1 letter to Held (2 leaves) and 1 letter from Held. Concerning painting referred to as Hero and Leander.

Box 78, Folder 41

Venus, Graces, and Nymphs: correspondence with Emile Verrijken, 1984

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Regarding painting referred to as Battle of the Amazones.

Box 78, Folder 42

Hercules, Diana, Bacchic scenes: undated

Scope and Content Note

5 photographs. Various paintings of Diana, nymphs, and the theme of Diana and Acteon.

Box 78, Folder 43

Hercules, Diana, Bacchic scenes: Jupiter and Calisto, undated

Scope and Content Note

2 items: 1 photograph and 1 postcard.

Box 78, Folder 44

Hercules, Diana, Bacchic scenes: undated

Scope and Content Note

15 items: 7 photographs and 8 leaves of illustrated matter, including photocopy of a print. Various paintings of sleeping Diana, with nymphs, dogs, satyrs, and Diana with nymphs, and with satyrs. [2 items are shelved in Box 149*, F.14.]

Box 78, Folder 45

Hercules, Diana, Bacchic scenes: Nymphs and satyrs at the fruit harvest, undated

Scope and Content Note

2 photographs.

Box 78, Folder 46

Hercules, Diana, Bacchic scenes: Hercules, undated

Scope and Content Note

3 photographs, including a scene of drunken Hercules.

Box 78, Folder 47

Hercules, Diana, Bacchic scenes: Death of Adonis, undated

Scope and Content Note

1 photograph.

Box 78, Folder 48

Hercules, Diana, Bacchic scenes: Silenus, undated

Scope and Content Note

21 items: 13 photographs, 2 color transparencies, 5 leaves illustrated matter annotated by Held, and Held's correspondence with D. Füssl at Galerie Füssl & Jakob in Munich (1 letter to Held and 1 letter from Held). [Color transparencies are shelved in Box 163, F. 39.]

Box 78, Folder 49

Hercules, Diana, Bacchic scenes: Diana returning from the hunt, 1987, undated,

Scope and Content Note

6 items: 4 photographs, 1 postcard, and letter to Held from Harold A. E. Day in Tasmania, Australia. [1 item is shelved in Box 149*, F. 14.]

Box 78, Folder 50

Hercules, Diana, Bacchic scenes: Nymphs and satyrs in a landscape, 1966-1990, undated

Scope and Content Note

15 items: 13 photographs, 1 leaf of illustrated matter, and a note dated 24 Nov. 1966, which mentions [Heinz?] Kisters in Kreuzlingen.

Box 78, Folder 51

Hercules, Diana, Bacchic scenes: Abduction of Ganymede, undated

Scope and Content Note

3 photographs, including 1 in color. One of the photographs is labelled Collection Goudstikker. [Color photograph is shelved in Box 163, F. 40.]

Box 78, Folder 52

Hercules, Diana, Bacchic scenes: Abduction of Dejanira by Nessus, 1970, undated

Scope and Content Note

5 items: 2 photographs, including 1 in color, and Held's correspondence with Burton D. Fisher (2 letters to Held and 1 letter from Held). [Color photograph is shelved in Box 163, F. 41.]

Box 78, Folder 53

Hercules, Diana, Bacchic scenes: Education of Bacchus, 1984-1991, undated

Scope and Content Note

ca. 9 items: 5 photographs, printed and illustrated matter, letter to Held from Newhouse Galleries, and typescript text in French, with English translation (total of 6 leaves), about painting referred to as Faune pressant une grappe de raisins.

Box 78, Folder 54

Hercules, Diana, Bacchic scenes: Satyr and nymph, 1978-1995, undated

Scope and Content Note

9 items: 2 photographs, including 1 in color, notes and printed and illustrated matter, 2 letters to Held from Emile E. Wolf, English translation of a letter to Wolf from Janos Scholz, and copy of a short statement by Max Rooses. [See also items filed in Box 75, F. 28.] [Color photograph is shelved in Box 163, F. 42.]

Box 78, Folder 55

Hercules, Diana, Bacchic scenes: Pan and Syrinx, 1965-1973, undated

Scope and Content Note

ca. 3 items (5 leaves): 1 leaf of notes and printed and illustrated matter.

Box 78, Folder 56

Hercules, Diana, Bacchic scenes: Bacchus and Satyr, 1973-1982, undated

Scope and Content Note

ca. 12 items: 3 photographs, including 1 in color, printed matter, Held's 1973-1974 correspondence with T. Matsuo in Brussels, and a 1982 letter to held from Sotheby's London (Julian Stock?), and a small red ink drawing by Held. Sotheby's letter is annotated by Held. [Color photograph is shelved in Box 163, F. 43.]

Box 78, Folder 57

Hercules, Diana, Bacchic scenes: Hercules and the Nemean Lion, 1982-1989

Scope and Content Note

ca. 20 items: 7 photographs, 1 color transparency, typescript and illustrated matter, Held's corespondence with Michael Hunt Stolbach and the Elkon Gallery, and letter to Held from Alain Tarica. [Color transparency is shelved in Box 163, F. 44.] [4 color photographs are shelved in Box 165*, F. 3.]

Box 78, Folder 58

Hercules, Diana, Bacchic scenes: Nessus and Dejanira, 1986

Scope and Content Note

6 items: 2 photographs, 1 x-ray image, and Held's correspondence with Stephen M. Kellen (2 letters to Held, 1 letter from Held).

Box 78, Folder 59

Hercules, Diana, Bacchic scenes, undated

Scope and Content Note

8 items: 7 photographs and 1 leaf of illustrated matter. Various images.

Box 78, Folder 60

Hercules, Diana, Bacchic scenes: various images, undated

Scope and Content Note

10 items: 5 photographs and 5 leaves of illustrated matter. Various images. Included are: Sophonisba drinking the poison, Bacchanal, Garland of fruit, Perseus and Andromeda, Hercules and Omphale, and illustration of a bronze sculpture of three female figures, annotated by Held.

Box 79, Folder 1

Hercules, Diana, Bacchic scenes: expert opinion by Ludwig Burchard, 1948

Scope and Content Note

1 item (2 leaves, negative copy), regarding attribution of a painting of Aeneas and Dido to Rubens. In English. Certified in German by E. Wackernagel.

Box 79, Folder 2

Hercules, Diana, Bacchic scenes: Dejanira, 1951-1953, undated

Scope and Content Note

9 items (14 leaves): manuscript and printed matter and correspondence concerning Rubens attribution of a painting referred to as Dejanira. Correspondence comprises letters to Sir William Worsley from Michael Jaffé and from City of York Art Gallery. Also present is a statement by Ludwig Burchard. Photocopies, annotated by Held.

Box 79, Folder 3

Hercules, Diana, Bacchic scenes: correspondence with Julian Agnew, 1983

Scope and Content Note

2 items: 1 letter to Held from Thos. Agnew & Sons, Ltd and 1 letter from Held.

Box 79, Folder 4

Hercules, Diana, Bacchic scenes: correspondence with Matthias Bleyl, 1981-1983

Scope and Content Note

3 items (4 leaves): 2 letters to Held and 1 letter from Held.

Box 79, Folder 5

Hercules, Diana, Bacchic scenes: correspondence with Carlo Cavaglià, 1982

Scope and Content Note

3 items: letter to Held, copy of a cashier's check, and 1 letter from Held.

Box 79, Folder 6

Hercules, Diana, Bacchic scenes: correspondence with Christie's New York, 1984

Scope and Content Note

2 items: 1 letter to Held from Ian G. Kennedy, and 1 letter from Held to Simon Dickinson.

Box 79, Folder 7

Hercules, Diana, Bacchic scenes: correspondence with Michael Milkovich, 1977

Scope and Content Note

2 items: 1 letter to Held from Milkovich at The Dixon Gallery and Gardens in Memphis, Tenn., and 1 letter from Held. Regarding painting referred to as Bacchus and satyr.

Box 79, Folder 8

Hercules, Diana, Bacchic scenes: correspondence with Konrad Renger, 1983

Scope and Content Note

1 letter from Held.

Box 79, Folder 9

Hercules, Diana, Bacchic scenes: correspondence with Mary Crawford Volk, 1980

Scope and Content Note

1 letter to Held from Volk at Brown University, Department of Art in Providence, R.I.

Box 79, Folder 10

Hercules, Diana, Bacchic scenes: correspondence with Emile E. Wolf, 1979

Scope and Content Note

2 letters to Wolf: from Michael Jaffé at Fitzwilliam Museum, and from Richard H. Randall at Walters Art Gallery. Both letters are annotated by Held.

Box 79, Folder 11

Painting: Portrait of Charles V, undated

Scope and Content Note

ca. 15 items: 4 color slides, 10 photographs, including x-rays, and front cover of original folder from Held's archive. [Slides, with envelope, are shelved in Box 163, F. 45.]

Box 79, Folder 12

Painting: Portrait of Charles V, undated

Scope and Content Note

12 photographs, including photographs of x-rays.

Box 79, Folder 13

Painting: Portrait of Charles V: correspondence, 1978-1979

Scope and Content Note

ca. 20 items (30 leaves): correspondence between Held, Julius H. Weitzner, Frederick J. Cummings at Detroit Institute of Arts, and Michael Jaffé. Also present is Held's letter to Susan [?], a letter from S. Rees Jones to conservator Abraham Joel, and three typescripts.

Box 79, Folder 14

Painting: Portrait of Charles V, undated

Scope and Content Note

6 items (13 leaves) of : notes, typescripts, printed matter.

Box 79, Folder 15

Rubens school: copies, imitations, etc.: so-called Bacchus, 1956-1995, undated

Scope and Content Note

ca. 15 items (38 leaves): 1 photograph, including 1 in color, printed and illustrated matter, and photopcopies of typescripts and expert opinions, including letters by Ludwig Burchard. [The color photograph is shelved in Box 163, F. 46; one large photograph is shelved in Box 149*, F. 15.]

Box 79, Folder 16

Rubens school: copies, imitations, etc., undated

Scope and Content Note

12 items: 10 photographs, including 2 in color, and 2 color transparencies. Various images. [Color photographs and transparencies are shelved in Box 163, F. 16.]

Box 79, Folder 17

Rubens school: copies, imitations, etc., undated

Scope and Content Note

23 items: 20 photographs, including 13 in color (copies after Rubens's Apostle series), and 3 leaves of illustrated matter. Various images. [Color photographs are shelved in Box 163, F. 48.]

Box 79, Folder 18

Rubens school: copies, imitations, etc., undated

Scope and Content Note

8 items: 6 photographs and illustrated matter. Various images.

Box 79, Folder 19

Rubens school: copies, imitations, etc.: correspondence with Huguette Bassier, 1976

Scope and Content Note

2 items; letter to Held and 1 color photograph. [Color photograph is shelved in Box 163, F. 49.]

Box 79, Folder 20

Rubens school: copies, imitations, etc.: correspondence with P. Baur de Boer, 1964

Scope and Content Note

1 letter to Held. Annotated by Held.

Box 79, Folder 21

Rubens school: copies, imitations, etc.: correspondence with Ronald W. Beresford, 1983

Scope and Content Note

3 items: 1 letter to Held, 1 letter from Held, and 1 color photograph. [Color photograph is shelved in Box 163, F. 50.]

Box 79, Folder 22

Rubens school: copies, imitations, etc.: correspondence with Christie's London, 1986

Scope and Content Note

2 items: Held's letter to Francis Russell at Christie's London, and 1 photograph.

Box 79, Folder 23

Rubens school: copies, imitations, etc.: correspondence with Christie's New York, 1989

Scope and Content Note

5 items: 1 photograph, 1 color transparency, 1 leaf of illustrated matter, 1 letter to Held from Alexander Parish, and Held's letter to Ian Kennedy. [Color transparency is shelved in Box 163, F. 51.]

Box 79, Folder 24

Rubens school: copies, imitations, etc.: correspondence with Harold Day, 1986

Scope and Content Note

3 items: 2 photographs, including 1 in color, and letter to Held. [Color photograph is shelved in Box 163, F. 52.]

Box 79, Folder 25

Rubens school: copies, imitations, etc.: correspondence with Ebbs & Ebbs, 1967

Scope and Content Note

4 items (6 leaves): 2 letters to Held and 2 letters from Held to R. J. McGurk. Regarding paintings from the estate of Violet Bird Mann.

Box 79, Folder 26

Rubens school: copies, imitations, etc.: correspondence with Hans S. Erichsen, 1952

Scope and Content Note

1 letter to Held (2 leaves).

Box 79, Folder 27

Rubens school: copies, imitations, etc.: correspondence with Casimir G. Erzegovich, 1964-1965

Scope and Content Note

5 items: 3 letters to Held and 2 letters from Held.

Box 79, Folder 28

Rubens school: copies, imitations, etc.: correspondence with George Farkas, 1960

Scope and Content Note

1 letter to Held from Farkas at Alexanders Department Stores, Inc. in New York.

Box 79, Folder 29

Rubens school: copies, imitations, etc.: correspondence with Thomas L. Fawick, 1959

Scope and Content Note

1 letter to Held.

Box 79, Folder 30

Rubens school: copies, imitations, etc.: correspondence with Wen Fong, 1971

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Regarding a painting referred to as Massacre of the innocents.

Box 79, Folder 31

Rubens school: copies, imitations, etc.: note by Ingrid Maerta Held, undated

Scope and Content Note

1 note regarding drawing Bacchus & nymph (Ariadne?) in Dresden.

Box 79, Folder 32

Rubens school: copies, imitations, etc.: painting from collection of Willitts J. Hole, undated

Scope and Content Note

3 items: 1 photographs, text about painting Three angel heads , and a 1917 statement by [?] (both texts are photocopies).

Box 79, Folder 33

Rubens school: copies, imitations, etc.: correspondence with Alex. Hume, 1976

Scope and Content Note

1 letter to Held.

Box 79, Folder 34

Rubens school: copies, imitations, etc.: correspondence with Hans Huth [?], 1954

Scope and Content Note

1 letter to Held from director of Staatliche Schlösser und Gärten Potsdam-Sanssouci.

Box 79, Folder 35

Rubens school: copies, imitations, etc.: correspondence with Donald D. Keyes, 1967

Scope and Content Note

3 items (4 leaves): 2 letters to Held and 1 letter from Held. Regarding attribution of a drawing referred to as The ecstacy of St. Augustine to Rubens.

Box 79, Folder 36

Rubens school: copies, imitations, etc.: correspondence with Kurt von Kroemer, 1974

Scope and Content Note

5 items: 3 letters to Held and 2 letters from Held.

Box 79, Folder 37

Rubens school: copies, imitations, etc.: correspondence with J. Marciano [?], undated

Scope and Content Note

2 items: letter to Held, with label of Communication Systems in Westfield, Massachusetts attached, and 1 color photograph. [Color photograph is shelved in Box 163, F. 53.]

Box 79, Folder 38

Rubens school: copies, imitations, etc.: correspondence with Fielding Marshall, 1965

Scope and Content Note

2 items: letter to Held and 2 leaves of typescript about painting St. George and the dragon.

Box 79, Folder 39

Rubens school: copies, imitations, etc.: correspondence with Kurt Meissner, 1971-1975, undated

Scope and Content Note

24 items (38 leaves): 4 photographs, 2 color transparencies, 3 leaves of notes, 1 offprint (article by Justus Müller Hofstede), 3 letters to Held, 2 letters from Held, and photocopies of expert opinions by Kurt Bauch, Günter Busch, Hans Gerhard Evers, Eduard Hüttinger, Justus Müller Hofstede (with a letter to Held from Michael Jaffé), and Werner Sumowski. Concerning controversial Rubens attribution of a painting referred to as Rastende Schafhirten im Weideland from the Hornstein collection in Montreal. With a mention of David Carter and Konrad Oberhuber. [Color photograph is shelved in Box 163.]

Box 79, Folder 40

Rubens school: copies, imitations, etc.: correspondence with Alice T. Miner, 1949

Scope and Content Note

2 items: 1 letter to Held from The William H. Miner Foundation Heart's Delight Farm in Chazy, N.Y., and a booklet describing Tribute money by Rubens.

Box 79, Folder 41

Rubens school: copies, imitations, etc.: correspondence with Jeffrey H. Parnes, 1978

Scope and Content Note

1 letter to Held regarding work referred to as charcoal etching by Rubens.

Box 79, Folder 42

Rubens school: copies, imitations, etc.: correspondence with Federico Olvera, 1985

Scope and Content Note

3 items: 1 letter to Held, 1 letter from Held, and 1 color photograph. [Color photograph is shelved in Box 163, F. 55.]

Box 79, Folder 43

Rubens school: copies, imitations, etc.: correspondence with John Rewald, 1973

Scope and Content Note

2 items: 1 letter to Held and 1 photograph. Regarding a drawing believed to be by Cezanne after Rubens.

Box 80, Folder 1

Rubens school: copies, imitations, etc.: correspondence with David R. Russell, 1957

Scope and Content Note

2 items: letter to Held from Russell at Southern Methodist University, and 1 photograph.

Box 80, Folder 2

Rubens school: copies, imitations, etc.: correspondence with B. Schuster, 1974

Scope and Content Note

6 items: 4 letters to Held and 2 letters from Held.

Box 80, Folder 3

Rubens school: copies, imitations, etc.: correspondence with Monique Seefried, 1980

Scope and Content Note

1 letter to Held.

Box 80, Folder 4

Rubens school: copies, imitations, etc.: correspondence with Fred L. Shelor, Jr., 1953

Scope and Content Note

3 items: 2 letters to Held and 1 color photograph. [Color photograph is shelved in Box 163, F. 56.]

Box 80, Folder 5

Rubens school: copies, imitations, etc.: correspondence with Sotheby's London, 1975

Scope and Content Note

3 items: 2 letters to Held from Julien Stock, and 1 color photograph. Regarding a painting from the collection of Mr. Kornan in Australia and a drawing belonging to a Swiss art collector. With a mention of Justus Müller Hofstede. [Color photograph is shelved in Box 163, F. 57.]

Box 80, Folder 6

Rubens school: copies, imitations, etc.: correspondence with Winship A. Todd, 1960

Scope and Content Note

1 letter to Held.

Box 80, Folder 7

Rubens school: copies, imitations, etc.: correspondence with Toledo Museum of Art, 1976, undated

Scope and Content Note

5 items (8 leaves): 2 photographs, 1 letter to Held, 1 letter from Held, and printed matter. Regarding a painting referred to as Holy Family with St. Elizabeth and St. John.

Box 80, Folder 8

Rubens school: copies, imitations, etc.: correspondence with W. Tumulka at Euro-Internatsberatung, 1985

Scope and Content Note

7 items: 3 color photographs, 3 letters to Held, and 1 letter from Held. Regarding paintings referred to as Madonna and Child, David's fight with the bear, Portrait of the archduke Albert of Austria, and Portrait of child (infant) Isabella of Spain. [Color photographs are shelved in Box 163, F. 58.] [See also items filed in Box 81, F. 52.]

Box 80, Folder 9

Rubens school: copies, imitations, etc.: correspondence with Margaret Watherston, 1968

Scope and Content Note

1 letter to Held regarding a painting referred to as Adoration of the Magi.

Box 80, Folder 10

Rubens school: copies, imitations, etc.: correspondence with Cecil Zinkan, 1963

Scope and Content Note

2 items: 1 letter to Held from director of Lightner Museum of Hobbies in St. Augustine, Fla. and 1 letter from Held.

Box 80, Folder 11

Rubens school: copies, imitations, etc., undated

Scope and Content Note

6 items (8 leaves): various notes, typescript and printed matter, including a typescript titled "Zur sog. Cumberland-Serie" (3 leaves) inscribed with name of Gregor J. M. Weber [also see items filed in Box 7, F. 24].

Box 80, Folder 12

Rubens school: copies, imitations, etc.: Three Graces, undated

Scope and Content Note

3 items: 2 photographs, including 1 in color, and 2 leaves of printed matter (1924 sale of Louis Fournier collection). [Color photograph is shelved in Box 163, F. 59.]

Box 80, Folder 13

Rubens. Paintings, secular: Rubens school: copies, imitations, etc., undated,

Scope and Content Note

14 items: 9 photographs, including 2 in color, 2 color transparencies, and 3 leaves of illustrated matter. [Color photographs and transparencies are shelved in Box 163, F. 60.]

Box 80, Folder 14

Rubens. Paintings, secular: Rubens school: copies, imitations, etc., undated

Scope and Content Note

8 photographs.

Box 80, Folder 15

Rubens school: copies, imitations, etc., undated

Scope and Content Note

10 items: 9 photographs and 1 postcard. [1 photograph is shelved in Box 150*, F. 1.]

Box 80, Folder 16

Rubens: miscellaneous material (not religious topics), 1945, undated

Scope and Content Note

22 items: 18 photographs and 4 leaves of illustrated matter: various paintings, drawings, prints, and sculptures, photographs of Rubens's house in Antwerp, and caricatures (press clippings). Some items are stamped or annotataed on verso. Included is an uncredited photograph, with stamps of Signal Corps U.S. Army and dated 21 April 1945, of an American infantryman resting on Herman Goering's bed in the lodge at Neuhaus, Germany. Interior decoration includes Rubens's Abduction of Leucippos's daughters above the bed. [1 photograph is shelved in Box 150*, F. 2.]

Box 80, Folder 17

Old Testament: Samson and Delilah, 1983-1989, undated

Scope and Content Note

ca. 36 items (39 leaves): 14 photographs, including 1 in color, printed and illustrated matter, notes, Held's letter to Christopher [Brown?], and correspondence with Joanna Woodall at Courtauld Insitute of Art (1 letter to Held and 1 letter from Held). [Color photograph is shelved in Box 163, F. 61.]

Box 80, Folder 18

Old Testament: David slaying the bear, 1987-1990, undated

Scope and Content Note

ca. 33 items (ca. 40 leaves): 10 photographs, including 3 in color, printed matter, notes, and correspondence with Wolfgang Tumulka at Euro-Internatsberatung in Munich (2 letters to Held and 2 letters from Held), 2 letters from Held to Galerie Margrit Bernard, and correspondence with law firm Werner, Luger & Werner (Klaus Werner) in Munich, with a power of attorney document, and a letter to Held from Spencer Samuels at Spencer A. Samuels & Company, Ltd. in New York. [Color photographs are shelved in Box 163, F. 62.]

Box 80, Folder 19

Old Testament: Susanna and the Elders [Susannah and the Elders], 1968-1987, undated

Scope and Content Note

ca. 50 items: 26 photographs, including 6 in color; 2 leaves of notes; 1 postcard; printed and illustrated matter; letters from Held to John D. Herring (E.V. Thaw & Co.) and Umberto Averni; letter to Held from Emile E. Wolf; and Held's correpondence with John Maxon (Art Institute of Chicago), Stuart J. Nelson, and Ksenija Rozman at Narodna Galerija in Ljubljana. Also present is copy of a letter to Nelson from Christie's New York (Peggy Stone). [Color photographs are shelved in Box 163, F. 63.]

Box 80, Folder 20

Old Testament: Adam and Eve, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of illustrated matter.

Box 80, Folder 21

Old Testament: Samson destroying the temple, 1999, undated

Scope and Content Note

4 items: 2 color transparencies, letter to Held from Ann Sutherland Harris, and a press clipping regarding sale of a painting referred to as Samson destroying the temple to J. Paul Getty Museum. [Color transparencies are shelved in Box 163, F. 64.]

Box 80, Folder 22

Old Testament: Death of Holofernes, [Holophernes] 1985, undated

Scope and Content Note

4 items: 3 photographs and letter to Held from Brian F. O'Neill.

Box 80, Folder 23

Old Testament: Bathsheba at the fountain, undated

Scope and Content Note

5 items: 4 photographs and a typed note.

Box 80, Folder 24

Old Testament: Flight from Sodom and Departure of Lot and his family from Sodom, 1963, undated

Scope and Content Note

9 items: 3 photographs, including 1 in color, 2 leaves of illustrated matter and correspondence with F. Stanley Hoffman at Gettysburg College (2 letters to Held and 2 letters from Held). [Color photograph is shelved in Box 163, F. 65.]

Box 80, Folder 25

Old Testament: Lot and his daughters, 1976, undated

Scope and Content Note

7 items: 2 photographs, copy of an 1882 Metropolitan Museum of Art, NY receipt, 1 leaf of printed matter, and correspondence with Linda Gentis Larrimer at Columbus Gallery of Fine Arts (1 letter to Held and 1 letter from Held).

Box 80, Folder 26

Old Testament: Judgement of Solomon, 1960, undated

Scope and Content Note

3 items: 1 photograph and correspondence with Robert S. Draper (1 letter to Held and 1 letter from Held).

Box 80, Folder 27

Old Testament: Sacrifice of Isaac, undated

Scope and Content Note

4 photographs.

Box 80, Folder 28

Old Testament: Daniel in the lions' den, 1979, undated

Scope and Content Note

6 items: 3 photographs, including 1 in color, printed matter, and 2 letters to Held from Lode Seghers in Antwerp. [Color photograph is shelved in Box 163, F. 66.]

Box 80, Folder 29

Old Testament: Meeting of Abraham and Melchizedek, 1983, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of illustrated matter.

Box 80, Folder 30

Old Testament: David and Goliath, 1972, undated

Scope and Content Note

8 items: 5 photographs, 1 color transparency, and correspondence with Darryl E. Isley at The Norton Simon Foundation (1 letter to Held and 1 letter from Held). [Color transparency is shelved in Box 163, F. 67.] [3 photographs of David slaying Goliath are shelved in Box 150*, F. 3.]

Box 80, Folder 31

Old Testament: Man with a vase, 1989-1993

Scope and Content Note

ca. 20 items (29 leaves): 5 photographs, including 2 in color, 2 color transparencies, printed and illustrated matter and Held's correspondence: with Kurt Delbanco at Delbanco Arts in New York, and with James Bruce-Gardyne and Rachel Mauro at Christie's London. Present is an expert opinion (copy) by Roger Adolf d'Hulst. [Color photographs and transparencies are shelved in Box 163, F. 68.]

Box 80, Folder 32

Old Testament: Arrest of Samson [ Samson taken by the Philistines], undated

Scope and Content Note

3 photographs. [1 photograph is shelved in Box 150*, F.3.]

Box 80, Folder 33

Old Testament: Cain kills Abel and Death of Abel, undated

Scope and Content Note

5 items: 4 photographs and 1 typed label (detached).

Box 80, Folder 34

Old Testament: Destruction of Pharoah's host in the Red Sea, undated

Scope and Content Note

4 items: 2 photographs and 2 leaves of notes.

Box 80, Folder 35

Old Testament: Meeting of David and Abigail, 1959-1973, undated

Scope and Content Note

16 items: 12 photographs, German translation of a 1959 expert opinion by Ludwig Burchard, correspondence with Carmen Gronau at Sotheby's London (1 letter to Held and 1 letter from Held), and letter to Held from Günter Henle.

Box 80, Folder 36

New Testament: Feast of Herod, 1976, undated

Scope and Content Note

3 items: letter to Held from Linda Gentis Larrimer [Columbus Gallery of Fine Arts] and 1 leaf of illustrated matter. [Photograph is shelved in Box 150*, F. 4.]

Box 80, Folder 37

Old Testament (various): undated

Scope and Content Note

6 items: 3 photographs: Hagar (portrait of Helene Fourment), Gideon overcoming the Midianites, and Niederlage Sanheribs ( Defeat of Sanherib); 2 leaves of illustrated matter ( Reconciliation of Jacob and Esau , illustrated matter Return of the Prodigal Son, and a 1959 typed note regarding Rubens's painting Der sieche Jacob, signed by Ernst Kramer. [ Return of the Prodigal Son is shelved in Box 150*, F.4.].

Box 81, Folder 1

Painting: Daniel in the lions' den: undated

Scope and Content Note

26 photographs of Rubens's painting. [See also items filed in Box 80, F. 28.]

Box 81, Folder 2

Painting: Daniel in the lions' den, undated

Scope and Content Note

14 photographs of drawings, mainly of lions, for Rubens's painting Daniel in the lions' den. Also present is a drawing of Daniel, and of a head of an elephant. Included is photograph of an engraving by Wenceslaus Hollar after a drawing by Rubens.

Box 81, Folder 3

Painting: Daniel in the lions' den, 1988, undated

Scope and Content Note

5 items: 4 photographs and 1 leaf of illustrated matter: two paintings Daniel in the lions' den after Rubens.

Box 81, Folder 4

Painting: Daniel in the lions' den, undated

Scope and Content Note

6 photographs of various paintings with animals by Rubens and other artists.

Box 81, Folder 5

Painting Daniel in the lions' den, 1981-1993, undated

Scope and Content Note

12 items of illustrated matter, including 1 postcard of Rubens's painting of a tiger Säugende Tigerin.

Box 81, Folder 6

Painting: Daniel in the lions' den, undated

Scope and Content Note

ca. 10 items (17 leaves) of typescripts, manuscript and printed matter. Included is a carbon copy of typescript (5 leaves) titled "Chronology of Ruben's Daniel in the lions' den", and 8 leaves of photostat copies of 17th century manuscripts, including a letter from Rubens to his wife, a list of paintings at his house, a page from Hamilton inventory, and 3 leaves of an inventory of paintings in Beare Gallorie.

Box 81, Folder 7

Painting: Daniel in the lions' den, undated

Scope and Content Note

12 leaves of notes.

Box 81, Folder 8

Painting: Daniel in the lions' den: correspondence with Carter Brown, 1969

Scope and Content Note

1 letter from Held to Carter Brown at National Gallery in Washington, D.C.

Box 81, Folder 9

Painting: Daniel in the lions' den: correspondence with Central Picture Galleries, 1968-1969

Scope and Content Note

3 items (4 leaves): 2 statements by Held regarding a painting representing a satry, a nymph, two children, and three playful leopards, and Held's letter to Oskar Klein at Central Picture Galleries.

Box 81, Folder 10

Paintings: Daniel in the lions' den: correspondence with William F. Davidson, 1965

Scope and Content Note

Held's memorandum for Willaim F. Davidson regarding Rubens's paintings of lion hunts.

Box 81, Folder 11

Painting: Daniel in the lions' den: correspondence with Burton B. Fredericksen, 1969

Scope and Content Note

4 items (5 leaves): 2 letters to Held and 2 letters from Held. Correspondence with curator at J. Paul Getty Museum regarding Rubens's painting of leopards. With a mention of Oskar and Jan Klein.

Box 81, Folder 12

Painting: Daniel in the lions' den: correspondence with Ruth Goldenberg, undated

Scope and Content Note

1 letter to Held from the niece of Herman Krankel regarding photograph of painting Daniel in the lions' den.

Box 81, Folder 13

Painting: Daniel in the lions' den: correspondence with Knoedler Art Galleries, 1964-1969

Scope and Content Note

5 items (9 leaves): 3 letters from Held to Roland Balay and Bill Davidson, and 1 letter to Held from Agnes Brody [?] at M. Knoedler & Co. Also present is a letter to Held from Jacob Rosenberg at National Gallery of Art in Washington D.C. Regarding Rubens's painting Daniel in the lions' den.

Box 81, Folder 14

Painting: Daniel in the lions' den: correspondence with Herman Krankel, 1963

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Regarding photographs of Rubens's painting Daniel in the lions' den.

Box 81, Folder 15

Paintings: Daniel in the lions' den: correspondence with National Fire Insurance Company, 1963

Scope and Content Note

1 letter from Held regarding damages in a painting referred to as Daniel in the lions' den. With a mention of Mr. Nikolenko in New York.

Box 81, Folder 16

Painting: Daniel in the lions' den: correspondence with Clyde Newhouse, 1976-1981, undated

Scope and Content Note

5 items: 1 letter to Held from Clyde Newhouse, a letter to Newhouse from Wulbrecht Hendrik in Brugge, 1 leaf of typescript and photocopy of illustrated matter, and a letter [to?] by Michael Jaffé. Concerning Rubens's painting Hercules overcoming the Nemean Lion.

Box 81, Folder 17

Painting: Daniel in the lions' den: correspondence with Jakob Rosenberg, 1966

Scope and Content Note

4 items (5 leaves): 2 letters to Held from Rosenberg at the National Gallery in Washington D.C., and 2 letters from Held. With a mention of William F. Davidson and Julius Weitzner. Regarding Davidson's comparison of Rubens's painting of Daniel with earlier representations of the theme by Jan Brueghel [Bruegel].

Box 81, Folder 18

Painting: Daniel in the lions' den: correspondence with David E. Rust, 1969

Scope and Content Note

1 letter to Held from the curator at National Gallery of Art in Washington D.C.

Box 81, Folder 19

Painting: Daniel in the lions' den: correspondence with Eugene Victor Thaw, 1976

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Regarding photograph of a darwing of an elephant from Paul Wallraf's collection.

Box 81, Folder 20

Painting: Daniel in the lions' den: correspondence with Monika Titze, 1982-1989

Scope and Content Note

4 items: letter to Held, expert opinions by Justus Müller Hofstede and Leo van Puyvelde, and 1 color photograph of a painting of Daniel in the lions' den. [Color photograph is shelved in Box 163, F. 69.]

Box 81, Folder 21

Painting: Daniel in the lions' den: correspondence with Maria Walz, 1966, undated

Scope and Content Note

2 items: letter to Held and a postcard. Regarding painting of Daniel in the lions' den in her possesion. With a mention of Julius Weitzner.

Box 81, Folder 22

Paintings: Daniel in the lions' den: correspondence with Julius Weitzner, 1963

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held.

Box 81, Folder 23

Paintings: Daniel in the lions' den: unidentified correspondence, 1964, 1973

Scope and Content Note

2 items: letter to Held dated 1 April 1964 concerning a "Rubens lion" from the collection of Victor Koch in London, and Held's letter dated 11 Oct. 1973 to Jack [?] regarding a drawing of a satyr by [?] Borel.

Box 81, Folder 24

Virgin: Madonna with Child, 1988-1991, undated

Scope and Content Note

24 items: 20 photographs, 4 color transparencies, illustrated matter, 1 postcard, and clipping of envelope inscribed: "Newhouse Virgin". [3 large color transparencies and the clipping are shelved in Box 165*, F. 4.] [1 color transparency is shelved in Box 163, F. 70.] [3 black and white photographs are shelved in Box 150*, F. 5.]

Box 81, Folder 25

Virgin: Assumption of the Virgin and Coronation of the Virgin by the Holy Trinity, undated

Scope and Content Note

4 photographs.

Box 81, Folder 26

Virgin: Annunciation, undated

Scope and Content Note

7 photographs. Various artworks. [1 photograph is shelved in Box 150*, F. 5.]

Box 81, Folder 27

Virgin: Crowning of Saint Catherine, 1977-1985, undated

Scope and Content Note

7 items: 5 photographs, a 1985 letter to Held from William Hutton at The Toledo Museum of Art and museum's collections record dated Oct. 1977 (typescript, 3 leaves).

Box 81, Folder 28

Virgin: details of various Assumption of the Virgin paintings, undated

Scope and Content Note

7 photographs.

Box 81, Folder 29

Virgin: Mater Dolorosa, 1989, undated

Scope and Content Note

7 items (13 leaves): 4 photographs, including 2 in color, 1 color transparency, illustrated matter, text about Mater Dolorosa painting in the collection of Sven Schütte (typescript, 5 leaves) and Sotheby's record for the same painting (typescript, 2 leaves), annotated by Held. [Color photographs and transparency are shelved in Box 163, F. 71.]

Box 81, Folder 30

Virgin: Madonna and Child surrounded by Saints Bonaventura, George and Jerome with angels and other figuresand Virgin with angels bringing fruits, undated

Scope and Content Note

6 items: 1 photograph, 2 color transparencies, 1 leaf of illustrated matter, and 2 leaves of notes. [Color transparencies are shelved in Box 163, F. 72.]

Box 81, Folder 31

Virgin: Virgin and Child, 1985-1994, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of illustrated matter. The paintings are attributed to Erasmus Quellinis II and to Theodoor van Thulden.

Box 81, Folder 32

Virgin: printed and illustrated matter, typescripts, 1972-1988, undated

Scope and Content Note

7 items (13 leaves): included is photocopy of Michael Jaffé's article Rubens's Le Christ a la paille, from Apollo (1972).

Box 81, Folder 33

Virgin: correspondence with IFAR [International Foundation for Art Research], 1986

Scope and Content Note

4 items: 3 letters to Held from Virgilia H. Pancoat at International Foundation for Art Research, and 1 letter from Held. Regarding a Madonna and Child painting.

Box 81, Folder 34

Virgin: correspondence with Theodore Rousseau, 1950

Scope and Content Note

2 items (3 leaves): 1 letter to Held from the curator at Metropolitan Museum of Art, NY, and 1 letter from Held. Concerning a painting by Rubens from the Koppel collection. Photocopies. Rousseau's letter is annotated by Held. [See also items filed in Box 10, F. 11.]

Box 81, Folder 35

Virgin: M. H. de Young Memorial Museum, 1960-1961

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Correspondence with museum's director Walter Heil regarding an artwork by Rubens owned by Mrs. Katzenellenbogan in Santa Monica, Calif. Heil's letter is extensively annotated by Held.

Box 81, Folder 36

Painting: Virgin praying over the sleeping Child, undated

Scope and Content Note

11 items: 10 photographs, including 3 in color, and 1 color transparency. [Color photographs and transparency are shelved in Box 163, F. 73.]

Box 81, Folder 37

Painting: Virgin praying over the sleeping Child, 1965?, undated

Scope and Content Note

3 items (5 leaves) of notes, printed matter. Inluded is an expert opinion regarding painting Madone et enfant by Ateliers de conservations H. & P. Boissonnas in Zurich.

Box 81, Folder 38

Painting: Virgin praying over the sleeping Child: expert opinion by Didier Bodart, 1987

Scope and Content Note

ca. 10 items (15 leaves). Included are statements and reports by Bodart in French, German, and English. Photocopies.

Box 81, Folder 39

Painting: Virgin praying over the sleeping Child: expert opinion by Justus Müller Hofstede, 1964

Scope and Content Note

2 items: expert opinion (2 photocopies) of painting Maria in Verehrung des Kindes.

Box 81, Folder 40

Painting: Virgin praying over the sleeping Child: expert opinion by Leo van Puyvelde, 1965

Scope and Content Note

5 items: expert opinion, a letter by Puyvelde regarding painting La Vierge vénérant l'Enfant, and printed and illustrated matter. Photocopies.

Box 81, Folder 41

Painting: Virgin praying over the sleeping Child: ¦Larsen version, 1959-1986, undated

Scope and Content Note

10 items: 2 photographs, including 1 in color, expert opinions by Erik Larsen and Rolf Z. Medgessy, 1 leaf of typescript (record of painting Madonna and Child), a 1959 letter from Erik Larsen addressed "Dear Madam", and Held's correspondence with J. Valevicius at 19th-century & Old Masters Gallery in Toronto (2 letters to Held and 2 letters from Held), and with Jeff Kiehl (1 letter to Held and 1 letter from Held). Label of original folder preserved. [Color photograph is shelved in Box 163, F. 74.]

Box 81, Folder 42

Painting: Virgin praying over the sleeping Child: correspondence with Klaus Allenspach, 1987-1993

Scope and Content Note

5 items (6 leaves): Held's 1993 correspondence with Allenspach (2 letters to Held and 2 letters from Held), and 1987 letter from Held to Germaine Stoll.

Box 81, Folder 43

Painting: Virgin praying over the sleeping Child: correspondence with E. & P. Bolli, 1981

Scope and Content Note

3 items (4 leaves): 2 letters to Held and 1 letter from Held to Elfi and P. Bolli at Galerie beim Rathaus in Zug, Switzerland. Regarding painting referred to as Maria in Verehrung des Kindes.

Box 81, Folder 44

Painting: Virgin praying over the sleeping Child: correspondence with Ludwig Burchard, 1960

Scope and Content Note

2 items (4 leaves): letter/expert opinion from Burchard [to Held?] regarding painting Virgin praying over the sleeping Child. 2 photocopies.

Box 81, Folder 45

Painting: Virgin praying over the sleeping Child: correspondence with Max R. Bütler, 1987

Scope and Content Note

1 letter to Held from a photographer in Luzern. With a mention of G. Stoll.

Box 81, Folder 46

Painting: Virgin praying over the sleeping Child: correspondence with Eduard Hüttinger, 1965

Scope and Content Note

1 letter to Held (2 photocopies) from Kunsthaus Zürich Musée des beaux-arts Zürcher Kunstgesellschaft. Regarding painting Maria in Verehrung des Kindes.

Box 81, Folder 47

Painting: Virgin praying over the sleeping Child: correspondence with Jack Kilgore, 1990

Scope and Content Note

3 items: 2 letters to Held from Kilgore at Christie's New York, and copy of Kilgore's letter to an undisclosed client. With a mention of Julius Weitzner. Kilgore also mentions a Rubens painting at Newhouse Gallery to which he referrs as Mars.

Box 81, Folder 48

Painting: Virgin praying over the sleeping Child: correspondence with Sarah E. Lawrence, 1988

Scope and Content Note

1 letter from Held to the director of resarch at Richard L. Feigen & Co. in New York regarding a painting referred to as Madonna adoring the sleeping Child.

Box 81, Folder 49

Painting: Virgin praying over the sleeping Child: correspondence with Miss Newhouse, 1989

Scope and Content Note

1 letter fro Held concerning a painting described as a Virgin with Child upright on her knees.

Box 81, Folder 50

Painting: Virgin praying over the sleeping Child: correspondence with Germaine Stoll, 1987

Scope and Content Note

1 letter to Held concerning painting Maria in Verehrung des Kindes. Annotated by Held with a reference to [Klaus?] Allenspach.

Box 81, Folder 51

Painting: Virgin praying over the sleeping Child: correspondence: Francesco Tombolini to Germaine Stoll, 1986

Scope and Content Note

1 letter from an editor at Tombolini at Rizzoli in Milan to Germaine Stoll.

Box 81, Folder 52

Painting: Virgin praying over the sleeping Child: correspondence with W. Tumulka, 1985

Scope and Content Note

3 items: 1 letter to Held from Euro-Internatsberatung in Munich and 2 letters from Held. Concerning paintings referred to as David fighting with bear, portraits [no titles], and Madonna with tChristchild. [See also items filed in Box 80, F.8.]

Box 81, Folder 53

Painting: Virgin praying over the sleeping Child: correspondence with Julius H. Weitzner, 1960

Scope and Content Note

3 items: 1 letter to Held and 1 letter from Held, with 1 leaf of illustrated matter extensively annotated by Held. Regarding a Madonna and Child painting at Schloss Schleissheim.

Box 82, Folder 1

Painting: Virgin nursing Child: images, undated

Scope and Content Note

23 items: 8 photographs, including 1 in color, 4 color transparencies, 1 b&w transparency, 2 postcards, and illustrated matter. [Color photograph and transparencies are shelved in Box 164, F. 1.]

Box 82, Folder 2

Painting: Virgin nursing Child, 1951-1964, undated

Scope and Content Note

8 items (12 leaves) of : notes, printed matter, typescripts. Concerning painting exhibited at Hudnot Gallery (University of Utah). Present is a typescript (5 leaves) titled "Hudnut Art Collection" by Ellen Falsetti, and photocopies of expert opinions by H. [Hans Dieter?] Zimmermann and Max F. X. Massot.

Box 82, Folder 3

Painting: Virgin nursing Child: correspondence with Daphne Alazraki, 1991-1992

Scope and Content Note

6 items: 3 letters to Held from the art daeler and 2 letters from Held (1 with photocopy).

Box 82, Folder 4

Painting: Virgin nursing Child: correspondence with Gordon Baker, 1998

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held.

Box 82, Folder 5

Painting: Virgin nursing Child: correspondence with Ursula M. Pimentel, 1991-1992

Scope and Content Note

3 items (5 leaves): 2 letters to Held and 1 letter from Held.

Box 82, Folder 6

Painting: Virgin nursing Child: correspondence with Utah Museum of Fine Arts, 1991

Scope and Content Note

2 letters to Held: from director E. F. Sanguinetti and registrar David M. Carroll. Regarding provenance of a painting aquired from the estate of Mrs. Richard A. Hudnut. Held's annotation mentions Ursula M. Pimentel.

Box 82, Folder 7

Painting: Virgin with Saints in landscape, undated

Scope and Content Note

20 photographs, including 6 in color. [Color photographs are shelved in Box 164, F. 2.]

Box 82, Folder 8

Painting: Virgin with Saints in landscape, undated

Scope and Content Note

9 leaves of notes.

Box 82, Folder 9

Painting: Virgin with Saints in landscape: correspondence with Robert A. Cestari, 1972

Scope and Content Note

2 items: letter to Held asking for expert opinion about a painting referred to as Rest on the flight into Egypt, and 1 color photograph. [Color photograph is shelved in Box 164, F. 3.]

Box 82, Folder 10

Painting: Virgin with Saints in landscape: correspondence with Michael Harvard, 1978-1980

Scope and Content Note

2 items: 1 letter to Held and 1 letter addressed to Andrew [?].

Box 82, Folder 11

Painting: Virgin with Saints in landscape: correspondence with Hedy [?], 1962

Scope and Content Note

1 letter to Held signed Hedy. Concerning painting Virgin and Christ with attendants, resting in the garden of roses.

Box 82, Folder 12

Painting: Virgin with Saints in landscape: correspondence with Werner Holtkamp, 1991, undated

Scope and Content Note

2 items: 1 letter to Held and 1 color photograph. [Color photograph is shelved in Box 164, F. 4.]

Box 82, Folder 13

Painting: Virgin with Saints in landscape: correspondence with M. M. Pockros, 1982

Scope and Content Note

1 letter to Held regarding painting The rest on the flight into Egypt.

Box 82, Folder 14

Painting: Virgin with Saints in landscape: correspondence with Peter H. Tillou, 1982

Scope and Content Note

4 items (6 leaves): 3 letters to Held from Tillou Gallery in Litchfield, CT., and 1 letter from Held.

Box 82, Folder 15

Painting: Holy Family, undated

Scope and Content Note

3 items: 2 photographs and 1 leaf of illustrated matter (photocopy).

Box 82, Folder 16

Painting: Holy Family in a landscape with an angel bearing fruit, 1992, undated

Scope and Content Note

5 items: 3 photographs, 1 leaf of illustrated matter, and 1 press clipping. Press clipping is inscribed to Held by Jost Neubauer.

Box 82, Folder 17

Painting: Holy Family with Elizabeth and John, 1972, undated

Scope and Content Note

3 items: 2 photographs and 1 leaf of illustrated matter.

Box 82, Folder 18

Painting: Holy Family with Elizabeth and John, undated

Scope and Content Note

2 leaves of illustrated matter (1 photocopy). Painting at Wallraf-Richartz-Museum in Cologne.

Box 82, Folder 19

Painting: Holy Family, undated

Scope and Content Note

2 leaves of illustrated matter (photocopies). Paintings from collections W. H. Crocker and A. van Buuren.

Box 82, Folder 20

Painting: Holy Family with Elizabeth and John undated

Scope and Content Note

8 items: 7 photographs, including 1 in color, and 1 leaf of illustrated matter. [Color photograph is shelved in Box 164, F. 5.]

Box 82, Folder 21

Painting: Mary with Child, St. Elizabeth and St. John with lamb, undated

Scope and Content Note

2 items: 1 photograph and 1 postcard. On verso of photograph references to Walker Art Gallery in Liverpool.

Box 82, Folder 22

Painting: Holy Family with the Infant Saint John the Baptist, 1945-1993, undated

Scope and Content Note

ca. 12 items (16 leaves): 5 photographs and printed and printed and illustrated matter (some photocopies) of painting Holy Family with the Infant Saint John the Baptist, including one attributed to Erasmus Quellinus. Also present is an article from 1945 on art forgeries Fact or Fancy: the Walker Art Center calls in the experts by Daniel S. Defenbacher.

Box 82, Folder 23

Painting: Holy Family, 1980-1982, undated

Scope and Content Note

ca. 8 items (10 leaves): 2 photographs, including 1 in color, 1 color transparency, printed matter, expert opinion by Klaus Demus, a 1924 statement by [Karl Ring?] (photocopy), a letter to Held form Stad Antwerpen (Nora De Poorter), letter to Held from Wesley M. Burnside at Brigham Young University Art Gallery, and a letter to [?] in Salt Lake City, in German, addressed to Hans [?]. [Color photograph and color transparency are shelved in Box 164, F. 6.]

Box 82, Folder 24

Painting: Madonna and Child with Saint Elisabeth and the Infant Saint John the Baptist, 1989-1991, undated

Scope and Content Note

11 items: 3 photographs, 1 color transparency, 1 postcard, and illustrated matter. Included is an illustration of a painting attributed to Balthasar Beschey. [Color transparency is shelved in Box 164, F. 7.]

Box 82, Folder 25

Painting: Holy Family with the Infant John the Baptist, undated

Scope and Content Note

28 items: 20 photographs, 3 color transparencies, 1 postcard, 1 leaf of illustratd matter, and 2 typescripts (total of 5 leaves). [Color transparencies are shelved in Box 164, F. 8.] [1 photograph is shelved in Box 150*, F. 6.]

Box 82, Folder 26

Painting: Holy Family, undated

Scope and Content Note

2 items: 1 photograph and 1 color transparency. Held's annotation on verso of photograph mentions attribution of the garland of flowers [floral wreath] to Jan Bruegel the Younger. [Color transparency is shelved in Box 164, F. 9.]

Box 82, Folder 27

Painting: Holy Family with Saint Elizabeth, Saint John, and a dove , undated

Scope and Content Note

7 photographs.

Box 82, Folder 28

Painting: Holy Family (various), undated

Scope and Content Note

12 items: 7 photographs, including 1 in color, 2 postcards, and 3 leaves of illustrated matter. Also: Caritas, Education of the Virgin, Nativity, and a detail showing putti with flowers a a dove. Included is a photograph of Holy Family under the apple tree (School of Rubens) at Bass Museum of Art in Miami Beach, Fla. [Color photograph is shelved in Box 164, F. 10.]

Box 82, Folder 29

Painting: Holy Family with Saint Anne, 1966, undated

Scope and Content Note

8 items: 6 photographs, 1 color transparency, and 1 leaf of typescript certificate of authentification by Wilhelm Reinhold Valentiner. [Color transparency is shelved in Box 164, F. 11.]

Box 82, Folder 30

Painting: Holy Family, 1966, undated

Scope and Content Note

7 items: 4 photographs, Held's correspondence with Lorenzo Peratoner (1 letter to Held and 1 leter from Held), and conservation report by Vittorio Granchi (typescript, 2 leaves, in Italian).

Box 82, Folder 31

Painting: Holy Family, 1991, undated

Scope and Content Note

4 items: 3 photographs, inlcluding 2 in color, and Held's letter to S. G. Fassoulis at CIC International Ltd. in New York. [Color photographs are shelved in Box 164, F. 12.]

Box 82, Folder 32

Painting: Holy Family, 1978

Scope and Content Note

3 items: 1 photograph and Held's correspondence with Joan G. Caldwell at New Orleans Museum of Art (1 letter to Held and 1 letter from Held).

Box 82, Folder 33

Painting: Holy Family, 1959-1993, undated

Scope and Content Note

10 items: 7 photographs, copy of an expert opinion by Leo vam Puyvelde, and correspondence with Beatrix Wyss at Galerie Fischer in Luzern (1 letter to Held and 1 letter from Held).

Box 82, Folder 34

Painting: Holy Family, 1971-1977

Scope and Content Note

ca. 6 items: 1 color photograph, copy of a 1971 letter to Baroness von af Helmersen from the Deputy Surveyor of the Queen's Pictures, printed matter and expert opinion by Justs Müller Hofstede, Konrad Oberhuber's letter to Stuart Denenberg at Fogg Art Museum, and Stuart Denenberg's (Denenberg Fine Arts) letter to Held. [Color photograph is shelved in Box 164, F. 13.]

Box 82, Folder 35

Painting: Holy Family, 1990, undated

Scope and Content Note

4 items: 3 photographs, including 1 in color, and letter to Held from David P. Connell at University of Leeds. Holy Family under the apple tree (Clark Art Institute), Holy Family (Fine Arts Gallery, San Diego, Calif. ), and a drawing ( Madonna with Child, color photograph). [Color photograph is shelved in Box 164, F. 14.]

Box 82, Folder 36

Painting: Holy Family, 1972, undated

Scope and Content Note

4 items (6 leaves) of notes and press clippings.

Box 82, Folder 37

Painting: Holy Family: correspondence with Julian Agnew, 1990-1993

Scope and Content Note

6 items (11 leaves): 4 letters to Held, 1 letter from Held, and a "With compliments" note by Julian Agnew.

Box 82, Folder 38

Painting: Holy Family: correspondence with Frederic M. Bancroft, 1993

Scope and Content Note

3 items (4 leaves): 1 letter to Held from director of Agnew's Inc. in New York, and 2 letters from Held.

Box 82, Folder 39

Painting: Holy Family: correspondence with Jonathan Bergen, 1966-1989

Scope and Content Note

ca. 9 items: 1 letter to Held (1989); notes; printed matter; and copies of expert opinions by Justus Müller Hofstede, Edith Greindl, and [?] at Museo Poldi-Pezzoli; statements by Pinakothek München and Staatliche Kunstsammlungen Kassel (Erich Herzog). Concerning Madonna with Child and Saint Anne.

Box 82, Folder 40

Painting: Holy Family: correspondence with L. Bernays, 1989

Scope and Content Note

3 items: 1 letter to Held and 1 letter from Held, and letter to Bernays from Reinhold Baumstark, director of Sammlungen des Fürsten von Liechtenstein.

Box 82, Folder 41

Painting: Holy Family: correspondence with Christopher Brown, 1989

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Concerning a Nativity by Rubens on loan to National Gallery in Washington D.C.

Box 82, Folder 42

Painting: Holy Family: correspondence with Adam Butrymowicz, 1954

Scope and Content Note

2 items: 1 photograph and 1 letter to Held. Concerning Rubens attribution of a drawing of Holy Family with Saint Anne.

Box 82, Folder 43

Painting: Holy Family: correspondence with Nancy Chase, 1977

Scope and Content Note

1 letter to Held regarding Holy Family with a dove.

Box 82, Folder 44

Painting: Holy Family: correspondence with Hans S. Erichsen, 1952

Scope and Content Note

1 letter from Held regarding two version of a painting attribute dto Rubens, one in San Francisco, and another in the Larson collection in Norway.

Box 82, Folder 45

Painting: Holy Family: correspondence with Jan Albert Goris, 1948

Scope and Content Note

1 letter to Goris at the Belgium Information Center in New York from the attorneys at Mitchell, Capron, Marsh, Angulo & Cooney concerning items from the estate of Jeanne Le Collen and a Holy Family painting in St. Albert's Church. With a mention of Held and Louis Joseph Braekevelt.

Box 83, Folder 1

Painting: Holy Family: correspondence with Klaus Höhne, 1981

Scope and Content Note

2 items: 1 letter to Held and 1 photograph.

Box 83, Folder 2

Painting: Holy Family: correspondence with Christian Klemm, 1986

Scope and Content Note

2 letters from Held.

Box 83, Folder 3

Painting: Holy Family: correspondence with Edward Lee Cave, 1983

Scope and Content Note

3 items: 2 letters to Held and 1 letter from Held.

Box 83, Folder 4

Painting: Holy Family: correspondence with Walter Liedtke, 1982

Scope and Content Note

1 letter from Held.

Box 83, Folder 5

Painting: Holy Family: correspondence with Stephen Mazoh, 1994, undated

Scope and Content Note

12 items: 1 letter and a card to Held, 1 letter from Held, copies of Held's letters to Paul Oskar [Kristeller] (1994) and Clyde Newhouse (1972), 1 leaf of notes, conservation report by David Bull, 3 photographs, 1 color transparency, and photocopy of drawing Death of Procris, attributed to Rubens. [Color transparency is shelved in Box 164, F. 15.]

Box 83, Folder 6

Painting: Holy Family: correspondence with Richard G. Moser, 1959

Scope and Content Note

2 letters to Held, annotated. Regarding painting Holy Family with Saint Anne at Parado Museum in Madrid.

Box 83, Folder 7

Painting: Holy Family: correspondence with L. Muresan, 1977

Scope and Content Note

1 letter to Held. Letterhead of Abc Importers of Fine Art, in Montreal.

Box 83, Folder 8

Painting: Holy Family: correspondence with Kenneth Newman, 1974

Scope and Content Note

1 letter to Held.

Box 83, Folder 9

Painting: Holy Family: correspondence with James St. L. O'Toole, 1974

Scope and Content Note

1 item: expert opinion by O'Toole of painting Holy Family with Saint Anne.

Box 83, Folder 10

Painting: Holy Family: correspondence with Thomas W. Phelps, 1968

Scope and Content Note

1 letter to Held regarding Adoration of the Magi from St. Thomas Episcopal Church. With a mention of Margaret Watherston.

Box 83, Folder 11

Painting: Holy Family: correspondence with Kathleen Reif, 1971-1975

Scope and Content Note

14 items (18 leaves): 7 letters to Held, 6 letters from Held, and leaf of notes.

Box 83, Folder 12

Painting: Holy Family: correspondence with Margarita Russell, 1985-1986

Scope and Content Note

4 items (6 leaves): 2 letters to Held, 1 letter from Held, and a 1958 expert opinion by Ludwig Burchard about a Holy Family with Saint Annepainting from the collection of Sir Francis Cook. Correspondence with visiting curator at the Bass Museum of Art in Miami Beach, Fla. concerning paintings Nymphs and Satyrs, Flight of Lot and his family, Adoration of the Magi, Holy Family with Saint Anne, Holy Family under the apple tree, and a painting by Seghers.

Box 83, Folder 13

Painting: Holy Family: correspondence with Margaretta Salinger, 1973

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Regarding Holy Family with the dove.

Box 83, Folder 14

Painting: Holy Family: correspondence with Harald M. Südkamp, 1971-1990, undated

Scope and Content Note

6 items (8 leaves): 1 letter to Held, 1 leaf of notes, typescript (1 leaf) on Rubens's painting The Holy Family with St. John and St. Elizabeth , and copies of expert opinions by Justus Müller-Hofstede (1971), and Michael Jaffé. Jaffé refers to paintings Madonna with the lamb, Holy Family with St. John and St. Elizabeth, and Calvary.

Box 83, Folder 15

Painting: Holy Family: correspondence with George Wachter, 1983

Scope and Content Note

3 items: 1 letter to Held from Wachter at Sotheby's New York, 1 letter from Held, and 1 photograph. Regarding Holy Family with Saint Anne.

Box 83, Folder 16

Painting: Holy Family: correspondence with Walters Art Gallery, 1974

Scope and Content Note

1 letter to Held from Edward S. King asking to authenticitate Rubens attribution of a painting of Holy Family at Loyola College in Baltimore.

Box 83, Folder 17

Painting: Holy Family: correspondence with Stanley S. Wulc, 1965

Scope and Content Note

1 letter from Held.

Box 83, Folder 18

Childhood of Christ: Massacre of the innocents, undated

Scope and Content Note

2 photographs. Paintings at Musées royaux des beaux-arts in Brussels and at Bayerische Staatsgemäldesammlungen (with label: Bethlehemitischer Kindermord).

Box 83, Folder 19

Childhood of Christ: Flight into Egypt, undated

Scope and Content Note

5 items: 4 photographs and 1 postcard. Printed on postcard: Amtliche Ausgabe der königlichen Gemäldegalerie zu Cassel, Verlag Julius Bard Berlin.

Box 83, Folder 20

Childhood of Christ: Adoration of the Magi, 1982, undated

Scope and Content Note

5 items (14 leaves): 1 photograph, correspondence with Ida Ely Rubin (Mrs. Jerome S. Rubin) (1 letter to Held and 1 letter from Held), typescript (copy, 3 leaves) annotated by Held, and printed an illustrated matter.

Box 83, Folder 21

Childhood of Christ: Adoration of the Magi, 1987, undated

Scope and Content Note

7 items: 2 photographs, illustrated matter, and correspondence with the estate of Shirley Lewis Oakes Butler (1 letter to Held, 2 letters from Held). Painting at Vassar College. Present is photograph of a drawing after Rubens at the Louvre.

Box 83, Folder 22

Childhood of Christ: Adoration of the Magi, undated

Scope and Content Note

5 items: 4 photographs, 1 leaf of illustrated matter. Paintings at Museo del Prado and at Royal Museum of Fine Arts, Antwerp. [Illustrated matter is shelved in Box 150*, F. 7.]

Box 83, Folder 23

Childhood of Christ: Adoration of the Magi, undated

Scope and Content Note

10 items: 9 photographs and 1 leaf of illustrated matter. Painting (triptych) at Church of Saint John in Malines (Mechelen), Belgium.

Box 83, Folder 24

Childhood of Christ: Adoration of the Magi, undated

Scope and Content Note

1 photograph: detail of painting in Brussels.

Box 83, Folder 25

Childhood of Christ: Adoration of the Magi, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of illustrated matter

Box 83, Folder 26

Childhood of Christ: Adoration of the Magi, 1988-1990, undated

Scope and Content Note

15 items: 6 photographs, notes and illustrated matter, letter to Held from Maurizio Pontremoli in Milan, copy of an expert opinion by Didier Bodart (1988), and 2 letters to Held from William E. O'Reilly (1990). Painting at Saint Thomas Church in New York.

Box 83, Folder 27

Childhood of Christ: Nativity, undated

Scope and Content Note

1 photograph.

Box 83, Folder 28

Childhood of Christ: Adoration of the shepherds, undated

Scope and Content Note

7 items: 6 photographs, 1 leaf of illustrated matter. [Illustrated matter is shelved in Box 150*, F. 7.]

Box 83, Folder 29

Childhood of Christ: various artworks, undated

Scope and Content Note

5 items: 2 photographs and 2 leaves of illustrated matter, and 1 leaf of notes. Adoration of the Bergers [Shepherds] at Musée des beaux-arts in Marseille, Circumcision, Presentation in the temple, and a painting of Infant Jesus.

Box 83, Folder 30

Childhood of Chris, 1974-1993

Scope and Content Note

2 items (9 leaves): photocopies of pages from publications. The mystic marriage of Saint Catherine (Christie's June 28, 1974 sale), and Histoire d'un tableau de Rubens 1577-1640 l'adoration des bergers de la cathédrale de Soissons.

Box 83, Folder 31

Childhood of Christ: Return of the Holy Family from Egypt , undated

Scope and Content Note

2 leaves of illustrated matter, including illustration of a print by Lucas Emil Vorsterman.

Box 83, Folder 32

Childhood of Christ: Infant Christ and Saint John with cherubs, and Infant Christ and Saint John with a lamb, 1969-1994

Scope and Content Note

9 items: 1969 letter to Held from Anthony Catauro, with a color slide; 1994 letter to Held from Norman Geske at The Estuary Bookstore, with a color photograph, and 2 leaves of illustrated matter. [Color photograph and slide are shelved in Box 164, F. 16.] [2 photographs of The infant Christ and Saint John with a lamb are shelved in Box 150*, F. 8.]

Box 83, Folder 33

Childhood of Christ: Adoration of the Magi, 1983, undated,

Scope and Content Note

4 items: 2 leaves of illustrated matter ( L'adoration des rois at Musée de Lyon) and correspondence with Alberto Antoniono (1 letter to Held and 1 letter from Held).

Box 83, Folder 34

Adult life of Christ: Calling of Matthew, 1984-1986

Scope and Content Note

ca. 19 items: 5 photographs, 1 color transparency, printed matter, a small sketch by Held, Held's correspondence with Julius Weitzner, Françoise Baligand (conservator), and with Alex Wengraf. [Color transparency is shelved in Box 164, F. 17.]

Box 83, Folder 35

Adult life of Christ: Franciscus Hovius and his parents before the court of Christ, undated

Scope and Content Note

2 photographs, one with label of Bayerische Staatsgemäldesammlungen in Munich: Rechenschaft der geistlichen und weltlichen Stände.

Box 83, Folder 36

Adult life of Christ: Christ giving the keys to Saint Peter, 1975-1978

Scope and Content Note

7 items: 3 photographs, 1 x-ray image, 1974 letter to Held from Herdis Bull Teilman at Museum of Art in Pittsburgh, and 1978 correspondence with Sabrina Sigal (1 letter to Held and 1 letter from Held).

Box 83, Folder 37

Adult life of Christ: Christ in the house of Martha and Mary, undated

Scope and Content Note

2 photographs.

Box 83, Folder 38

Adult life of Christ: Tribute money, 1991, undated

Scope and Content Note

2 items: 1 photograph and 1 leaf of illustrated matter.

Box 83, Folder 39

Adult life of Christ: Christ and the penitents, 1961, undated

Scope and Content Note

2 items: 1 photograph and 1 letter to Held from the Museum of Fine Arts in Boston (Thomas N. Maytham).

Box 83, Folder 40

Adult life of Christ: Christ and the woman taken in adultery, 1989, undated

Scope and Content Note

3 items: 1 photograph, a postcard (painting at Musée de Bruxelles), and 1 leaf of illustrated matter.

Box 83, Folder 41

Adult life of Christ: various paintings, undated

Scope and Content Note

7 items: 6 photographs and 1 postcard. Head of Jesus, two photographs of Christ in the storm on the lake of Galilee (also titled Wunder der Hl. Walburga), two paintings of Miraculous fishing (one attributed also to Jordaens), and Baptism of Christ.

Box 83, Folder 42

Crucified Christ: Christ on the Cross, 1959-1984, undated

Scope and Content Note

29 items: 14 photographs; 1 color transparency; 1 leaf of illustrated matter; 4 leaves of notes; letter to Held from Herman Kater, with copy of expert opinion by Ludwig Burchard; letter to Held from George Hermans; and Held's correspondence with Bernard Chesnais and Clyde Newhouse. [Color transparency is shelved in Box 164, F. 18.]

Box 83, Folder 43

Crucified Christ: Head of Christ ( Christ with crown of thorns), 1981-1992

Scope and Content Note

17 items: 13 photographs, including 8 in color, 1 leaf of illustrated matter, Held's letter to Bob P. Haboldt, and letters to Held from the collectors Seena and Arnold Davis, and from Graeme M. Cameron of Templestowe, Australia. [Color photographs, pasted onto 4 sheets, are shelved in Box 165*, F. 5.]

Box 84, Folder 1

Passion of Christ: Lamentation (formerly called Entombment), 1974-1993

Scope and Content Note

ca. 30 items: 15 photographs, 1 color transparency, 1 leaf of printed matter, typescript (3 leaves), and Held's correspondence with the Cummer Art Gallery in Jacksonville, Fla. (Joseph J. Dodge, John A. Mahey, Mary C. Gristina) (3 letters to Held and 2 letters from Held), conservation reports by Washington Conservation Studio (2 copies, one annotated by Held), and a letter to Held from the conservator Judith E. Webster. [Color transparency is shelved in Box 164, F. 19.] [2 color photographs are shelved in Box 165*.] [1 leaf of illustrated matter is shelved in Box 150*, F. 9.]

Box 84, Folder 2

Passion of Christ: Entombment [ Deposition], undated

Scope and Content Note

2 photographs. Painting at Galleria Borghese in Rome.

Box 84, Folder 3

Passion of Christ: Entombment [ Deposition], 1992, undated

Scope and Content Note

3 items: 1 photograph, 1 leaf of illustrated matter, and letter to Held from Otto Naumann, Ltd. Painting at the J. Paul Getty Museum.

Box 84, Folder 4

Passion of Christ: Descent from the cross, 1988, undated

Scope and Content Note

10 items: 5 photographs, 1 color transparency, and Held's correspondence with Sotheby's London (T. D. Llewellyn, Etienne Breton) (2 letters to Held and 2 letters from Held). [Color transparency is shelved in Box 164, F. 20.]

Box 84, Folder 5

Passion of Christ: Coup de lance, 1982, undated

Scope and Content Note

2 items: 1 color transparency and letter to Held from Ian G. Kenendy at Christie's New York asking for opinion regarding a painting currently attributed to Anthony van Dyck; annotated by Held. [Color transparency is shelved in Box 164, F. 21.]

Box 84, Folder 6

Passion of Christ: Entombment, 1979-1983, undated

Scope and Content Note

10 items: 4 photographs, including 1 in color, 2 leaves of illustrated matter, and Held's correspondence with Andrew Bowyer at Phillips Fine Art Auctioneers in London and with Sotheby's London (David Fyfe-Jamieson). Regarding Rubens attribution of a painting also ascribed to Gerard Seghers. [Color photograph is shelved in Box 164, F. 22.]

Box 84, Folder 7

Passion of Christ: Descent from the cross (various paintings), 1988-1995, undated

Scope and Content Note

10 items: 4 photographs, 1 color transparency, and 6 leaves of illustrated matter. [Color transparency is shelved in Box 164, F. 23.] [1 leaf of illustrated matetr is shelved in Box 150*, F. 9.]

Box 84, Folder 8

Passion of Christ: Last Supper, 1984, undated

Scope and Content Note

2 leaves of illustrated matter and 3 photographs. [Photographs are shelved in Box 150*, F.10.]

Box 84, Folder 9

Passion of Christ: Trinity, 1987

Scope and Content Note

4 items: 2 photographs, and correspondence with Stanley Moss (1 letter to Held and 1 letter from Held).

Box 84, Folder 10

Passion of Christ: Lamentation of Christ, 1973-1983

Scope and Content Note

18 items: 6 photographs, condition report (typescript, 3 leaves), copies of expert opinions by Wilhelm Reinhold Valentiner and Max J. Friedländer, 1973 letter from Held to Father Mike Bransfield (The Maryknoll Fathers) in Chicago, 1974 correspondence with Del Schilz (1 letter to Held and 1 letter from Held), and 1983 correspondence with William C. Beck (4 letters to Held and 2 letters from Held). [2 photographs are shelved in Box 150*, F. 9.]

Box 84, Folder 11

Passion of Christ: Christ triumphant over sin and death, undated

Scope and Content Note

8 items: 7 photographs and 1 typescript (6 leaves).

Box 84, Folder 12

Passion of Christ: Crucified Christ with Saints, undated

Scope and Content Note

8 items: 5 photographs, 1 x-ray (?), and 2 notes.

Box 84, Folder 13

Passion of Christ: Entombment of Christ, 1933, undated

Scope and Content Note

3 items: 1 photographs and 2 postcards of a copy after Caravaggio by Rubens [ Grablegung]. One of the postcards was sent to Held in Berlin, text by [?] dated Nov. 12 1933. Painting in Vienna.

Box 84, Folder 14

Passion of Christ: Ecce Homo, undated

Scope and Content Note

2 photographs.

Box 84, Folder 15

Passion of Christ: Arresting of Christ, undated

Scope and Content Note

1 photograph.

Box 84, Folder 16

Passion of Christ: Pieta, undated

Scope and Content Note

3 items: 1 photograph, 1 postcard, and 1 leaf of illustrated matter.

Box 84, Folder 17

Passion of Christ: Christ with the Cross, undated

Scope and Content Note

2 photographs: a painting at National Gallery of Canada and an engraving by [Aegidius?] Sadeler after [Cornelis or Paul] de Vos.

Box 84, Folder 18

Passion of Christ: correspondence with Alex Finck, 1965

Scope and Content Note

1 letter to Held regarding Rubens attribution of a painting referred to as Tête du Christ from Windland collection. With a mention of expert opinions by Leo van Puyvelde and [Alfred?] Stange. Held's reply (carbon copy) on verso.

Box 84, Folder 19

Resurrection: Christ bestowing a wreath, 1980-1981

Scope and Content Note

14 items: 2 photographs, 1 color transparency, printed matter, Held's letter to Janet Wright Bijesse, and correspondence with Jay Schlesinger at Mac Beth Gallery in New York (5 letters to Held and 5 letters from Held). [Color transparency is shelved in Box 164, F. 24.]

Box 84, Folder 20

Resurrection: Resurrection of Christ, undated

Scope and Content Note

2 items: 1 photograph and 1 leaf of illustrated matter.

Box 84, Folder 21

Resurrection: Christ appears to Saint Mary Magdalen after His resurrection, undated

Scope and Content Note

3 photographs. Painting at M. H de Young Memorial Museum also by Jan Brueghel [Bruegel] the Elder. Also included is painting Holy women and two angels at the sepulcre.

Box 84, Folder 22

Resurrection: Christ in Emmaus, 1993, undated

Scope and Content Note

5 items: 2 photographs, printed matter, and correspondence with Jan Kelch at Staatliche Museen zu Berlin Preussischer Kulturbesitz Gemäldegalerie.

Box 84, Folder 23

Resurrection: Trinity, undated

Scope and Content Note

3 photographs.

Box 84, Folder 24

Resurrection: Last Judgement, 1990, undated

Scope and Content Note

ca. 13 items: 6 photographs, including 1 in color, printed matter, copy of expert opinion by Didier Bodart, and correspondence between Held, Jay M. Starr (Starr & Associates), and Chantal Thomas, and a letter to Thomas from lawyer Vincenzo Grasso. [Color photograph is shelved in Box 164, F. 25.]

Box 84, Folder 25

Resurrection: Resurrection, undated

Scope and Content Note

4 photographs, including Auferstehung at Bayerische Staatsgemäldesammlungen in Munich.

Box 84, Folder 26

Resurrection: Fall of the rebel angels, undated

Scope and Content Note

5 items: 4 photographs, 1 leaf of illustrated matter. [Illustrated matter is shelved in Box 150*, F.9.]

Box 84, Folder 27

Resurrection: correspondence with Anna Pianosi, 1984, undated

Scope and Content Note

6 items: 4 photographs, and correspondence with Pianesi (1 letter to Held and 1 letter from Held). Regarding a series of tapestries in Ancona with scenes of Nativity, Last Supper, Assumption of the Virgin, and Resurrection of Christ.

Box 84, Folder 28

Resurrection: various images with resurrected Christ, undated

Scope and Content Note

3 items: 2 photographs: Saint Augustine between Christ and the Holy Virgin and St. Francis of Assisi in adoration before the crucified Christ; and a postcard with caption: Intercession of the Virgin and St. Francis ( St. Francis of Assisi protecting the world from the wrath of Christ).

Box 84, Folder 29

Various religious themes: undated

Scope and Content Note

7 photographs: detail of a painting in Potsdam, painting Dead child carried to heaven by angels , print Parable of the Good Samaritan by Michael Kirmer [Kirchmayer], drawing? Das Alte und das Neue Testament, detail of painting Christ and the two Lazars (Le coup de la lance) , panels depicting Saviour and Virgin Mary (parts of altarpiece at Koninklijk Museum voor Schone Kunsten in Antwerp), and an unidentified detail.

Box 84, Folder 30

Saint Ignatius of Loyola, undated

Scope and Content Note

4 items: 3 photographs and 1 leaf of illustrated matter. Painting at Norton Simon Foundation.

Box 84, Folder 31

Saint Theresa of Avila, undated

Scope and Content Note

3 photographs of painting St. Theresa's vision of the Dove.

Box 84, Folder 32

Saint Peter and Saint Paul, undated

Scope and Content Note

2 photographs. Held's annotattions on verso include name of Rudolf Heinemann.

Box 84, Folder 33

Saint Laurentius (Saint Laurence), undated

Scope and Content Note

1 photograph. Painting at Schloss Schleissheim.

Box 84, Folder 34

Four Latin Fathers of the Church, undated

Scope and Content Note

2 photographs of Real presence in the Holy Sacrament at St Paul's, Antwerp.

Box 84, Folder 35

Saint Livinus, undated

Scope and Content Note

3 photographs, including 1 in color. Martyrdom of St Livinus.[Color photograph is shelved in Box 164, F. 26.]

Box 84, Folder 36

Saint Justus, 1962, undated

Scope and Content Note

5 items (20 leaves): 1 photograph of Miracle of St. Justus, correspondence with Saemy Rosenberg at Rosenberg & Stiebel (1 letter to Held and 1 letter from Held), and copies of various printed matter, manuscripts, and typescripts.

Box 84, Folder 37

Saint Peter and Saint Paul, undated

Scope and Content Note

3 photographs. Various artworks. [1 photograph is shelved in Box 150*, F.10.]

Box 84, Folder 38

Saint Ives of Treguier, undated

Scope and Content Note

13 photographs. Painting at Detroit Institute of Arts. [6 photographs are shelved in Box 150*, F.11.]

Box 84, Folder 39

Saint Paul: Conversion of Saint Paul, 1980-1995, undated

Scope and Content Note

ca. 8 items (18 leaves): an undated letter to Held from Norman Leitman, a statement by Held dated 3 Jan. 1980, copy of a 1942 statement by Jacques Mathey, typescript (8 leaves) by Hans Gerhard Evers titled Eine Zeichnung zur Bekehrung des Paulus von Rubens, and illustrated and printed matter.

Box 84, Folder 40

Saint Jerome, 1967-1987

Scope and Content Note

14 items: 9 photographs, printed matter, a note to Held from [Christian?] Wolters, copies of 2 letters to Julius Weitzner from Michael Jaffé, and a letter to Held from Law Offices Alvord and Alvord (Robert W. Alvord) regarding paintings referred to as Saint Jerome and Head of Helene Fourment; with a mention of H. Stolz-Loeliger. [1 photograph is shelved in Box 150*.]

Box 85, Folder 1

Saint Anthony, 1991, undated

Scope and Content Note

3 items: 1 photograph of Death of St. Anthony Abbot, and 2 letters to Held from Marie-Eliane d'Udekem d'Acoz, annotated by Held.

Box 85, Folder 2

Saints: Distribution of the rosary, 1988, undated

Scope and Content Note

11 items: 4 photographs, 1 color transparency with a note attached, 2 letters to Held from Susan Hunting, 1 letter from held to Hunting, 1 leaf of typescript, and printed matter. Annotations on verso of photographs and the note detail provenance. Correspondence with Hunting also concerns Rubens attribution of painting referred to as Head of a turbaned African. [Color transparency is shelved in Box 164, F. 27.]

Box 85, Folder 3

Saint George, 1982-1983, undated

Scope and Content Note

7 items: 5 photographs, and correspondence with Heinz Schneider (1 letter to Held and 1 letter from Held). [See also items filed in Box 75, F.7 and Box 86, F.1.]]

Box 85, Folder 4

Madonna [Virgin Mary] with several Saints, 1967-1974, undated

Scope and Content Note

7 items: 1 photograph, 2 letters to Held and a conservation report by Rodolphe Langbank, copy of a letter to Langbank from conservator R. de Voeght, and copies of 2 statements by Simone Bergmans concerning a painting referred to as Vierge au rosaire, from the collection of Duc de Marlborough.

Box 85, Folder 5

Saint Matthew, 1987-1988, undated

Scope and Content Note

7 items: 2 color photographs, 1 leaf of illustrated matter, letter to Held from A. Kinis, and copies of expert opinions by Gustav Glück, Ludwig Burchard, and Henri Parent. [Color photographs are shelved in Box 164, F. 28.]

Box 85, Folder 6

Saint Sebastian, 1970, undated

Scope and Content Note

4 items: 2 photographs, 1 photographic postcard (van Dyck painting at Galleria Corsini in Rome), and printed matter.

Box 85, Folder 7

Saint John the Baptist: Feast of Herod, 1963-1989

Scope and Content Note

16 items (ca. 50 leaves): 5 photographs, including 1 in color, 1 color transparency, printed and illustrated matter, letter to Held from Gibbes Art Gallery (Helen G. McCormack), correspondence with Effie M. Moore (Mrs. Robert Moore) (2 letters to Held and 1 letter from Held), and letter to Held from Marco Grassi. [Color photograph and transparency are shelved in Box 164, F. 29.]

Box 85, Folder 8

Rubens. Paintings, religious: Saints: Saint John the Baptist: The head of John the Baptist presented to Salome, 1988, undated

Scope and Content Note

7 leaves of printed and illustrated matter.

Box 85, Folder 9

Saint Magdalen, 1959-1997

Scope and Content Note

15 items: 6 photographs, including 2 in color, a small sketch by Held, illustrated matter, 1959 letters to Held from Gaspard Beurms and F. van Molle (Université catholique de Louvain), and 3 leaves of typescripts concernng painting referred to as Ste Madeleine repentante. [Color photographs are shelved in Box 164, F. 30.]

Box 85, Folder 10

Saint Magdalen, 1972, undated

Scope and Content Note

5 items: 1 photograph, 1 color slide, and correspondence with Jeanne Chenault (University of Tennessee, Knoxville) (1 letter and a card to Held, and 1 letter from Held). Painting referred to as Repenting Magdalen. [Slide shelved in Box 164, F. 31.]

Box 85, Folder 11

Saint Bavo, undated

Scope and Content Note

2 items: 1 leaf of illustrated matter and 1 photographic postcard of Conversion of St. Bavo in Ghent. Postcard inscribed to Held (1954).

Box 85, Folder 12

Saint Catherine, 1980-1981, undated

Scope and Content Note

9 items: 4 photographs, 2 leaves of illustrated matter, 2 letters from Held to Erwin Mitsch at Graphische Sammlung Albertina, and 1 letter from Held to Mercedes Royo-Villanova at Museo del Prado. [1 leaf of illustrated matter shelved in Box 150*, F. 12.] Paintings: Saint Catherine of Alexandria , Crowning of St. Catherine, and Mystic marriage of St. Catherine.

Box 85, Folder 13

Saint Cecilia, undated

Scope and Content Note

2 items: 1 photograph and 1 leaf of illustrated matter. Two various paintings of Saint Cecilia playing the virginals.

Box 85, Folder 14

Saint Thomas, undated

Scope and Content Note

2 photograph. Painting at Prado, Madrid and Martryrdom of Saint Thomas in Prague.

Box 85, Folder 15

Saint Gregory, undated

Scope and Content Note

1 photograph of Saint Gregory the Great surrounded by other Saints.

Box 85, Folder 16

Saint Ildefonso, undated

Scope and Content Note

1 photograph of the center panel of Triptych of Saint Ildefonso.

Box 85, Folder 17

Saint Jerome, undated

Scope and Content Note

1 photograph of Saint Jerome in his study.

Box 85, Folder 18

Saint Michael, undated

Scope and Content Note

1 photograph of Saint Michael striking down the rebellious angels.

Box 85, Folder 19

Saint John the Baptist and Saint Martina, undated

Scope and Content Note

2 photographs of the side panels of Resurrection of Christ, called Moretus triptych, at Antwerp Cathedral.

Box 85, Folder 20

Saint Ambrose [Ambrosius], undated

Scope and Content Note

1 photograph of painting Emperor Theodosius is forbidden by Saint Ambrose to enter Milan Cathedral.

Box 85, Folder 21

Saint Christopher, undated

Scope and Content Note

1 photograph: Saint Christopher carrying the Christ Child, the left panel of the triptych Descent from the Cross (altarpiece closed) at Antwerp Cathedral.

Box 85, Folder 22

Saint Francis Xavier 1990, undated

Scope and Content Note

2 items: 1 color transparency and 1 leaf of illustrated matter. Color transparency includes label inscribed by Held with a reference to painting Miracles of Saint Francis Xavier. Illustrated matter is of painting Dominican Saint performing miracles. [Color transparency is shelved in Box 164, F. 32.]

Box 85, Folder 23

Saints: various images, 1989, undated

Scope and Content Note

6 items: 1 color transparency, 2 postcards, and 3 leaves of illustrated matter. Color transparency is inscribed on mount with a reference to [Heinz?] Kisters. Postcard illustrations are of paintings at Notre-Dame's Church in Mechelen (Malines). [Color transparency is shelved in Box 164, F. 33.]

Box 85, Folder 24

Saints: unidentified? 1994, undated

Scope and Content Note

3 items: letter to Hed from Travers Newton, and 2 color photographs of paintings at Museu de Arte de São Paulo. [Color photographs are shelved in Box 164, F. 34.]

Box 85, Folder 25

Saints: notes and correspondence, 1953, undated

Scope and Content Note

3 items: letter to Held from Jean Cailleux (3 Sept. 1953), an undated letter to Held from Barbara E. Ernst, and an undated note by Held concerning a painting form the collection of Christopher Norris.

Box 85, Folder 26

Angels: Archangel, undated

Scope and Content Note

ca. 15 items: 11 photographs, including 3 in color and 3 of x-ray images, 1 color transparency, illustrated matter and 2 typescripts (total 4 leaves). Painting at Flint Institute of Arts. Painting was formerly part of Erection of the Cross triptych at Church of St. Walburga in Antwerp. [Color photographs and transparency are shelved in Box 164, F. 35.]

Box 85, Folder 27

Angels: undated

Scope and Content Note

2 photographs of paintings at Galerie Liechtenstein in Vaduz. Paintings were originally organ wings.

Box 85, Folder 28

Painting: Gonzaga Family in Adoration of the Most Holy Trinity: images, undated

Scope and Content Note

27 items: 20 photographs, including several clippings, 1 color transparency, and 6 negatives. [Color transparency and negatives are shelved in Box 164, F. 36.]

Box 85, Folder 29

Paintings: Gonzaga Family in Adoration of the Most Holy Trinity, 1985, undated

Scope and Content Note

3 items (6 leaves) of printed and illustrated matter. Includes photocopy of an article by Michael Jaffé.

Box 85, Folder 30

Painting: Gonzaga Family in Adoration of the Most Holy Trinity, undated

Scope and Content Note

17 items: 10 leaves of notes and 7 leaves of pencil drawings by Held.

Box 85, Folder 31

Painting: Gonzaga Family in Adoration of the Most Holy Trinity, undated

Scope and Content Note

25 items: notes and clippings of photographs, including envelope.

Box 85, Folder 32

Painting: Gonzaga Family in Adoration of the Most Holy Trinity: correspondence with Mina Gregori, 1990

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held.

Box 85, Folder 33

Painting: Gonzaga Family in Adoration of the Most Holy Trinity: correspondence with Frederick Hartt, undated

Scope and Content Note

1 letter to Held.

Box 85, Folder 34

Painting: Gonzaga Family in Adoration of the Most Holy Trinity: correspondence with Thomas C. Howe, 1941-1946

Scope and Content Note

3 letters to Held from director of the California Palace of the Legion of Honor in San Francisco.

Box 85, Folder 35

Painting: Gonzaga Family in Adoration of the Most Holy Trinity: correspondence with Rachel Kaminsky, 1994

Scope and Content Note

1 letter from Held.

Box 85, Folder 36

Painting: Holy Women at the Sepulchre, undated

Scope and Content Note

11 items: 9 photographs, 1 color transparecy and 1 negative. [Color transparency and negative are shelved in Box 164, F. 37.]

Box 85, Folder 37

Painting: Holy Women at the Sepulchre, 1983-1990, undated

Scope and Content Note

10 leaves of illustrated matter. Mostly photocopies.

Box 85, Folder 38

Painting: Holy Women at the Sepulchre, undated

Scope and Content Note

ca. 55 leaves of notes, including a few typescripts and annotated printed matter.

Box 85, Folder 39

Painting: Holy Women at the Sepulchre: correspondence with Richard Brilliant, undated

Scope and Content Note

1 letter to Held.

Box 85, Folder 40

Painting: Holy Women at the Sepulchre: correspondence with David Davis, 1981

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held.

Box 85, Folder 41

Painting: Holy Women at the Sepulchre: correspondence with M. E. Havenith, 1989

Scope and Content Note

1 letter to Held.

Box 85, Folder 42

Painting: Holy Women at the Sepulchre: correspondence with Selma Holo, 1978

Scope and Content Note

4 items: 1 letter to Held from the curator at Norton Simon Museum of Art at Pasadena, 1 letter from Held, and 2 leaves of notes.

Box 85, Folder 43

Painting: Holy Women at the Sepulchre: correspondence with Anne W. Lowenthal, 1989

Scope and Content Note

3 items: 2 letters to Held and 1 letter from Held.

Box 85, Folder 44

Painting: Holy Women at the Sepulchre: correspondence with Laurie Schneider, undated

Scope and Content Note

1 letter to Held from editor of Source : notes for history of art.

Part 3

Painting (cont.)

Box 86, Folder 1

Painting: Rearing horse, 1982, undated

Scope and Content Note

3 items (5 leaves): correspondence with Heinz Schneider (1 letter to Held and 1 letter from Held) concerning painting A rearing horse and 1 color transparency. [See also items filed in Box 75, F.7 and Box 85. F.3.] [Color transparency is shelved in Box 164, F. 38.]

Box 86, Folder 2

Copies, imitations: Judgement of Solomon, 1969, undated

Scope and Content Note

4 items: 1 photograph, typescript (6 leaves, copy), and correspondence with Myron Laskin (1 letter to Held and 1 letter from Held).

Box 86, Folder 3

Copies, imitations: Lamentation, 1966-1992, undated

Scope and Content Note

6 items: 1 color transparency, correspondence with Lucas Schormans (1 letter to Held and 1 letter from Held), expert opinions by Justus Müller Hofstede and J. P. Kastner, and conservation estimate from Sabine Euler-Künsemüller and Roswitha Friedelt. [Color transparency is shelved in Box 164, F. 39.]

Box 86, Folder 4

Copies, imitations: Mater Dolorosa, 1986, undated

Scope and Content Note

8 items: 2 photographs, copies of expert opinions by Gustav Glück and Wilhelm von Bode (both undated), and correspondence with Gregory Martin at Christie's London (1 letter to Held and 1 letter from Held) and Rosemarie Riemke (1 letter to Held and 1 letter from Held).

Box 86, Folder 5

Copies, imitations: Adoration of the Magi, 1994, undated

Scope and Content Note

12 items: 6 color photographs, 2 letters to Held from Paul J. Wells, and 4 leaves of copies of typescript and manuscript matter, including texts of certificates by Com. Hofstede de Groot and W. E. Valentiner. [Color photographs are shelved in Box 164, F. 40.]

Box 86, Folder 6

Copies, imitations: Salome with head of Saint John the Baptist?, 1957, undated

Scope and Content Note

5 items: 3 photographs, 1 color transparency and 1 press clipping. [Color transparency is shelved in Box 164, F. 41.]

Box 86, Folder 7

Copies, imitations: Susanna and the Elders, 1961, undated

Scope and Content Note

2 items: 1 photograph and letter to Held from Henry R. Hope, chairman at Indiana University in Bloomington.

Box 86, Folder 8

Copies, imitations: Saint Simeon and Infant Jesus, undated

Scope and Content Note

2 photographs.

Box 86, Folder 9

Copies, imitations: Adoration of the shepherds or Nativity, 1963

Scope and Content Note

2 items: 1 photograph and letter to Held from V. Y. Metcalf at Paul Metcalf Art Galleries.

Box 86, Folder 10

Copies, imitations: Last Judgement, 1973, undated

Scope and Content Note

2 items: 1 photograph and letter to Held from art dealer Ronald Cohen at Cohen & Sons in London.

Box 86, Folder 11

Copies, imitations: Madonna with Child, 1965-1974

Scope and Content Note

5 items: letter to Held from Marie-Antoinette Vézac, and copies of illustrated matter and expert opinions by Leo van Puyvelde (with English translations).

Box 86, Folder 12

Copies, imitations: Conversion of Saint Paul, 1967, undated

Scope and Content Note

5 items (7 leaves): 1 photograph and correspondence with V. Stephan Krajcovic (3 letters to Held and 1 letter from Held).

Box 86, Folder 13

Copies, imitations: Martyrdom of Saint Livinius, 1969, undated

Scope and Content Note

3 items: 1 photograph, and correspondence with Michele Schiavone (1 letter to Held and 1 letter from Held).

Box 86, Folder 14

Copies, imitations: painting of a dragon entangled with men and lions, 1975, undated

Scope and Content Note

3 items: 1 photograph, 1 color transparency, and letter to Held from Jacques Petit-Hory. [Color transparency is shelved in Box 164, F. 42.]

Box 86, Folder 15

Copies, imitations: Holy Family, 1981

Scope and Content Note

3 items: 1 photograph, 1 color transparency, and letter to Held from Joseph Guttmann regarding a painting attributed to Jacques Della Faille. [Color transparency is shelved in Box 164, F. 43.]

Box 86, Folder 16

Copies, imitations: Mystic marriage of St. Catherine, 1974, undated

Scope and Content Note

2 items: 1 photograph and letter to Held from Rolan Robert regarding Rubens attribution of a painting from the collection of Marquis de Pastoret.

Box 86, Folder 17

Copies, imitations: Deposition of Christ (sculpture), 1976, undated

Scope and Content Note

3 items: 1 photograph and correspondence with Rev. Donald F. Rowe at Loyola University of Chicago (1 letter to Held and 1 letter from Held).

Box 86, Folder 18

Copies, imitations: Adoration of the Magi, 1976, undated

Scope and Content Note

4 items: 1 photograph, 2 color polaroids, and letter to Held from Helmut Demme. [Polaroids are shelved in Box 164, F. 44.]

Box 86, Folder 19

Copies, imitations: Assumption of the Virgin, 1982-1989, undated

Scope and Content Note

6 items (9 leaves): 1 color photograph, printed and illustrated matter, letter to Held from Virgilia Pancoast at IFAR [International Foundation for Art Research] and an IFAR examination report of painting Virgin with Angels. [Color photograph is shelved in Box 86, F. 19.]

Box 86, Folder 20

Copies, imitations: Adoration of the shepherds, 1953, undated

Scope and Content Note

3 items : 2 photographs, including 1 in color, and letter to Held from Paul H. North Jr. in Columbus, Ohio. [Color photograph is shelved in Box 164, F. 47].

Box 86, Folder 21

Copies, imitations: Adoration of the shepherds, undated

Scope and Content Note

1 photograph. on verso: collection Fernand Fievez, Bruxelles.

Box 86, Folder 22

Copies, imitations: Adoration of the Magi, 1968-1969

Scope and Content Note

3 items: 2 letters to Held from Thomas W. Phelps, and 1 letter from Held.

Box 86, Folder 23

Copies, imitations: various artworks, 1987-1990

Scope and Content Note

18 items: 9 photographs, including 2 in color, and 9 leaves of illustrated matter. [Color photographs are shelved in Box 164, F. 48.]

Box 86-89

Research on Rubens: correspondence and notes

Box 86, Folder 24

Rubens, selected drawings: Ackland Art Center, 1962

Scope and Content Note

1 letter to Held from Joseph C. Sloane, director of the William Hayes Ackland Memorial Art Center regarding Portrait of an Emperor and Empress.

Box 86, Folder 25

Rubens, selected drawings: Matthias Bleyl, 1986

Scope and Content Note

3 items: 1 letter to Held, 1 letter from Held, and letter to Held from Carl Benno Heller at Hessisches Landesmuseum Darmstadt. Regarding Rubens attribution of drawing referred to as Madonna with Child and Sainte Anne.

Box 86, Folder 26

Rubens, selected drawings: Ludwig Burchard, 1945

Scope and Content Note

2 photographs of letter to Held regarding a [drawing?] referred to as Madonna with Child.

Box 86, Folder 27

Rubens, selected drawings: Günter Busch, 1956

Scope and Content Note

1 letter to Held from the director of Kunsthalle Bremen regarding drawing Versöhnung der Maria von Medici mit ihrem Sohne ( The Queen's Reconciliation with Her Son).

Box 86, Folder 28

Rubens, selected drawings: Trudy Busch, 1954

Scope and Content Note

2 items (4 leaves): 1 letter to Held from the daughter of the cellist Hermann Busch, and a small sketch by Held.

Box 86, Folder 29

Rubens, selected drawings: Civici musei veneziani d'arte e di storia, undated

Scope and Content Note

1 letter to Held, dated 25 Aug. [year?] regarding a drawing representing a young man. Signature illegible.

Box 86, Folder 30

Rubens, selected drawings: Anne V. Dort, 1956

Scope and Content Note

4 items: 1 letter to Held from Dort at Fogg Art Museum, 1 letter from Held to Dort, and Dort's correspondence with Clarence L. Hay. Concerning a drawing referred to as Saint Gregory Nazianzus.

Box 86, Folder 31

Rubens, selected drawings: Ludwig Goldscheider, 1953

Scope and Content Note

1 letter to Held regarding Rubens's copies after Italian artists.

Box 86, Folder 32

Rubens, selected drawings: Frederick Hartt, 1953

Scope and Content Note

3 items: 1 letter to Held, a small sketch in pencil, and 1 letter from Held (incomplete).

Box 86, Folder 33

Rubens, selected drawings: Clarence L. Hay, 1952-1955

Scope and Content Note

3 items: 2 letters to Held and 1 letter from Held.

Box 86, Folder 34

Rubens, selected drawings: Minna H. Horwitz, 1952

Scope and Content Note

1 letter from Held to the conservator at Metropolitan Museum of Art, NY. With a mention of Clarence L. Hay.

Box 86, Folder 35

Rubens, selected drawings: The London Times, 1959

Scope and Content Note

1 letter from Held to the editor of London Times regarding an article about a painting in Geneva.

Box 86, Folder 36

Rubens, selected drawings: J. Hall Pleasants, 1951

Scope and Content Note

1 letter to Held (2 leaves) regarding a painting from the Peeters-Stier collection.

Box 86, Folder 37

Rubens, selected drawings: R. A. [?], 1953

Scope and Content Note

1 letter to Held

Box 86, Folder 38

Rubens, selected drawings: Staatliche Kunstsammlungen in Weimar, 1954

Scope and Content Note

1 letter to Held from director Scheidig regarding artworks Allegory of Peace, Portrait of a child, and Portrait of Duke of Lerma.

Box 86, Folder 39

Burlington Magazine article: correspondence with Cliff Ackley, 1986

Scope and Content Note

1 letter from Held to Ackley at Museum of Fine Arts Boston concerning a sketch by Rubens of Danaë in the collection of Quinct A. Shaw in Boston.

Box 86, Folder 40

Burlington Magazine article: correspondence with Julian Agnew, 1980-1987

Scope and Content Note

7 items: 4 letters to Held and 3 letters from Held. Correspondence with the art dealer at Thos. Agnew & Sons Ltd in London regarding a Crucifixion attributed to Rubens by Michael Jaffé, and a Rubens oil sketch from a private collection in France.

Box 86, Folder 41

Burlington Magazine article: correspondence with Robert Baldwin, 1985

Scope and Content Note

1 letter to Held (3 leaves) regarding artworks by Rubens referred to as resurrection scenes.

Box 86, Folder 42

Burlington Magazine article: correspondence with Stuart R. Beeson, 1986-1987

Scope and Content Note

4 items: 2 letters from Held and 2 letters to Held from Gordon, Dadds & Co. in London regarding oil sketch Holy Trinity from the estate of Lt. Col. H.R.H. Davies at Museums and Art Gallery in Birmingham. With a mention of Richard Lockett.

Box 86, Folder 43

Burlington Magazine article: correspondence with Paul Boerlin, 1987

Scope and Content Note

3 items: 1 letter to Held from the director of Öffentliche Kunstsammlung Basel and 1 letter from Held. Attached is letter to Held from Stuart R. Beeson at Gordon, Dadds & Co. in London. Correspondence regarding oil sketch Holy Trinity from the estate of Lt. Col. H.R.H. Davies.

Box 86, Folder 44

Burlington Magazine article: correspondence with Bruckmann München, 1986

Scope and Content Note

1 letter to Held from an editor of the art magazine Pantheon Stefanie Bielmeier. Burlington Magazine article.

Box 86, Folder 45

Burlington Magazine article: correspondence with editors of Burlington Magazine, 1986-1987

Scope and Content Note

22 items: 8 letters to Held and 11 letters from Held. Correspondence with editors Neil Mac Gregor and Caroline Elam. Also present is copy of an invoice from Burlington Magazine Publications to Brod Gallery in London, annotated by Held.

Box 86, Folder 46

Burlington Magazine article: correspondence with Gregory Callimanopulos, 1986

Scope and Content Note

4 items: Held's correspondence with secretary of Gregory Callimanopulos (Wanda Slepokura), and correspondence between Callimanopulos (his secretary) and Alexander Parish at Christie's New York.

Box 86, Folder 47

Burlington Magazine article: correspondence with Peter Cannon-Brookes, 1981

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Correspondence with the curator at National Museum of Wales in Cardiff regarding oil sketch Holy Trinity from the estate of Lt. Col. H.R.H. Davies.

Box 86, Folder 48

Burlington Magazine article: correspondence with Christie's London, 1977-1986

Scope and Content Note

7 items: 5 letters to Held from Gregory Martin, and 2 letters from Held. Correspondence regarding Rubens attribution of an oil sketch referred to as Danaë.

Box 86, Folder 49

Burlington Magazine article: correspondence with Christie's New York, 1986

Scope and Content Note

1 letter to Held from Alexander Parish. With a mention of Gregory Callimanopulos.

Box 87, Folder 1

Burlington Magazine article: correspondence with Lavinia Davies, 1987, undated

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Correspondence with the niece of Lt. Col. H.R.H. Davies regarding oil sketch Holy Trinity , and two other oil sketches.

Box 87, Folder 2

Burlington Magazine article: correspondence with Jacques Foucart, 1984-1986

Scope and Content Note

6 items: 3 letters to Held, 2 letters from Held to Foucart , and Held's letter to Gregory Martin at Christie's London.

Box 87, Folder 3

Burlington Magazine article: correspondence with Giovanni Ghezzi, 1987

Scope and Content Note

1 letter to Held authorizing Held to publish a sketch of Ganymede. With a mention of Frederick Mont.

Box 87, Folder 4

Burlington Magazine article: correspondence with Paul L. Grigaut, 1964, undated

Scope and Content Note

5 items (6 leaves): 1 letter to Held from director of Virginia Museum of Fine Arts in Richmond, 1 letter from Held, 2 leaves of typescript (copy), and 1 photograph of a portrait of Henriette de Joyeuse attributed to Frans Pourbus. Mainly concerning paintings Portrait of Helene Fourment and Pallas and Arachne.

Box 87, Folder 5

Burlington Magazine article: correspondence with Joseph M. B. Guttmann, 1987

Scope and Content Note

1 letter from Held.

Box 87, Folder 6

Burlington Magazine article: correspondence with Richard Lockett, 1986

Scope and Content Note

2 items: 1 letter from Held and 1 letter to Held. Correspondence with the curator at Museums and Art Gallery in Birmingham, England concerning oil sketches The Holy Trinity from the estate ol Col. Davies, and Sketch for the Banqueting House Ceiling, Whitehall.

Box 87, Folder 7

Burlington Magazine article: correspondence with Anne-Marie Logan, 1985-1987

Scope and Content Note

3 items: 2 letters to Held and 1 color slide. [Color slide is shelved in Box 164, F. 49.]

Box 87, Folder 8

Burlington Magazine article: correspondence with Betty Mont, 1980-1986

Scope and Content Note

13 items (21 leaves): 5 letters to Held and 5 letters from Held, including 1 to Frederick Mont. Also present are letters from Held to Clyde Newhouse, and to Kurt Allen Brod, and printed matter (photocopy). Regarding the oil sketch Rape of Ganymede. With a mention of Michael Jaffé.

Box 87, Folder 9

Burlington Magazine article: correspondence with Konrad Oberhuber, 1987

Scope and Content Note

1 letter from Held regarding oil sketch Holy Trinity.

Box 87, Folder 10

Burlington Magazine article: correspondence with Michael Rich, 1986-1987

Scope and Content Note

8 items: a note and 3 letters (1 copy) to Held and 3 letters from Held. Regarding oil sketch depicting Jupiter's visit to Danaë.

Box 87, Folder 11

Burlington Magazine article: correspondence with Sotheby's Paris, 1986

Scope and Content Note

4 items: 3 letters to Held from Jacques Leegenhoek and 1 letter from Held. Regarding oil sketch Virgin adorned by Saints.

Box 87, Folder 12

Burlington Magazine article: correspondence with Nicole Veronée, 1986, undated

Scope and Content Note

3 items (4 leaves): 1 letter to Held, and 2 letters from Held, including an undated letter from Veronée to Held written on verso of an illustration of her residence at Maison de Chanoine. Regarding oil sketch Coronation of the Virgin. With a mention of Hans Vlieghe.

Box 87, Folder 13

Burlington Magazine article: correspondence with Hans Vlieghe, 1986

Scope and Content Note

6 items: 3 letters from Held and 3 letters to Held from Vlieghe at Rubenianum in Antwerp. Regarding oil sketches Assumption of the Virgin and Coronation of the Virgin.

Box 87, Folder 14

Burlington Magazine article: correspondence with Mary Crawford Volk, 1979

Scope and Content Note

1 letter to Held. Volk mentions her manuscript on Leganés' collection, and a newly discovered Samson and the Lion in the collection of the Duke of Hernani at Madrid.

Box 87, Folder 15

Burlington Magazine article: correspondence with Arthur K. Wheelock, 1993-1996

Scope and Content Note

4 items: 3 letters to Held from the curator at National Gallery of Art in Washington DC, and copy of an expert opinion by Wilhelm Reinhold Valentiner. Regarding an oil sketch representing Henry IV.

Box 87, Folder 16

Burlington Magazine article, undated

Scope and Content Note

17 leaves of notes. Also an undated circular letter by Held.

Box 87, Folder 17

Rubens research (1990-1995): correspondence with Bryan Greene, 1993

Scope and Content Note

4 items: 1 letter to Held, 1 letter to Held, copy of a 1977 letter by [?] (with King's College Cambridge letterhead), and 1 color transparency. Regarding painting referred to as Jupiter and Venus or Jupiter supplicated by Venus, from the collection of Ernst Sleganthaler. [Color transparency is shelved in Box 164, F. 50.]

Box 87, Folder 18

Rubens research (1990-1995): correspondence with Hinnant & Co., 1990-1993, undated,

Scope and Content Note

13 items: 4 letters to Held from Joyce T. and Rick Hinnant, 2 letters from Held, WCCFA condition report (typescript, 4 leaves, annotated by Held), 2 photographs, 1 color transparency, and 2 leaves of illustrated matter. Also present is a letter to Held from Timothy J. Standring at the Denver Art Museum. Regarding a painting referred to a Gethsemane, or Agony in the garden. [Color transparency is shelved in Box 164, F. 51.]

Box 87, Folder 19

Rubens research (1990-1995): correspondence with Timothy J. Hmielewski, 1993, undated

Scope and Content Note

5 items (9 leaves): 1 letter to Held, conservation report (4 leaves) by Pauline Pocock, 2 color photographs, and 1 leaf of illustrated matter. Concerning painting referred to as Allegory of War, or Horrors of War, also as Allegory of Europe at War. [Color photographs are shelved in Box 164, F. 52.]

Box 87, Folder 20

Rubens research (1990-1995): correspondence with Peter A. Lipp, 1992-1993

Scope and Content Note

5 items: 2 letters to Held from the art dealer in Berlin, copy of an expert opinion by Justus Müller Hofstede (painting Die Heilige Familie mit der Hl. Anna), 1 color photograph, and 1 color transparency. [Color photograph and transparency are shelved in Box 164, F. 53.]

Box 87, Folder 21

Rubens research (1990-1995): correspondence with Francine de Nave, 1993-1994

Scope and Content Note

2 items: 1 letter from Held to de Nave (conservator at Museum Plantin-Moretus in Antwerp), and 1 letter to Held from Carl Depauw at Stad Antwerpen Historische Musea. Concerning drawing Nymphs and Satyrs, attributed to Jacob Jordaens.

Box 87, Folder 22

Rubens research (1990-1995): correspondence with Zarmina Sherzad, 1993, undated

Scope and Content Note

1 letter to Held, 10 color photographs, and 4 leaves of notes. With a mention of Arthur Wheelock at National Gallery of Art. Concerning a painting Diana and Acteon [after Titian?]. [Color photographs are shelved in Box 164, F. 54.]

Box 87, Folder 23

Rubens research (1990-1995): correspondence with Werner Signer, 1992-1993

Scope and Content Note

15 items: 3 letters to Held from the art dealer, 9 photographs, including 8 in color, and 3 color transparencies. Draft of Held's reply on verso of Signer's letter dated 1 Feb. 1993. Regarding painting referred to as Pan and Syrinx. [Color photographs and transparencies are shelved in Box 164, F. 55.]

Box 87, Folder 24

Rubens research (1990-1995): correspondence with Clovis Whitfield, 1995

Scope and Content Note

4 items: 2 letters to Held from the art dealer (Whitfield Fine Art Limited, London), copy of an examination report by Justus Müller Hofstede (in Italian) of painting referred to as Centauri in amore, and photocopy of illustrated matter. Regarding painting Love of the centaurs. [Also see items filed in Box 78, F. 37.]

Box 87, Folder 25

Rubens research (1990-1995): correspondence with Frank Zöllner, 1992

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Concerning drawing The fight for the standard at the Louvre.

Box 87, Folder 26

Paper on Battle of Greeks and Amazonsfor 1982 Rubens Symposium: correspondence with Frans Baudouin, 1978-1985

Scope and Content Note

3 items (5 leaves): 2 letters to Held and 1 letter from Held.

Box 87, Folder 27

Paper on Battle of Greeks and Amazonsfor 1982 Rubens Symposium: correspondence with Anne-Marie Logan, 1978

Scope and Content Note

2 letters to Held.

Box 87, Folder 28

Paper on Battle of Greeks and Amazonsfor 1982 Rubens Symposium: correspondence with Staatliche Schlösser und Gärten Potsdam -Sanssouci, 1978

Scope and Content Note

1 letter to Held. Signed by director Giersberg and by G. Bartoschek.

Box 87, Folder 29

Paper on Battle of Greeks and Amazonsfor 1982 Rubens Symposium: correspondence with Emile Verrijken, 1977-1983, undated

Scope and Content Note

5 items (11 leaves): 3 letters to Held and 2 letters from Held.

Box 87, Folder 30

Paper on Battle of Greeks and Amazonsfor 1982 Rubens Symposium: correspondence with Hans Vlieghe, 1982

Scope and Content Note

1 letter from Held.

Box 87, Folder 31

Paper on Battle of Greeks and Amazonsfor 1982 Rubens Symposium: correspondence with William H. Wilson, 1982-1983

Scope and Content Note

6 items: 2 letters to Held from the curator at John and Mable Ringling Museum of Art in Sarasota, Fla., and 1 letter from Held. Also included are correspondence with museum's staff Wendy H. McFarland regarding scheduling of the Rubens Symposium, and a note.

Box 87, Folder 32

Paper on Battle of Greeks and Amazonsfor 1982 Rubens Symposium, undated

Scope and Content Note

14 items: 3 photographs and 11 leaves of illustrated matter. Images of various battle scenes and other related iconographical motives, by Rubens and other artists, including painting Battle of Hercules and the Amazons by Hendrik van Balen the Elder.

Box 87, Folder 33

Paper on Battle of Greeks and Amazonsfor 1982 Rubens Symposium, undated

Scope and Content Note

ca. 120 leaves of notes, also 1 press clipping.

Box 87, Folder 34

Paintings by Rubens and Flemish school in the collection of Sir Joshua Reynolds (Francis Broun's dissertation), 1985-1986, undated

Scope and Content Note

5 items (ca. 40 leaves): correspondence with Broun (2 letters to Held and 1 letter from Held), and draft entries from Broun's dissertation (41 leaves). Draft annotated by Held.

Box 87, Folder 35

Notes on Delacroix and Rubens, undated

Scope and Content Note

9 leaves of notes taken by Held from Journal de Eugène Delacroix for a planned study.

Box 87, Folder 36

Notes from De Antwerpsche "Konstkamers" by Jean Denucé, undated

Scope and Content Note

4 leaves of notes.

Box 87, Folder 37

Notes and correspondence on Rubens's drawings: correspondence with Martin B. Asscher [?], undated

Scope and Content Note

1 letter to Held (2 leaves) regarding drawing of an angel blowing a trumpet.

Box 87, Folder 38

Notes and correspondence on Rubens's drawings: J. Anthony Betts, 1954-1955

Scope and Content Note

3 items: 2 letters to Held and 1 letter from Held. Concerning a drawing referred to as portrait of Mary de Medicis, from the collection of Sir Joshua Reynolds.

Box 87, Folder 39

Notes and correspondence on Rubens's drawings: J. Bruchot-[?], 1956

Scope and Content Note

1 letter to Held from conservator at Cabitet des dessins, Palais du Louvre, regarding reprints.

Box 87, Folder 40

Notes and correspondence on Rubens's drawings: Herman Liebaers, 1956

Scope and Content Note

1 letter to Held from Bibliothèque royale de Belgique.

Box 87, Folder 41

Notes and correspondence on Rubens's drawings: notes, undated

Scope and Content Note

ca. 20 leaves of notes, including several small sketches in pencil and pen; and an empty envelope addressed to Otto Kurz at Warburg Institute of Art in London, postmarked 1956, with stamp of Franz Reichsman in Rochester, N.Y. on verso.

Box 88, Folder 1

Rubens in America correspondence: American Federation of Arts, 1946

Scope and Content Note

1 letter from Book Sales Service staff Elizabeth Medinger to Pantheon Books. Annotated by Held.

Box 88, Folder 2

Rubens in America correspondence: The Art Institute of Chicago, 1946

Scope and Content Note

2 letters to Held. Regarding an artwork from Epstein collection.

Box 88, Folder 3

Rubens in America correspondence: Barnes Foundation 1949

Scope and Content Note

1 letter from Albert C. Barnes to Pantheon Books Inc. (copy).

Box 88, Folder 4

Rubens in America correspondence: The Baltimore Museum of Art, 1944-1946

Scope and Content Note

2 letters (3 leaves) to Held from Gertrude Rosenthal regarding painting Portrait of a man from Epstein collection, and Portrait of Duchess of Cruye from Mary Frick Jacobs Collection.

Box 88, Folder 5

Rubens in America correspondence: Richard Bernheimer, 1946

Scope and Content Note

2 letters to Held from the scholar regarding location of several artworks by Rubens in various American museums.

Box 88, Folder 6

Rubens in America correspondence: Brooks Memorial Art Gallery, 1946

Scope and Content Note

1 letter to Held from director Louise B. Clark reagarding a portrait by Rubens. With a mention of Wilhelm Reinhold Valentiner.

Box 88, Folder 7

Rubens in America correspondence: Cincinnati Art Museum, 1946

Scope and Content Note

1 letter to Held from registrar Marie Blatherwick regarding etching Saint Catherine in the clouds, and painting Holy Family by Rubens.

Box 88, Folder 8

Rubens in America correspondence: Columbia University, Library, 1946

Scope and Content Note

1 letter to Held signed by Mary W. Chamberlei [?] regarding a tapestry after Rubens.

Box 88, Folder 9

Rubens in America correspondence: Detroit Institute of Arts, 1946

Scope and Content Note

2 letters to Held from director E. P. Richardson. Regarding a drawing of two cupids by Rubens.

Box 88, Folder 10

Rubens in America correspondence: Fogg Museum of Art, 1946

Scope and Content Note

4 items (5 leaves): 3 letters to Held from Charles L. Kihn and Agnes Mongan, and 1 letter to Jan-Albert Goris from Mary Wadsworth.

Box 88, Folder 11

Rubens in America correspondence: Maurice Garbáty, 1946

Scope and Content Note

3 items: 2 letters to Held and 1 leaf of description of painting Opfer Abrahams from the collection of J. Unger taken from 1917 auction catalogue of Cassirer & Helbing.

Box 88, Folder 12

Rubens in America correspondence: Gustav Glück, 1921, 1946

Scope and Content Note

2 items: 1946 letter to Held, and expert opinion of painting Krönung Mariens [ Coronation of the Virgin] from 1921 (typescript, 4 leaves).

Box 88, Folder 13

Rubens in America correspondence: Jan-Albert Goris, 1946, undated

Scope and Content Note

ca. 25 items (28 leaves): 18 letters to Held, 3 letters from Held (undated), and notes.

Box 88, Folder 14

Rubens in America correspondence: M. Knoedler & Co., 1946

Scope and Content Note

1 letter to Held regarding photograph of Rubens's Archduke Ferdinand.

Box 88, Folder 15

Rubens in America correspondence: David M. Koetser, 1946

Scope and Content Note

1 letter to Held from the art dealer regarding a sketch Saint George and the dragon.

Box 88, Folder 16

Rubens in America correspondence: Lilly Research Laboratories, 1946

Scope and Content Note

1 letter to Goris regarding Portrait of a man by Rubens.

Box 88, Folder 17

Rubens in America correspondence: Los Angeles Art Association, 1946

Scope and Content Note

1 letter to Held regarding an artwork referred to as Miss Davies' Helena Fourmont [Fourment].

Box 88, Folder 18

Rubens in America correspondence: Minneapolis Institute of Arts, 1946

Scope and Content Note

1 letter to Held.

Box 88, Folder 19

Rubens in America correspondence: Museum of Fine Arts, Boston, 1946

Scope and Content Note

1 letter to Held from curator William George Constable regarding an artwork refererd to as the Tessaro-Darlington picture; also collectors George James Welbore Agar-Ellis, Marquess of Westminster, and Lord Hertford.

Box 88, Folder 20

Rubens in America correspondence: National Gallery of Canada Ottawa, 1946

Scope and Content Note

2 letters to Held from H. O. McCurry regarding painting Head of an old woman from the collection of the Earl of Darnley, and another artwork from the van Horne collection. McCurry mentions current market value of paintings Adoration of the shepherds and Feast of Herod, both referred to as school pieces.

Box 88, Folder 21

Rubens in America correspondence: Howard A. Noble, 1946

Scope and Content Note

2 letters to Held from the art collector.

Box 88, Folder 22

Rubens in America correspondence: Allen Memorial Art Museum, 1946

Scope and Content Note

1 letter to Held from art historian Ellen Johnson at the Dudley Peter Allen Memorial Art Museum at Oberlin College regarding drawing referred to as Head of a man.

Box 88, Folder 23

Rubens in America correspondence: Parke-Bernet Galleries, 1946

Scope and Content Note

1 letter to Held signed by M. Harrison regarding an artwork by Rubens referred to as Crowning of Roxana. With a mention of art dealers Rosenberg & Stiebel, and art collector Isabel van Wie Willys.

Box 88, Folder 24

Rubens in America correspondence: Pennsylvania Academy of the Fine Arts, 1946

Scope and Content Note

1 letter to Held regarding print Head of a Saint. With a mention of Agnes Mongan.

Box 88, Folder 25

Rubens in America correspondence: Philadelphia Museum of Art, 1946

Scope and Content Note

1 letter to Held. With a mention of Mr. Taylor.

Box 88, Folder 26

Rubens in America correspondence: Pierpont Morgan Library, 1946

Scope and Content Note

1 letter from Felice Stampfle to B. Schwartz at Belgian Government Information Center in New York regarding photographs of several artworks by Rubens or his school.

Box 88, Folder 27

Rubens in America correspondence: Rochester Memorial Art Gallery, 1946

Scope and Content Note

1 letter to Held regarding a sketch representing Henry IV.

Box 88, Folder 28

Rubens in America correspondence: Margaretta Salinger, undated

Scope and Content Note

1 letter to Held from Salinger at Metropolitan Museum of Art, NY.

Box 88, Folder 29

Rubens in America correspondence: Scott & Fowles, 1946

Scope and Content Note

1 letter to Held.

Box 88, Folder 30

Rubens in America correspondence: [Frank?] Seiberling, 1946

Scope and Content Note

1 letter from Held (incomlete, only 1 page is present in the archive].

Box 88, Folder 31

Rubens in America correspondence: Edit Ullstein Glaser, 1946

Scope and Content Note

1 letter to Held regarding an artwork referred to as Apostle Paulus in her collection.

Box 88, Folder 32

Rubens in America correspondence: Wadsworth Atheneum, 1946

Scope and Content Note

2 letters to Held from director Charles Crehore Cunningham regarding painting Return from the flight into Egypt.

Box 88, Folder 33

Rubens in America correspondence: Walker Art Center, 1946

Scope and Content Note

1 letter from curator Malcolm E. Lein to Jan-Albert Gosris regarding painting Samian Sybil prophesying the birth of Christ.

Box 88, Folder 34

Rubens in America correspondence: Wayne University, College of Liberal Arts, 1946

Scope and Content Note

1 letter to Held from Ernst Scheyer regarding his former student Jeanette Sherman.

Box 88, Folder 35

Rubens in America correspondence: Julius Weitzner, 1946

Scope and Content Note

1 letter to Held regarding measurenments of artworks referred to as Infanta and Holy Family.

Box 88, Folder 36

Rubens in America correspondence: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1946

Scope and Content Note

1 letter to Jan-Albert Goris. With a mention of Miss [Gertrude?] Rosenthal.

Box 88, Folder 37

Rubens in America correspondence: Worcester Art Museum, 1946

Scope and Content Note

4 letters to Held from Perry B. Cott and Edna McClure regarding Coronation of the Virgin , Lion hunt, and a drawing [after portrait of Isabella Brant?].

Box 88, Folder 38

Rubens in America correspondence: various items, 1946, undated

Scope and Content Note

8 items: 2 letters to Held from Paul [?], a letter from Held to [?], and notes and typescripts about various artworks, including 1 leaf of typescript regarding provenance of painting The Annunciation compiled by Ludwig Burchard.

Box 88, Folder 39

Miscellaneous correspondence: Thos. Agnew & Sons, 1969

Scope and Content Note

1 letter to Held from Evelyn Joll regarding Rubens sketch Aeneas at the threshold of hell.

Box 88, Folder 40

Miscellaneous correspondence: Arnout Balis, 1992

Scope and Content Note

1 letter from Held regarding attrubution of several sketches to Rubens, van Dyck and other artsists.

Box 88, Folder 41

Miscellaneous correspondence : Didier Bodart, 1980-1981

Scope and Content Note

6 items: 2 letters to Held and 4 letters from Held regarding shipments of recent publications by both scholars. Held comments on Bodart's Rubens e l'incisione.

Box 88, Folder 42

Miscellaneous correspondence: Brigid Cleaver, 1987-1988

Scope and Content Note

6 items: 2 letters to Held from Cleaver at Christ Church Oxford, 2 letters from Held, and 2 leaves of illustrated matter. regarding a drawing of A nude reclining. With a mention of Michael Jaffé.

Box 88, Folder 43

Miscellaneous correspondence: Christie's London, 1973

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Correspondence with Gregory Martin regarding a sketch representing Henry IV.

Box 88, Folder 44

Miscellaneous correspondence: Ellen Craig, 1967 , undated

Scope and Content Note

3 items: letter to Held from Mrs. Frank Craig and 1 letter from Held. Attached is English translation of an 1928 expertise given to Kurt Reichel by Ludwig Burchard. Regarding artwork referred to as portrait of a man.

Box 88, Folder 45

Miscellaneous correspondence: H. M. Cramer, 1974

Scope and Content Note

2 letters to Held from G. Cramer Oude Kunst in Hague.

Box 88, Folder 46

Miscellaneous correspondence: John B. Davidson, 1987

Scope and Content Note

1 letter from Held rearding photograph of the chalk drawing of an ancient sculptures (Seneca).

Box 88, Folder 47

Miscellaneous correspondence: Mrs. John Elliot Jr., 1974

Scope and Content Note

1 letter to Held.

Box 88, Folder 48

Miscellaneous correspondence: Barbara Fleischman, 1964-1997

Scope and Content Note

ca. 5 items: 1997 correspondence with Fleischman (1 letter to Held and 1 letter from Held), printed and illustrated matter (4 leaves), and 2 letters from Michael Jaffé at the Fitzwilliam Museum to the collector Lawrence A. Fleischman in Detroit. Concerning oil sketch Judgement of Cambyses. [See also items filed in Box 64, F.25.]

Box 88, Folder 49

Miscellaneous correspondence: Burkhardt Göres, 1967

Scope and Content Note

1 letter to Held (2 leaves) regarding two missing artworks referred to as Diana and Calisto and Romulus and Remus.

Box 88, Folder 50

Miscellaneous correspondence: Egbert Haverkamp Begemann, 1974

Scope and Content Note

1 letter to Held conforming request for financial support for the coming academic year at Yale University.

Box 88, Folder 51

Miscellaneous correspondence: Heim tableaux de maitres sculptures, 1975

Scope and Content Note

3 items: 2 letter to Held from Gerard Stora, and 1 leaf of printed matter (in Japanese?).

Box 88, Folder 52

Miscellaneous correspondence: High Museum of Art, 1983

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Correspondence with Eric M. Zafran regarding Rubens attribution of a drawing of the head of Hercules.

Box 88, Folder 53

Miscellaneous correspondence: Institut royal de patrimoine artistique [Brussels], 1974

Scope and Content Note

1 letter from Held to the director René Sneyers regarding an Four African heads.

Box 88, Folder 54

Miscellaneous correspondence: Werner Isensee, 1987

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Regarding a sketch referred to as Vitellius.

Box 89, Folder 1

Miscellaneous correspondence: P. Kartschmaroff, 1997, undated

Scope and Content Note

ca. 10 items (16 leaves): 1 letter to Held (annotated by Held), printed matter and illustrated matter, and 6 photographs, including 1 in color. Concerning painting Phaëton im Sonnenwagen. Kartschmaroff provides detailed provenance information about the painting and copy of 1895 catalog and auction sale of Galerie Enea Lanfranconi. [Color photograph is shelved in Box 164, F. 56.]

Box 89, Folder 2

Miscellaneous correspondence: Samuel H. Kress Foundation, 1968

Scope and Content Note

1 letter from Held to Mary Davis inquiring for finanncial aid.

Box 89, Folder 3

Miscellaneous correspondence: Galerie Nathan, 1974

Scope and Content Note

3 letters to Held from Peter Nathan. With a mention of Dr. [Robert?] Herzig.

Box 89, Folder 4

Miscellaneous correspondence: Nationalmuseum Stockholm, 1976

Scope and Content Note

4 items: correspondence between Börje Magnusson, curator at Nationalmuseum Stockholnm and Margaretta M. Salinger at Metropolitan Museum of Art, NY (1 letter from Magnusson and 1 letter to Magnusson), and 2 leaves of illustrated matter (photocopies). Regarding a drawing referred to as Christ triumphant.

Box 89, Folder 5

Miscellaneous correspondence: Ann Percy, 1974

Scope and Content Note

3 items: 1 letter from Held to the curator at Philadelphia Museum of Art, and 2 letters to Held. Regarding a drawing referred to as Meeting of Abraham and Melchisedek.

Box 89, Folder 6

Miscellaneous correspondence: Phaidon Press, 1974

Scope and Content Note

1 letter to Held from I. Grafe.

Box 89, Folder 7

Miscellaneous correspondence: Salzburger Barockmuseum, 1974

Scope and Content Note

1 letter to Held from Kurt Rossacher.

Box 89, Folder 8

Miscellaneous correspondence: Sammlungen des Regierenden Fürsten von Liechtenstein, 1978

Scope and Content Note

5 items (8 leaves): correspondence with director Reinhold Baumstark (2 letters to Held and 1 letter from Held), and 2 leaves of illustrated matter (photocopies). Concerning drawings related to the tapestry series Story of Decius Mus. Letters from Baumstark are annotated by Held.

Box 89, Folder 9

Miscellaneous correspondence: Staatliche Kunstsammlungen in Weimar, 1954

Scope and Content Note

1 letter to Held regarding a drawing representing Henry IV, referred to as Heinrich IV schliesst Frieden.

Box 89, Folder 10

Miscellaneous correspondence: Stephan Tschudi Madsen, 1953

Scope and Content Note

1 letter to Held regarding several drawings at the National Gallery in Oslo.

Box 89, Folder 11

Miscellaneous correspondence: Mrs. A. F. von Türk, 1969

Scope and Content Note

1 letter to Held.

Box 89, Folder 12

Miscellaneous correspondence: Claus Virch, 1974

Scope and Content Note

2 items: 1 letter to Held and 1 letter from Held. Regarding an oil sketch referred to as Deposition.

Box 89, Folder 13

Miscellaneous correspondence: Léon Voet, 1974

Scope and Content Note

2 items (3 leaves): 1 letter to Held and 1 letter from Held. Regarding an oil sketch from the Moretus collection.

Box 89, Folder 14

Miscellaneous correspondence: [Richard J.?] Wattenmaker, 1965

Scope and Content Note

4 items: 1 letter from Held, 2 photographs, and 1 leaf of notes.

Box 89, Folder 15

Miscellaneous correspondence: Margot [Wittkower?], 1974

Scope and Content Note

1 letter to Held.

Box 89, Folder 16

Notes by Held, undated

Scope and Content Note

20 leaves

Box 89, Folder 17

Notes by Held, undated

Scope and Content Note

9 leaves.

Box 89, Folder 18

Notes by Held, undated

Scope and Content Note

21 leaves.

Box 89, Folder 19

Notes by Held, undated

Scope and Content Note

18 leaves.

Box 89, Folder 20

Notes by Held, undated

Scope and Content Note

17 leaves.

Box 89, Folder 21

Notes by Held, 1935, undated

Scope and Content Note

25 leaves: notes, 1935 letter to Held from Belle da Costa Greene, director of the Pierpont Morgan Library, and an explanatory note by Held: Notes for my paper on the mosaics of Kharic Djami? [i.e. Karie Camii, Istanbul, Turkey at Church of Saint Saviour in Chora] for the seminar of Morey (of Princeton), given at the Morgan Library (ca. 1936). In German.

Box 89, Folder 22

Notes by Held, undated

Scope and Content Note

25 leaves.

Box 89, Folder 23

Notes by Held, undated

Scope and Content Note

11 leaves.

Box 89, Folder 24

Notes by Held, undated

Scope and Content Note

21 leaves.

Box 89, Folder 25

Notes by Held, undated

Scope and Content Note

ca. 15 items: 13 leaves of notes, 1 small photograph of a painting by Friedrich Matthäi ( Potrait of children of Ferdinand Gruner), and printed matter (catalog of an exhibition of early German graphic art at the National Gallery ( Early German drawings & prints; 11 p., text by Andrew Robison).

Box 89, Folder 26

Notes by Held. undated

Scope and Content Note

20 leaves.

Box 89, Folder 27

Notes by Held undated

Scope and Content Note

ca. 23 leaves.

Box 89, Folder 28

Notes by Held, undated

Scope and Content Note

9 items: 5 leaves of notes, 1 drawing by Held, illustrated matter, 1 photograph (drawing, sketches for cherubin in clouds), a list of Rubens drawings (typescript, 1 leaf) in the collection of Kunstsammlungen zu Weimar (annotated by Held), and a small note with Paris address of Anne Wertheimer.

Box 89, Folder 29

Notes by Held, 1972, undated,

Scope and Content Note

ca. 10 items (ca. 14 leaves): notes and 1 leaf of printed matter.

Box 89, Folder 30

Notes by Held, undated

Scope and Content Note

23 leaves.

Box 89, Folder 31

Notes by Held, undated

Scope and Content Note

ca. 27 leaves.

Box 89, Folder 32

Notes by Held regarding Philip Rubens, undated

Scope and Content Note

ca. 10 items (11 leaves): notes, 3 photographs, and copy of a 1610 letter by Rubens.

Box 89, Folder 33

Notes by Held: Willem Panneels, 1991, undated

Scope and Content Note

14 items: 12 leaves of notes and 2 letters to Held from Anne-Marie Logan.

Box 89, Folder 34

Notes by Held: Willem Panneels, undated

Scope and Content Note

28 leaves.

Series VIII.B. Anthony van Dyck, 1929-1997

Physical Description: 7 boxes 2.9 lin. ft.

Scope and Content Note

This subseries consists of ca. 2300 items, subarranged into two main groups: correspondence and notes, and artworks.

Correspondence and notes comprise ca. 260 items, of which the main portion consists of correspondence with scholars, art dealers, private collectors, museums, and conservators; also included are ca. 100 leaves of unsorted notes. The letters concern predominantly matters of attribution, requests of photoreprints, provenance and conservation work. Two distinct groups of correspondence provide insight into Held's advisory role in legal cases Hurst versus Travelers Insurance Company, and George and Ruth D. Gilmer versus United States. Two other distinct groups form items concerning Held's revision of his article on van Dyck for the online version of Encyclopaedia Britannica, and items related to the editing process of his paper delivered at the 1991 symposium Van Dyck 350.

The artworks are arranged into groups: drawings, oil sketches, paintings (secular and religious subjects), series of portraits called Iconography , and dubious artworks. Frequently included are printed and illustrated matter, notes, and correspondence.

The drawings group comprises ca. 190 items with mainly religious topics (Old Testament, Christ's life and passion, Virgin Mary, saints); also numerous portraits and studies of human figures; some historical and mythological themes; equestrian figures; studies of horses; and landscapes.

The oil sketches comprise ca. 300 items with predominantly religious topics, including ca. 60 photographs, some illustrated and printed matter, and ca. 200 leaves of unsorted notes.

The paintings with secular subjects, ca. 840 items, are mainly of portraits (further sudivided into portraits of men, women, children, group portraits, and portrait of Charles I known as Le roi à la ciasse); numerous studies of heads; a group called horses; and items related to particular artworks. The paintings with religious subjects, ca. 260 items, include representations of saints, Christ's life and passion, the Holy Family, and a series known as Apostles' heads.

The group called Iconographygroup comprises ca. 370 items related to a series of portrait prints of well-known contemporaries executed between 1630 and 1632 by various engravers after van Dyck's paintings and drawings. Included are photographs and illustrated matter (ca. 195 items) of prints and paintings or drawings they reproduce; numerous notes; and some correspondence and printed matter; frequently marked with references to bibliographies, mainly to Franz Wibiral's catalogue raisonné.

The group called dubious artworks comprise ca. 139 items: photographs, illustrated and printed matter, certificates, and correspondence. Most artworks are portrait paintings of men. Several items, mainly correspondence, concern a painting referred to as a portrait of Queen Henrietta Maria, consort of Charles I, King of England.

Correspondence and notes, 1955-1998

Box 90, Folder 1

Thos. Agnew & Sons, 1985

Scope and Content Note

2 items: correspondence with Christopher Kingzett (1 letter from Held and 1 letter to Held)

Box 90, Folder 2

Akademie der bildenden Künste in Wien. Gemäldegalerie, 1990

Scope and Content Note

1 letter to Held from Renate Trnek (2 leaves). Regarding van Dyck's Mariä Himmelfahrt [ Assumption of the Virgin] from the Lamberg collection.

Box 90, Folder 3

Ashmolean Museum, 1988-1989

Scope and Content Note

2 letters to Held from Christopher White. Regarding a painting referred to as Charity, and other artworks.

Box 90, Folder 4

James O. Belden, 1984

Scope and Content Note

1 letter from Held.

Box 90, Folder 5

Belgium. Ministère de l'instruction publique, 1955

Scope and Content Note

1 letter to Held signed by J. van Lerberghe asking Held to join a van Dyck exhibition committee.

Box 90, Folder 6

Gertrud Blumel, 1988

Scope and Content Note

1 letter to Held from a conservator. Regarding Assumption of the Virgin.

Box 90, Folder 7

Christopher Brown, 1983

Scope and Content Note

1 letter to Held from the curator at the National Gallery in London.

Box 90, Folder 8

Klaus Demus, 1984-1985

Scope and Content Note

5 items: 3 letters to Held and 2 letters from Held.

Box 90, Folder 9

International Fine Art, 1994

Scope and Content Note

3 items: correspondence with Reiner Liedtke (1 letterto Held and 1 letter from Held), and Held's letter to Klaus Zimmermann; with photocopy of a bank cheque. Regarding a painting identified by Held as a copy after Rubens.

Box 90, Folder 10

Jan Kelch, 1984

Scope and Content Note

1 letter from Held.

Box 90, Folder 11

Kunsthaus Zürich, 1990

Scope and Content Note

1 letter from Held to Christian Klemm.

Box 90, Folder 12

Roger La Freniere, 1977, undated

Scope and Content Note

ca. 12 items: 1 letter to Held; 1 color slide; photocopies of expert opinions by Leo van Puyvelde, Eduardo Mottini, and Xavier Delaquis; and copy of Delaquis' 1956 letter to H. M. Barschall. Concerning painting representing Repentant Magdalen. [Color slide is shelved in Box 164, F. 57.]

Box 90, Folder 13

Lexbourne Limited, 1985

Scope and Content Note

2 items: letter to Held and an invoice.

Box 90, Folder 14

Los Angeles County Museum of Art, 1985

Scope and Content Note

2 letters from Held: to Earl A. Powell III and to Scott Schaefer, printed matter, and 4 photographs of Descent from the cross.

Box 90, Folder 15

Anne-Marie Logan, 1984-1989

Scope and Content Note

3 items: 2 letters to Held and 1 letter to Held from the conservator Pierre Rosenberg (Louvre).

Box 90, Folder 16

Metropolitan Museum of Art, 1989

Scope and Content Note

1 item: Held's copy of a letter from J. Carter Brown to Philippe de Montebello at Metropolitan Museum of Art, NY.

Box 90, Folder 17

Museum Boymans-van Beuningen, 1990

Scope and Content Note

2 items (3 leaves): 1 letter from Held to the curator Jeroen Giltay, and 1 letter to Held.

Box 90, Folder 18

National Gallery of Art, (Washington, DC) 1985-1990

Scope and Content Note

ca. 20 items: letters to Held from Anne Borden Evans, J. Carter Brown, Arthur K. Wheelock, Anke van Wagenberg, Gail Feigenbaum, and Mary Anderson McWilliams. Held's letters to Arthur K. Wheelock, Christopher Brown, Anderson McWilliams, and Neal Turtell. Also present is copy of a letter from J. Carter Brown to Christopher Butler, 2 lists of artworks by van Dyck for an 1991 exhibition, and 1 color transparency of Martyrdom of Saint Sebastian from the Warwick collection. [Color transparency is shelved in Box 164, F. 58.]

Box 90, Folder 19

National Gallery of Canada, 1989

Scope and Content Note

1 item (2 leaves): Held's copy of a letter from J. Carter Brown (National Gallery of Art) to Shirley Thompson at the National Gallery of Canada.

Box 90, Folder 20

National Gallery of Scotland, 1984

Scope and Content Note

3 items: 1 letter to Held from Keith Andrews, and 2 letters from Held.

Box 90, Folder 21

Konrad Renger, 1984

Scope and Content Note

2 letters to Held from the conservator at Bayerische Staatsgemäldesammlungen.

Box 90, Folder 22

Seymour Slive, 1984

Scope and Content Note

1 letter from Held.

Box 90, Folder 23

Joaneath Spicer, 1984

Scope and Content Note

2 items: 1 letter to Held from Spicer at University of Toronto, and 1 letter from Held.

Box 90, Folder 24

Stad Antwerpen, 1989

Scope and Content Note

ca. 5 items: 1 letter to Held from Nora De Poorter, billing statement, 1 leaf of typescriopt text about van Dyck, and photocopies of annotations on verso of photographs. [Photographs not present].

Box 90, Folder 25

J. Douglas Stewart, 1985

Scope and Content Note

1 letter to Held from the art historian at Queen's University in Kingston, Canada.

Box 90, Folder 26

Horst Vey, 1983-1989

Scope and Content Note

3 items: 2 letters to Held from Vey at Staatliche Kunsthalle Karlsruhe, and 1 letter from Held.

Box 90, Folder 27

Yale University Art Gallery, 1978

Scope and Content Note

2 letters from Held to Andrea S. Norris ragarding an artwork referred to as Pieter de Jode sketch.

Box 90, Folder 28

Helmut H. W. Zimmermann, 1985

Scope and Content Note

5 items: 1 letter to Held from the art dealer in Frankfurt a. Main, 1 letter from Held, and 3 photographs, including 2 in color. Regarding a painting of an angel [Saint Catherine]. [Color photographs are shelved in Box 164, F. 59.]

Box 90, Folder 29

Legal cases: Hurst versus Travelers Insurance Company, 1957-1959

Scope and Content Note

ca. 24 items relating to the case of a painting referred to as a self-portrait by van Dyck: Held's correspondence with Powers Kaplan & Berger (7 letters to Held and 4 letters from Held), and with Jacqueline Folie at Ministère de l'instruction publique, Institut royal du patrimoine artistique in Brussels (1 letter to Held and 1 letter from Held); 4 photographs; 3 leaves of notes; and 1 press clipping. Also present are a statement by Sigmund Rothschild; letters to Albert R. Lee and Company from W. R. Valentiner, M. L. Friedländer (translation), and Tyler & Co.; and a letter from Ludwig Burchard to Tyler & Co. (all copies). [Press clipping is shelved in Box 151*, F. 1.]

Box 90, Folder 30

Legal cases: George and Ruth D. Gilmer versus United States, 1968-1969

Scope and Content Note

ca. 26 items relating to the case of a painting referred to as Queen Henrietta Maria: Held's correspondence with United States Department of Justice (5 letters to Held and 6 letter from Held, and copy of a letter from US Dept. of Justice to Clyde Newhouse), and with Annelise Mayer at Staatliche Kunstsammlungen Dresden (2 letters to Held and 2 letters from Held). Also present is correspondence with Sturla J. Gudlaugsson at Rijksbureau voor Kunsthistorische Documentatie (1 letter to Held and 1 letter from Held); 1 photograph; 3 leaves of notes; and printed matter.

Box 90, Folder 31

Article for the online version of Encyclopaedia Britannica , 1957, 1998

Scope and Content Note

ca. 11 items (32 leaves): 2 letters to Held, dated 1957, from EB editors Walter Yust and John V. Dodge; 1998 correspondence with EB editor Juliette Hayes (1 letter to Held and 2 letters from Held); and a 1998 letter to Held from EB bibliographer Anne-Marie Bogdan. Also present are typescripts: Contributors' guidelines (1 leaf); Additions to bibliography (1 leaf); and 3 annotated drafts of the 1998 version of the article.

Box 90, Folder 32

Essay for National Gallery of Art publication Van Dyck 350, 1993-1994, undated

Scope and Content Note

19 items related to Held's essay delivered at 1991 symposium held at University of Maryland at College Park: correspondence with Arthur K. Wheelock (1 letter to Held and 2 letters from Held); 2 letters to Held from editors Carol Eron and Ulrike Mills; 4 photographs; 6 leaves of illustrated matter (photocopies); photopcopies of letters by van Dyck and Rubens; and 1 leaf of notes.

Box 90, Folder 33

Notes (unsorted): undated

Scope and Content Note

20 leaves.

Box 90, Folder 34

Notes (unsorted): undated

Scope and Content Note

22 leaves.

Box 90, Folder 35

Notes (unsorted): undated

Scope and Content Note

27 leaves, including some printed matter.

Box 90, Folder 36

Notes (unsorted): 1983, undated

Scope and Content Note

18 leaves. Included is a letter to Held from [?] at the National Gallery in London.

Box 90, Folder 37

Various items, 1996, undated

Scope and Content Note

11 items: letter to Held from Carlos Navarro, with a color slide attached, annotated by Held; 4 photographs, including 1 in color; 1 color transparency, a note, printed matter (Oliver Millar's article on Christopher Brown's book Van Dyck), and an annotated list of works by van Dyck (typescripts, 5 leaves). [Color transparency, slide, and color photograph are shelved in Box 164, F. 60.]

Photographs of artworks, undated

Box 91, Folder 1

Drawings: Christ, undated

Scope and Content Note

17 items: 13 photographs, 3 leaves of printed and illustrated matter, and 2 leaves of notes.

Box 91, Folder 2

Drawings: Christ, undated

Scope and Content Note

11 photographs.

Box 91, Folder 3

Drawings: Christ, 1983, undated

Scope and Content Note

16 items: 12 photographs, 2 leaves of illustrated matter, and Held's 1983 correspondence with Alfred Moir at University of California, Santa Barbara (1 letter to Held and 1 letter from Held).

Box 91, Folder 4

Drawings: Virgin Mary, undated

Scope and Content Note

16 items: 12 photographs, and printed and illustrated matter, including portion of an essay by Otto Benesch, annotated by Held.

Box 91, Folder 5

Drawings: Saints, undated

Scope and Content Note

16 items: 13 items: 9 photographs and 3 leaves of illustrated matter.

Box 91, Folder 6

Drawings: Old Testament, 1990, undated

Scope and Content Note

9 items: 5 photographs and 4 leaves of printed and illustrated matter (pages from Master drawings).

Box 91, Folder 7

Drawings: portraits and studies of human figures, 1939, undated

Scope and Content Note

ca. 8 items: 6 photographs, 2 leaves of typescript notes, and 3 leaves of printed and illustrated matter.

Box 91, Folder 8

Drawings: portraits and studies of human figures, 1960, undated

Scope and Content Note

4 items: 2 photographs, letter to Held fromRoberta W. Mullin, and a typescript note by Held.

Box 91, Folder 9

Drawings: portraits and studies of human figures, undated

Scope and Content Note

11 items: 9 photographs and 2 leaves of illustrated matter.

Box 91, Folder 10

Drawings: portraits and studies of human figures, undated

Scope and Content Note

10 photographs.

Box 91, Folder 11

Drawings: portraits and studies of human figures, undated

Scope and Content Note

12 items: 9 photographs and 3 leaves of illustrated matter.

Box 91, Folder 12

Drawings: historical subjects, undated

Scope and Content Note

4 items: 2 photographs, 1 leaf of illustrated matter, and 1 offprint from April 1993 issue of Gazette des beaux-arts.

Box 91, Folder 13

Drawings: mythological subjects, undated

Scope and Content Note

7 photographs.

Box 91, Folder 14

Drawings: equestrian figures and studies of horses, undated

Scope and Content Note

8 items: 6 photographs and 2 leaves of illustrated matter.

Box 91, Folder 15

Drawings: landscapes, 1984, undated

Scope and Content Note

9 items: 6 photographs, 2 leaves of illustrated matter, and 1984 letter to Held from the Pierpont Morgan Library.

Box 91, Folder 16

Drawings: miscellaneous, undated

Scope and Content Note

18 items: 15 photographs and 3 leaves of illustrated matter.

Box 91, Folder 17

Drawings: notes filed with drawings, undated

Scope and Content Note

11 leaves.

Box 91, Folder 18

Oil sketches: Descent from the cross, undated

Scope and Content Note

3 items: 2 photographs and 1 note.

Box 91, Folder 19

Oil sketches: Crucifixion, undated

Scope and Content Note

2 items: 1 photograph and annotated enclosure.

Box 91, Folder 20

Oil sketches: Crucifixion, undated

Scope and Content Note

1 photograph.

Box 91, Folder 21

Oil sketches: Crucifixion, 1991, undated

Scope and Content Note

7 items: 3 photographs, 1991 letter to Held from Newhouse Galleries (Adam Williams), notes, and annotated printed matter.

Box 91, Folder 22

Oil sketches: Lamentation, 1990, undated

Scope and Content Note

4 items: 1 photograph, 1990 letter to Felix Baumann (Kunsthaus Zürich) from J. Carter Brown at the National Gallery of Art, notes, and annotated printed matter.

Box 91, Folder 23

Assumption of the Virgin, undated

Scope and Content Note

3 items: 2 photographs and 1 leaf of illustrated matter.

Box 91, Folder 24

Oil sketches: Holy family, undated

Scope and Content Note

3 items: 2 photographs and annotated enclosure.

Box 91, Folder 25

Oil sketches: Adoration scene, undated

Scope and Content Note

4 items: 3 photographs, and 1 leaf of illustrated matter. Held's annotation on verso of one of the photographs: Sts. Anthony Abbot & St. Mark.

Box 91, Folder 26

Oil sketches: Adoration of the shepherds, 1991, undated

Scope and Content Note

15 items: 3 photographs, 1 color transparency, 1991 letter to Held from Newhouse Galleries (Joan Pope), and 9 leaves of notes and annotated printed matter. [Color transparency is shelved in Box 164, F. 61.]

Box 91, Folder 27

Adoration of the shepherds, 1994, undated

Scope and Content Note

6 items: 1 color transparency, 2 leaves of text about the painting, 1 leaf of notes, an undated letter to Held from H. Shickman Gallery, and a 1994 letter to Held from Clovis Whitfield. All laid into a Whitfield Fine Art Limited folder. [Color transparency is shelved in Box 164, F. 62.]

Box 91, Folder 28

Oil sketches: Martyrdom of Saint George, 1994-1995

Scope and Content Note

5 items: 3 photographs, offprint of Frans Baudouin's essay (from Journal of the Warburg and Courtauld Institutes, and Held's letter to Baudouin.

Box 91, Folder 29

Oil sketches: Saint Augustin in ecstasy, undated

Scope and Content Note

12 items: 11 photographs, and annotated enclosure.

Box 91, Folder 30

Oil sketches: Martyrdom of Saint Sebastian, 1989, undated

Scope and Content Note

9 items: 2 photographs, 2 color transparencies, 1989 letter to Held from Wildenstein & Co. (Joseph Baillio), and printed and illustrated matter. [Oil sketches are shelved in Box 164, F. 63.]

Box 91, Folder 31

Oil sketches: Saint Sebastian tended by an angel, undated

Scope and Content Note

5 items: 3 photographs and 2 leaves of illustrated and printed matter.

Box 91, Folder 32

Oil sketches: Diana hunting the stag, undated

Scope and Content Note

5 items (6 leaves): 1 photograph, an undated letter from Held to Jeroen Giltay at Museum Boymans-van Beuningen, inventory record (2 leaves); and printed and illustrated matter.

Box 91, Folder 33

Oil sketches: Rinaldo and Armida, undated

Scope and Content Note

ca. 12 items: 4 photographs, and 8 leaves of notes.

Box 91, Folder 34

Oil sketches: various, undated

Scope and Content Note

7 photographs

Box 91, Folder 35

Oil sketches: unsorted notes, undated

Scope and Content Note

25 leaves.

Box 91, Folder 36

Oil sketches: unsorted notes, 1983-1984, undated

Scope and Content Note

22 leaves, including printed and illustrated matter (an essay by Gustav Glück), a typescript about painting St. Sebastian bound for martyrdom , 1983 correspondence with Galerie de la Scala (Hélène Bucaille, 1 letter to Held and 1 letter from Held), and a 1984 letter from Held addressed to Bob and Bertina.

Box 91, Folder 37

Oil sketches: unsorted notes, undated

Scope and Content Note

23 leaves, including Held's correspondence with Christie's New York (Ian G. Kennedy, 1 letter to Held and 1 letter from Held).

Box 91, Folder 38

Oil sketches: unsorted notes, undated

Scope and Content Note

25 leaves.

Box 91, Folder 39

Oil sketches: unsorted notes, undated

Scope and Content Note

21 leaves.

Box 91, Folder 40

Oil sketches: unsorted notes, undated

Scope and Content Note

13 leaves.

Box 91, Folder 41

Oil sketches: unsorted notes, undated

Scope and Content Note

23 leaves.

Box 91, Folder 42

Oil sketches: unsorted notes, undated

Scope and Content Note

11 leaves

Box 91, Folder 43

Oil sketches: unsorted notes, undated

Scope and Content Note

20 leaves.

Box 91, Folder 44

Oil sketches: unsorted notes, undated

Scope and Content Note

25 leaves.

Box 92, Folder 1

Portraits of women, undated

Scope and Content Note

8 items: 3 photographs, including 1 in color, notes, and 2 letters to Held from the art dealer Joseph Guttmann. Two portraits of Lady Mary Villiers: Lady Mary Villiers with Mrs. Gibson, her Dwarf and a half-length portrait from Williams collection. [Color photograph is shelved in Box 164, F. 64.]

Box 92, Folder 2

Portraits of women, undated

Scope and Content Note

2 items: 1 photograph and an undated letter to Held from Elizabeth Rus. Isabella Clara Eugenia as a nun.

Box 92, Folder 3

Portraits of women, undated

Scope and Content Note

2 items: 1 photograph and 1 leaf of illustrated matter. Marchesa Geronima Spinola.

Box 92, Folder 4

Portraits of women, undated

Scope and Content Note

2 items: 1 photograph and a typed note, annotated. Nell Gwyne [Nell Gwyn].

Box 92, Folder 5

Portraits of women, undated

Scope and Content Note

4 items: 2 photographs and Held's correspondence with Jo Ann Uscola (1 letter to Held and 1 letter from Held). Held mentions van Dyck's portrait of Anna Wake.

Box 92, Folder 6

Portraits of women, 1980, undated

Scope and Content Note

5 items: 1 photograph, 1 leaf of illustrated matter, and Held's correspondence with Steven A. Nash at Dallas Museum of Fine Arts (2 letters to Held and 1 letter from Held). Countess of Oxford.

Box 92, Folder 7

Portraits of women, 1982, undated

Scope and Content Note

3 items: 1 photograph, 1982 letter to Held from Clyde Newhouse, and 3 leaves of typescript about portrait of Dona Polyxena Spinola Guzmán de Leganés.

Box 92, Folder 8

Portraits of women, 1988, undated

Scope and Content Note

3 items: 1 color transparency and correspondence between Roggero Roggeri and J. Dustin Wees. Letter by Roggeri is annotated by Held. Portrait of Sofonisba Anguissola at old age. [Color transparency is shelved in Box 164, F. 65.]

Box 92, Folder 9

Portraits of women, 1985, undated

Scope and Content Note

8 leaves of printed and illustrated matter concerning artwork in the Bus de Gisignies collection (by Edouard Fetis). Portraits of Maria Louisa de Tassis and Président Roose.

Box 92, Folder 10

Portraits of women, 1986, undated

Scope and Content Note

4 items: 1 photograph, 1 slide, 1 leaf of illustrated matter, and Held's 1986 letter to Sam Edgerton. A portrait painting owned by Robert Littman, and portrait titled Portrait of a Lady, said to be Lady Swan. [Slide is shelved in Box 164, F. 66.]

Box 92, Folder 11

Portraits of women, 1981, undated

Scope and Content Note

11 items: 1 photograph, 1 color transparency, 2 leaves of notes, correspondence with Paul Pfister (3 letters to Held and 2 letters from Held), copy of a 1981 letter from Bernhard Maas to Veith Turske, and 1 leaf of typescript about the painting Portrait of Lady d'Aubigny. [Color transparency is shelved in Box 164, F. 67.]

Box 92, Folder 12

Portraits of women, undated

Scope and Content Note

7 items: 3 photographs, 1 color transparency, and photocopies of expert opinions by Gustav Glück (with English translation) and Ludwig Burchard. Venus and Amor from Paul Baecher collection in Prague. [Color transparency is shelved in Box 164, F. 68.]

Box 92, Folder 13

Portraits of women, 1963, undated

Scope and Content Note

6 items: 1 photograph,1963 letter to Held from Claude A. R. Kagan at The Red House, notes and printed matter. Portrait of an old lady of the Balbi family of Genoa.

Box 92, Folder 14

Portraits of women, 1979, undated

Scope and Content Note

2 items: 1 photograh and 1979 letter to Held from A. S. Ciechanowiecki at Heim Old Masters Paintings and Sculptures in London. Portrait of Queen Henrietta Maria.

Box 92, Folder 15

Portraits of women, 1989, undated

Scope and Content Note

6 items: 1 photographs, correspondence with Etter Paul (2 letters to Held and 2 letters from Held), and 2 leaves of printed and illustrated matter. Reference to Marchesa Lomellini on verso of photograph.

Box 92, Folder 16

Portraits of women, undated

Scope and Content Note

6 items: 4 photographs, including 1 in color, and 2 postcards. Various portraits of Queen Henrietta Maria. [Color photograph is shelved in Box 164, F. 69.]

Box 92, Folder 17

Portraits of women, undated

Scope and Content Note

7 items: 6 photographs and 1 leaf of illustrated matter (illustration of Christina Bruce, Countess of Devonshire). The photographs are annotated on verso: Caterina Durazzo with two sons , Marchesa Durazzo-Adorno, Paola Adorno, Anne, Countess of Clanbrassil, Jacqueline de Caestre [?], Marchesa Giovanna Cattaneo, and four other portraits.

Box 92, Folder 18

Portraits of women, undated

Scope and Content Note

ca. 8 items: 4 photographs, 2 post cards, and printed and illustrated matter (total of 10 leaves). The photographs are annotated on verso: Marchesa Lercare [?], Sofonisba Anguisola on death bed, , Margareta Snyders (also 2 postcards).

Box 92, Folder 19

Portraits of women, undated

Scope and Content Note

10 items: 9 photographs and 1 leaf of illustrated matter. Various portraits.

Box 92, Folder 20

Portraits of women, undated

Scope and Content Note

1 leaf of typescript regarding painting Portrait of a Lady, formerly owned by Herman Goering.

Box 92, Folder 21

Portraits of women, undated

Scope and Content Note

2 items: 1 photograph and 1 leaf of illustrated matter. Portrait of a Lady, formerly in the collection Viscount Feilding of Newnham Paddox, Rugby.

Box 92, Folder 22

Portraits of women, undated

Scope and Content Note

2 items: 1 photograph and 1 postcard. Portrait of a young woman at Pinacoteca di Brera.

Box 92, Folder 23

Portraits of women, 1972, undated

Scope and Content Note

3 items: 1 photograph and 1972 correspondence with Linda Averbach at the Denver Art Museum (2 letters to Held and 1 letter from Held). Portrait of a young Genoese woman (also referred to as Portrait of an Italian Lady).

Box 92, Folder 24

Portraits of women, 1985, undated

Scope and Content Note

5 items: 1 photograph, correspondence with Jensina Feldstein, director of Estherwood (1 letter to Held and 1 letter from Held), and with Helena Vieira de Carvalho (1 letter to Held and 1 letter from Held). Held refers to a painting at Isabella Stewart Gardner Museum.

Box 92, Folder 25

Portraits of women, 1962, undated

Scope and Content Note

3 items: 1 photograph and printed and illustrated matter. Portrait of Venetia Stanley, Lady Digby as Prudence.

Box 92, Folder 26

Portraits of women, 1982-1989, undated

Scope and Content Note

5 items: 2 color photographs of a painting from the collection of Robert Draper, inscribed on vesro as version of van Dyck's Anne Sophie Herbert, Countess of Carnarvon; and 3 leaves of illustrated matter: Portrait of Ann Carr, Countess of Bedford, Portrait of Anne Crofts, Countess of Cleveland, and an unidentified portrait. [Color photographs are shelved in Box 164, F. 70.]

Box 92, Folder 27

Portraits of women, undated

Scope and Content Note

3 items: 2 photographs and 1 leaf of illustrated matter.

Box 92, Folder 28

Portraits of women, undated

Scope and Content Note

3 items: 1 photograph, 1 leaf of illustrated matter,a nd 1 leaf on notes. Portrait of Marchesa Balbi.

Box 92, Folder 29

Portraits of women, undated

Scope and Content Note

2 photographs.

Box 92, Folder 30

Portraits of women, undated

Scope and Content Note

2 photographs, inscribed on verso as Margareta and as portrait of Isabella Brant.

Box 92, Folder 31

Portraits of men, 1991, undated

Scope and Content Note

4 items: 2 photographs, including 1 in color, press clipping, and 1991 letter to Held from Adam D. Stolpen. Portrait painting from the collection of Humphry Ward. [Color photograph is shelved in Box 164, F. 71.]

Box 92, Folder 32

Portraits of men, 1997, undated

Scope and Content Note

4 items (5 leaves): 1 photograph, 1 color transparency, a fax from Held to Jinny Wright, and 3 leaves of fax t from Seattle Art Museum with text on van Dyck's painting Pompone II de Bellièvre, Chevalier seigneur de Grignon. [Color transparency is shelved in Box 164, F. 72.]

Box 92, Folder 33

Portraits of men, undated

Scope and Content Note

2 items: 5 leaves of text and 1 color transparency. Portrait of Prince Charles Louis, the Elector Palatine. [Color transparency is shelved in Box 164, F. 73.]

Box 92, Folder 34

Portraits of men, undated

Scope and Content Note

2 photographs, inscribed on verso as Ambrogio Spinola.

Box 92, Folder 35

Portraits of men, 1967, undated

Scope and Content Note

5 items: 4 photographs and 1967 letter to Held from the art dealer Leonard F. Koetser. Koetser mentions an Entombment by Rubens.

Box 92, Folder 36

Portraits of men, undated

Scope and Content Note

2 objects: 1 photograph and 1 leaf of illustrated matter. Earl of Wicklow, at the Heckscher Museum.

Box 92, Folder 37

Portraits of men, 1983, undated

Scope and Content Note

3 items: 1 photograph and correspondence with George Wachter at Sotheby's (1 letter to Held and 1 letter from Held).

Box 92, Folder 38

Portraits of men, undated

Scope and Content Note

2 items: 1 photograph and 1 color transparency. Verso of photograph: Sotheby Jan. 1985. [Color transparency is shelved in Box 164, F. 74.]

Box 92, Folder 39

Portraits of men, 1991 - 1992, undated

Scope and Content Note

9 items: 5 photographs, 1 postcard, correspondence with Richard Spear at Oberlin College (1 letter to Held and 1 letter from Held), and typescript (7 leaves) by Spear.

Box 92, Folder 40

Portraits of men, undated

Scope and Content Note

3 items: 2 photographs and 1 color transparency. [Color transparency is shelved in Box 164, F. 75.]

Box 92, Folder 41

Portraits of men, 1955, undated

Scope and Content Note

5 items: 3 photographs and 2 1955 letters to Held from Clyde Newhouse. The Duke Wolfgang Wilhelm of Pfalz-Neuburg [ Herzog Wolfgang Wilhelm von Pfalz- Neuburg].

Box 92, Folder 42

Portraits of men, 1972, undated

Scope and Content Note

2 items: 1 color photograph and letter to Held from Capitain Lawrence Danz. Inscription on painting mentions Königliche Gemälde Galerie zu Dresden. [Color photograph is shelved in Box 164, F. 76.]

Box 92, Folder 43

Portraits of men, 1970, undated

Scope and Content Note

3 items: 1 photograph and correspondence with Dan Moore (1 letter to Held and 1 letter from Held).

Box 92, Folder 44

Portraits of men, 1977, undated

Scope and Content Note

4 items: 2 photographs, including 1 in color, and correspondence with Jean Plasse (1 letter to Held and 1 letter from Held). [Color photograph is shelved n Box 164, F. 77.]

Box 92, Folder 45

Portraits of men, undated

Scope and Content Note

2 photographs.

Box 92, Folder 46

Portraits of men, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of illustrated matter. Thomas Howard, 2nd Earl of Arundel.

Box 92, Folder 47

Portraits of men, undated

Scope and Content Note

4 items: 3 photographs and 1 leaf of text about painting Portrait of a gentleman in black. H. Shickman Gallery letterpress.

Box 92, Folder 48

Portraits of men, undated

Scope and Content Note

2 photographs of a painting in Gulbenkian collection.

Box 92, Folder 49

Portraits of men, 1979, undated

Scope and Content Note

7 items: 2 photographs, 1 color transparency, 1979 letter to Held from Spencer A. Samuels, and 4 leaves of typescript and printed matter. Antoine Triest, Bishop of Ghent. [Color transparency is shelved in Box 164, F. 78.]

Box 92, Folder 50

Portraits of men, 1973, undated

Scope and Content Note

2 items: 1 photograph and letter to Held from Barry Snyder at Princeton Gallery of Fine Art. Regarding an artwork referred to as possibly an early portrait of Jan Bruegel the Younger.

Box 93, Folder 1

Portraits of men, undated

Scope and Content Note

3 photographs. Portrait sketch of Lucas van Uffel in the collection of the Detroit Institute of Arts.

Box 93, Folder 2

Portraits of men, 1966-1978, undated

Scope and Content Note

6 items: 1 photograph, printed matter (photocopy of 1931 auction sale, 3 leaves), 1978 correspondence with John Richardson at Artemis Fine Arts U.S. (1 letter to Held and 1 letter from Held), 1966 letter to Held from F. Lahusen at Staatliche Kunstsammlungen Kassel, and business card of Franklin H. Middleton (Franklin National Bank). Portrait of Jan Wildens.

Box 93, Folder 3

Portraits of men, undated

Scope and Content Note

3 photographs. Portrait of Lucas Emil Vorsterman.

Box 93, Folder 4

Portraits of men, undated

Scope and Content Note

3 items: 1 photograph, 1 color transparency, and 1 leaf of illustrated matter. Portrait of the Marquis Cattaneo. [Color transparency is shelved in Box 165, F. 1.]

Box 93, Folder 5

Portraits of men, 1984-1987, undated

Scope and Content Note

6 items: 1 photograph, 1 leaf of illustrated matter, and correspondence with Laura lewis Meyer at the Saint Louis Art Museum (2 letters to Held and 1 letter from Held), with 2 leaves of text about the painting Portrait of a goldsmith.

Box 93, Folder 6

Portraits of men, 1989, undated

Scope and Content Note

19 items: 1 color photograph, 1 color transparency, correspondence with Johannes P. Graf von Schoenborn (1 letter to Held and 1 letter from Held), copy of a letter from Luis-Alfonso Vidal de Barnola to Conde de Orssich; and 5 leaves of printed and illustrated matter (photocopies). Portrait of Franciso (?), Marques de Mirabel. [Color photograph and transparency are shelved in Box 165, F. 2.]

Box 93, Folder 7

Portraits of men, 1992, undated

Scope and Content Note

5 items: 1 photograph and 4 leaves of printed and illustrated matter. Portrait of Count Wolfgang Wilhelm of Pfalzneuburg.

Box 93, Folder 8

Portraits of men, 1989, undated

Scope and Content Note

3 items: 1 photograph and 2 leaves of printed and illustrated matter. Portrait of a cavalier in the collection of the Kimbell Art Foundation.

Box 93, Folder 9

Portraits of men, 1992-1994, undated

Scope and Content Note

4 items: 1 color photograph, letter to Held from Patricia W. Hewitt, and 2 leaves of printed and illustrated matter. Portrait of an officer, possibly Raffaele Raggi (the Prefect Raphael Racius). [Color photograph is shelved in Box 165, F. 3.]

Box 93, Folder 10

Portraits of men, 1993, undated

Scope and Content Note

3 items: 1 photograph, and 2 leaves of printed and illustrated matter, Portrait of an old man.

Box 93, Folder 11

Portraits of men, 1950-1993, undated

Scope and Content Note

ca. 14 items: 2 photographs, 4 color transparencies, 1 leaf of illustrated matter (extensively annotated by Held), 1993 correspondence with Roger Ward at Nelson-Atkins Museum of art (3 letters to Held and 2 letters from Held), 1950 letter from David M. Koetser to Winslow Ames, and a 1950 letter from Ames to Held. [Color transparencies are shelved in Box 165, F. 4.]

Box 93, Folder 12

Portraits of men, 1987

Scope and Content Note

2 items: 1 color transparency and letter to Held (2 leaves) from Charles T. Rosoff at Altman Fine Arts. Portrait of a nobleman. [Color transparency is shelved in Box 165, F. 5.]

Box 93, Folder 13

Portraits of men, 1988, undated

Scope and Content Note

8 items: 3 photographs, including 1 in color, 2 leaves of illustrated matter, and 1988 correspondence with Hilary Koprowski at the Wistar Institute (2 letters to Held and 1 letter from Held). Various portraits of Charles I, King of England. [Color transparency is shelved in Box 165, F. 6.]

Box 93, Folder 14

Portraits of men, 1988, undated,

Scope and Content Note

9 items: 2 photographs, 4 color transparencies, correspondence with Donald Garstang at Colnaghi (1 letter to Held and 1 letter from Held), and 1 leaf of text about Portrait of a Genoese nobleman, possibly a member of the Spinola family. [Color transparencies are shelved in Box 165, F. 7.]

Box 93, Folder 15

Portraits of men, undated,

Scope and Content Note

4 items: 2 photographs and 2 color transparencies. Annotations on verso include mention of Sotheby's January 1985 sale. [Color transparencies are shelved in Box 165, F. 8.]

Box 93, Folder 16

Portraits of men, 1988-1989,

Scope and Content Note

7 items: 1 photograph, 4 color transparencies, 1 leaf of illustrated matter, and 1988 letter to Held from Adam Williams at Newhouse Galleries. [Color transparencies are shelved in Box 165, F. 16.]

Box 93, Folder 17

Portraits of men, undated,

Scope and Content Note

8 items: 3 photographs, 1 color transparency, 1 infra-red negative, and 1 negative of x-ray, and printed matter (4 leaves). Oval portrait of Nicolaas Rockox. [Color transparency and negatives are shelved in Box 165, F. 10.]

Box 93, Folder 18

Portraits of men, 1929-1954, undated,

Scope and Content Note

ca. 6 items: 1 photograph; and photocopies: a 1930 receipt from the Gallery of P. Jackson Higgs to David L. Loew (annotated by Held), a 1929 certificate by Wilhelm Reinhold Valentiner, 1954 letter to David L. Loew from Valentiner at Los Angeles County Museum, and 2 leaves of typescript and printed matter. Portrait of a gentleman from the collection of Lord Mount-Stephen.

Box 93, Folder 19

Portraits of men, 1961, undated,

Scope and Content Note

ca. 11 items: 5 photographs, including 1 in color, 2 postcards, 3 leaves of typescript by Andras G. Rekey about van Dyck's three-quarter length self-portrait, and 1961 conservation report by Heinrich Zimmermann (German, with English translaton). Several self-portraits of van Dyck. [Color photograph is shelved in Box 165, F. 11.]

Box 93, Folder 20

Portraits of men, undated,

Scope and Content Note

13 photographs. Labels or inscriptions on verso identify the portraits as: Charles Lewis [Karl Ludwig] and Charles, Lord Herbert, both at the Corcoran Gallery of Art, Enrico conte di Berg at Prado, Bildnis eines Feldherrn mit roter Armbinde at Königliche Sammlungen Dresden, James Stuart, Duke of Lenox [ James Stuart, Duke of Richmond and Lenox] (2 various portraits), Duke of Westminster, Jan de Wouver (by Gainsborough after van Dyck), William Laud Archbishop of Canterbury, and three portraits of uknown sitters, one annotated as Algernon Percy, 10th earl of Northumberland. [Photograph of Laud is shelved in Box 151*, F. 2.]

Box 93, Folder 21

Portraits of men, undated,

Scope and Content Note

19 items: 5 photographs, 1 postcard, and 3 leaves of illustrated matter. Labels or inscriptions on verso identify the portraits as Mountjoy Blount, Earl of Newport, Sir John Suckling at the Frick Collection, Portrait of a nobleman at Ringling Museum of Art, and an equestrian portrait of Antonio Giulio Brignole-Sala. Also included are three unmarked portraits, including portrait of Robert Rich, 2nd Earl of Warwick, a painting in the collection of E. Havenith in Antwerp, and an equestrian portrait.

Box 93, Folder 22

Portraits of men, undated,

Scope and Content Note

14 items: 7 photographs, and 7 leaves of illustrated matter. Items as marked as: [Agostino] Palavicini at the J. Paul Getty Museum, Ottaviano Canevari at the Frick Collection, Jean Charles de Cordes, Sir Walter Pye in the collection of the Duke of Norfolk, Nicolas Larniere at the Kunsthistorisches Museum in Vienna, Member of the family of Charles de Nieuwenhove of Waes owned by M. Knoedler & Co., and six other portraits.

Box 93, Folder 23

Portraits of men, undated,

Scope and Content Note

14 items: 7 photographs, including 1 in color; 1 postcard (inscribed by Henry S. Stern); and 6 leaves of illustrated matter. Included are portraits: Thomas François de Carignan, Frans Snyders; Goldsmith; Ferdinand de Boisschot, Baron de Saventhem; Genoese Senator (with 2 leaves of typescript matter, and appraisal by David Schaff Fine Arts); Charles, Marquis de la Vieuville; Portrait of a bearded gentleman; Portrait of a collector (Shafford Still collection); and untitled photographs of portraits at Palazzo Durazzo-Pallavicini in Genoa and at Herzog Anton-Ulrich-Museum Braunschweig. Three photographs are of details of unknown paintings. Color photograph is of a painting in the collection of Wayne Morrell. [Color photograph is shelved in Box 165, F. 12.]

Box 93, Folder 24

Portraits of men, undated,

Scope and Content Note

2 items: an undated letter to Held from Charles Griffin, and 1 color polaroid with caption: Antonio van Dyke Spinxel. [Polaroid is shelved in Box 165, F. 13.]

Box 93, Folder 25

Portraits of men: notes undated,

Scope and Content Note

15 leaves, including 4 leaves of typescript and printed matter.

Box 93, Folder 26

Portraits of men: correspondence: ADAA, 1980,

Scope and Content Note

1 letter to Held from Raplph F. Colin at Art Dealers Association of America, Inc.

Folder 27

Portraits of men: correspondence: Winslow Ames, 1961,

Scope and Content Note

1 postcard ro Held.

Box 93, Folder 28

Portraits of men: correspondence: Jack Berkman, 1970-1977,

Scope and Content Note

ca. 8 items (11 leaves), photocopies: 1970 letter to Berkman from Smithsonian Institution (S. Dillon Ripley); 1977 letter from Berkman to Bernard S. Adams, president of Ripon College; expert opinions by Jacob Kainen, and Ludwig Burchard; printed and illustrated matter; and an IRS income tax statement (2 leaves) concerning estate of Marc B. Rojtman.s

Box 93, Folder 29

Portraits of men: correspondence: Colnaghi, 1987, undated

Scope and Content Note

2 items: letter to Held from Nicholas Hall, and an undated letter to Held from conservator David Chesterman. Concerning Portrait of François Langlois.

Box 93, Folder 30

Portraits of men: correspondence: Uitgeverij "De Sikkel", 1961

Scope and Content Note

1 letter (2 copies) to Held regarding Portrait of Cornelius van der Geest at the National Gallery in London.

Box 93, Folder 31

Portraits of men: correspondence: Fitzwilliam Museum, 1976

Scope and Content Note

1 item. Copy of a letter from Michael Jaffé at the Fitzwilliam Museum to Margaretta M. Salinger at Metropolitan Museum of Art, NY regarding Portrait of a Genoese nobleman.

Box 93, Folder 32

Portraits of men: correspondence: National Gallery (Great Britain), 1970

Scope and Content Note

1 letter to Held from Gregory Martin concerning an artwork referred to as Jordaens drawing. Annotated by Held.

Box 93, Folder 33

Portraits of men: correspondence: A. J. Rimberg, 1951

Scope and Content Note

1 letter to Held. with a mention of Gustav Glück.

Box 93, Folder 34

Portraits of men: correspondence: Hanns Schaeffer, 1951

Scope and Content Note

1 letter to from Held to Schaeffer regarding van Dyck attribution of a painting from the sale of the property of Earl of Lathom, held at Christie's on June 11, 1926, referred to as portrait of Lady Mayo.

Box 93, Folder 35

Portraits of men: correspondence: Max Victor, 1948,

Scope and Content Note

1 short letter to held regarding photograph of an Antwerp Rubens.

Box 93, Folder 36

Portraits of children, undated,

Scope and Content Note

6 photographs, including 1 in color of Portrait of Charles II. Also present: the Balbi children, and three paintings at Palazzo Durazzo Pallavicini with handwritten captions: White boy, Tobiolo, Three children. [Color photograph is shelved in Box 165, F. 14.]

Box 93, Folder 37

Portraits of children, 1966, undated

Scope and Content Note

4 items: 1 photograph and correspondence with art dealer A. F. Grunwald (1 letter from Held and 2 letters to Held). Portrait of Prince William II of Orange.

Box 93, Folder 38

Group portraits, undated,

Scope and Content Note

3 photographs, including 1 in color. Paul Lord Bayning & his Lady. [Color photograph is shelved in Box 165, F. 15.]

Box 93, Folder 39

Group portraits, 1989, undated

Scope and Content Note

5 items: 1 photograph, 2 letters to Held from Harari & Johns Ltd (Derek Johns), a letter to Held from Srad Antwerpen (conservator Nora De Poorter), with a press clipping attached. The Marriage portrait of George Villiers, Marquis, later First Duke of Buckingham, and Katherine, Lady manners, as Venus and Adonis .

Box 93, Folder 40

Group portraits, undated

Scope and Content Note

2 leaves of illustrated matter. Portrait of van Dyck's family.

Box 93, Folder 41

Group portraits, undated

Scope and Content Note

2 photographs of portraits of couples, including portrait of Jan Wildens and his wife (at the Detroit Institute of Arts).

Box 93, Folder 42

Group portraits, undated

Scope and Content Note

4 items: 3 photographs and 1 color transparency. Photographs: 4th Earl of Pembroke and his family (with color transparency), Thomas Killigrew and Thomas Care, and Family of Oliver St. John, Earl of Bolingbroke. [Color transparency is shelved in Box 165, F. 16.]

Box 93, Folder 43

Group portraits, undated

Scope and Content Note

3 photographs: Family of Count Johannes von Nassau-Siegen. Extensive annotations on verso.

Box 93, Folder 44

Portrait of Charles I. Le roi à la ciasse, undated

Scope and Content Note

8 items (9 leaves): 3 photographs, 6 leaves of printed and illustrated matter. Items related to Held's paper published in the Art Bulletin (June 1958).