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Finding Aid for the Albert Boime papers, 1963-2007
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Career 1970-2004

Scope and Content Note

This series is comprised of materials relating to Boime's career as a professor of modern Art History. Most of the early files relate to Boime's high school and college studies, including coursework and yearbooks. The later files include materials related to Boime's faculty positions at SUNY Binghamton, Williams College, and UCLA. The series also includes documentation about fellowships and grants for which Boime applied, and special projects in which he participated. Lastly, the series encompasses correspondence, recommendations, and other materials relating to Boime's interactions with colleagues and students. The series is arranged by subject into six subseries, which are ordered chronologically.
 

Early Academic Life 1950-64, 2005

Scope and Content Note

This subseries contains material from Boime's high school and college studies, including high school yearbooks, college papers, and class notes. Of note is a selection of original cartoons created by Boime.
Box 1, Folder 1

High school yearbook 1950 1950

Scope and Content Note

Alexander Hamilton High School yearbook for class of 1950 (Boime's junior year) with signatures and inscriptions from classmates.
Box 1, Folder 2

High school yearbook 1951 and notes 1951

Scope and Content Note

Alexander Hamilton High School yearbook for class of 1951 (Boime's senior year) with signatures and inscriptions.
Box 1, Folder 3

Student papers 1959

Scope and Content Note

Copies of papers by Boime with comments and grades from professors.
Box 1, Folder 4

Student papers 1961-1962

Scope and Content Note

Copies of papers "Van Gogh and Seurat: A Study of Stylistic Evolution," "Bipolarization: A Study of Diderot's Esthetic," "Comte, Maine, and the Law of Numbers," and "The Role of Claude's Figures." Also includes an Italian Architecture syllabus.
Box 1, Folder 5

Student papers 1964

Scope and Content Note

Copy of student paper "A Venetian Source for Lodovico Carracci, Guido Reni, and Guercino" for Professor Hibbard.
Box 1, Folder 6

Class notes undated

Scope and Content Note

Notes and scribbles from Boime's courses on the Greeks/Classics and the Philosophy of Art. Also includes cartoons by Boime.
Box 1, Folder 7

Cartoons ca. 1960, 2005

Scope and Content Note

Originals and copies of cartoons by Boime submitted to the New Yorker, including rejection note from New Yorker.
Box 1, Folder 8

Cartoons 1960

Scope and Content Note

Original cartoons by Boime submitted to Laughs Unlimited.
Box 1, Folder 9

Cartoons undated

Scope and Content Note

Original cartoons by Boime submitted to Laughs Unlimited.
Box 1, Folder 10

Dream journal 1964

Scope and Content Note

A journal with entries describing Boime's dreams.
Box 1, Folder 11

Dissertation notes undated

Scope and Content Note

Notes and outlines for Boime's PhD dissertation.
 

Fellowships and Grants 1973-2002

Scope and Content Note

This subseries includes applications, informational materials, and correspondence regarding a variety of grants, fellowships, and awards for which Boime applied during his career.
Box 2, Folder 1

American Academy in Rome 1978-1979

Scope and Content Note

Correspondence and fellowship information for Rome Prize from American Academy in Rome.
Box 2, Folder 2

American Academy in Rome 1979-1980

Scope and Content Note

Draft of "The Spirit of the Place--Realism and Tradition in Venetian Ottocento Painting." Correspondence and application materials for fellowship at American Academy in Rome. Some materials in Italian.
Box 2, Folder 3

American Academy in Rome - notes ca. 1980

Scope and Content Note

Notes taken in Italian found within drawer containing, amongst other files, a file on Boime's fellowship with the American Academy in Rome. A receipt inside one of the notebooks is dated May 1980.
Box 2, Folder 4

Film grant 1973, 1979

Scope and Content Note

Drafts of application materials for a grant to fund an hour-length documentary film on contemporary American figurative painters. Correspondence and Boime's curriculum vitae.
Box 2, Folder 5

Draft and proposal 1987

Scope and Content Note

Proposal for museum tour program. Pages from unidentified draft with edits (topics include Lunar Society and Industrial Revolution).
Box 2, Folder 6

National Endowment for the Humanities grant proposal undated

Box 2, Folder 7

Grant proposal 1999

Scope and Content Note

National Endowment for the Humanities Grant proposal for President's Research Fellowship to write "Art in an Age of Genocide, 1915-1989." NEH Evaluation sheet regarding Boime's proposed project.
Box 2, Folder 8

Fellowships 1974-1975, 1981-1982

Scope and Content Note

Correspondence from the Guggenheim Foundation, SUNY Research Foundation application, and National Endowment for the Humanities Grant application (with budgets, project descriptions, and proposals). Other correspondence and Boime's curriculum vitae.
Box 2, Folder 9

Grants, fellowships, etc. 1973

Scope and Content Note

Correspondence, drafts of budgets, statement of plans, and applications (for American Academy in Rome, Guggenheim Fellowship, and American Philosophical Society research grants).
Box 2, Folder 10

Research grants 1982-1994

Scope and Content Note

Correspondence, research funding application, Guggenheim fellowship information, and College Art Association conference materials.
Box 2, Folder 11

Academic senate faculty grants 1993, 2000-2002

Scope and Content Note

UCLA memos, information packets, and applications regarding research funding from UCLA Academic Senate Council on Research. Correspondence. Some materials are in Italian.
Box 3, Folder 1

Chorafas ca. 1995

Scope and Content Note

Correspondence and notes regarding nomination for a prize from the Dimitris N. Chorafas Foundation.
Box 3, Folder 2

DTOAH letters 1995

Scope and Content Note

Recommendation letters in support of Boime's nomination for a Distinguished Teaching Award from the College Art Association.
Box 3, Folder 3

Myers award 1999

Scope and Content Note

Myers Award presented to Albert Boime for Study of Human Rights in North America.
 

Department Affairs 1970-2004

Scope and Content Note

This subseries encompasses internal university documents acquired through Boime's appointment as a faculty member at SUNY Binghamton, Williams College, and UCLA. The bulk of the subseries relates to Boime's teaching position at UCLA and includes subjects such as faculty promotions (including Boime's), university policies on sexual harassment and diversity, Art History curriculum changes, and advocacy by Boime on behalf of his students.
Box 3, Folder 4

Binghamton undated

Scope and Content Note

Broome County Historical Society Newsletter.
Box 3, Folder 5

Williams 1978

Scope and Content Note

Correspondence and notes, likely from Boime's research period at Williams College.
Box 3, Folder 6

Department shit 1976-2002, bulk 1991-1994

Scope and Content Note

Correspondence and documentation regarding requirements for Boime's appointment to above-scale. Art History department meeting minutes, program and minor guidelines, and 1983 budget reports. University policy on sexual harassment and correspondence regarding student sexual harassment filing against professor Don Preziosi. Other topics include department revisions to accord with graduate review and financial aid disbursements. (File title assigned by Boime.)
Box 3, Folder 7

Harassment file 1988-1990, 1992-1994

Scope and Content Note

UCLA Memo regarding diversity issues. Correspondence and reports regarding Boime's appointment to above scale including Boime's response to departmental decisions. Correspondence regarding alleged prejudicial activities by department to Boime and his students. 1989 Teaching Assistant evaluations of Boime and correspondence regarding this matter. Inter-departmental correspondence regarding graduate students, committees, and faculty pay scale changes. (File title assigned by Boime.)
Box 3, Folder 8

Boime faculty file 1989-1993

Scope and Content Note

Correspondence and documents in support of Boime's accomplishments; list of Boime's publications.
Box 3, Folder 9

Faculty review file 1992-1997

Scope and Content Note

Correspondence generally supporting and emphasizing Boime's accomplishments as a scholar and educator. Some correspondence regarding Bram Dijkstra.
Box 3, Folder 10

Department service ca. 2000

Scope and Content Note

Correspondence and documents detailing Boime's professional accomplishments.
Box 3, Folder 11

Name lists undated

Scope and Content Note

Lists of Boime's references outside UCLA.
Box 3, Folder 12

Promotion review 1993-1996

Scope and Content Note

Review articles of Boime's books, copies of his articles, and correspondence regarding his assistance with lectures and other activities, likely all gathered as evidentiary support for Boime's promotion/salary review.
Box 4, Folder 1

Department affairs 1996

Scope and Content Note

Art History Department meeting minutes and agendas. Copies of letters in support of Boime's merit increase.
Box 4, Folder 2

UCLA administration 1970, 1984-1987

Scope and Content Note

Notes, memos, and correspondence regarding university matters such as the closure of the word processing center, Dean's review committee, Art History department profile, and other department matters.
Box 4, Folder 3

UCLA Art History 1978

Scope and Content Note

Profile of UCLA Art History faculty and graduate students.
Box 4, Folder 4

Art History department 1992

Scope and Content Note

Paper entitled "Advertising and Experience in France, 1880-1918," author unknown. Department notices regarding foreign language examination requirements and PhD qualifying exam for Aaron Segal.
Box 4, Folder 5

New general curriculum 1997

Scope and Content Note

Proposal from faculty working group on new general education curriculum for UCLA. Report "Guidelines for Developing and Reporting Departmental Teaching Policies and Practices at UCLA." Honors Discussion Section Proposal Form. Brochure on information literacy at UCLA.
Box 4, Folder 6

Art History department curriculum committees 1991-2004

Scope and Content Note

Art History department meeting minutes. Reports from various curriculum committees on topics including teaching load, MA and PhD programs, undergraduate programs, and museum studies.
Box 4, Folder 7

Art History department language requirement and minor 2001-2002

Scope and Content Note

Correspondence regarding language requirements for undergraduate major and proposals for revision to undergraduate art history degree requirements. Copy of UCLA Department of History Eight Year Review and proposal for an undergraduate minor in Art History.
Box 4, Folder 8

Education-undergraduate bulk 1992-1993, 1998

Scope and Content Note

Booklet from UC Faculty Conference on Undergraduate Education and clippings.
Box 4, Folder 9

Faculty critical theory group ca. 1986

Scope and Content Note

Paper related to a presentation for Faculty Critical Theory Group.
 

Special Projects 1975-2003

Scope and Content Note

This subseries encompasses work performed by Boime outside the scope of his university responsibilities as a professor. Materials include documentation regarding several court cases in which Boime served as an expert witness, materials for a festschrift in his honor, drafts of speeches and lectures, materials for a Bicentennial celebration of the French Revolution, and correspondence regarding special programs at the Smithsonian Institution.
Box 132, Folder 1

Hart v. Warner Brothers court case 1998-1999

Scope and Content Note

Copies of depositions and remarks for court case over bas-relief on cathedral at Duke University campus. Brochures for Duke University, related papers and publications, and declarations in court case Hart, et al. v. Warner Bros, et al. for which Boime was a counselor.
Box 4, Folder 10

Nash history project 1998

Scope and Content Note

Proposal for Nash History Project: collaborative program between UCLA and the Getty Center offering supplementary History and Art Education teaching units to middle school teachers.
Box 4, Folder 11

Yamagata and court case ca. 1990

Scope and Content Note

Newspaper clippings and copy of court proceedings for trademark case between Hard Rock Corporation and Martin Lawrence Galleries regarding a Hiroshi Yamagata painting. Photocopies from publication about Yamagata.
Box 4, Folder 12

O'Melveny 1998

Scope and Content Note

Correspondence and legal documents related to court case Hart, et al. v. Warner Bros, et al. spearheaded by O'Melveny & Myers LLP, for which Boime was a counselor. File includes numerous images and photographic reproductions regarding an art reproduction at the center of the lawsuit.
Box 4, Folder 13

Boime fest undated

Scope and Content Note

Remarks for a conference for Boime (a Festschrift).
Box 4, Folder 14

Jobs 1998, 2000

Scope and Content Note

Notice and e-mail regarding academic job postings.
Box 4, Folder 15

Interview 1991

Scope and Content Note

Notes on interview questions and responses.
Box 5, Folder 1

Smithsonian 1986-1988

Scope and Content Note

Correspondence with Louis Fink and Charles C. Eldredge, correspondence with Smithsonian regarding Regents Fellowship and notes. Copy of National Endowment for the Humanities grant application from Helene Roberts.
Box 5, Folder 2

Bicentennial program ca. 1989

Scope and Content Note

Notes and documents regarding UCLA's French Revolution bicentennial program.
Box 5, Folder 3

In memoriam ca. 1998-1999

Scope and Content Note

Drafts of eulogy and speech, invitations to funerals, and various speech materials for graduations and symposia.
Box 5, Folder 4

Graduation talks ca. 1996

Scope and Content Note

Drafts of graduation speeches.
Box 5, Folder 5

Expenses and bills 1975-1977

Scope and Content Note

Correspondence regarding payments and invoices for academic work.
Box 5, Folder 6

Reader reports 1989-1991

Scope and Content Note

Copies of Boime's reports as a reader of other scholars' material for Kent State Press and Princeton University Press. Some correspondence.
Box 5, Folder 7

Questionnaires 2003

Scope and Content Note

Author questionnaires from publishers with Boime's responses.
Box 5, Folder 8

Disney exchange 1992

Scope and Content Note

Correspondence regarding anti-Semitism in "Newsies."
 

Colleagues 1980-2003

Scope and Content Note

This subseries is comprised of materials relating to Boime's correspondence and service to academic colleagues. Most materials are publications by colleagues that were submitted to Boime for his review and commentary. Colleagues include David Galenson, Bram Dijkstra, Andrew Brainerd, and Barry Shifman. There are also student and colleague recommendations composed by Boime. The subseries is arranged by colleague, beginning with the largest volume of material.
Box 132, Folder 2

Photos undated

Scope and Content Note

Photos of Boime with colleagues and correspondence (probably from subject in photo).
Box 5, Folder 9

Galenson manuscript (1 of 2) 2000

Scope and Content Note

Manuscript for "The Careers of Modern Artists: A Quantitative Analysis" by David Galenson with edits by Boime.
Box 5, Folder 10

Galenson manuscript (2 of 2) 2000

Scope and Content Note

Manuscript for "The Careers of Modern Artists: A Quantitative Analysis" by David Galenson with edits by Boime.
Box 5, Folder 11

Dijkstra manuscript undated

Scope and Content Note

Manuscript of "America and Georgia O'Keeffe" by Bram Dijkstra.
Box 5, Folder 12

Dijkstra 1997

Scope and Content Note

Correspondence regarding Boime's role as a member of the ad hoc review committee to consider Bram Dijkstra's academic review at UC San Diego.
Box 5, Folder 13

Dijkstra 2003

Scope and Content Note

E-mail correspondence and copy of "Review of Bram Dijkstra's Book 'American Expressionism: Art and Social Change 1920-1950" by Boime.
Box 5, Folder 14

Brainerd-book 2000

Scope and Content Note

Correspondence with Andrew Brainerd, drafts of chapters 1, 2, and 4 to untitled volume (presumably written by Andrew Brainerd) with edits by Boime.
Box 5, Folder 15

Brainerd 2000-2001

Scope and Content Note

Photocopies and copy of Boime's paper "Manet's Lost Infanta" in collaboration with Alexander Kossolapov. Correspondence related to Brainerd's research and publication "The Rise of Reason in the Authentication of Fine Art: New Perspectives on Connoisseurship in a Disillusioned World."
Box 6, Folder 1

Shifman draft 1982

Scope and Content Note

Correspondence and draft of work by Barry Shifman for Boime's review: "Depictions of French Royal and Imperial Chateaux in the Decorative Arts: An Iconographic Study."
Box 6, Folder 2

Barry Shifman draft 1983

Scope and Content Note

Note from Barry Shifman and draft of his paper "Depictions of Chateaux in the Decorative Arts: Symbols for Propaganda" with edits
Box 6, Folder 3

Barry Shifman materials undated

Scope and Content Note

Copy of paper on European Ornament Prints by Barry Shifman. Catalogue entries and introduction for exhibition on European Ornament Prints.
Box 6, Folder 4

Duro file 1981-1984

Scope and Content Note

Correspondence regarding Paul Duro. File includes Duro's curriculum vitae, letters of recommendation, transcript, and summary of academic interests.
Box 6, Folder 5

Patricia McGinn 1991-1996

Scope and Content Note

Eulogy for Patricia McGinn, correspondence, and materials regarding McGinn Memorial Fellowship.
Box 6, Folder 6

Liverpool undated

Scope and Content Note

Critique of proposal by Jonathan Harris (likely at University of Liverpool). Proposal not included with materials.
Box 6, Folder 7

Curriculum vitae 1980, 1984, 1989

Scope and Content Note

Correspondence and curriculum vitae for Boime to compose recommendations.
Box 6, Folder 8

Tenure letters 1986, 1993-1994

Scope and Content Note

Recommendation letters composed by Boime endorsing colleagues for tenure. Colleagues include Leonard Folgarait, Jonathan Ribner, and Barbara Ann Day.
Box 6, Folder 9

Letters of recommendation 1984-1992, 1994

Scope and Content Note

Boime's letters of recommendation for students and colleagues. Selected student curriculum vitae and papers.
Box 6, Folder 10

Guggenheim recommendations 1987-2002

Scope and Content Note

Copies of Boime's recommendations for colleagues and artists for Guggenheim Fellowships. Recommendees include Vivien Green Fryd, Linda J Albertano, Simon Dinnerstein, Don De Mauro, Gabriel Laderman, Clare Spark (not Guggenheim), Jonathan Harris (not Guggenheim), David Kunzle (not Guggenheim), and Cecile Whiting.
Box 6, Folder 11

Connie Hamburg 1996-1997

Scope and Content Note

Correspondence from Cornelia Hamburg regarding a Couture painting. A response from Boime is included.
 

Students 1987-2002

Scope and Content Note

This subseries includes work by specific students, thank you notes, recommendations by Boime, and documentation about student aid and student strikes at UCLA. Materials related to Boime's students can also be found throughout the Research Materials series. The subseries is arranged alphabetically by student's last name, with general materials at the end.
Box 6, Folder 12

Anderson, Susanne 2000

Scope and Content Note

E-mail from Susanne Anderson-Riedel. Contents are in German.
Box 6, Folder 13

Farr 1999

Scope and Content Note

Report on African and Oceanic Art in France by Francine Farr. Contents are in French.
Box 6, Folder 14

Gross 2000

Scope and Content Note

E-mail from Adam Gross with responses and notes by Boime.
Box 6, Folder 15

Pat Hills miscellaneous 1987, 1992

Scope and Content Note

Clippings and correspondence (topics include John Singer Sargent).
Box 6, Folder 16

Matheny MA thesis 1995

Scope and Content Note

Copy of MA thesis by Lynn Kellmanson Matheny: "The Walls of Berlin: Coming to Terms with the Berlin Wall."
Box 6, Folder 17

Mladenovic MA thesis 1996

Scope and Content Note

Copy of MA thesis by Ivana Mladenovic: "Victorian Painting: Locating Femininity."
Box 6, Folder 18

Reusch 1991

Scope and Content Note

Correspondence, teaching materials, and dissertation prospectus for Johann J. Reusch (Boime agreed to sit on his dissertation committee). Folder also includes a floppy disk.
Box 6, Folder 19

Sacco 1998

Scope and Content Note

Dissertation by Ellen Sacco: "Spectacular Masculinities: The Museums of Peale, Baker and Bowen in The Early Republic."
Box 7, Folder 1

Segal, Eric Jefferson 1993

Scope and Content Note

Thesis "Norman Rockwell: Post Modern" submitted by Eric Jefferson Segal and untitled paper with edits. Materials originally titled "Rockwell" by Boime.
Box 7, Folder 2

Spark correspondence bulk 1990, 1995, 1998, 2002

Scope and Content Note

Correspondence regarding Clare Spark's dissertation (correspondents include Alex Saxton, Regina Morantz- Sanchez, and Clare Spark). Recommendations for Clare Spark. The second half of file includes recommendations and biographical information on David Kunzle in support of his nomination for a Gold Shield Faculty Prize. Other miscellaneous correspondence and recommendations are included.
Box 7, Folder 3

Dissertations 1995

Scope and Content Note

Dissertation proposals by Rachel Bindman and Rosalind Bickel (the latter's work is entitled "Edward Hopper and the Architecture of History").
Box 7, Folder 4

Student papers 1991

Scope and Content Note

Untitled paper by J.P. Bowles (covering topics such as Simon Rodia, consumerism, and Conner), and dissertation proposal by Susan Masuoka on "Concepts of 'Primitivism' and the Mexican Mural Movement."
Box 7, Folder 5

Student thank yous Undated

Scope and Content Note

Thank you notes from students.
Box 7, Folder 6

Student aid 1998-1999

Scope and Content Note

Correspondence and internal department/UCLA lists regarding student fellowships and scholarships, notes, and department meeting minutes.
Box 7, Folder 7

Student recommendations 1990-1991

Scope and Content Note

Copies of Boime's recommendations for students.
Box 7, Folder 8

SAGE and letter 1996

Scope and Content Note

Correspondence and notices from students, UCLA, and SAGE (Student Association of Graduate Employees) regarding proposed strike and demands for collective bargaining.
 

Course Materials 1978-2008

Scope and Content Note

This series contains course materials compiled by Boime during his extensive teaching career, mostly related to his UCLA modern art survey course, Art History 54: Introduction to Modern Art. The series also includes teaching materials for special seminars and upper division and graduate modern art courses. The series is arranged by course.
 

None

Box 132, Folder 3

Seminar proposal: fine arts in Paris 1850-1886 undated

Scope and Content Note

Proposal to National Endowment for the Humanities for seminar titled "Fine Arts in Paris 1850-1886" (Rosenbloom and Beaufort), notes, and questions for Art History comprehensive exam (perhaps related to seminar).
Box 132, Folder 4

Art History 108 undated

Scope and Content Note

Draft of introduction, notes about proposed course.
Box 8, Folder 1

Lecture notes 1978 1978

Scope and Content Note

Copies of lecture notes for Art History 54, syllabus for Art History 563, and notes on Third Republic religious painting.
Box 8, Folder 2

Lecture notes 1987 1987

Scope and Content Note

Draft of lecture titled "The Collaboration of Architects, Sculptors, and Painters in the Public Buildings of Nineteenth Century France." Information on 19th century French studies colloquium at Northwestern University and notes.
Box 8, Folder 3

Art History 54 lecture notes 1978

Scope and Content Note

Lecture notes for Art History 54: Modern Art.
Box 8, Folder 4

Art History 54 1998, 2000-2001

Scope and Content Note

Correspondence, slides, section outlines, study questions, notes, and slide lists for Art History 54: Modern Art.
Box 8, Folder 5

Art History 54 - 1999 1999-2001

Scope and Content Note

Correspondence, final reviews, and section outlines for Art History 54: Modern Art. File also includes LACMA members magazine, exhibition schedule, and an exhibition packet on "Van Gogh's Van Goghs."
Box 8, Folder 6

Art History 54 miscellaneous 2000

Scope and Content Note

Section outlines, slide lists, review questions, and slides for Art History 54: Modern Art. File also includes Hammer Museum exhibition brochures and exhibition catalogs.
Box 8, Folder 7

Art History 54 miscellaneous 2000-2001, 2008

Scope and Content Note

Syllabi, section outlines, and photocopies for Art History 54: Modern Art.
Box 8, Folder 8

Art History 54 - 2002 2001

Scope and Content Note

Study Questions and section outlines for Art History 54: Modern Art.
Box 8, Folder 9

Art History 54 -Fall 2003 2003

Scope and Content Note

Outlines, study questions, slide sheets, and weekly information for Art History 54: Modern Art.
Box 9, Folder 1

Art History 54 - 2005 2005

Scope and Content Note

Notes, clippings, study questions, section outlines, syllabi, and photocopies for Art History 54: Modern Art.
Box 9, Folder 2

Modern art course materials undated

Scope and Content Note

Notes, slide lists, and lecture notes for Art History 54: Modern Art.

Note

Personal correspondence removed.
Box 9, Folder 3

Art History 110A guidelines 1996

Scope and Content Note

Correspondence, syllabi, and term paper guidelines for Art History 110A: Neo-Classicism to Romanticism.
Box 9, Folder 4

Art History 110D reader undated

Scope and Content Note

Reader for Art History 110D: Contemporary Art.
Box 9, Folder 5

Art History 127 1996

Scope and Content Note

Notes, syllabi for course on Pre-Raphaelites, and Arts Library information.
Box 9, Folder 6

Art History 253 - sculpture 1992

Scope and Content Note

Dissertation proposal, bibliography, and PhD exam materials for Karen Lang. Photocopies and Art History 253 syllabus also included.
Box 9, Folder 7

Pre-Raphaelite Brotherhood seminar notes ca. 1999

Scope and Content Note

Photocopies, notes, miscellaneous pages from unidentified paper, and Dahesh Muse newsletter.
Box 9, Folder 8

Pre-Raphaelite Brotherhood seminar ca. 1994

Scope and Content Note

Galley proof for "The dialectics of Modernism and English Art" by Dianne Sachko Macleod and reader's report for "Art and Money: The Construction of Victorian Culture."
Box 9, Folder 9

Teaching file undated

Scope and Content Note

Syllabus for Art 125 (Contemporary Art Institutions), outline for Art 253 (Seminar on Contemporary Art), notes, and clippings.
Box 9, Folder 10

Class file 1978

Scope and Content Note

Correspondence, draft of paper by Judy Hurwitz, and copy of proposed revisions to Art History Graduate Program.
Box 9, Folder 11

Miscellaneous course materials ca. 1994

Scope and Content Note

Office hours sign up sheet, annotated photocopies, notes, and correspondence. Some materials are in Hebrew.
 

Research Materials 1941-2008

Scope and Content Note

This series includes a broad range of materials relating to Boime's research interests during his 45-year career as an art historian. The series covers a variety of subjects, including research conducted during Boime's graduate studies. A constant researcher and student, Boime frequently revisited topics and collected new materials decades after initially embarking on a research endeavor. In addition to his academic interests, Boime's research reveals his sensitivity to contemporary events. Many of his research topics and the materials he collected directly correspond to social, political, and technological changes on campus, locally, nationally, and globally. Though Boime's research materials correspond to a variety of topics ranging from the traditional canon of modern western art to avant-garde contemporary trends, all of his research incorporates a heightened awareness of issues of race, class, and gender. Boime favored social interpretations of art history, and many of the materials in this series relate to his 6-volume Social History of Modern Art series. The majority of research topics listed in this series also correspond to publications, articles, books, and lectures produced by Boime. This series is arranged by subject into 52 subseries, which are ordered by volume of material.
 

Thomas Couture bulk 1963-1977, 1949-1951, 1980s-2008

Scope and Content Note

Boime's research on Thomas Couture, likely for his publication "Thomas Couture and the Eclectic Vision." Materials include research notes, annotated photocopies, and image reproductions. Also includes a complete draft of "Thomas Couture and the Eclectic Vision" as well as correspondence and materials supplied by Jerome Howe. The subseries is arranged topically, beginning with Boime's drafts and concluding with his research files and correspondence. Research files are sub-organized by topic, such as the Juste Milieu, correspondence and materials provided by Jerome Howe, Couture's students, and Boime's correspondence regarding Couture. Some materials in French.
Box 10, Folder 1

Chapter III undated

Scope and Content Note

Chapter III: The Genesis of the Juste Milieu Style from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 2

Chapter IV undated

Scope and Content Note

Chapter IV: Thomas Couture's Entry into the Juste Milieu from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 3

Chapter V undated

Scope and Content Note

Chapter V: Couture's Quest for the Juste Milieu Expression from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 4

Chapter VI undated

Scope and Content Note

Chapter VI: The Romans: "C'est la Decadence" from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 5

Chapter VII undated

Scope and Content Note

Chapter VII: The Enrollment of the Volunteers and the Republic of 1848 from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 6

Chapter VIII undated

Scope and Content Note

Chapter VIII: Couture's Caesarian Operation from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 7

Chapter IX undated

Scope and Content Note

Chapter IX: Couture's Later Easel Painting from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 8

Chapter X undated

Scope and Content Note

Chapter X: Couture's Portrait de Lui-Meme from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 9

Chapter X draft undated

Scope and Content Note

Draft of Chapter X from "Thomas Couture and the Eclectic Vision" with edits. Pages from draft of Chapter IV from same volume.
Box 11, Folder 1

Chapter XI undated

Scope and Content Note

Chapter XI: The Influence of Couture on His Peers from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 2

Chapter XII undated

Scope and Content Note

Chapter XII: Couture's Workshop from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 3

Chapter XIII undated

Scope and Content Note

Chapter XIII: Couture's Influence on the Younger Generation from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 4

Chapter XIV undated

Scope and Content Note

Chapter XIV: European Students Outside France from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 5

Chapter XV undated

Scope and Content Note

Chapter XV: "A L'Amerique" from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 6

Bibliography undated

Scope and Content Note

Bibliography from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 7

Revisions to Couture draft undated

Scope and Content Note

Revisions for individual pages of Couture draft.
Box 11, Folder 8

Missing pages undated

Scope and Content Note

Miscellaneous pages from Couture draft.
Box 11, Folder 9

Preface undated

Scope and Content Note

Copy of "Thomas Couture and the Juste Milieu."
Box 11, Folder 10

Introduction undated

Scope and Content Note

Image lists with notes and multiple drafts of "Baudelaire and the Juste Milieu" with edits. Some materials in French.
Box 11, Folder 11

Chapter III: Couture's subject matter undated

Scope and Content Note

Draft of chapter about Couture with edits, but not likely for "Thomas Couture and the Eclectic Vision."
Box 11, Folder 12

Chapter 7: Romans of the decadence undated

Scope and Content Note

Draft of Chapter VI: "The Romans: 'C'est la decadence'" for an unidentified volume about Thomas Couture.
Box 12, Folder 1

Thomas Couture French version undated

Scope and Content Note

Draft of Thomas Couture article translated into French.
Box 12, Folder 2

Couture file - draft 1978

Scope and Content Note

Miscellaneous pages from draft on Thomas Couture, with edits.
Box 12, Folder 3

Couture manuscript (draft) undated

Scope and Content Note

Draft for publication about Couture, but materials do not match draft of "Thomas Couture and the Eclectic Vision."
Box 12, Folder 4

Couture volume (1 of 2) 1991-2001

Scope and Content Note

Correspondence (correspondents include Jean-Luc Gautier), drafts, photos, slides, proof, and notes regarding "Rethinking Couture's Les Romans de la Decadence." Drafts of volume with and without edits and publishing contract.
Box 12, Folder 5

Couture volume (2 of 2) 1991-2001

Scope and Content Note

Correspondence (correspondents include Jean-Luc Gautier), drafts, photos, slides, proof, and notes regarding "Rethinking Couture's Les Romans de la Decadence." Drafts of volume with and without edits and publishing contract.
Box 12, Folder 6

Bibliography illustrations undated

Scope and Content Note

List of Illustrations with edits.
Box 12, Folder 7

Publishers 1976-1979

Scope and Content Note

Correspondence with publisher Yale University Press regarding Couture volume. Correspondents include Faith Hart and John Nicoll. Abstract and table of contents for "Thomas Couture and the Eclectic Vision."
Box 12, Folder 8

Couture monograph ca. 1969

Scope and Content Note

Photographic negatives, notes, and paper "Manet, Feuerback, Puvis, Hunt, and LaFarge: All Students of Couture" by Gerald M. Ackerman.
Box 12, Folder 9

Influences undated

Scope and Content Note

Notes and annotated photocopies. Some materials in French.
Box 13, Folder 1

Couture research 1971

Scope and Content Note

Notes and postcard. Some materials in French.
Box 13, Folder 2

Couture research notes 1974

Scope and Content Note

Notes (topics include Couture and Daumier, Couture and Millet). Copy of Notes to Chapter IV and annotated photocopies. Some materials in French.
Box 13, Folder 3

Orgy and ancient history (1 of 2) 1960s-1970s

Scope and Content Note

Notes related to novels, drama, poetry, and ancient literature about orgies.
Box 13, Folder 4

Orgy and ancient history (2 of 2) 1960s-1970s

Scope and Content Note

Notes related to novels, drama, poetry, and ancient literature about orgies.
Box 13, Folder 5

Orgy miscellaneous undated

Scope and Content Note

Notes.
Box 13, Folder 6

Romans of the decadence salons undated

Scope and Content Note

Photocopies of papers and articles on salons, orgies, Romans, and Thomas Couture.
Box 13, Folder 7

L'Amour Romans undated

Scope and Content Note

Notes. Some materials in French.
Box 13, Folder 8

Feminism and prostitution ca. 1987

Scope and Content Note

Article and copy of "History Workshop."
Box 13, Folder 9

Prostitution - 18th Century ca. 1993, 1996

Scope and Content Note

Student and academic papers. Authors include Kate Norberg, James R. Farr, Susan Staves, Michael Meranze, Cornelia H. Dayton, Rachael Fromahter.
Box 13, Folder 10

Sales, catalogs, and collections 1961

Scope and Content Note

Lists of paintings and prices.
Box 13, Folder 11

1913 Exhibition of Couture's Works undated

Scope and Content Note

Photocopy of "Exposition des Oeuvres de Thomas Couture." Some materials in French.
Box 13, Folder 12

Political background 1973

Scope and Content Note

Notes. Some materials in French.
Box 13, Folder 13

Couture undated

Scope and Content Note

Photocopies and notes.
Box 13, Folder 14

Eclecticism undated

Scope and Content Note

Notes, pages from draft with edits, and annotated photocopies. Some materials in French.
Box 132, Folder 5

Couture 1977

Scope and Content Note

Publication "Couture et le Second Empire" (not authored by Boime) and notes.
Box 132, Folder 6

Philosophy undated

Scope and Content Note

Notes (topics include Winckelmann and Comte).
Box 132, Folder 7

Religious background, Saint-Eustache undated

Scope and Content Note

Photocopies, notes, and drafts of articles by colleagues.
Box 132, Folder 8

Pierrot undated

Scope and Content Note

Notes from Italy. Materials in Italian.
Box 132, Folder 9

Portrait sitters 1969

Scope and Content Note

Photocopies of ledgers and copies of letters and writings.
Box 132, Folder 10

Couture - landscape undated

Scope and Content Note

Annotated photocopies and letters. Some materials in French.
Box 132, Folder 11

Annotated publications ca. 1970

Scope and Content Note

Publications about Thomas Couture with annotations by Boime.
Box 132, Folder 12

Juste Milieu questions, eclecticism undated

Scope and Content Note

Notes (miscellaneous and on texts) and photocopies. Some materials in French.
Box 133, Folder 1

Couture - Photocopy (1 of 2) undated

Scope and Content Note

Annotated photocopies of "Conversations on Art Methods" by Thomas Couture.
Box 133, Folder 2

Couture - Photocopy (2 of 2) undated

Scope and Content Note

Annotated photocopies of "Conversations on Art Methods" by Thomas Couture, French translation.
Box 133, Folder 3

Dusseldorf undated

Scope and Content Note

Annotated photocopies and notes. Some materials in German.
Box 133, Folder 4

Folio 1: Baptism, Second Empire 1960s-1970s

Scope and Content Note

Research notes. Some materials in French.
Box 133, Folder 5

Revision by Goldstein undated

Scope and Content Note

Notes and edited copy of manuscript on Couture.
Box 133, Folder 6

Howe correspondence bulk 1949-1950, 1969-1971

Scope and Content Note

Jerry Howe's correspondence with scholars regarding Couture dissertation, research, and images. Some materials in French.
Box 133, Folder 7

Documents accompanying Couture photo files 1972-1977, 1981-1988, 1990-1992, 1996-1997

Scope and Content Note

Correspondence, notes, photocopies, and draft on Thomas Satterthwait Noble. Some materials in French.
Box 14, Folder 1

Duc, Daumier, and Couture undated

Scope and Content Note

Notes and photocopies of transcriptions of Couture's letters to his students. Some materials in French.
Box 14, Folder 2

Theater and music undated

Scope and Content Note

Notes.
Box 14, Folder 3

Campiegno archives and miscellaneous undated

Scope and Content Note

Notes on Couture letters. Some materials in French.
Box 14, Folder 4

Critics undated

Scope and Content Note

Notes. Some materials in French.
Box 14, Folder 5

Enrollment of volunteers undated

Scope and Content Note

Notes and photocopies of letters from Madeleine Orieux. Some materials in French.
Box 14, Folder 6

Couture research undated

Scope and Content Note

Notes and articles about Couture.
Box 14, Folder 7

Religion undated

Scope and Content Note

Edited photocopies of papers and notes.
Box 14, Folder 8

Literary Background, Michelet, Sand, and Béranges undated

Scope and Content Note

Notes. Some materials in French.
Box 14, Folder 9

Pierrot undated

Scope and Content Note

Notes and copy of publication "Couture and the Commedia dell'Arte."
Box 14, Folder 10

Germans undated

Scope and Content Note

Annotated photocopies and notes.
Box 14, Folder 11

Special research problems 1963

Scope and Content Note

Correspondence, notes, and photocopies of letters. Most materials in French.
Box 14, Folder 12

Atelier practices undated

Scope and Content Note

Pages from unidentified draft with edits and notes.
Box 14, Folder 13

Baudelaire, Charles undated

Scope and Content Note

Notes.
Box 14, Folder 14

Drummer Boy - Detroit 1977

Scope and Content Note

Correspondence from colleagues regarding Boime's Couture article. Notes, photos, and reprints of artwork, all regarding Couture's "Drummer Boy."
Box 14, Folder 15

Drummer Boy undated

Scope and Content Note

Draft of "Thomas Couture's Drummer Boy Beating a Path to Glory" and Art History 107 Syllabus.
Box 147, Folder 1

Les Arts: Revue Mensuelle des Musees collections Expositions ca. 1914

Scope and Content Note

Publication with annotations by Boime.
Box 147, Folder 2

Art Forum March 1969 ca. 1969

Scope and Content Note

Art Forum journal with annotations by Boime.
Box 15, Folder 1

Entretiens influence undated

Scope and Content Note

Notes and photocopies about Couture's writings.
Box 15, Folder 2

Scandinavians undated

Scope and Content Note

Notes and photocopies.
Box 15, Folder 3

Kaplan's inventory ca. 1975

Scope and Content Note

Copies of inventories of paintings and photos.
Box 15, Folder 4

Salon undated

Scope and Content Note

Photocopies of papers on the Salon of 1840. Some materials in French.
Box 15, Folder 5

Retrospective 1880 undated

Scope and Content Note

Photocopies of articles on Thomas Couture's work. Some materials in French.
Box 15, Folder 6

Thomas Couture en generale 1970

Scope and Content Note

Notes, annotated photocopies, and edited pages from an unidentified draft. Some materials in French.
Box 15, Folder 7

Thomas Couture Obituary undated

Scope and Content Note

Copy of obituary for Thomas Couture from 1879. Materials in French.
Box 15, Folder 8

Portraits undated

Scope and Content Note

Notes, photographic negatives, copy of image, and list of photos.
Box 15, Folder 9

Falconer 1975, 1983

Scope and Content Note

Notes and correspondence regarding Couture's work "The Falconer." Copies of images.
Box 15, Folder 10

Couture inquiries 1973, 1975

Scope and Content Note

Correspondence regarding Couture works and copies of images.
Box 15, Folder 11

Elshemius undated

Scope and Content Note

Notes and photocopy.
Box 15, Folder 12

Prodigal 1870s undated

Scope and Content Note

Copies of images and photocopy. Some materials in French.
Box 15, Folder 13

Notebooks undated

Scope and Content Note

Notebooks with research notes, copies of images, and Couture exhibition catalog. Some materials in French.
Box 15, Folder 14

Damocles - The Fool ca. 1982-1985, 1994

Scope and Content Note

Correspondence, 4x5 transparencies, and notes.
Box 15, Folder 15

Noblesse - Roi de L'epoque undated

Scope and Content Note

Notes and article regarding Girodet.
Box 15, Folder 16

Couturiers undated

Scope and Content Note

Notes.
Box 15, Folder 17

Thomas Couture melancholy undated

Scope and Content Note

Notes.
Box 15, Folder 18

Genre/Allegory ca. 1990

Scope and Content Note

Notes and correspondence.
Box 15, Folder 19

Genre Miscellaneous undated

Scope and Content Note

Notes and photocopies. Some materials in French.
Box 15, Folder 20

Juste Milieu 1991

Scope and Content Note

Draft of "Going to Extremes over the Construction of the Juste Milieu" with edits, notes, and photocopies.
Box 15, Folder 21

Juste Milieu 1993

Scope and Content Note

Correspondence and draft of "Going to Extremes over the Construction of the Juste Milieu."
Box 16, Folder 1

Jerry Howe 1950

Scope and Content Note

Correspondence and notes. Some materials in French.
Box 16, Folder 2

Howe thesis ca. 1951

Scope and Content Note

Copy of dissertation by Jerome Howe, Jr.: "Thomas Couture: His Career and Artistic Development."
Box 16, Folder 3

Miscellaneous Couture undated

Scope and Content Note

Notes. Some materials in French.
Box 16, Folder 4

Miscellaneous Thomas Couture notes undated

Scope and Content Note

Notes.
Box 16, Folder 5

Thomas Couture miscellany 1979

Scope and Content Note

Correspondence regarding Couture image requests and notes for Bielefeld Lecture.
Box 16, Folder 6

Couture miscellaneous ca. 1968

Scope and Content Note

Draft of "Thomas Couture: The Development of Painting in the Nineteenth Century," photographic prints, and galley proof of "Thomas Couture and the Evolution of painting in Nineteenth Century France."
Box 16, Folder 7

Pifferaro undated

Scope and Content Note

Notes.
Box 16, Folder 8

Charles Gleyre 1974

Scope and Content Note

Correspondence regarding Gleyre illustrations, 4x5 transparency, notes, and copy of Gleyre painting. Folder originally titled Gleyre le Loup. See box 26 for additional research on Charles Gleyre.
Box 16, Folder 9

Paul Delaroche undated

Scope and Content Note

Notes and photocopies. Some materials in German.
Box 16, Folder 10

Robert Loftin Newman undated

Scope and Content Note

Notes and research file for article "Newman, Ryder, Couture And Hero-Worship in Art History."
Box 16, Folder 11

Newman and Ryder undated

Scope and Content Note

Articles, drafts of "Robert Loftin Newman, Thomas Couture, Albert Pinkham Ryder and the Problem of Artistic Obscurity," and notes.
Box 16, Folder 12

Manet undated

Scope and Content Note

Photocopies. Materials are in French. See box 94 for additional research on Manet.
Box 16, Folder 13

Manet and Puvis undated

Scope and Content Note

Edited copy of "Chapter VII: The Academic Landscape: The Traditional Phase." Also includes pages from an untitled draft. See box 29 for additional research on Puvis de Chavannes and box 95 for additional research on Manet.
Box 16, Folder 14

Puvis de Chavannes ca. 1969

Scope and Content Note

Notes, correspondence, article, and draft of "Chapter Four: Classicizing Painting" (unclear authorship). Some materials in French. See box 29 for additional research on Puvis de Chavannes.
Box 16, Folder 15

Other pupils 1974

Scope and Content Note

Notes, photocopy, pages from untitled draft, and invoice.
Box 16, Folder 16

Pupils undated

Scope and Content Note

Annotated photocopies and notes (topics include Robert Loftin Newman).
Box 17, Folder 1

Danish ca. 1973

Scope and Content Note

Notes and a letter (related to Couture). Some materials in Danish.
Box 17, Folder 2

Italian students 1969-1970

Scope and Content Note

Correspondence, notes, and annotated photocopies regarding Couture's Italian students. Some materials in French and Italian.
Box 17, Folder 3

Eastern European students 1969, 1974

Scope and Content Note

Copies of images, correspondence, and notes.
Box 17, Folder 4

English students 1971

Scope and Content Note

Correspondence and notes regarding Couture's English students.
Box 17, Folder 5

Crowninshield Boston MFA undated

Scope and Content Note

Notes.
Box 17, Folder 6

Miscellaneous students undated

Scope and Content Note

Notes. Some materials in Italian.
Box 17, Folder 7

Appraisals by Boime 1969-1997

Scope and Content Note

Appraisal requests and responses from Boime regarding specific Couture works. Correspondence regarding Couture paintings and works by his students. Folder contains some slides and original photographic material.
Box 17, Folder 8

Couture appraisal 2008

Scope and Content Note

Correspondence with Gail Cooper, photographs, and documents regarding appraisal and painting condition.
Box 17, Folder 9

Couture lecture ca. 1988

Scope and Content Note

Correspondence regarding Couture appraisal and note cards for lecture on Romans of the Decadence.
Box 17, Folder 10

Correspondence 1949 1949

Scope and Content Note

Correspondence with Jerome Howe and copies of his notes on Couture. Some materials in French.
Box 17, Folder 11

Correspondence 1950s 1950s

Scope and Content Note

Correspondence with Jerome Howe and copies of his notes on Couture. Some materials in French.
Box 17, Folder 12

Correspondence 1967-1969 1967-1969

Scope and Content Note

Correspondence regarding Couture paintings. Some materials in French and German.
Box 17, Folder 13

Correspondence 1970 1970

Scope and Content Note

Correspondence and invoices regarding Couture, Ryder, and Newman paintings. Some materials in French.
Box 17, Folder 14

Correspondence 1971 1971

Scope and Content Note

Correspondence regarding Couture and William Babcock's Paintings. Some materials in French and German.
Box 17, Folder 15

Correspondence 1972-1974 1972-1974

Scope and Content Note

Correspondence regarding Couture, his students, and the Academy.
Box 17, Folder 16

Correspondence 1975-1979 1975-1979

Scope and Content Note

Correspondence regarding paintings by Couture and his students.
Box 17, Folder 17

Correspondence 1980s 1980s

Scope and Content Note

Some materials in French and German.
Box 17, Folder 18

Correspondence 1996 1996

Scope and Content Note

Correspondence regarding Thomas Couture paintings.
Box 17, Folder 19

Correspondence, no date undated

Scope and Content Note

Correspondence between Boime and Howe regarding Couture, his paintings, and his students.
Box 17, Folder 20

Bertants Couture correspondence 1949-1950

Scope and Content Note

Correspondence with Bertants Couture and some transcriptions. Correspondence from Jerome Howe. All materials are in French.
Box 9, Folder 12

Preface undated

Scope and Content Note

Preface from "Thomas Couture and the Eclectic Vision."
Box 9, Folder 13

Chapter I undated

Scope and Content Note

Chapter I: Eclecticism and the Society of the Juste Milieu from "Thomas Couture and the Eclectic Vision."
Box 9, Folder 14

Chapter II notes undated

Scope and Content Note

Chapter II: Eclecticism and the Plastic Arts from "Thomas Couture and the Eclectic Vision."
 

Monuments and Icons bulk 1988-1996, 2000-2007

Scope and Content Note

Boime's research on U.S. monuments and icons, likely for his publication "The Unveiling of the National Icons." The subseries includes a complete draft of "The Unveiling of the National Icons" as well as research on Gutzon Borglum and Mount Rushmore, the American flag, the Lincoln Monument, the Statue of Liberty, and the Flag-Raisers at Iwo Jima. Within these topics Boime collected a range of material including basic information about each monument as well as examples of this iconography or imagery being repurposed for other purposes. The file is arranged by type of material beginning with publication drafts and associated correspondence, and ending with research files. The research files are sub-organized by topic.
Box 133, Folder 8

Unveiling of the National Icons (8 of 8) undated

Scope and Content Note

Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 134, Folder 1

Icons - additions (1 of 2) 1994

Scope and Content Note

Fellowship application materials for student Suzanne Loizeaux-Witte and paper "Struggle over Needs: Outline of a Socialist-Feminist Critical Theory of Late-Capitalist Political Culture" by Nancy Fraser. Folder also includes clippings, pages from draft on Statue of Liberty with edits, museum brochures, bibliography, and 4x5 transparencies.
Box 134, Folder 2

Icons - additions (2 of 2) 1994

Scope and Content Note

Fellowship application materials for student Suzanne Loizeaux-Witte and paper "Struggle over Needs: Outline of a Socialist-Feminist Critical Theory of Late-Capitalist Political Culture" by Nancy Fraser. Folder also includes clippings, pages from draft on Statue of Liberty with edits, museum brochures, bibliography, and 4x5 transparencies.
Box 134, Folder 3

National Icons - miscellaneous additions 1994

Scope and Content Note

Photocopies, clippings, notes, draft of paper on allegory, and correspondence.
Box 134, Folder 4

Photo miscellaneous 1993

Scope and Content Note

Correspondence, illustration list, and clippings.
Box 134, Folder 5

Icons 1990-1991

Scope and Content Note

Copies of photographs from National Archives and Records Administration of Lincoln Memorial, Washington Monument, and demonstrations at these sites. Notes, correspondence, comics, and book proposal for "Burn This Book" by Dread Scott.
Box 134, Folder 6

Gutzon Borglum 1990-1991

Scope and Content Note

Notes, photocopies of newspaper articles regarding Sioux protests at Mt. Rushmore, correspondence, research materials, and drafts of "Gutzon Borglum's Mt. Rushmore Monument: Patriarchy Fixed in Stone."
Box 134, Folder 7

Mount Rushmore Archives 1990

Scope and Content Note

Photocopies of correspondence from 1930s between Sioux representatives and a legal counselor and notes. Items presumably collected through archival research by Boime.
Box 135, Folder 1

Flag 1989-1991

Scope and Content Note

Invoice, clippings, correspondence, exhibition packet from The New Museum of Contemporary Art for "Have You Attacked America Today?" Folder also includes table of contents and chapters from "True Blue-Constructing a National Identity" by Suzanne Loizeaux-Witte.
Box 135, Folder 2

Lincoln undated

Scope and Content Note

Notes, annotated photocopies, and 4x5 transparencies.
Box 135, Folder 3

Lincoln monument ca. 1993

Scope and Content Note

Photocopies and clippings.
Box 135, Folder 4

Iwo Jima Archives (1 of 2) 1992, 1996

Scope and Content Note

Notes, clippings, photocopies, and student paper "Public Art and Bunker Hill" by Hiroko Shimizu. Other materials include notes, script for "Return to Iwo Jima" produced by Arnold Shapiro Productions, and Navy and Marine Corps documents regarding Iwo Jima.
Box 135, Folder 5

Iwo Jima Archives (2 of 2) 1992, 1996

Scope and Content Note

Notes, clippings, photocopies, and student paper "Public Art and Bunker Hill" by Hiroko Shimizu. Other materials include notes, script for "Return to Iwo Jima" produced by Arnold Shapiro Productions, and Navy and Marine Corps documents regarding Iwo Jima.
Box 135, Folder 6

Iwo Jima additions bulk 1991-1992, 1996

Scope and Content Note

Notes, newspaper index printouts, photocopies, correspondence, and issues of "Fortitudine" (newsletter of the Marine Corps Historical Program).
Box 135, Folder 7

Vietnam ca. 1994

Scope and Content Note

Clippings, photocopies, and notes.
Box 18, Folder 1

Draft: Unveiling of the National Icons undated

Scope and Content Note

Bound draft of "The Unveiling of the National Icons" with substantial edits throughout.
Box 18, Folder 2

Unveiling of the National Icons 1 undated

Scope and Content Note

Complete draft of "Introduction" and "Chapter II, The Engendering of Moderate Politics: The Statue of Liberty" for "The Unveiling of the National Icons: A Plea for Patriotic Iconoclasm in a Nationalist Era" with edits. Folder also includes 1 page of notes.
Box 18, Folder 3

Unveiling of the National Icons 2 undated

Scope and Content Note

Manuscript draft of Chapter I, Patriotism and Protest: Reconstituting Old Glory, for "The Unveiling of the National Icons."
Box 18, Folder 4

Unveiling of the National Icons 3 undated

Scope and Content Note

Draft of "Chapter III-Patriarchy Fixed in Stone: Gutzon Borglum's Mt. Rushmore" for "The Unveiling of the National Icons" with edits.
Box 18, Folder 5

Unveiling of the National Icons 4 undated

Scope and Content Note

Draft of "Chapter IV-The Battle for Hearts and Minds: The Marine Corps Memorial" for "The Unveiling of the National Icons" with edits.
Box 18, Folder 6

Unveiling of the National Icons 5 undated

Scope and Content Note

Draft of "Chapter V, A House Divided Cannot Stand: The Recuperation of the Lincoln Memorial," for "The Unveiling of the National Icons," with edits throughout. Pages are out of order.
Box 18, Folder 7

Unveiling of the National Icons 6 undated

Scope and Content Note

Two copies of draft of "Epilogue-Vietnam Veterans Memorial" for "The Unveiling of the National Icons."
Box 18, Folder 8

Unveiling of the National Icons 7 undated

Scope and Content Note

Draft of Appendix I and III with notes for "The Unveiling of the National Icons."
Box 18, Folder 9

Unveiling of the National Icons (1 of 8) undated

Scope and Content Note

Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 18, Folder 10

Unveiling of the National Icons (2 of 8) undated

Scope and Content Note

Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 18, Folder 11

Unveiling of the National Icons (3 of 8) undated

Scope and Content Note

Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 1

Unveiling of the National Icons (4 of 8) undated

Scope and Content Note

Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 2

Unveiling of the National Icons (5 of 8) undated

Scope and Content Note

Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 3

Unveiling of the National Icons (6 of 8) undated

Scope and Content Note

Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 4

Unveiling of the National Icons (7 of 8) undated

Scope and Content Note

Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 5

Chapter II 1996

Scope and Content Note

Photocopies and correspondence.
Box 19, Folder 6

IV 1994

Scope and Content Note

Invoice and copies of co-opted images of Iwo Jima flag-raising.
Box 19, Folder 7

Icons - Chapter V undated

Scope and Content Note

Complete draft of "Chapter V: The Recuperation of the Lincoln Memorial."
Box 19, Folder 8

Brand new icon 1996-1997

Scope and Content Note

Clippings, correspondence, notes, and photocopies.
Box 19, Folder 9

National Icons undated

Scope and Content Note

Pages from draft of "The Unveiling of the National Icons: Patriotic Iconoclasm in a Nationalist Era."
Box 19, Folder 10

National Icons 1985

Scope and Content Note

Photocopied images of US national icons.
Box 19, Folder 11

Newspaper insert 1991

Scope and Content Note

Newspaper insert from LA X-Press featuring creative uses of the American flag. Also includes a 4 x 5 transparency.
Box 19, Folder 12

Unveiling - readers reports 1994-1995

Scope and Content Note

Lillian Vernon catalog, notes, and reports and reviews of Boime's work "The Unveiling of the National Icons."
Box 19, Folder 13

Illustrations undated

Scope and Content Note

Illustration list of one of Boime's books, presumably "The Unveiling of the National Icons."
Box 19, Folder 14

Additional photos - Icons 1993-1995

Scope and Content Note

Correspondence, photos of Washington National Monuments, clippings, and photocopies.
Box 19, Folder 15

Miscellaneous photos icons undated

Scope and Content Note

Clippings and political cartoons featuring national monuments.
Box 19, Folder 16

New additions 1996, 2004

Scope and Content Note

Photocopies of newspaper articles about controversial art exhibit and clippings.
Box 19, Folder 17

More additions - Icons undated

Scope and Content Note

Photocopies, notes, and bibliography.
Box 19, Folder 18

National Icons miscellaneous bulk 1991, 1995

Scope and Content Note

Clippings, correspondence, notes, image requests, and student paper by Richard Iosty "The AIDS Memorial Quilt: Mourning, Activism, and the Politics of Sentimentality."
Box 19, Folder 19

Permissions 1992-1995

Scope and Content Note

Correspondence regarding photo/image permissions and invoices.
Box 19, Folder 20

Permissions sent 1993-1994

Scope and Content Note

Correspondence regarding photo/image permissions.
Box 20, Folder 1

Miscellaneous permissions 1990-1991, 1996

Scope and Content Note

Correspondence, invoices, and clippings.
Box 20, Folder 2

New permissions 1993, 1996

Scope and Content Note

Correspondence regarding photo/image permissions.
Box 20, Folder 3

Publication correspondence bulk 1994-1996, 1999

Scope and Content Note

Correspondence regarding photo permissions and other publication details for "The Unveiling of the National Icons."
Box 20, Folder 4

Public art 1991-1992

Scope and Content Note

Notes, photocopies, proposal, slides, and correspondence from Audrey Flack. Folder also includes University of Manitoba course materials and an application for historic sculpture designation for Pershing Square statuary.
Box 20, Folder 5

Monumental sculpture ca. 1991

Scope and Content Note

Bibliography, notes, photocopy, student paper, article, and syllabus for unidentified course.
Box 20, Folder 6

Monuments ca. 1990

Scope and Content Note

Proposal, student paper, and photocopies.
Box 20, Folder 7

Monuments II 2001

Scope and Content Note

Draft of "War and Peace and Clay: A Tribute to World War II Veterans" (authorship unclear) and student paper "Playing with Play: The Appropriation of Children's Activities, Symbols, and Play" by Ali Conklyn.
Box 20, Folder 8

Monument images undated

Scope and Content Note

Photocopies of images for Boime's volume on national icons.
Box 20, Folder 9

Photos 1993-1994

Scope and Content Note

Photocopies, clippings, and 4x5 transparency
Box 21, Folder 1

Borglum film interview 2007

Scope and Content Note

Correspondence, script, and travel itinerary for filmed interview for "History Detectives" regarding Borglum and Mount Rushmore.
Box 21, Folder 2

Borglum undated

Scope and Content Note

Notes and draft of "Gutzon Borglum's Mt. Rushmore Monument: Patriarchy Fixed in Stone."
Box 21, Folder 3

Rushmore additions 1991, 1995, 1998

Scope and Content Note

Photocopies, promotional materials from Mount Rushmore Preservation Fund, book featuring "The Me Collection" by Neil Grayson, correspondence, and copy of IF Magazine from March-April 1998.
Box 21, Folder 4

Mount Rushmore 1990-1991

Scope and Content Note

Notes, correspondence, and photocopies of images of Mount Rushmore with illustration lists for Boime's publication. Folder also includes 4x5 transparencies, drafts of "Gutzon Borglum's Mt. Rushmore Monument: Patriarchy Fixed in Stone," and Mt. Rushmore brochures and tourist literature.
Box 21, Folder 5

Mount Rushmore II 1987, 1991

Scope and Content Note

Photocopies from DeKalb Historical Society, drafts of "Gutzon Borglum's Mt. Rushmore Monument: Patriarchy Fixed in Stone," correspondence, clippings, notes, and inquiries regarding the Ku Klux Klan and Borglum.
Box 21, Folder 6

Flag 1990

Scope and Content Note

Catalog of selected artworks by African American artists, photocopies, correspondence, 4x5 transparency, and draft of "Waving the Red Flag and Reconstituting Old Glory" with edits.
Box 21, Folder 7

Flag additions 1991

Scope and Content Note

Clippings, photocopies, and copy of University of Miami Law Review Volume 45 from September 1990, Number 1.
Box 21, Folder 8

Flag permission 1990, 1993

Scope and Content Note

Correspondence regarding photo/image permissions, clippings, and catalog of American flag paintings by Howard Finster.
Box 21, Folder 9

Miscellaneous flag and Lincoln 1993

Scope and Content Note

Notes and correspondence.
Box 21, Folder 10

Ebony - Lincoln 1963 ca. 1992

Scope and Content Note

Bibliography and photocopies about monuments.
Box 22, Folder 1

Statue of Liberty undated

Scope and Content Note

Conference paper "Western Theory and Chinese Reality" by Shang Longxi featuring elements on Statue of Liberty, and photocopies.
Box 22, Folder 2

Statue of Liberty 1985, 1988

Scope and Content Note

Student paper "The Lincoln Memorial" by Patricia I. Carranza and Michael Edelstein. Also includes correspondence and notes.
Box 22, Folder 3

Statue of Liberty 1991-1992

Scope and Content Note

Clippings, photocopies, notes, and student paper "Appropriate Protest at the Statue of Liberty: Appropriation Through Action."
Box 22, Folder 4

Statue of Liberty 2002

Scope and Content Note

Brochures and chronology of Statue of Liberty, notes, and Long Range Interpretive Plan for Statue of Liberty National Monument.
Box 22, Folder 5

Statue of Liberty undated

Scope and Content Note

Notes and annotated photocopies.
Box 22, Folder 6

Statue of Liberty redux 2002

Scope and Content Note

Travel correspondence, invoices, photocopied articles, and correspondence regarding a collaborative project on the Statue of Liberty between the National Park Service and the Organization of American Historians.
Box 22, Folder 7

The black Statue of Liberty rumor 2000

Scope and Content Note

Report "The Black Statue of Liberty Rumor: An Inquiry into the History and Meaning of Bartholdi's Liberte eclairant le Monde" by Rebecca M. Joseph.
Box 22, Folder 8

Statue of Liberty 1997

Scope and Content Note

Postcard, American Airlines napkins and placemat--all carrying Statue of Liberty iconography.
Box 22, Folder 9

Iwo Jima 1995

Scope and Content Note

Brochures for Iwo Jima Memorial Monument, clippings from New York Times, photos of Iwo Jima memorial, correspondence, Iwo Jima Survivors Journal, and journal of George G. Gentile (Iwo Jima Survivor).
Box 23, Folder 1

Kyoto Arashiyama Museum 1991

Scope and Content Note

Images, photos, and museum catalog of materials related to Iwo Jima from Kyoto Arashiyama Museum. Materials in Japanese.
Box 23, Folder 2

The flag raisers 1991

Scope and Content Note

Photocopies of articles regarding Iwo Jima flag raisers and correspondence with various historical societies. A large portion of research in this folder is related to flag raiser Ira Hayes and the Pima Indians.
Box 23, Folder 3

Japanese perspective 1991

Scope and Content Note

Photocopies, clippings, notes, and political cartoons. Some materials in Japanese.
Box 23, Folder 4

Indian and Japanese issues 1992

Scope and Content Note

Correspondence, clippings, and notes. Folder also includes dissertation prospectus "An Investigation of the 'Exceptional:' Women's Involvement in Sculptural Production in Late Nineteenth Century Paris" by Anastasia Easterday and student paper "Monumental Sculpture" by Beth Reuter.
Box 23, Folder 5

Lavoie 9/11 2003

Scope and Content Note

Notes, paper by Boime "Can There be Art History After the Trade Towers?" and e-mail correspondence with Vincent Lavoie.
Box 23, Folder 6

Lavoie 9/11 2003

Scope and Content Note

Correspondence with Vincent Lavoie regarding Boime's interest in the image-memorialization of the Twin Towers after 9/11. Folder also includes a publication contract between Le Mois de la Photo a Montreal and Boime.
 

Assorted Artists 1972-2008

Scope and Content Note

Boime's research on a variety of artists. Most of the materials incorporated here did not result in a publication included with the files or did not constitute a large enough volume of material to be considered a separate subseries. Much of this research may have contributed to Boime's Social History of Modern Art series. The files are arranged alphabetically by artist's last name.
Box 136, Folder 1

William Blake and the Lunar Society undated

Scope and Content Note

Notes, photocopies, Italian newsletter, student paper "The Lunar Society as Patrons of the Arts" by Christin Mamiya, and miscellaneous pages to untitled draft. Folder also includes pages from drafts of papers on Henry Fuseli, William Blake, Robert Fulton, Thomas Hope, and John Flaxman. Topics include the Industrial Revolution.
Box 136, Folder 2

18th century and William Blake undated

Scope and Content Note

Art History 127 syllabi and notes (topics include Blake and Greuze).
Box 136, Folder 3

Revelation of Modern Art - notes (1 of 2) undated

Scope and Content Note

Copy of "Modern Thought and Catholicism" by Paul Gauguin (translated and annotated by Frank Lester Pleadwell)--versions in French and English with notes by Boime.
Box 136, Folder 4

Revelation of Modern Art - notes (2 of 2) undated

Scope and Content Note

Copy of "Modern Thought and Catholicism" by Paul Gauguin (translated and annotated by Frank Lester Pleadwell)--versions in French and English with notes by Boime.
Box 136, Folder 5

Notes on Ingres (1 of 2) 1975, 1979

Scope and Content Note

Correspondence and photocopies.
Box 136, Folder 6

Paul Klee undated

Scope and Content Note

Notes and photocopy. Folder includes article "Klee's 'Letter Ghost'" by Elizabeth Pess.
Box 136, Folder 7

Egypt report undated

Scope and Content Note

Photocopies of report on Egypt. According to note in file, materials relate to Marisol.
Box 136, Folder 8

Thomas Satterthwaite Noble (1 of 3) ca. 1987

Scope and Content Note

Notes, correspondence, photocopies, and draft of exhibition catalog. See box 97 for additional research on this topic.
Box 136, Folder 9

Thomas Satterthwaite Noble (2 of 3) ca. 1987

Scope and Content Note

Notes, correspondence, photocopies, and draft of exhibition catalog. See box 97 for additional research on this topic.
Box 136, Folder 10

Thomas Satterthwaite Noble (3 of 3) ca. 1987

Scope and Content Note

Notes, correspondence, photocopies, and draft of exhibition catalog. See box 97 for additional research on this topic.
Box 137, Folder 1

Pablo Picasso 1973

Scope and Content Note

Correspondence, chronology, notes (topics include Newman-Ryder), and photocopies.
Box 137, Folder 2

Piero della Francesca (1 of 2) ca. 1992

Scope and Content Note

"Piero and His Legacy" conference materials from the National Gallery of Art, maps, brochures, list of conference registrants, draft of "Piero and the Two Cultures, clippings, photocopies, notes, and chronology of Piero Della Francesca.
Box 137, Folder 3

Piero della Francesca (2 of 2) ca. 1992

Scope and Content Note

"Piero and His Legacy" conference materials from the National Gallery of Art, maps, brochures, list of conference registrants, draft of "Piero and the Two Cultures, clippings, photocopies, notes, and chronology of Piero Della Francesca.
Box 137, Folder 4

Albert Pinkham Ryder (1 of 2) ca. 1986-1993

Scope and Content Note

Notes, drafts of lecture "Ryder on a Gilded Horse", annotated photocopies, photos, 4x5 negatives, and correspondence. Folder also includes a draft of a paper by Lloyd Goodrich entitled "Albert Pinkham Ryder: The Man and His Art."
Box 137, Folder 5

Albert Pinkham Ryder (2 of 2) ca. 1986-1993

Scope and Content Note

Notes, drafts of lecture "Ryder on a Gilded Horse", annotated photocopies, photos, 4x5 negatives, and correspondence. Folder also includes a draft of a paper by Lloyd Goodrich entitled "Albert Pinkham Ryder: The Man and His Art."
Box 147, Folder 3

Notes on Ingres (2 of 2) 1975, 1979

Scope and Content Note

Correspondence and photocopies.
Box 147, Folder 4

Photocopied images ca. 1987

Scope and Content Note

Image request form and photocopies of work by Albert Pinkham Ryder.
Box 23, Folder 7

William Blake 1972

Scope and Content Note

Notes and photocopies about William Blake. Folder includes draft of a paper on Blake, though it is unclear whether the paper was authored by Boime or Dr. Moore.
Box 23, Folder 8

Anthony Blunt bulk 2002, 1979

Scope and Content Note

Newspaper article on "The Blunt Case," correspondence from Andrew Brainerd, and text from Commentary magazine.
Box 23, Folder 9

Louis Leopold Boilly 1991-1992

Scope and Content Note

Correspondence, notes, 4x5 negatives, drafts of speech, and article entitled "Louis Boilly's Reading of the XIth and XIIth Bulletins of the Grande Armee."
Box 24, Folder 1

William Bouguereau 1986

Scope and Content Note

Student papers "William Bouguereau In Perspective" by Lilian Staple, "The Bouguereau Movement is Back" by Irina Costache, "Bouguereau's Pastorale, In France and in America" by Patricia McGinn, and "Bouguereau and the Late Nineteenth Century American Collector" by William Steinway. File originally titled Boogie.
Box 24, Folder 2

William Bouguereau bulk 1975-1978, 1986

Scope and Content Note

Correspondence, notes, annotated photocopies of letters, map of Bordeaux, France, paper "Decoration in Time, Decoration in Space: A Preliminary Discussion of Edgar Degas and Ballet Technique" by Janet Anderson, notes, 4x5 transparencies of Bouguereau works, and photo reprints. Correspondents include Miriam Gardner Dunnan. Some materials in French. File originally titled Boogie.
Box 24, Folder 3

William Bouguereau 1979, 1986

Scope and Content Note

Notes, correspondence, and photocopy. Correspondents include Miriam Gardner Dunnan and Stafford Calvin.
Box 24, Folder 4

William Bouguereau (research files) 1978-1986

Scope and Content Note

Correspondence (postcards), map of Lyon, France, 4x5 transparencies of Bouguereau works, photo reprints of Bouguereau works, notes, bibliography, and photocopied article. Some materials in French.
Box 24, Folder 5

William Bouguereau (class materials) undated

Scope and Content Note

Notes and materials for Art History 253 (2-quarter seminar on William Bouguereau and Modern Paris). Folder includes attendance list, syllabi, and lecture notes.
Box 24, Folder 6

Weinberg's seminar 1977

Scope and Content Note

Notes and bibliographies.
Box 24, Folder 7

Tanenbaum catalog bulk 1977-1978, 1969

Scope and Content Note

Correspondence (postcard), notes, photocopies, 6.5x10 transparency of J.J. Henner work "Le Levite d'Ephraim et sa femme morte," and pages from draft of Thomas Couture paper.
Box 24, Folder 8

Kalan Brunink 1990

Scope and Content Note

Notes, flyer for talk by Kalan Brunink, draft of paper "Kalan's Letter" (authorship unclear), correspondence with Kalan and others about her work, and copies of images of Kalan's portraits.
Box 24, Folder 9

Eugene Carriere undated

Scope and Content Note

Bibliographic reference regarding Eugene Carriere.
Box 24, Folder 10

George Catlin 2007

Scope and Content Note

Draft of "George Catlin's Wilderness Utopia" by Boime with correspondence and contributor agreement for publication of paper.
Box 24, Folder 11

Bergson and Cezanne undated

Scope and Content Note

Notes and photocopies about Paul Cezanne.
Box 24, Folder 12

Paul Cezanne 1998, 2002-2003

Scope and Content Note

E-mail correspondence, notes, draft of "Out of Time" by Fred Orton, and draft of "Cezanne's Real and Imagined Estate" by Boime.
Box 24, Folder 13

Marc Chagall ca. 1996, 1998

Scope and Content Note

Exhibition brochures and images of stained glass windows.
Box 24, Folder 14

Marc Chagall undated

Scope and Content Note

Notes, poem, and postcard.
Box 24, Folder 15

Honore Daumier 2003

Scope and Content Note

Correspondence, draft of "Chapter VII: Fractures in the Juste Milieu," notes, and annotated photocopies of Daumier works.
Box 24, Folder 16

Harvey Dinnerstein 2002

Scope and Content Note

Gallery catalog of Harvey Dinnerstein works and LINEA newsletters.
Box 24, Folder 17

Simon Dinnerstein 1989

Scope and Content Note

Correspondence and draft of "Simon Dinnerstein's Family Romance" with edits.
Box 24, Folder 18

Simon Dinnerstein ca. 1988

Scope and Content Note

Photocopies, correspondence, and images of Simon Dinnerstein works.
Box 24, Folder 19

[Simon] Dinnerstein 1984

Scope and Content Note

Letter and photos of Simon Dinnerstein images.
Box 24, Folder 20

Julius Kaplan ca. 1994

Scope and Content Note

Notes and correspondence. Potentially related to Simon Dinnerstein.
Box 25, Folder 1

Don Demauro undated

Scope and Content Note

Draft of paper about Demauro "Don Demauro and the Struggle Against the Artist's Mystique." Folder also includes notes and a small notebook.
Box 25, Folder 2

Don Demauro 1974

Scope and Content Note

Correspondence, photographic negatives, draft of paper "Don Demauro and the Struggle Against the Artist's Mystique," and Demauro curriculum vitae.
Box 25, Folder 3

Thomas Eakins file undated

Scope and Content Note

Photocopy of volume on Thomas Eakins.
Box 25, Folder 4

El Greco undated

Scope and Content Note

Notes and photocopy of article.
Box 25, Folder 5

El Greco 2001-2002

Scope and Content Note

Correspondence with the Fundacion Amigos del Museo del Prado regarding a lecture by Boime entitled "El Greco. Obras Maestras."
Box 25, Folder 6

El Greco miscellaneous

Box 25, Folder 7

El Greco/Pollock 2002

Scope and Content Note

Correspondence, notes, and draft of "El Greco in New York: The Empowerment of Jackson Pollock" with some edits.
Box 25, Folder 8

El Greco/Pollock 2003

Scope and Content Note

Outline for paper "El Greco in New York: The Empowerment of Jackson Pollock." Folder also includes notes and receipts for airplane tickets.
Box 25, Folder 9

EL Greco/Pollock 2002

Scope and Content Note

Photocopies, correspondence, and notes.
Box 25, Folder 10

El Greco/Pollock notes undated

Scope and Content Note

Annotated photocopies.
Box 25, Folder 11

El Greco/SCW 2003

Scope and Content Note

Correspondence, notes, galley proof of Boime's article "El Greco in New York: The Empowerment of Jackson Pollock" in Spanish.
Box 25, Folder 12

Unamuno/El Greco undated

Scope and Content Note

Paper "Les Demoiselles of 1898: Using Unamuno to Understand Picasso" by Michelle Tanenbaum, including a note to Boime.
Box 25, Folder 13

Caspar David Friedrich 1987-1988, 1990

Scope and Content Note

Photocopies, several copies of "Caspar David Friedrich: The Monk on the Seashore," UCLA Library newsletter, and correspondence. Some materials in German and Italian.
Box 25, Folder 14

Friedrich talk undated

Scope and Content Note

Copy of "Caspar David Friedrich: The Monk on the Seashore." Text likely constitutes a lecture or talk delivered by Boime.
Box 26, Folder 1

Paul Gauguin 2001-2002

Scope and Content Note

Notes, correspondence, Hammer museum exhibition brochure, and draft pages from paper regarding Gauguin's painting "Where do we come from? What are we? Where are we going?"
Box 26, Folder 2

Paul Gauguin undated

Scope and Content Note

Notes and clipping.
Box 26, Folder 3

Gauguin - colonialism 1975

Scope and Content Note

Correspondence and notes.
Box 26, Folder 4

Gauguin - revelation undated

Scope and Content Note

Notes.
Box 26, Folder 5

Jean-Leon Gerome ca. 1981

Scope and Content Note

Draft of "Gerome and the White Artist's Burden," photocopies, and correspondence.
Box 26, Folder 6

Jean-Leon Gerome ca. 1982

Scope and Content Note

Photos, notes, postcard, "St. Gerome and His World" lecture, and copies of images.
Box 26, Folder 7

Jean-Leon Gerome ca. 1979

Scope and Content Note

Correspondence, notes, photocopies, and drafts of articles related Jean-Leon Gerome.
Box 26, Folder 8

Jean-Leon Gerome 1972, 1974

Scope and Content Note

Correspondence and notes.
Box 26, Folder 9

Jean-Leon Gerome ca. 1970

Scope and Content Note

Notes and art exhibition press release.
Box 26, Folder 10

Gerome - Sleeping Gypsies 1969

Scope and Content Note

Annotated draft of "Jean-Leon Gerome, Henri Rousseau's Sleeping Gypsy and the Academic Legacy," correspondence, and notes.
Box 26, Folder 11

Anne-Louis Girodet 1968

Scope and Content Note

Photocopies and notes.
Box 26, Folder 12

Charles Gleyre undated

Scope and Content Note

Pages from draft "The Instruction of Charles Gleyre and the Evolution of Painting in the Nineteenth Century." See box 16 for addition research on Gleyre.
Box 26, Folder 13

Charles Gleyre undated

Scope and Content Note

Photocopies. See box 16 for addition research on Gleyre.
Box 26, Folder 14

Philip Guston 2005

Scope and Content Note

Correspondence with Intercambio de Arte y Cultura Internacional, Michoacán brochure, photocopy about Philip Guston, and copy of oral history interview with Frederick John de St. Vrain Schwankovsky.
Box 26, Folder 15

Reuben Kadish and Philip Guston 2005-2007

Scope and Content Note

Copy of Kadish links and interview with Manuel Tolegian (oral history transcript). Folder also includes photocopies, correspondence, and prints of artwork.
Box 26, Folder 16

Hildebrand undated

Scope and Content Note

Notes on Hildebrand.
Box 26, Folder 17

Hogarth - 18th century undated

Scope and Content Note

Notes.
Box 27, Folder 1

Jean Auguste Dominique Ingres undated

Scope and Content Note

Notes and annotated photocopies.
Box 27, Folder 2

Prix de Rome - Ingres originals ca. 1984

Scope and Content Note

Drafts of "Prix de Rome: Images of Authority and Threshold of Official Success" speech and "Declassicizing the Academic and Accentuating the Affirmative." Folder also includes photos, correspondence, letter from Rose Weil and an incomplete Ingres draft.
Box 27, Folder 3

Chavard 1971

Scope and Content Note

Correspondence, photocopies, notes, and draft of paper "Ingress et Egress Chez Ingres" with edits. Some materials in French.
Box 27, Folder 4

Kamran Khavarani 2005-2006

Scope and Content Note

Correspondence, copies of images, notes with references to Rumi, and notes from interviews.
Box 27, Folder 5

Khavarani, Kamran undated

Scope and Content Note

Notes and copy of poster advertising Kamran's work.
Box 27, Folder 6

Abstract Romanticism: Kamran Khavarani 2006

Scope and Content Note

Manuscript copy of "Abstract Romanticism: The Art and Passion of Kamran Khavarani."
Box 27, Folder 7

Kamran Khavarani and the Birth of Abstract Romanticism 2007

Scope and Content Note

Bound volume "Kamran Khavarani and the Birth of Abstract Romanticism" with illustrations and some writing.
Box 27, Folder 8

Abstract Romanticism 2008

Scope and Content Note

Correspondence regarding Boime's book "The Birth of Abstract Romanticism" and clippings.
Box 27, Folder 9

Wassily Kandinsky undated

Scope and Content Note

Photos and images of works by Wassily Kandinsky.
Box 27, Folder 10

Wassily Kandinsky undated

Scope and Content Note

Notes.
Box 27, Folder 11

Wassily Kandinsky undated

Scope and Content Note

Notes.
Box 27, Folder 12

Paul Klee 1976

Scope and Content Note

File contains a letter and orientalist photo and paper "Paul Klee and Christian Existentialism: Around the Fish."
Box 27, Folder 13

Klee and primitive undated

Scope and Content Note

Notes.
Box 27, Folder 14

Klee and kids undated

Scope and Content Note

Notes.
Box 28, Folder 1

Franz Kline undated

Scope and Content Note

Draft of "Franz Kline and the Figurative Tradition" and notes.
Box 28, Folder 2

Franz Kline 1975, 1977

Scope and Content Note

Draft of "Franz Kline and the Figurative Tradition" with some edits, correspondence and notes
Box 28, Folder 3

Franz Kline 1976-1977

Scope and Content Note

Notes, exhibition catalog, photograph of artwork, draft of lecture or proposal on Franz Kline's work, correspondence, photocopies, photographic negatives, and Franz Kline bibliography.
Box 28, Folder 4

Franz Kline 1976-1977

Scope and Content Note

Correspondence, notes, and 4 x 6 transparencies.
Box 28, Folder 5

Fernand Leger undated

Scope and Content Note

Notes.
Box 28, Folder 6

Ernest Lothar file undated

Scope and Content Note

Reference file about Lothar. Photos of Lothar's work taken by Helen Benson. Photocopies of news clippings about Lothar. Materials in file date from 1946-1952.
Box 28, Folder 7

Franz Marc undated

Scope and Content Note

Notes on Franz Marc and Der Bleue Reiter.
Box 28, Folder 8

Marisol 1992-1993

Scope and Content Note

Copy of article in American Art "The Postwar Redefinition of Self: Marisol's Yearbook Illustrations for the Class of '49" and drafts of same article. Folder also includes correspondence regarding photo permissions, clippings, photos, notes, 4x5 transparency, and photocopies.
Box 28, Folder 9

Henri Matisse undated

Scope and Content Note

Notes.
Box 28, Folder 10

McNeilly 2000

Scope and Content Note

Notes and correspondence with Mike McNeilly regarding his mural. Folder also includes photography and 8x10 image of McNeilly mural.
Box 28, Folder 11

Edvard Munch undated

Scope and Content Note

Notes on Munch.
Box 28, Folder 12

Munch ca. 1996

Scope and Content Note

Lecture outline, notes, and student paper regarding Edvard Munch. Materials potentially gathered for Princess Cruise lecture series.
Box 28, Folder 13

Pablo Picasso ca. 1996

Scope and Content Note

Notes, correspondence, and exhibition brochure regarding Picasso works.
Box 28, Folder 14

Pablo Picasso 1993

Scope and Content Note

Catalog from Picasso exhibit at LACMA and lecture notes from Getty Lecture.
Box 28, Folder 15

Pablo Picasso 1986

Scope and Content Note

Notes, outline of Picasso lecture, and article "Picasso's Man with a Sheep: Beyond Good and Evil" by Albert Elsen.
Box 28, Folder 16

Vincent Polo and Picasso 1996

Scope and Content Note

Photocopies and images of Picasso artworks and inquiry documents regarding employment history of Vincent Polo.
Box 28, Folder 17

Guernica undated

Scope and Content Note

Notes and materials from internet research.
Box 29, Folder 1

Piero della Francesca 1992

Scope and Content Note

Photocopies, notes, correspondence, and conference materials from National Gallery of Art on Piero Della Francesca symposium. Folder also includes drafts of "Piero and the Two Cultures" with edits.
Box 29, Folder 2

Piero della Francesca II bulk 1992, 1994-1996

Scope and Content Note

Abstracts for Piero Della Francesca symposium with edits by Boime and draft of "Piero and the Two Cultures" with edits and galley proof of the same. Folder also includes correspondence and a clipping from Christian Science Monitor.
Box 29, Folder 3

"Il Perugino" Institute undated

Scope and Content Note

Packet and business card about "Il Perugino" Institute.
Box 29, Folder 4

Puvis de Chavannes undated

Scope and Content Note

Notes. See box 16 for additional research on Puvis de Chavannes.
Box 29, Folder 5

Puvis - miscellaneous 19th century ca. 1968

Scope and Content Note

Notes. See box 16 for additional research on Puvis de Chavannes.
Box 29, Folder 6

Odilon Redon undated

Scope and Content Note

Notes on Odilon Redon (and Albert Ryder).
Box 29, Folder 7

Repin 2000-2001

Scope and Content Note

E-mail correspondence with Irina Tatarinova and faxed translations of text regarding Ilya Repin.
Box 29, Folder 8

Auguste Rodin undated

Scope and Content Note

Notes.
Box 29, Folder 9

Rodin paper 1994, 1996

Scope and Content Note

Student paper "Sculpture Seen Through Rodin" by Ashkan Lashkari for Art History 199 with Boime in Spring 1996 and paper "Mengs' Parnassus & David's Victors Returning to Brutus the Bodies of his Sons: Recapturing and Redefining Antiquity" by same student for Art History 110A.
Box 29, Folder 10

Victor Hugo undated

Scope and Content Note

Notes on Rodin's monument to Victor Hugo.
Box 29, Folder 11

Runge undated

Scope and Content Note

Notes.
Box 29, Folder 12

Albert Pinkham Ryder - Brooklyn 1972, 1990

Scope and Content Note

Correspondence, draft of paper by Eric Rosenberg, and draft of "Ryder on a Gilded Horse" with edits.
Box 29, Folder 13

Raphael Soyer 1987

Scope and Content Note

Notes and obituaries about Raphael Soyer. See box 59 for additional research on Raphael Soyer.
Box 29, Folder 14

Sargent drafts undated

Scope and Content Note

Miscellaneous pages from drafts on John Singer Sargent with edits (out of order).
Box 29, Folder 15

Sargent notes undated

Scope and Content Note

Notes and New York Times World of New York fliers.
Box 29, Folder 16

Sargent symposium 1986

Scope and Content Note

Notes and business cards. Bulk of folder contains correspondence with H. Barbara Weinberg and a draft of her lecture for a symposium on John Singer Sargent.
Box 30, Folder 1

John Singer Sargent 1982, 1985

Scope and Content Note

John Singer Sargent articles, 4x5 transparencies, miscellaneous pages from draft on Sargent, notes, and correspondence. Folder also includes a Guide to Research at the Historic New Orleans Collection and photocopies of materials from Historic New Orleans Collection (specifically Trist Wood Papers Inventory, copies of photos, and paperwork from Survey of New Orleans cemeteries).
Box 30, Folder 2

Sargent correspondence (1 of 2) 1985-1986

Scope and Content Note

Correspondence regarding Sargent images, consultations, and research for Boime's co-authorship of a Sargent catalog. Other materials include a draft of a Sargent paper with edits, notes, annotated photocopies, and paper "Sargent and Venice" by Linda Ayers. Some materials in French.
Box 30, Folder 3

Sargent correspondence (2 of 2) 1985-1986

Scope and Content Note

Correspondence regarding Sargent images, consultations, and research for Boime's co-authorship of a Sargent catalog. Other materials include a draft of a Sargent paper with edits, notes, annotated photocopies, and paper "Sargent and Venice" by Linda Ayers. Some materials in French.
Box 30, Folder 4

Schoneberg ca. 2002

Scope and Content Note

Copies of works by S.C. Schoneberg.
Box 30, Folder 5

Jane Wooster Scott and Walter Keane 1991

Scope and Content Note

Correspondence, descriptive articles about Jane Wooster Scott and Walter Keane, and photocopies of book about Walter Keane. Other materials include gallery brochures and publications, some photos of artwork, and notes.
Box 30, Folder 6

Mike Tanzer (1 of 2) 2001

Scope and Content Note

Correspondence, drafts of "Michael Tanzer: An Artist Searching for His Routes" with edits, notes, photocopied articles and clippings, and slides.
Box 30, Folder 7

Mike Tanzer (2 of 2) 2001

Scope and Content Note

Correspondence, drafts of "Michael Tanzer: An Artist Searching for His Routes" with edits, notes, photocopied articles and clippings, and slides.
Box 30, Folder 8

Tattoo undated

Scope and Content Note

Paper (likely by Michael Tanzer) "Outermost Boundaries: Challenging Assumptions about Art," regarding tattoo art.
Box 30, Folder 9

Tattoo Writings undated

Scope and Content Note

Draft of paper/article on tattoos.
Box 31, Folder 1

Velasquez undated

Scope and Content Note

Bibliographic reference regarding Velasquez. Possibly referring to Diego Velazquez.
Box 31, Folder 2

Vuillard ca. 1998

Scope and Content Note

Copy of Thesis "Symbiosis: Edward Vuillard and the Natansons in Fin de Siècle Paris" by Heloise Bertman Levit.
Box 31, Folder 3

Warshaw 1959-1981 (bulk 1960s)

Scope and Content Note

Photocopies of clippings about Howard Warshaw and his works.
Box 31, Folder 4

Offbeat artists 1989, 1996-1997

Scope and Content Note

Gallery brochures, correspondence, various exhibition announcements, and articles.
 

Research Notes and Notebooks bulk 1963-1978, 2000-2003

Scope and Content Note

Research notes and notebooks that are not easily attributable to a specific research topic. A large volume of the material includes notebooks filled with notes, likely from the beginning of Boime's academic career. There are also some notebooks from Boime's research in a French archive and original documents collected by Jean-Jacques Pick (a member of the Salon d'Automne). This subseries is filed topically by type of material.
Box 137, Folder 6

Articles undated

Scope and Content Note

Photocopies. Some materials in French.
Box 137, Folder 7

Original documents (1 of 2) 1916-1936

Scope and Content Note

Correspondence, clippings, and legal documents collected by Jean-Jacques Pick (member of Salon d'Automne). Some materials in French and Greek. The time at which Boime collected these materials is unclear, but the items date from 1916-1936.
Box 138, Folder 1

Original documents (2 of 2) 1916-1936

Scope and Content Note

Correspondence, clippings, and legal documents collected by Jean-Jacques Pick (member of Salon d'Automne). Some materials in French and Greek. The time at which Boime collected these materials is unclear, but the items date from 1916-1936.
Box 148, Folder 1

Lecture note cards undated

Scope and Content Note

Numbered note cards likely from a lecture delivered by Boime at the 10th anniversary of the Patricia McCarron McGinn series.
Box 148, Folder 2

Note cards undated

Scope and Content Note

Note card catalog of artworks with identifying collection information.
Box 149, Folder 1

Research note cards undated

Scope and Content Note

Topics include Feuerbach, Gerome, and Manet.
Box 31, Folder 5

Notes and correspondence 1974

Scope and Content Note

Correspondence regarding a lecture by Boime and notes. Some materials in German.
Box 31, Folder 6

Notes and correspondence 1978

Scope and Content Note

Miscellaneous notes and correspondence with faculty. Some materials in French.
Box 31, Folder 7

Notes and correspondence 1978, 1983

Scope and Content Note

Paper "British Painting 1750-1850/The Rebels" by Lilian Staple, notes on American religious painting, and photocopies of correspondence to Esther Williams in the early 20th century.
Box 31, Folder 8

Notes 1978

Scope and Content Note

Notes (topics include Thomas Nast) and memo regarding department philosophy and discussions from Don Preziosi.
Box 31, Folder 9

Notes undated

Scope and Content Note

Notes and scribbles on Art 563 syllabus.
Box 31, Folder 10

Notes undated

Scope and Content Note

Notes and sheet of images.
Box 31, Folder 11

Notes undated

Scope and Content Note

Miscellaneous pages from a draft and notes.
Box 31, Folder 12

Notes 1973-1974, 1976

Scope and Content Note

Notes and correspondence.
Box 31, Folder 13

Notes ca. 1963

Scope and Content Note

Notes (topics include Hofstra, Charles Henry, Seurat, and Couture), correspondence, negatives, clippings, photocopies, and miscellaneous pages from draft "I don't want to set the world on fire, I just want to start a flame in your heart" with edits.
Box 31, Folder 14

Notes 1973, 1976

Scope and Content Note

Correspondence and notes (topics include Simon Dinnerstein).
Box 31, Folder 15

Notes undated

Scope and Content Note

Notes from correspondence with Francois Gerard (topics include Girodet).
Box 31, Folder 16

Notes undated

Box 31, Folder 17

Notes ca. 1978

Scope and Content Note

Notes, correspondence, paper submissions, and syllabus for Art History 110B (taught by David Kunzle).
Box 31, Folder 18

Notes 2000-2001

Scope and Content Note

Correspondence and notes.
Box 31, Folder 19

Miscellaneous notes 2000-2001

Scope and Content Note

Notes (topics include monuments, colonialism, modern art), photocopies, and correspondence regarding Boime's library loans. Other materials include drafts of minutes and agendas from Art History department meetings.
Box 32, Folder 1

Miscellaneous biographies undated

Scope and Content Note

Notes.
Box 32, Folder 2

Research materials 1995, 1997, 2003

Scope and Content Note

Correspondence, notes, and bibliographies (topics include Mexico and Masonic influence, Seurat, Gauguin, Van Gogh, and the French-Jewish press).
Box 32, Folder 3

Miscellaneous research undated

Scope and Content Note

Paper "Action Potential Alternans and Irregular Dynamics in Quinidine-Intoxicated Ventricular Muscle Cells," notes, and correspondence.
Box 32, Folder 4

Miscellaneous research 1984

Scope and Content Note

Notes and correspondence from Wendy Slatkin.
Box 32, Folder 5

Research notes (1 of 2) undated

Box 32, Folder 6

Research notes (2 of 2) undated

Box 32, Folder 7

Notes 1 undated

Scope and Content Note

Notebooks with notes on miscellaneous topics, such as early modern art, early Christian art, Courbet, and realism. Notebooks are likely from Boime's graduate studies.
Box 32, Folder 8

Notes 2 undated

Scope and Content Note

Notebooks with notes on topics like educational policy. Notebooks are likely from Boime's graduate studies.
Box 33, Folder 1

Notes 3 undated

Scope and Content Note

Notebooks with notes on topics like economics, social issues, and race relations. Notebooks are likely from Boime's graduate studies.
Box 33, Folder 2

Research notebooks undated

Scope and Content Note

Research notebooks: topics include Vernet, Journal des Artistes, Delaroche, Ottin, Sculpture, Deperthes, Gleyre, Salon Refuses and Jury, and Henner. Some materials in French.
Box 33, Folder 3

Research notebooks undated

Scope and Content Note

Research notebooks: topics include Manette, sketches, David, bibliographie, Salon de Refuses, and Monet.
Box 33, Folder 4

Research notebooks undated

Scope and Content Note

Research notebooks: topics include Stranahan, Revue des deux mondes, and Dimier.
Box 34, Folder 1

Research notebooks undated

Box 34, Folder 2

Research notebooks undated

Scope and Content Note

Research notebooks: topics include the Academy.
Box 34, Folder 3

Research notebooks undated

Scope and Content Note

Research notebooks: topics include Ottin, Salon de Refuses, and revue des deux mondes.
Box 34, Folder 4

Research notebooks undated

Scope and Content Note

Research notebooks: topics include Couture, encyclopedie, and juste milieu.
Box 35, Folder 1

Research notebooks undated

Scope and Content Note

Research notebooks: topics include Georg Sauter and Manuel Arsenne.
Box 35, Folder 2

Research notebooks undated

Scope and Content Note

Research notebooks: topics include Prudhomme. Some materials in French and German.
Box 35, Folder 3

Research notebooks undated

Scope and Content Note

Research notebooks: topics include Beaux-Arts. Some materials in French and German.
Box 35, Folder 4

Research notebooks undated

Box 35, Folder 5

Research notebooks undated

Scope and Content Note

Research notebooks: topics/authors include Ingres, Pisanello, Magic-Copy, and John Singer Sargent.
Box 36, Folder 1

Research notebooks ca. 1968

Scope and Content Note

Research notebooks: topics include the English Academy, Impressionism, and 1851 Catalogue. Some materials in German.
Box 36, Folder 2

Research notebooks undated

Scope and Content Note

Some materials in French.
Box 36, Folder 3

Research notebooks undated

Scope and Content Note

Some materials in German and Italian.
Box 36, Folder 4

Research notebooks undated

Scope and Content Note

Some materials in Spanish.
Box 36, Folder 5

Archives research notebooks undated

Scope and Content Note

Research notebooks on materials in unidentified archive. Materials in French.
Box 37, Folder 1

Archives research notebooks undated

Scope and Content Note

Research notebooks on materials in unidentified archive. Materials in French.
Box 37, Folder 2

Archives research notebooks undated

Scope and Content Note

Research notebooks on materials in unidentified archive. Materials in French.
 

Modern Art Series 1971-1997, 2000-2006

Scope and Content Note

Research materials specifically attributed to Boime's 6-volume Social History of Modern Art Series. The series includes Volume I: Art in an Age of Revolution, Volume II: Art in an Age of Bonapartism, Volume III: Art in an Age of Counterrevolution, Volume IV: Art in an age of Civil Struggle, Volume V: Art in an Age of Empire, and Volume VI: Art in an Age of Genocide. The bulk of material corresponds to volumes III and IV. Materials include research files, drafts, and publication correspondence. The subseries is arranged by volume. Within each volume, folders are sorted by type of material ranging from drafts to research files to correspondence.
Box 138, Folder 2

Reaction and counter reaction (1 of 2) ca. 1980-1987

Scope and Content Note

Draft, notes, photocopies, correspondence, and 4x5 transparency.
Box 138, Folder 3

Reaction and counter reaction (2 of 2) ca. 1980-1987

Scope and Content Note

Draft, notes, photocopies, correspondence, and 4x5 transparency.
Box 138, Folder 4

Notes 1985

Scope and Content Note

Notes, drafts, and photocopies, Art 253 materials (required readings), and African Art bibliography. Materials are likely part of research for Volume 4 of Boime's Modern Art Series.
Box 138, Folder 5

Additions for Art in an Age of Bonapartism 1986, 1989

Scope and Content Note

Notes and Victoria and Albert Museum catalog.
Box 138, Folder 6

Goya and Napoleon 1980-1982

Scope and Content Note

Notes and correspondence (correspondents include Beverly Twitchell), photocopy of chapter on The Caprichos, and student papers.
Box 138, Folder 7

Notes undated

Box 139, Folder 1

Chapter IV 1995

Scope and Content Note

Photographs, 4x5 slides, correspondence, notes, and Art 253 reading list.
Box 139, Folder 2

1848, 1871 undated

Scope and Content Note

Notes, photographs, and draft of speech.
Box 139, Folder 3

Volume 5 1987-1990

Scope and Content Note

Clippings, correspondence, pages from unidentified draft, booklet commemorating Abraham Lincoln Brigade, notes, and booklet of political cartoons entitled "Simplicissimus."
Box 37, Folder 3

Modern art series 1988

Scope and Content Note

Prospectus for Boime's modern art series, correspondence, and flyer for speaking engagement.
Box 37, Folder 4

Chapter 1 1983-1984

Scope and Content Note

Clippings, outline for Art in the Age of Revolution, correspondence, J. Paul Getty Trust Publication Program Guidelines, and manuscript reading reports.
Box 37, Folder 5

Age of Revolution additions 1985, 1991-1992

Scope and Content Note

Notes, correspondence, draft of work on neoclassicism with edits, article on Jewish artists, and draft of "The Death of Lucretia." Some materials in German and French.
Box 37, Folder 6

New edition Art in an Age of Revolution 1979, 1987-1988

Scope and Content Note

Notes, student paper on William Blake by Bridget Johnson and "Greuze, Diderot, and the Critical Implications of Bas-Relief" by Rick Weiche.
Box 37, Folder 7

New edition Art in an Age of Revolution 1992, 1998

Scope and Content Note

Correspondence, proposed dissertation from Parme Giuntini, notes, student paper, brochures, and exhibition catalogs.
Box 37, Folder 8

Haussmannization undated

Scope and Content Note

Notes and introduction.
Box 38, Folder 1

Additions for Art in an Age of Bonapartism 1985, 1987

Scope and Content Note

Notes, photocopies, correspondence, and thesis by Barry Shifman entitled "Depictions of French Royal and Imperial Châteaux: A Study of its Use in the Decorative Arts from the Reigns of Louis XIV Through Napoléon."
Box 38, Folder 2

Additions for Art in an Age of Bonapartism 1988

Scope and Content Note

Notes, correspondence, and brochures.
Box 38, Folder 3

Counterrevolution undated

Scope and Content Note

Draft of Chapter I to Art in an Age of Counterrevolution, photocopied notes and images.
Box 38, Folder 4

Illustration lists undated

Scope and Content Note

Notes, list of illustrations (by chapter), footnotes, and realism and Romanticism outline.
Box 38, Folder 5

Preface and Chapter I undated

Scope and Content Note

Drafts of Preface and Chapter I for Volume 3 of Boime's Modern Art Series.
Box 38, Folder 6

Chapter II (Volume 3) undated

Scope and Content Note

Draft of "Chapter II: Restoration Bliss: The Nazarenes" for Volume 3.
Box 38, Folder 7

Chapter II (Volume 3) undated

Scope and Content Note

Draft of "Chapter II: Restoration Bliss: The Nazarenes" for Volume 3 with some edits.
Box 38, Folder 8

Chapter III (Volume 3) undated

Scope and Content Note

Draft of "Chapter III: The Restoration: The Horror" for Volume 3.
Box 39, Folder 1

Chapter III (Volume 3) undated

Scope and Content Note

Draft of "Chapter III: The Restoration: The Horror" for Volume 3 with some edits.
Box 39, Folder 2

Chapter III (Volume 3) undated

Scope and Content Note

Draft of "Chapter III: The Restoration: The Horror" for Volume 3 with some edits.
Box 39, Folder 3

Chapter III (Volume 3) undated

Scope and Content Note

Draft of "Chapter III: The Restoration: The Horror" for Volume 3 with some edits.
Box 39, Folder 4

Museums and catalogue information ca. 1983

Scope and Content Note

Notes, correspondence (correspondents include Paul Duro), and image lists.
Box 39, Folder 5

Drafts undated

Scope and Content Note

Miscellaneous pages from unidentified draft(s) with edits and notes. Likely part of research for Volume 3 of Boime's Modern Art Series.
Box 39, Folder 6

Draft undated

Scope and Content Note

Draft of "The Napoleonic Salons: Grandiose Visions."
Box 39, Folder 7

Bibliography references 1987-1988

Scope and Content Note

Call slips and library notices.
Box 39, Folder 8

Volume 3 update 1997

Scope and Content Note

Correspondence and slide, copy of image, notes, slide lists, and notes.
Box 39, Folder 9

New third volume (1 of 2) 2000-2003

Scope and Content Note

Catalog, paper on Delacroix, notes, annotated photocopies, copy of thesis on gothic revival in San Francisco, CA, outline for Vol. 3, clippings, paper on Jews in North Africa, exhibition brochures, and correspondence.
Box 40, Folder 1

New third volume (2 of 2) 2000-2003

Scope and Content Note

Catalog, paper on Delacroix, notes, annotated photocopies, copy of thesis on gothic revival in San Francisco, CA, outline for Vol. 3, clippings, paper on Jews in North Africa, exhibition brochures, and correspondence. Some materials in French.
Box 40, Folder 2

Notes to Volumes 3 and 4 1984, 1991-1993

Scope and Content Note

Notes, correspondence, student paper, photocopies, photos, 4x5 transparency, and syllabus for a class not taught by Boime.
Box 40, Folder 3

Volume 4 ca. 1996

Scope and Content Note

Paper by Karen Lang, photocopies, Siri Wennberg Dissertation Proposal, publication regarding Minne and Meunier, and notes.
Box 40, Folder 4

Volume 4 ca. 1978, 1987-1988

Scope and Content Note

Notes, drafts, photocopies (topics include Gustave Flaubert, Emile Zola, and Renoir), correspondence, and draft papers by Michael Orwicz. Some materials in French.
Box 40, Folder 5

For Volume 4 (1 of 2) undated

Scope and Content Note

Draft of "Texts into Context: An Essay on Manichaeism in Modern Art" by Maricler Mosto.
Box 40, Folder 6

For Volume 4 (2 of 2) undated

Scope and Content Note

Draft of "Texts into Context: An Essay on Manichaeism in Modern Art" by Maricler Mosto.
Box 40, Folder 7

New Volume 4 2003

Scope and Content Note

Correspondence, exhibition brochure, clipping, notes, and annotated photocopies. Some materials in French.
Box 41, Folder 1

New Volume 4 2004

Scope and Content Note

Photocopies, correspondence, notes, and readers report on Art in an Age of Civil Struggle. Some materials in French.
Box 41, Folder 2

VII and USA landscape and genre 1993-1994

Scope and Content Note

Notes regarding US landscape and genre painting and correspondence.
Box 41, Folder 3

Restoration, etc. ca. 1988

Scope and Content Note

Notes, photocopies, and conference paper.
Box 41, Folder 4

Restoration ca. 1991

Scope and Content Note

Notes and map of Vienna. Topics include Caspar David Friedrich, Mary Shelley, and Percy Bysshe Shelley.
Box 41, Folder 5

Volume IV coda: Menzel 2004

Scope and Content Note

Letter. Materials in German.
Box 42, Folder 1

1848 ca. 1986

Scope and Content Note

Notes, drafts of "The 1848 Contest for the Symbolic Figure of the Republic as a Vent for Domestic and Foreign Reaction" with edits, photocopies, and correspondence (Michael Orwicz). See box 84 for additional research on this topic.
Box 42, Folder 2

1848 miscellaneous ca. 1996

Scope and Content Note

Notes, photocopies, and student papers. See box 83 for additional research on this topic.
Box 42, Folder 3

Turner's slaveship 1989-1990

Scope and Content Note

Notes, correspondence, draft of "Turner's Slaveship" and bibliography, photocopies, and student paper.
Box 42, Folder 4

Imperialist gaze ca. 1991

Scope and Content Note

Postcard, photocopies, clippings, and notes.
Box 42, Folder 5

Royal Academy ca. 1971

Scope and Content Note

Notes and correspondence regarding the Royal Academy.
Box 42, Folder 6

Realist symposium 1979-1982

Scope and Content Note

Notes, draft, photocopies, correspondence, student paper, copies of letters from the Archives Nationales, and draft of "The Baptism of the Second Empire" with edits. Some materials in French.
Box 42, Folder 7

Ruskin - student papers 1997

Scope and Content Note

Dissertation prospectus by Ivana Mladenovic on John Ruskin with edits, and student paper.
Box 42, Folder 8

Dissertation prospectus - 19th century English poetry undated

Scope and Content Note

Prospectus on 19th century English poetry by Wilhelmina L. Hotchkiss.
Box 43, Folder 1

Gustave Courbet 1993

Scope and Content Note

Notes, photocopies, and student paper.
Box 43, Folder 2

Gustave Courbet 1997

Scope and Content Note

Notes and student paper.
Box 43, Folder 3

Gustave Courbet 1994

Scope and Content Note

Notes, annotated photocopies, and student exam.
Box 43, Folder 4

Ford Maddox Brown ca. 1977-1980

Scope and Content Note

Notes, correspondence, and draft of "Ford Maddox Brown, Thomas Carlyle, and Karl Marx: Meaning and Mystification of Work in the Nineteenth Century."
Box 43, Folder 5

Brown's Work ca. 1978

Scope and Content Note

Notes, draft of lecture, chapter titled "Ford Maddox Brown (1821-1893), Early Life and Artistic Development to the Beginnings of Pre-Raphaelitism," 4x5 negatives, correspondence (Linda Nochlin), and annotated photocopies.
Box 43, Folder 6

Pre-Raphaelite Brotherhood individuals undated

Scope and Content Note

Notes, photocopies, and student paper.
Box 43, Folder 7

Pre-Raphaelite Brotherhood 1975-1994

Scope and Content Note

Notes, correspondence, and student papers.
Box 43, Folder 8

Pre-Raphaelite Brotherhood novels undated

Scope and Content Note

Handwritten notes.
Box 43, Folder 9

Miscellaneous Pre-Raphaelite Brotherhood ca. 1972, 1994

Scope and Content Note

Notes, photocopies, and student paper.
Box 44, Folder 1

Volume 5 2006

Scope and Content Note

Photocopies, correspondence regarding image permissions, and catalog regarding William Morris company.
Box 44, Folder 2

Volume 5 1995, 1997

Scope and Content Note

Correspondence, photocopied articles, and clippings.
Box 44, Folder 3

Volume 5 miscellaneous architecture 1997

Scope and Content Note

Notes, paper by Anthony Vidler, clippings, and syllabi for Art History 110C with Marie Clifford.
Box 44, Folder 4

Volume 6 2006

Scope and Content Note

Photocopy regarding George Grosz and invoice.
Box 44, Folder 5

Volume 6 Preface undated

Scope and Content Note

Preface and draft chapters of Art in an Age of Genocide.
Box 44, Folder 6

Volume 6 Chapter III undated

Scope and Content Note

Draft of Chapter III for Art in an Age of Genocide: "No Man's Land, Dadaism, and the Origins of Surrealism."
 

Social Issues 1986-2004

Scope and Content Note

Boime's research on a variety of social issues. These materials are not accompanied by a corresponding publication draft. The subseries is arranged by subject, including topics such as labor, social services, politics, race and ethnicity, environmental issues, war, religion, sexuality and 9/11.
Box 147, Folder 5

Graffiti photos undated

Scope and Content Note

Large photographs of graffiti on the Berlin Wall.
Box 44, Folder 7

Labor and art 1991-1992

Scope and Content Note

Labor Heritage Foundation newsletter and correspondence from Rutgers University Labor Education Center.
Box 44, Folder 8

Orwellian 2003

Scope and Content Note

Article "Big Liberty is Watching" by Roberto Lovato from In These Times.
Box 44, Folder 9

Labor issues 1989-2000

Scope and Content Note

Newsletters, clippings, and e-mail correspondence regarding labor issues and advocacy.
Box 44, Folder 10

Labor conference 2005

Scope and Content Note

Materials from UCLA Conference "Is Wal-Mart Good for America?" including flyers and publication entitled "Examining the Evidence: The Impact of the Los Angeles Living Wage Ordinance on Workers and Businesses."
Box 44, Folder 11

AFSCME bulk 2002-2003, 1993-2007

Scope and Content Note

Clippings, UCLA Housing and Hospitality Services Team Member Handbook, newsletter and flyers regarding AFSCME Local 3299 (labor union), e-mail correspondence and copies of letters between UCLA and workers, and notes. AFSCME is an abbreviation of American Federation of State, County, and Municipal Employees.
Box 44, Folder 12

Social security ca. 2005

Scope and Content Note

Mailings
Box 45, Folder 1

Health plan 1992-1994, 2002-2004

Scope and Content Note

Clippings, newsletters, and correspondence.
Box 45, Folder 2

Socialism undated

Scope and Content Note

Notes, photocopies, and copies of images.
Box 45, Folder 3

Socialism - democracy 1988-1992, 2001-2003

Scope and Content Note

Clippings, correspondence, and photocopies.
Box 45, Folder 4

Democratic Socialists of America ca. 1989

Scope and Content Note

Clippings, newsletters, and publications regarding the Democratic Socialists of America.
Box 45, Folder 5

Party politics ca. 1993, 1999, 2003-2004

Scope and Content Note

Clippings, brochures, and mailings regarding political parties and their perspectives on policy issues.
Box 45, Folder 6

Policy positions 1993-1995, 1997

Scope and Content Note

Clippings (from the Democracy Project), correspondence, policy document "Welfare to Work," flyers, and publications regarding Mumia Abu Jamal.
Box 45, Folder 7

Proportional representation 1998

Scope and Content Note

Clippings from the New Democracy Forum including article "The Case for Proportional Representation."
Box 45, Folder 8

Elections 2000 2001-2002

Scope and Content Note

"In These Times" magazine from February 19, 2001, e-mail correspondence, Volume XXVIII Number 3-4 of "Democratic Left," and issues of "The Hightower Lowdown" newsletter.
Box 45, Folder 9

Propaganda undated

Scope and Content Note

Pamphlet entitled "Chapter 27: Propaganda" by Paul Kecskemeti.
Box 45, Folder 10

Publication and photos undated

Scope and Content Note

Photos of unidentified building with Americana and flag designs. Folder also includes a copy of "Guns, Globalization, Greed: A Guide to the New World Economy" by Christopher Ney.
Box 45, Folder 11

July 4, 1776 1976

Scope and Content Note

Clipping of Declaration of Independence from New York Times on July 4, 1976.
Box 45, Folder 12

General education 2001

Scope and Content Note

Clippings.
Box 45, Folder 13

The Academy ca. 1989-1990

Scope and Content Note

Copy of journal "Current," newsletters, notes, clippings, articles, and meeting notes regarding faculty concerned about El Salvador's civil war.
Box 45, Folder 14

Sexual harassment 1993-1994

Scope and Content Note

Clippings regarding UCLA cover-up of sexual harassment suits against university and the school's unwillingness to produce records for Daily Bruin newspaper.
Box 45, Folder 15

Nuclear issues 2002

Scope and Content Note

Clippings.
Box 45, Folder 16

Terrorism - violence 2001-2004

Scope and Content Note

E-mail correspondence, photocopied articles, clippings, and galley proof of "Suicide on My Mind, Britannica on My Table" by Edwin Schneidman.
Box 45, Folder 17

Homelessness 1987-1994

Scope and Content Note

Clippings.
Box 45, Folder 18

Poverty 1994

Scope and Content Note

Copy of Public Affairs Reports and clippings.
Box 46, Folder 1

Los Angeles public development ca. 1992

Scope and Content Note

Community Redevelopment Agency Art in Public Places guidelines and proposed public art policy. Folder also includes clippings.
Box 46, Folder 2

Public transport 2002

Scope and Content Note

Copy of The Washington Spectator newsletter.
Box 46, Folder 3

Medicine 1993, 1997, 2000, 2005

Scope and Content Note

UCLA school of medicine report, bibliography, pamphlets, newsletters, and clippings.
Box 46, Folder 4

Drugs 1989

Scope and Content Note

Clippings.
Box 46, Folder 5

Abortion 1989, 1992, 1994

Scope and Content Note

Clippings.
Box 46, Folder 6

Gun control 1999, 2001

Scope and Content Note

Clippings from In These Times and American Educator.
Box 46, Folder 7

CIA 1991-1992, 1999-2000

Scope and Content Note

Clippings, CIA warfare manual, Affidavit of Daniel P. Sheehan, and paper "Evolution of Warfare--How Will the Revolution in Military Affairs Make a Difference?" (authorship unclear).
Box 46, Folder 8

Environment 2001-2002

Scope and Content Note

Clippings regarding topics such as bioterror and global climate change.
Box 46, Folder 9

Environment 1989-1992

Scope and Content Note

Clippings, dissertation proposal "Determinating the Political Enframement in the Art of Robert Smithson" by Ron Graziani.
Box 46, Folder 10

Battle in Seattle 2000

Scope and Content Note

Clippings from People's Weekly World, In These Times, and Dollars and Sense, and e-mail correspondence (all regarding World Trade Organization and Seattle protest).
Box 46, Folder 11

Energy crisis 2001

Scope and Content Note

Newsletters including The Hightower Lowdown.
Box 46, Folder 12

Media - entertainment 2001, 2005

Scope and Content Note

Clippings and untitled draft of paper (likely by Susana Lee).
Box 46, Folder 13

The media 1985, 1991, 1994

Scope and Content Note

Epcot Center Guide Book, article "The Moving Image" in Daedalus journal, Contemporary Arts Press Distribution Catalog, portfolio on Time Warner Inc, and clippings.
Box 46, Folder 14

Racism and media undated

Scope and Content Note

Pamphlet "The Struggle for Civil Rights: A Photographic Journey."
Box 46, Folder 15

Civil liberties 2003-2004

Scope and Content Note

E-mail correspondence and clippings.
Box 46, Folder 16

Starr Report undated

Scope and Content Note

Mailing from Public Citizen "Did Kenneth Starr Go Too Far?"
Box 46, Folder 17

September 11 2001-2003

Scope and Content Note

E-mail correspondence, reflections by Boime "Can There be Art History after the Trade Towers?" correspondence from Columbia University, publications from War Resistors League and College Art Association regarding the World Trade Towers, and transcript of an Arundhati Roy reading at the Lensic Performing Arts Center.
Box 46, Folder 18

9/11 2001

Scope and Content Note

E-mail correspondence and newsletters.
Box 46, Folder 19

Post 9/11 2001

Scope and Content Note

E-mail from Saloni Mathur regarding Arundhati Roy publication and articles regarding falling woman statuary.
Box 46, Folder 20

Rosenberg/McCarthy undated

Scope and Content Note

Exhibition/film proposal "Unknown Secrets: Art and the Rosenberg Era."
Box 46, Folder 21

Nader 2003

Scope and Content Note

Comic, mailings, and informational material regarding Ralph Nader's campaign for US president.
Box 46, Folder 22

Social injustice 2002

Scope and Content Note

Clippings and e-mail correspondence.
Box 47, Folder 1

Chicano East Los Angeles 1994

Scope and Content Note

Clippings on Chicano art movement, several student papers on Chicano art and murals with particular attention to East Los Angeles, and notes.
Box 47, Folder 2

Chicano 1980-1993

Scope and Content Note

UCLA correspondence, notes, and flyers regarding support/maintaining Chicano/a Studies department. Other materials include photocopied articles on Chicano art (many authored by Shifra M. Goldman), bibliography of Mexican art, and exhibition book from "The Chicano Codices: Encountering Art of the Americas" at The Mexican Museum.
Box 47, Folder 3

Latin American art 2003

Scope and Content Note

Notes, and program for play "The General and the Archbishop."
Box 47, Folder 4

South American nationalism 1987, 1993, 1997

Scope and Content Note

Clippings, paper by Ericka Kim Verba entitled "The Common Women of Santiago, 1880-1920: Images and Realities," paper by Ingrid E. Fey entitled "The Latin America of Paris: Argentines in France, 1860-1940," and paper by Gerardo Mosquera entitled "On Art, Politics and Millennium in Latin America."
Box 47, Folder 5

Mexico 1995, 1997

Scope and Content Note

Syllabi and course materials for Art History 110H/254 on Modern Mexican Art/Latin American Art of the 20th Century. Folder also includes correspondence, catalog "Arte Mexicano: Imagenes en el Siglo del SIDA," student paper by Sarah Vyden entitled "Frida Kahlo: Interior Reality vs. Exterior Mythology," student paper by Biz Lopez entitled "Televisa: The Control and Production of Culture," and dissertation proposal by Biz Lopez entitled "A Study of Contemporary Art in Mexico."
Box 47, Folder 6

Central America undated

Scope and Content Note

Photocopied article on The Shining Path.
Box 47, Folder 7

Cuba undated

Scope and Content Note

Photocopy of chapter on Aesthetics and Foreign Policy.
Box 47, Folder 8

Immigrant 1997

Scope and Content Note

Dissertation progress report for student Amy Galland.
Box 47, Folder 9

Native American 1996

Scope and Content Note

Bibliography and Native American calendar.
Box 47, Folder 10

Multicultural 1992, 2004

Scope and Content Note

Flyers for graduate student symposium, thesis project proposal on multiculturalism from student Cheol- Woong Sim, notes, and e-mail correspondence with Clare Spark.
Box 47, Folder 11

African American course 1995

Scope and Content Note

Copy of syllabus for Introduction to African and African-American art.
Box 47, Folder 12

Black art 1982, 1986, 1992, 2005

Scope and Content Note

Notes, brochure from Museum of African American Art, bibliography, paper "A History of Haitian Society and Art" by Mary Tureaud, paper on Harlem Renaissance and African-American Assimilation by Lucinda H. Gedeon, and museum exhibition brochures (featured artists include Richard Wyatt and Romare Bearden).
Box 47, Folder 13

African American 1977, 1990, 2004

Scope and Content Note

Photocopies of articles regarding African American art, copy of "Chapter III: The Harlem Renaissance 1920- 1933" (likely composed by colleague at Arizona State University), thesis "Protest Symbolism" by Ms. J. McGee, clippings, and notes.
Box 48, Folder 1

African American II 1995-2002

Scope and Content Note

Publication "Black History and the Class Struggle No. 7: Black Soldiers Fight for Freedom", copy of "Chapter VI: The Modern Movement for Civil Rights and the Patronage of Black American Artists 1954-1976" (authorship unclear), comics, correspondence, photocopies, brochures for various African American art exhibitions, (featured artists include Ernie Barnes, Romare Bearden, Faith Ringgold, Horace Pippin, and Kara Walker), and fellowship proposal and plans for Paul Von Blum.
Box 48, Folder 2

African American III 1994-1995, 1999, 2002

Scope and Content Note

Papers by colleagues and students on African American art (topics include black male images, paintings of Robert Colescott, work of Charles White, contemporary art historical theory, and Henry Ossawa Tanner). Other materials include museum exhibition brochures (artists featured include Romare Bearden, Harlem Renaissance artists, and Paul Robeson) and photocopies of articles about African American art and leadership.
Box 48, Folder 3

African American IV 1982

Scope and Content Note

Papers by colleagues and students on African American art (topics include Harlem Renaissance and African American assimilation), bibliography of African American art, notes, and museum exhibition brochures (topics include clay art, Benny Andrews, black church, South African photography, and 20th century African American works).
Box 48, Folder 4

Blacks and Jews 1987, 2000

Scope and Content Note

Copies of Jewish Currents magazine from 1967 and 1987, e-mail correspondence, and copy of article "Black Demagogues and Pseudo-Scholars" by Henry Louis Gates Jr.
Box 48, Folder 5

Black male New York ca. 1994

Scope and Content Note

Paper and exhibition brochures on art work and representations of black masculinity.
Box 48, Folder 6

Japanese American 1989-1990, 2001

Scope and Content Note

Clippings, student paper "My Arizona: Isamu Noguchi and the Incarceration of Japanese-Americans During World War II" by Amy Lyford of Boston University, and e-mail correspondence.
Box 48, Folder 7

Chinese American ca. 1995-1996

Scope and Content Note

Copies of essays by Paul Von Blum and Anthony Lee regarding Chinese Americans.
Box 48, Folder 8

Diaspora issues 1995-1996

Scope and Content Note

Exhibition Outline from Neery Melkonian for "Between Heaven and Hell: Contemporary Art from the Middle Eastern Diaspora" and notes.
Box 48, Folder 9

University of Washington workshop 1991

Scope and Content Note

Notes, annotated photocopies, flyers, correspondence regarding Boime's "Race, Gender and Class" workshop at the University of Washington, and project descriptions from students in the class that Boime visited at U of W.
Box 48, Folder 10

Stereotypes 1991-1992

Scope and Content Note

Bibliography and outline for paper on cartoons and stereotypical representations of Irish immigrants, paper on unusual physical features, and outline and bibliography for "Issues of Ethnicity, Representation, and Gender in Nineteenth Century American Popular Art" by Stacy Kamehiro.
Box 49, Folder 1

Art History 202: Ethnographic Studies of Art ca. 1990

Scope and Content Note

Book outline/proposal for "Form and Function of Bidjogo Shrine Sculpture" (authorship unclear), "Aesthetics and Semiotics: New Visions and New Voices" conference materials, and Art History 202 syllabus.
Box 49, Folder 2

Feminism II 1992

Scope and Content Note

Women's Studies pamphlet, paper "Masculinity in Crisis" by Amy Kesselhaut, Dictionary of Women Artists, correspondence, and copy of UCLArt Interview (possibly with Lucy R. Lippard).
Box 49, Folder 3

Modernism and Feminism 1992

Scope and Content Note

Syllabus and readings for course "Women and Art in Contemporary United States" led by Sondra Hale. Folder also includes articles.
Box 49, Folder 4

Gay and lesbian 1992

Scope and Content Note

Correspondence and publication "Studies in Homosexuality" featuring anthology of scholarly articles.
Box 49, Folder 5

Gay and racial ca. 1999

Scope and Content Note

Notes, article "Homoeroticism and the Quest for Originality in Girodet's Revolt at Cairo (1810)," and foldout poster for exhibition "Sex, Lies, and Stereotypes: Posters on Sexism and Homophobia" by the Center for the Study of Political Graphics.
Box 49, Folder 6

Trompe L'Oeil painting 1989

Scope and Content Note

Exhibition brochure for "Yani: The Brush of Innocence" by the Smithsonian Institution, papers on Trompe L'Oeil painting by David Lubin for several conferences, and pages from unidentified drafts (topics include Winckelmann).
Box 49, Folder 7

Miscellaneous social issues 1989

Scope and Content Note

Notes, brochure on "The Papers of African American Artists," correspondence, invoices, photocopies, and Washington DC maps.
Box 49, Folder 8

AIDS 1989

Scope and Content Note

Publication regarding The Names Project AIDS Memorial Quilt in Washington DC, catalog for exhibition "Images & Words: Artists Respond to AIDS," and draft of "The AIDS Memorial Quilt: Mourning, Activism, and the Politics of Sentimentality" by Richard Iosty.
Box 49, Folder 9

Angels from the Vatican 1997

Scope and Content Note

Exhibition packet for Angels from the Vatican exhibit at the Hammer Museum (sponsored by the Chrysler Corporation).
Box 49, Folder 10

Islam ca. 1991

Scope and Content Note

Flyers, newsletters, and political publications.
Box 49, Folder 11

Islam 1998

Scope and Content Note

Saudi Arabia brochures, pamphlet "A Parent's Guide to Religion in the Public Schools," and resource manual from Parent Education Outreach "Islamic Awareness Conference."
Box 49, Folder 12

Religion ca. 1998

Scope and Content Note

Photocopied article on Afrocuban rites and rituals in Cuba and paper by Jacques Derrida "Avowing--The Impossible: 'Returns,' Repentance and Reconciliation."
Box 49, Folder 13

Southwest crypto-Jews undated

Scope and Content Note

Photocopied article "The Secret Legacy of Christopher Columbus in the Southwest."
Box 49, Folder 14

Jews and Israel (1 of 2) 1996-1998, 2000

Scope and Content Note

Articles, working paper from SUNY Stony brook by Richard Williams on "Stereotype Research: A Sociological Analysis (1918-1970)," typed memoir of Holocaust survivor, clippings, notes, copies of papers on Jewish identity, conference programs, and e-mail correspondence (general theme of perspectives on Israeli-Palestinian conflict).
Box 50, Folder 1

Jews and Israel (2 of 2) 1996-1998, 2000

Scope and Content Note

Articles, working paper from SUNY Stony brook by Richard Williams on "Stereotype Research: A Sociological Analysis (1918-1970)," typed memoir of Holocaust survivor, clippings, notes, copies of papers on Jewish identity, conference programs, and e-mail correspondence (general theme of perspectives on Israeli-Palestinian conflict).
Box 50, Folder 2

Transnational undated

Scope and Content Note

Paper by George Baker "Response to Okwui Enwezor, 'Mega-Exhibitions and the Antinomies of a Transnational Global Form.'"
Box 50, Folder 3

India ca. 1994-1995

Scope and Content Note

Exhibition brochure for LACMA exhibition on Jain Art from India and project description by Debashish Banerji "Locating Abanindranath Tagore: Local, National and Transnational Concerns in a Turn-of-the-Century Indian Artist."
Box 50, Folder 4

Iraq 2003

Scope and Content Note

Clippings and issue of magazine "Nonviolent Activist" from March-April 2003. All items are related to U.S. intervention in Iraq.
Box 50, Folder 5

Gulf War 1991

Scope and Content Note

Program from day of alternative education on Gulf War, clippings, and flyers.
Box 50, Folder 6

Vietnam undated

Scope and Content Note

Publication "Lessons of the Vietnam War."
Box 50, Folder 7

Bosnia, etc. 1996

Scope and Content Note

Paper "The New Apartheid" by Omer Ale Suleimanagich and issue of The Washington Spectator from June 15, 1996.
Box 50, Folder 8

The Sixties undated

Scope and Content Note

Note and paper by Claudia Mesch entitled "Marcuse and the End of the '60s"
Box 50, Folder 9

Social history ca. 1989

Scope and Content Note

Notes, correspondence, article photocopy, and draft of talk regarding homelessness.
 

Academies 1968-1998

Scope and Content Note

Boime's research on art academies and academic painting, likely for his publication "Towards a Theory of the Academy," among others. The subseries includes several drafts and papers for an anthology that Boime compiled on the Academy. Other materials include correspondence with specific academies, informational materials about their programs, and notes. This subseries is arranged topically beginning with drafts and general academy research, and ending with research on specific academies.
Box 139, Folder 4

Academies

Box 139, Folder 5

Vrije Academie ca. 1970

Scope and Content Note

Mailings from Vrije Academie in the Hague. Materials in Dutch.
Box 139, Folder 6

Loose materials 1980-1982

Scope and Content Note

Small notebook, maps, and New York Drawing Association brochures.
Box 139, Folder 7

Loose materials 1960-1972

Scope and Content Note

Correspondence, mailings from art academies, and notes. Folder also includes small blue book: Art as a Function of Government (possibly an exam or lecture notes), information regarding the Royal Swedish Academy, syllabus from Durban, University of Canterbury course material and student work samples, and Warburg Institute booklet. Some materials in German and Dutch.
Box 50, Folder 10

Academy papers 1983-1984

Scope and Content Note

Notes and correspondence. Folder also includes a copy of draft by Clark V. Poling "Kandinsky's Analytical Drawing Class at the Bauhaus," draft by Bruce Laughton "The Slade School: An Anti-Academic Academy," draft by Karen-edis Barzman "Institutionalizing Albertian Principles of Education," draft by Judith Testa "A Graduate of the 'Ghent-Bruges School': Simon Bening's Acquisition and Uses of Traditional Compositions," and draft of "Towards a Theory of the Academy."
Box 50, Folder 11

Academy papers undated

Scope and Content Note

Drafts of papers and table of contents for anthology on the Academy.
Box 50, Folder 12

Academy - essay #1 undated

Scope and Content Note

Notes and pages from draft of "Towards a Theory of the Academy."
Box 50, Folder 13

Royal Academy - draft undated

Scope and Content Note

Miscellaneous pages from draft on Royal Academy.
Box 50, Folder 14

Academy - draft undated

Scope and Content Note

Draft of "Towards a Theory of the Academy."
Box 51, Folder 1

Chapter IV: Pedagogical Reform undated

Scope and Content Note

Draft of "Pedagogical Reform" with some edits.
Box 51, Folder 2

Reforms of 1863 undated

Scope and Content Note

Draft of "The Reforms of 1863."
Box 51, Folder 3

1863 additions undated

Scope and Content Note

Notes and photocopies. Some materials in French.
Box 51, Folder 4

Prix de Rome undated

Scope and Content Note

Paper with subheading "The Minor Competitions."
Box 51, Folder 5

Prix de Rome undated

Scope and Content Note

Notes and photocopies. Some materials in French.
Box 51, Folder 6

Oil sketches undated

Scope and Content Note

Notes and draft of "Political Signification and Ambiguity in the Oil Sketch" with edits. Folder also includes a photo of Boime.
Box 51, Folder 7

Oil sketches ca. 1998

Scope and Content Note

Several drafts of "Political Signification and Ambiguity in the Oil Sketch" with some edits.
Box 51, Folder 8

Academy notes and drafts (1 of 5) undated

Scope and Content Note

Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 51, Folder 9

Academy notes and drafts (2 of 5) undated

Scope and Content Note

Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 51, Folder 10

Academy notes and drafts (3 of 5) undated

Scope and Content Note

Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 52, Folder 1

Academy notes and drafts (4 of 5) undated

Scope and Content Note

Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 52, Folder 2

Academy notes and drafts (5 of 5) undated

Scope and Content Note

Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 52, Folder 3

Academy anthology (1 of 3) ca. 1974

Scope and Content Note

Drafts of chapters for an anthology about the Academy and art. Folder includes correspondence from the publisher and lecture notes. Authors include LeGrace Benson, Peg Weiss, Alessandra Comini, Dorathea K Beard, Jack Cowart, Alfonz Lengyel, Aidron Duckworth, Henri Dorra, Manuela Hoelterhoff, Eric Cameron, and Carl Goldstein.
Box 52, Folder 4

Academy anthology (2 of 3) ca. 1974

Scope and Content Note

Drafts of chapters for an anthology about the Academy and art. Folder includes correspondence from the publisher and lecture notes. Authors include LeGrace Benson, Peg Weiss, Alessandra Comini, Dorathea K Beard, Jack Cowart, Alfonz Lengyel, Aidron Duckworth, Henri Dorra, Manuela Hoelterhoff, Eric Cameron, and Carl Goldstein.
Box 52, Folder 5

Academy anthology (3 of 3) ca. 1974

Scope and Content Note

Drafts of chapters for an anthology about the Academy and art. Folder includes correspondence from the publisher and lecture notes. Authors include LeGrace Benson, Peg Weiss, Alessandra Comini, Dorathea K Beard, Jack Cowart, Alfonz Lengyel, Aidron Duckworth, Henri Dorra, Manuela Hoelterhoff, Eric Cameron, and Carl Goldstein.
Box 52, Folder 6

Drafts of academy papers undated

Scope and Content Note

Draft of paper entitled "Official Art: Crystallization and History, The Typical Official Career (Beginning), The Concepts of 'Official' and 'Academic.'"
Box 53, Folder 1

Academies 1970

Scope and Content Note

Correspondence from art academies around the world including Université Laval (Quebec), Royal College of Art, Academie van Beeldende Kunsten Rotterdam, école Supérieure des Beaux-Arts d'Athénes, Jan Van Eyck Academie, Accademia di Belle Arti - Firenze, Banaras Hindu University, College for Advanced Technical Education, école Nationale des Beaux-Arts de Dijon, College of Chinese Culture, Instituto Statale D'Arte Di Bologna, and School of Arts Trivandrum. Some materials in Italian and French.
Box 53, Folder 2

Academies bulk 1978, 1973-1975

Scope and Content Note

Notes, photocopies, correspondence (correspondents include Alastair Granville-Jackson), Italian and Spanish pamphlets about art academies, and draft "Academies of Art." Some materials in French.
Box 53, Folder 3

Academies 1970s-1980s

Scope and Content Note

Correspondence, notes, articles, bibliography of Academy of San Carlos, draft of "History without Roots: The Birth and Early Growth of American Art Institutions" by Carrie Rebora, and photographic negatives. Some materials in Italian.
Box 53, Folder 4

Academies bulk 1979, 1993

Scope and Content Note

Correspondence from American Academy in Rome, notes, copy of "To Copy to Create: The Louvre's Bicentennial" by Wayne Andersen, and copy of Art Bulletin, 58, March 1975. Folder also includes a draft of "Towards a Theory of the Academy" with some edits and a draft of "Two Documents for the Roman Academy of Saint Luke."
Box 53, Folder 5

Academies 1968-1974, 1982-1983

Scope and Content Note

Correspondence and materials regarding academies and study in the Netherlands, Great Britain, Italy, and New York. Some materials in German and French.
Box 53, Folder 6

Academies 1970, 1982-1984

Scope and Content Note

Correspondence, notes, and materials from Kyoto College of Fine Arts, Royal Swedish Academy of Fine Arts, and the New York Drawing Association. Some materials in German.
Box 53, Folder 7

Academies - miscellaneous 1974-1976, 1978

Scope and Content Note

Correspondence (correspondents include William Dubin), illustration lists, drawings, copy of Educational Statistics of the Republic of China, and academy photographs. Folder also includes copy of paper by Stephanie R. Cassidy "Reconstructing the Artist: The Rise of the Art Students League of New York, 1875-1920" and a Louvre catalog.
Box 53, Folder 8

Academies - miscellaneous 1974, 1986

Scope and Content Note

Images from Grand Central Art Gallery, photographic negatives and associated slide list of Matisse drawings, and notes.
Box 54, Folder 1

Academies - miscellaneous 1972-1975, 1994-1996

Scope and Content Note

Articles, photocopies, correspondence, copy of Systemanalyse Akademie München: Verfassungsanalyse, newsletter, and programs about drawing. Some materials in German.
Box 54, Folder 2

The cultural politics of the art academy 1993

Scope and Content Note

Correspondence and draft of "The Cultural Politics of the Art Academy" (correspondents include Joel Reed).
Box 54, Folder 3

Novack - utopia undated

Scope and Content Note

Draft of "Art from Nowhere: The Academy in Utopia" with some edits.
Box 54, Folder 4

Novack - academy 2003-2004

Scope and Content Note

Annotated photocopies, notes, correspondence regarding program "Age of Projects: Changing and Improving the Arts, Literature, and Life during the Long Eighteenth Century, 1660-1820" coordinated by Maximillian Novack, and drafts of "Art from Nowhere: The Academy in Utopia" with edits.
Box 54, Folder 5

Academy notes undated

Scope and Content Note

Photocopies and notes.
Box 54, Folder 6

Academy 1968, 1970

Scope and Content Note

Correspondence, notes, paper by Robin Messick "Aspects of Indian Art Under British Rule," and Art Academy of Cincinnati history and timeline.
Box 54, Folder 7

Academies: comparison undated

Scope and Content Note

Draft of "French Academic Training and Art Education in Korea."
Box 54, Folder 8

Seoul National University 1998

Scope and Content Note

Draft of "French Academic Training and Art Education in Korea" with some edits, correspondence, course materials, and notes.
Box 54, Folder 9

Materials from New York Academy of Art undated

Scope and Content Note

Articles and papers.
Box 55, Folder 1

New York Drawing Association 1981

Scope and Content Note

Correspondence, photocopies (topics include murals), informational materials for NY Drawing Association (faculty lists, maps, tuition and course information), and copies of press clippings.
Box 55, Folder 2

Academie Julian Project 1981-1982, 1986

Scope and Content Note

Slides and slide notes on works by Oscar Fehrer, notes, and correspondence with Catherine Fehrer. Folder also includes draft of "The Academie Julian and the Marketing of Art" and draft of "The Academie Julian: A Successful Enterprise of the Third Republic."
Box 55, Folder 3

Cincinnati 1973-1974

Scope and Content Note

Correspondence, letter from Cincinnati Art Museum on Art Academy of Cincinnati, student paper by Richard S. Schneiderman, and 2 student papers by Mel Lader.
Box 55, Folder 4

Cincinnati Academy undated

Scope and Content Note

Notes and photocopies.
Box 55, Folder 5

English Art Institutes undated

Scope and Content Note

Notes.
Box 55, Folder 6

Canada Academy undated

Scope and Content Note

Notes. Some materials in French.
Box 55, Folder 7

Henry Few Smith - Dusseldorf Academy undated

Scope and Content Note

Photocopies and article "Henry Few Smith, Philadelphia Artist, 1821-1846" by Maurice Browning Cramer (annotated by Boime). Folder also includes annotated copies of letters from and to Henry.
Box 55, Folder 8

The Ecole at Rome (before 1863) undated

Scope and Content Note

Draft of paper titled "The Ecole at Rome" (unclear authorship) with corrections throughout.
Box 55, Folder 9

Drawing forum undated

Scope and Content Note

Notes.
Box 55, Folder 10

Bauhaus 1974

Scope and Content Note

Correspondence and writings by Clark V. Poling on Bauhaus.
Box 55, Folder 11

Sketch miscellaneous undated

Scope and Content Note

Preface and Introduction to unidentified exhibition (Preface composed by Rudolf Wittkower).
Box 55, Folder 12

Revue Illustree undated

Scope and Content Note

Notes, correspondence, and photocopies. All materials related to Carl Martinez. Materials in French.
Box 55, Folder 13

Notes undated

Scope and Content Note

Notes about Royal Academy and sketches.
 

Freedom of Information Act [FBI Files] 1941-1968, 1988-2003

Scope and Content Note

Materials requested by Boime through the Freedom of Information Act. The subseries includes FBI files on a variety of artists (most suspected of Communist activities), all requested by Boime. Materials are filed alphabetically by artist's last name, with general materials at the end.
Box 55, Folder 14

Charles Henry Alston 1995

Scope and Content Note

FBI Files on Charles Henry Alston requested through the Freedom of Information Act.
Box 55, Folder 15

William Baziotes 1989

Scope and Content Note

FBI files on William Baziotes requested through the Freedom of Information Act.
Box 55, Folder 16

Thomas Hart Benton 1990

Scope and Content Note

FBI files on Thomas Hart Benton requested through the Freedom of Information Act.
Box 55, Folder 17

David Burliuk 1990

Scope and Content Note

FBI files on David Burliuk requested through the Freedom of Information Act.
Box 55, Folder 18

David Burliuk 1991

Scope and Content Note

FBI files on David Burliuk requested through the Freedom of Information Act.
Box 56, Folder 1

Aaron Douglas 1996

Scope and Content Note

FBI Files on Aaron Douglas requested through the Freedom of Information Act.
Box 56, Folder 2

Arshile Gorky, Adolph Gottlieb, and Mark Rothko 1989

Scope and Content Note

FBI Files on Arshile Gorky, Adolph Gottlieb, and Mark Rothko requested through the Freedom of Information Act.
Box 56, Folder 3

Clement Greenberg 1998-2003

Scope and Content Note

FBI files on Clement Greenberg requested through the Freedom of Information Act and correspondence.
Box 56, Folder 4

Samuel (William) Gropper (1 of 2) undated

Scope and Content Note

FBI Files on Samuel Gropper (AKA William Gropper) requested through the Freedom of Information Act.
Box 56, Folder 5

Samuel (William) Gropper (2 of 2) undated

Scope and Content Note

FBI Files on Samuel Gropper (AKA William Gropper) requested through the Freedom of Information Act.
Box 56, Folder 6

William Gropper 1988

Scope and Content Note

FBI files on William Gropper requested through the Freedom of Information Act.
Box 56, Folder 7

Norman Lewis undated

Scope and Content Note

FBI files on Norman Lewis requested through the Freedom of Information Act.
Box 56, Folder 8

Rockwell Kent (1 of 5) 1949-1968

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 1

Rockwell Kent (2 of 5) 1949-1968

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 2

Rockwell Kent (3 of 5) 1949-1968

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 3

Rockwell Kent (4 of 5) 1949-1968

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 4

Rockwell Kent (5 of 5) 1949-1968

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 5

Rockwell Kent (1 of 4) 1941-1963

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 58, Folder 1

Rockwell Kent (2 of 4) 1941-1963

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 58, Folder 2

Rockwell Kent (4 of 4) 1941-1963

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 58, Folder 3

Rockwell Kent (3 of 4) 1941-1963

Scope and Content Note

FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 58, Folder 4

Rockwell Kent and Hale Aspacio Woodruff 1992-1996

Scope and Content Note

FBI files on Hale Aspacio Woodruff and Rockwell Kent requested through the Freedom of Information Act. Folder also includes correspondence and notes.
Box 58, Folder 5

Yasuo Kuniyoshi 1988

Scope and Content Note

FBI files on Yasuo Kuniyoshi requested through the Freedom of Information Act.
Box 58, Folder 6

Lee Krasner Pollock and Meyer Schapiro 1959-1963, 1997-2000

Scope and Content Note

FBI files on Meyer Schapiro and Lee Krasner Pollock requested through the Freedom of Information Act and correspondence.
Box 58, Folder 7

Adophe Reinhardt 1990

Scope and Content Note

FBI files on Adolph Reinhardt requested through the Freedom of Information Act.
Box 59, Folder 1

Leo Wilton on Reinhardt 1991

Scope and Content Note

Two drafts of paper by Boime's student Leo Wilton, "The FBI's Misuse of Power: A Case Study on Adolph Reinhardt", correspondence, and photocopied articles.
Box 59, Folder 2

Boardman Robinson 1989

Scope and Content Note

FBI files on Boardman Robinson requested through the Freedom of Information Act.
Box 59, Folder 3

Harold Rosenburg (1 of 2) 2001

Scope and Content Note

FBI files on Harold Rosenburg requested through the Freedom of Information Act.
Box 59, Folder 4

Harold Rosenburg (2 of 2) 2001

Scope and Content Note

FBI files on Harold Rosenburg requested through the Freedom of Information Act.
Box 59, Folder 5

Ben Shahn 1990

Scope and Content Note

FBI Files on Ben Shahn requested through the Freedom of Information Act.
Box 59, Folder 6

Moses Soyer 1990

Scope and Content Note

FBI Files on Moses Soyer requested through the Freedom of Information Act.
Box 59, Folder 7

Raphael Soyer 1990

Scope and Content Note

FBI files on Raphael Soyer requested through the Freedom of Information Act. See box 29 for additional research on Raphael Soyer.
Box 59, Folder 8

Charles White 1950-1964

Scope and Content Note

FBI files on Charles White requested through the Freedom of Information Act.
Box 60, Folder 1

Richard Wright 1942-1956

Scope and Content Note

FBI files on Richard Wright requested through the Freedom of Information Act.
Box 60, Folder 2

Miscellaneous Freedom of Information Act files (1 of 2) 1984, 1988

Scope and Content Note

Bulk of contents are FBI Files on Philip Evergood with some about Adolph Frederick Reinhardt. All materials were requested through the Freedom of Information Act.
Box 60, Folder 3

Miscellaneous Freedom of Information Act files (2 of 2) 1984, 1988

Scope and Content Note

Bulk of contents are FBI Files on Philip Evergood with some about Adolph Frederick Reinhardt. All materials were requested through the Freedom of Information Act.
Box 60, Folder 4

Miscellaneous Freedom of Information Act files 1994

Scope and Content Note

FBI Files on Rockwell Kent, Lee Krasner Pollock, Archibald Motley Jr., Dox Thrash, Louis Nevelson, and Isabel Bishop.
Box 60, Folder 5

Freedom of Information Act miscellaneous 1991-1994

Scope and Content Note

Correspondence regarding FOIA requested files, file on Rockwell Kent, and photocopied articles.
Box 60, Folder 6

FBI files (1 of 2) 1989

Scope and Content Note

Correspondence with the FBI regarding requested files through the Freedom of Information Act. Files on Moses Soyer, Raphael Soyer, and David Smith.
Box 60, Folder 7

FBI files (2 of 2) 1989

Scope and Content Note

Correspondence with the FBI regarding requested files through the Freedom of Information Act. Files on Moses Soyer, Raphael Soyer, and David Smith.
Box 61, Folder 1

FBI files 1987-1992

Scope and Content Note

FBI Files on Adolph Reinhardt, Samuel Gropper (AKA William Gropper), Stuart Davis, Alexander Calder, and correspondence.
Box 61, Folder 2

FBI/CIA correspondence bulk 1991, 1994

Scope and Content Note

Correspondence with the CIA and FBI regarding requested artist files through the Freedom of Information Act.
Box 61, Folder 3

Freedom of Information Act Correspondence 1989

Scope and Content Note

Correspondence with the FBI regarding requested Freedom of Information Act files. Folder also includes unidentified documents regarding Mark Rothko.
 

Art Movements 1974-2002

Scope and Content Note

Materials relating to art movements, possibly for Boime's Social History of Modern Art series and other publications. The general art movements featured in this subseries are modernism, orientalism, neoclassicism, realism, impressionism, expressionism, Romanticism, symbolism, formalism, and genre painting. The subseries is arranged by art movement, beginning with the largest volume of material.
Box 139, Folder 8

Primitive ca. 1989-1990

Scope and Content Note

Notes, pages from miscellaneous drafts (topics include African art, colonialism, Gauguin, Picasso, cubism, and Georges Braque), exhibition catalogs, and annotated lecture notes from Getty Lectures.
Box 139, Folder 9

Romanticism seminar 1990

Scope and Content Note

Notes, correspondence from Clark Library, and attendance list for Art History 253.
Box 139, Folder 10

Post-Colonialism 1996

Scope and Content Note

"Nonviolent Activist" newsletter, clippings, notes, and photocopies.
Box 61, Folder 4

Modern primitive 1976

Scope and Content Note

Exhibition catalog from "Theater of the Object" at the Alternative Museum, notes, article by Wayne Andersen "Picasso and the Alien Oilcloth," and Heard Museum Gallery Guide and map.
Box 61, Folder 5

Primitive 1991-1992

Scope and Content Note

Bibliography on physiognomy and phrenology, correspondence, photocopied articles, clippings, notes, PhD qualifying exam materials for Susan Masuoka, and syllabi for seminar "Primitivism and Art" offered by Cecilia Klein.
Box 61, Folder 6

Cubism - origins 1983, 1993

Scope and Content Note

Lecture "Cubist Critics: Riviere and Metzinger" (authorship unclear), correspondence, and photocopied articles.
Box 61, Folder 7

Futurists 1996

Scope and Content Note

Photocopied articles, PhD proposal for Alexander Waintrub, student paper "Futurism: The Power of Ideas" by Douglas Revere, and correspondence. Some materials in Italian.
Box 61, Folder 8

Arte Povera undated

Scope and Content Note

"Zero to Infinity: Arte Povera 1962-1972": transcribed version of an audio presentation.
Box 61, Folder 9

Social art 1993-1994

Scope and Content Note

Exhibition brochure and book jacket cover.
Box 61, Folder 10

Recycling as art 2000

Scope and Content Note

Clippings, photocopies of articles, and paper by Beth Dungan on "Collecting and Collating: The Stuff of Everyday Life."
Box 61, Folder 11

Environmentalism 1990

Scope and Content Note

Notes and informational materials for conference "Our Common Future: Healing the Planet."
Box 61, Folder 12

Earth art 1991-1992, 1997

Scope and Content Note

Journal of Urban History pamphlet regarding the Chavez Ravine, clippings, copy of "A Conversation with Robert Smithson on April 22, 1972," photocopies, and paper by Bruce Kurtz. Folder also includes brochure of reed sculptures by Roy Staab, correspondence and paper "Overburden: Art, the Environment, and the Economy in Mining Robert Smithson" by Ron Graziani, and publication by Wayne Andersen "Restoring Spiral Jetty: What if......?"
Box 61, Folder 13

Modernism ca. 1995, 2001

Scope and Content Note

Notes, Art History 110C syllabus, correspondence, and copy of "An Excursus Upon Blood and Dirt: Tipsy Margothians Versus the Moderate Men" (authorship unclear). Other materials include Art History 54 Section notes for week on Modernisms and copy of PhD examination for Susanne Kelley.
Box 62, Folder 1

Modernism and ideology 1997, 2002

Scope and Content Note

Booklet by Terry Smith on Contemporary Art, pages from untitled draft, photocopies, flyers, notes, e-mail correspondence, magazine clippings, and papers by Marie Clifford regarding fashion and modernism.
Box 62, Folder 2

Modernism and Cold War undated

Scope and Content Note

Notes.
Box 62, Folder 3

Modern Chinese realism ca. 2002

Scope and Content Note

Photocopies.
Box 62, Folder 4

Orientalism undated

Scope and Content Note

Notes and copies of short papers.
Box 62, Folder 5

Orientalism seminar 2000

Scope and Content Note

Notes, Reserve list for Art History 127x1/253, student outlines, syllabus, student assignments, enrollment lists, 1 slide from Dahesh Museum, 1 unidentified slide, bibliography, and student papers.
Box 62, Folder 6

Orientalism seminar 2000-2001

Scope and Content Note

Paper "Disorienting Orientalism," Week 9 notes, magazine article "Going Global," photocopies from book "Colonial Fantasies." Folder also includes dissertation prospectus from Susanne Kelley with edits, bibliographies, and correspondence and PhD qualifying exams for Susanne Kelley.
Box 62, Folder 7

Orientalism seminar 2000

Scope and Content Note

Notes, annotated photocopies, syllabus for AH 127/253, and reading outline (topics include Homi Bhabha, Edward Said, and Sardar).
Box 62, Folder 8

Orientalism - week 5 2000

Scope and Content Note

Notes for Week 5 discussion of Orientalism in Art History 127/253.
Box 62, Folder 9

Orientalism lecture 2001

Scope and Content Note

Notes, draft of "Disorienting Orientalism," and galley proof of "Multiple Wives, Multiple Pleasures" by Joan DelPlato with edits.
Box 62, Folder 10

New Orientalism 2003

Scope and Content Note

Draft of "Disorienting Orientalism" with edits, thesis abstract for Simon Kenrick, and syllabus for course "Perspectives on September 11."
Box 63, Folder 1

Eugene Delacroix undated

Scope and Content Note

Notes.
Box 63, Folder 2

Near East - Delacroix ca. 1980

Scope and Content Note

Draft of prologue and abstract, notes, photocopies, and student paper.
Box 63, Folder 3

Neoclassicism 1979, 1982

Scope and Content Note

Notes (topics include Canova and Angelica Kauffmann) and correspondence.
Box 63, Folder 4

18th century Neoclassicism undated

Scope and Content Note

Notes on Neoclassicism including topics like Angelica Kauffman, Wedgwood, Batoni, and Albani. Folder includes copy of Revue de L'Art, photocopies, and brochure "The Treasure Houses of Britain" from National Gallery of Art. Some materials in French.
Box 63, Folder 5

Jacques Louis David 1978

Scope and Content Note

Cowboy Artists of America Newsletter, correspondence, and paper by Miriam Levin "La Définition du Caractère républicain dans l'art français après la Révolution." Some materials in French.
Box 63, Folder 6

Jean-François Marmontel 1978-1979

Scope and Content Note

Edited draft of "Marmontel's Belisaire and the Pre-Revolutionary Radicalism of David" with notes on Marmontel and Belisaire. Some materials in French.
Box 63, Folder 7

Third Republic 1987

Scope and Content Note

Photocopies of endnotes, notes, and lists of artworks. All materials in French.
Box 63, Folder 8

Realism 1980

Scope and Content Note

Correspondence, photocopies, brochures, notes, and edited pages from paper "Pouring New Realist Wine from Old Academic Bottles."
Box 64, Folder 1

Realism 1984

Scope and Content Note

Itinerary for 1984 Conference on Corporate Art Collecting, draft of "The Return of the Academic Tradition," and conference itinerary for The Artist as Realist: The Academic Tradition. Folder also includes notes, booklet by NY Drawing Association, and articles.
Box 64, Folder 2

Realism 1974, 1979, 1993

Scope and Content Note

Correspondence, drafts, New York trip itinerary, contact information, and notes (topics include Moses Soyer).
Box 64, Folder 3

Realism 2000

Scope and Content Note

Correspondence, photocopied articles, notes, and several drafts of "Realism, A Proposal."
Box 64, Folder 4

Miscellaneous research 1974, 1977-1978

Scope and Content Note

Photos, some slides, pages from draft of paper, notes, correspondence, photocopies, copies of interview material with Audrey Flack, notes regarding Raphael Soyer, and schedule for New York trip.
Box 64, Folder 5

Edouard Manet and Impressionism 1990

Scope and Content Note

Museum brochures, notes, draft of "The Sum of all Substance" with edits, and booklet "Degas and the Literature of His Time."
Box 64, Folder 6

Impressionism 1976-1986, 1995

Scope and Content Note

Paper by Anne Wagner "Courbet's Landscapes and Their Market," syllabi and course materials for Art History 253, 110B, and 54, correspondence, program and papers for the UCLA Art History Graduate Student Symposium, photocopies of impressionist works, untitled draft of a paper, and museum brochures. Some materials in French.
Box 64, Folder 7

Impressionism bulk 1985, 1981-1984

Scope and Content Note

Notes, correspondence, brochures, and postcards.
Box 64, Folder 8

Impressionism undated

Scope and Content Note

Lecture notes, photocopies of "His Majesty," and notes (topics include Van Gogh, Gauguin, Japanese influence, and Seurat).
Box 64, Folder 9

Impressionism paper 1988, 1993

Scope and Content Note

Correspondence with Takano Yoshiaki and paper "The First Two Impressionist Exhibitions and the Salon" by Setsuko Yoshikawa.
Box 64, Folder 10

Impressionism - permissions 1993-1995

Scope and Content Note

Correspondence and invoices regarding photo permissions for book "Studies in Early Impressionism." Some materials in French.
Box 64, Folder 11

Expressionism undated

Scope and Content Note

Notes.
Box 64, Folder 12

German Expressionism ca. 1993

Scope and Content Note

Copy of dissertation proposal "Max Beckmann: Sex and Politics" by Dagmar Grimm with edits, exhibition brochures and catalogs, and postcards.
Box 65, Folder 1

Symbolism 1980

Scope and Content Note

Notes and catalog from CSU San Bernardino Exhibition: "Symbolism: Europe and America at the End of the Nineteenth Century."
Box 65, Folder 2

Romanticism and Colonialism ca. 1979, 1987

Scope and Content Note

Miscellaneous pages from paper and bibliography, notes, and Shanghai Museum Exhibition Brochure.
Box 65, Folder 3

Cezanne and Formalism in Bloomsbury undated

Scope and Content Note

Draft of "Chapter V, Cezanne and Formalism in Bloomsbury: The Artists" by Beverly Twitchell. Folder includes list of plates and photocopies of images.
Box 65, Folder 4

Late 19th century art ca. 1978

Scope and Content Note

Copy of "Kommunistische Volkszeitung" (Communist People's Daily), photocopied images, and notes (topics include Jules Breton, Seurat, Pissaro, Gauguin, and Communism).
Box 65, Folder 5

Theory of genre ca. 1997

Scope and Content Note

Wendy Katz dissertation proposal with edits, Katz bibliography, and Dahesh Museum exhibition catalog.
Box 65, Folder 6

Art Nouveau undated

Scope and Content Note

Notes.
 

Macchiaioli 1983-2003

Scope and Content Note

Materials related to Boime's research on the Macchiaioli and Risorgimento, likely for his publication "The Macchia and the Risorgimento" and an exhibition on the same topic. Filed by subject. Some materials in Italian.
Box 139, Folder 11

Macchiaioli 1988-1990

Scope and Content Note

Notes, reading report on Boime's Macchiaioli text, photocopies, and correspondence.
Box 140, Folder 1

Big Macchiaioli 1983-1985

Scope and Content Note

Clippings, correspondence, photocopies, notes, and copy of NEH application.
Box 140, Folder 2

Macchiaioli research 1985

Scope and Content Note

Booklet: Art in Italy, pages from draft of "Macchia and Risorgimento", notes on Garibaldi, articles, and annotated photocopies.
Box 140, Folder 3

Bianciforte 1985

Scope and Content Note

Notes and correspondence with Suzanne Bianciforte, photocopies from La Nazione (topics include Macchiaioli and Ricasoli), map of Rome, and student paper by Pamela Kort "Alessandro Manzoni's The Betrothed and its Relationship to The Risorgimento."
Box 140, Folder 4

Ricasoli 1861 1984-1986

Scope and Content Note

Annotated photocopies and notes.
Box 140, Folder 5

Gioli 1987

Scope and Content Note

Photocopies regarding Francesco Gioli. Materials in Italian.
Box 140, Folder 6

Macchiaioli additions 1992-1993

Scope and Content Note

Wine labels and Brolio wine book, correspondence, and photocopies.
Box 140, Folder 7

Macchiaioli project 1983-1989

Scope and Content Note

Notes, correspondence, and bound volume about Museum Nazionale del Risorgimento Italiano. Other materials include photocopies, exhibition funding projections, meeting notes, budget, and copies of miscellaneous exhibition proposals.
Box 140, Folder 8

Macchiaioli essays 1985-1986

Scope and Content Note

Notes, articles, and photocopies. Materials in Italian.
Box 140, Folder 9

Macchiaioli fifth revision undated

Scope and Content Note

Notes and photocopies.
Box 65, Folder 7

Italian seminar 1984-1985, 1991

Scope and Content Note

Correspondence, notes, bibliographies, and artist lists for Macchiaioli exhibition. Other materials include photocopies, Art 253 syllabus (topics include the Risorgimento), student paper, and Asbarez newspaper.
Box 65, Folder 8

Italian ottocento undated

Scope and Content Note

Notes and miscellaneous pages from draft. Some materials in Italian.
Box 65, Folder 9

Italian academies miscellaneous undated

Scope and Content Note

Art Quarterly Reprint, photocopies, notes, and bound manuscripts by Giuseppina Allegri Tassoni. Some materials in Italian.
Box 65, Folder 10

Macchiaioli exhibition 1983-1986

Scope and Content Note

Correspondence, notes, photo, and photocopies. Some materials in Italian.
Box 66, Folder 1

Macchiaioli exhibition 1983-1984

Scope and Content Note

Macchiaioli exhibition information, photocopies, correspondence (with Dario Durbe and Edith Tonelli), and meeting notes/minutes.
Box 66, Folder 2

Macchiaioli exhibition 1982-1983, bulk 1985-1986

Scope and Content Note

Macchiaioli Press Clipping Packet, correspondence (with Dario Durbe and Edith Tonelli), notes, photocopies, exhibition list, and NEH grant materials. Some materials in Italian.
Box 66, Folder 3

Macchiaioli exhibition 1985

Scope and Content Note

Italian maps, notes, photocopies, and correspondence (with Edith Tonelli and Dario Durbe) regarding Macchiaioli exhibition. Some materials in Italian
Box 66, Folder 4

Risorgimento undated

Scope and Content Note

Notes and essay "Tuscany and the Italian Risorgimento" by Denis Mack Smith.
Box 66, Folder 5

Mezzadria - geography undated

Scope and Content Note

Notes and photocopies. Materials in Italian.
Box 66, Folder 6

Timeline slides undated

Scope and Content Note

Macchiaioli timeline slides and slide list.
Box 66, Folder 7

Macchiaioli additions 1998

Scope and Content Note

Notes, correspondence, and photocopies. Some materials in German.
Box 66, Folder 8

Tuscan life 1986

Scope and Content Note

Notes and correspondence.
Box 66, Folder 9

Big Macchiaioli 1988, 2001

Scope and Content Note

Several reader's reports on "The Art of the Macchia and the Risorgimento," correspondence, photocopies, and untitled draft of paper on Battle of Volturno and Il Risorgimento. Some materials in Italian.
Box 66, Folder 10

More Macchiaioli 1983, 1985

Scope and Content Note

Fellowship application materials, draft of paper "The Macchiaioli: Art and Culture of the Risorgimento", and correspondence.
Box 66, Folder 11

Macchiaioli miscellaneous 1985

Scope and Content Note

Catalogue entries, correspondence, and exhibition packets.
Box 67, Folder 1

Macchiaioli fan mail 1995-1997

Scope and Content Note

Correspondence and catalog.
Box 67, Folder 2

Macchiaioli source ca. 1985

Scope and Content Note

Notes, annotated photocopies, map of Firenze, Italy, and two copies of paper "The Macchiaioli: Art and History." Some materials in Italian.
Box 67, Folder 3

Macchiaioli illustrations undated

Scope and Content Note

Illustration list.
Box 67, Folder 4

Macchiaioli photos 1988

Scope and Content Note

Correspondence and image lists for Macchiaioli manuscript.
Box 67, Folder 5

Garibaldi and Gioli research 1987-1988

Scope and Content Note

Correspondence regarding Gioli appraisal, notes (topics include Garibaldi), and annotated photocopies.
Box 67, Folder 6

Macchiaioli redux 2003

Scope and Content Note

Library printouts with citations and other research materials.
Box 67, Folder 7

Macchiaioli correspondence bulk 1990-1993, 1983-1988

Scope and Content Note

4x5 transparencies and photos, correspondence with publishers and others regarding "The Art of the Macchia and the Risorgimento," receipts/invoices, and copy of index for Macchiaioli book. Some materials in Italian.
Box 67, Folder 8

Macchiaioli permissions bulk 1991-1992, 1985-1988

Scope and Content Note

Correspondence regarding photo permissions for Boime's Macchiaioli volume, figure captions, illustration list, photos, and 4x5 transparencies. Some materials in Italian.
Box 67, Folder 9

Macchiaioli Staple paper 1984

Scope and Content Note

Paper "The Macchiaioli: Sources - Political and Artistic" by Lilian Staple.
Box 67, Folder 10

Preface - Intro, etc. 1987

Scope and Content Note

Article outline, report on Boime's article, notes, photocopies, and Risorgimento bibliography. Materials in Italian.
Box 67, Folder 11

Draft: Macchiaioli undated

Scope and Content Note

Draft: "I Macchiaioli ed il Risorgimento." All materials in Italian.
 

Vincent Van Gogh 1973-1999

Scope and Content Note

Materials related to Boime's research on the artist Vincent Van Gogh. A significant portion of material corresponds to astronomical phenomena. This body of work is likely related to Boime's argument that Van Gogh's painting "Starry Night" reflected actual astronomical events rather than the imaginary musings of a madman. The subseries also includes comparative research on Van Gogh and Thomas Nast for several publications. Materials include correspondence and information from the Voyager company about an educational Van Gogh CD-ROM for which Boime was a consultant. The subseries is filed by subject.
Box 141, Folder 1

Astronomia 1987

Scope and Content Note

Correspondence and astronomical diagrams supplied to Boime by Astronomia. Materials in Italian.
Box 141, Folder 2

Zemel - Van Gogh 1983

Scope and Content Note

Notes and astronomical calculations, copies of publications by Carol Zemel including some about Van Gogh, photocopies of images, Zemel curriculum vitae, and copy of Request for Art Council Faculty Grant. Some materials in French.
Box 141, Folder 3

Van Gogh/Nast article undated

Scope and Content Note

Notes and draft of Van Gogh / Nast article: "Van Gogh, Thomas Nast and the Social Role of the Artist" with edits. Folder also includes annotated photocopies, notes, and correspondence (correspondents include Joseph Mascheck).
Box 141, Folder 4

Thomas Nast notes bulk 1995, 1973

Scope and Content Note

Notes, photocopies, and correspondence regarding Nast article (correspondents include Richard West, Dr. V.W. Van Gogh and John Addler at Harper's Weekly). Folder also includes Van Gogh Conference materials, annotated photocopies from Harper's Weekly, and Nast cartoons.
Box 67, Folder 12

Van Gogh 1994

Scope and Content Note

Notes, photocopies, and correspondence for June 22, 1994 lecture at Van Gogh Museum.
Box 67, Folder 13

Vincent undated

Scope and Content Note

Notes (topics include artworks like The Potato Eaters).
Box 67, Folder 14

Vincent Van Gogh 1985

Scope and Content Note

Copy of lecture for a symposium.
Box 68, Folder 1

Van Gogh 1998

Scope and Content Note

Correspondence, notes, photocopied articles, and drafts of "Van Gogh's Mountains, Saint-Remy" with edits by Boime and others. Folder originally titled Van Googie.
Box 68, Folder 2

NASA undated

Scope and Content Note

Packet of brochures and educational materials on solar system and Mars Pathfinder.
Box 68, Folder 3

Astronomy II bulk 1998, 2002

Scope and Content Note

Correspondence regarding INSAP conference and draft of "Art History Written in the Stars."
Box 68, Folder 4

INSAP II conference 1998

Scope and Content Note

Conference information for Second Conference on the Inspiration of Astronomical Phenomena (INSAP II), map of Malta and Gozo, itinerary, building diagrams, and list of conference attendees. Other materials include notes, copy of conference paper "Van Gogh's Starry, Starry Night", correspondence regarding the conference, business cards, and brochures on Malta.
Box 68, Folder 5

Starry Night - pop and ads 1995-1997

Scope and Content Note

Popular images of Van Gogh's Starry, Starry Night (cards, stickers, and labels).
Box 68, Folder 6

Van Gogh undated

Scope and Content Note

Draft of "Van Gogh's Starry, Starry Skies" and Van Gogh exhibition brochures.
Box 68, Folder 7

Van Gogh (1 of 2) 1983-1986

Scope and Content Note

Copy of "Boime's Out of Academia Experience", correspondence (with Jan Hulsker), sky calendar and astronomical maps, and notes on Flammarion. Other materials include a paper by Lawrence Ruiz "Scientific Influences in Early Modern Art, 1850-1936", 4x5 transparencies, slide request forms, annotated photocopies, astronomical photographs, catalog from International Symposium on Vincent Van Gogh in Tokyo, and copy of Van Gogh bulletin. Some materials in French.
Box 68, Folder 8

Van Gogh (2 of 2) 1983-1986

Scope and Content Note

Copy of "Boime's Out of Academia Experience", correspondence (with Jan Hulsker), sky calendar and astronomical maps, and notes on Flammarion. Other materials include a paper by Lawrence Ruiz "Scientific Influences in Early Modern Art, 1850-1936", 4x5 transparencies, slide request forms, annotated photocopies, astronomical photographs, catalog from International Symposium on Vincent Van Gogh in Tokyo, and copy of Van Gogh bulletin. Some materials in French.
Box 68, Folder 9

Van Gogh bulk 1989-1992, 1984, 1987

Scope and Content Note

Miscellaneous pages from untitled draft, photo reprints, Getty Museum list of Munch holdings and exhibition information, notes on astronomy and Van Gogh, and correspondence (correspondents include Jan Hulsker, Antoinette King, the Voyager Company, and Tetravision Productions). Other materials include 4x5 transparencies, packet from Van Gogh 100: Centenary Conference at Hogstra University, drafts of papers by colleagues, draft of review for Jan Hulsker's "Vincent and Theo: A Tale of Two Brothers", and materials about the Hubble Telescope.
Box 68, Folder 10

Van Gogh 1994, 2000

Scope and Content Note

Correspondence, photocopies of articles about Van Gogh, and notes.
Box 69, Folder 1

Van Gogh catalog undated

Scope and Content Note

Bergmans & Brouwer Vincent Van Gogh catalog and transparency.
Box 69, Folder 2

Van Gogh miscellaneous undated

Scope and Content Note

Outlines and notes regarding Van Gogh and Starry, Starry Night.
Box 69, Folder 3

Starry Night lecture 1994

Scope and Content Note

Lecture notes and conference/symposium outline. Folder originally titled Vini, Vidi, Vici.
Box 69, Folder 4

Van Gogh lecture 1992

Scope and Content Note

Letter, drafts of "Van Gogh's Starry night: A History of Matter, and a Matter of History" and "Van Gogh's Starry, Starry Skies" with edits.
Box 69, Folder 5

Van Gogh ca. 1990

Scope and Content Note

Notes, annotated photocopies, and correspondence regarding Van Gogh 100 conference at Hofstra University.
Box 69, Folder 6

Van Gogh 1987, 1993

Scope and Content Note

Correspondence with Jan Hulsker, draft of "Theo et son frère Vincent" with edits, Van Gogh timeline, and bound volume on Van Gogh by Connie Homburg. Some materials in French and German.
Box 69, Folder 7

Van Gogh 1985

Scope and Content Note

Correspondence, notes, miscellaneous pages from Van Gogh draft, and passport photo of Boime. Some materials in French.
Box 69, Folder 8

Van Gogh review 1985

Scope and Content Note

Correspondence regarding Van Gogh publications and notes. Some materials in French.
Box 69, Folder 9

Van Gogh and Holland (1 of 2) 1983-1985

Scope and Content Note

Drafts of "Van Gogh's Starry Night: A History of Matter and a Matter of History" with edits, correspondence (correspondents include G. Anna Van Gogh, Carl Sagan, Jan Hulsker, and William Rubin), pages from untitled draft, obituary for George O. Abell, notes, photocopies, and brochure for Van Gogh symposium. Some materials in French.
Box 69, Folder 10

Van Gogh and Holland (2 of 2) 1983-1985

Scope and Content Note

Drafts of "Van Gogh's Starry Night: A History of Matter and a Matter of History" with edits, correspondence (correspondents include G. Anna Van Gogh, Carl Sagan, Jan Hulsker, and William Rubin), pages from untitled draft, obituary for George O. Abell, notes, photocopies, and brochure for Van Gogh symposium. Some materials in French.
Box 69, Folder 11

Meijer de Haan undated

Scope and Content Note

Copy of paper "Meijer de Haan."
Box 69, Folder 12

Student paper 1999

Scope and Content Note

Copy of paper for Art History 253 by Natasha Medvedev.
Box 69, Folder 13

Miscellaneous drafts undated

Scope and Content Note

Catalog of works by David Gilmour Blythe, abstract by Allan Sekula, and draft of paper on Mexican art with edits. Topics include photography and Clement Greenberg.
Box 69, Folder 14

Van Gogh and mental illness 1992

Scope and Content Note

Bound work by Wilfred Niels Arnold "Vincent Van Gogh: Chemicals, Crises, and Creativity."
Box 70, Folder 1

Van Gogh scandal, false works 1997

Scope and Content Note

Photocopies of newspaper articles.
Box 70, Folder 2

Van Gogh Museum ca. 1995

Scope and Content Note

Exhibition catalog, pages from untitled draft, and photocopies.
Box 70, Folder 3

Film consultation 1982

Scope and Content Note

Correspondence and script for documentary film "Pissarro: At the Heart of Impressionism" for Boime's review. Folder also includes an exhibition catalog.
Box 70, Folder 4

Van Gogh CD-rom 1994-1995, 1999

Scope and Content Note

Image list, correspondence, lecture notes, notes, Voyager correspondence, photos, script, annotated photocopies, department meeting minutes, Art History 110B syllabus, and brochures/postcards.
Box 70, Folder 5

Nast and Van Gogh ca. 1998

Scope and Content Note

Draft of "Vincent van Gogh and Thomas Nast: The Blurring of High and Low Art" and magazine clipping.
Box 70, Folder 6

Nast and Van Gogh 1990

Scope and Content Note

Drafts of two papers: "Vincent van Gogh and Thomas Nast: The Blurring of High and Low Art" and "Millet, van Gogh, Pissaro, and Seurat." Folder also includes notes, photocopies, a fellowship proposal, and correspondence.
Box 70, Folder 7

Thomas Nast 1972, 1996

Scope and Content Note

Notes and drafts of two articles about Thomas Nast, one published in American Art Journal in 1972 ("Thomas Nast and French Art") and the other in Harper's Weekly ca 1996 ("The Interactivity of Thomas Nast and High Art").
Box 70, Folder 8

Harper's Weekly bulk 1999, 2005

Scope and Content Note

Correspondence regarding Harper's Weekly's holdings of work by Thomas Nast.
 

Dada and Surrealism 1993-2006

Scope and Content Note

Materials related to a seminar class by Boime on Dada and Surrealism. The subseries is organized by subject beginning with weekly class materials and ending with general research on Dada and Surrealism.
Box 141, Folder 5

Magritte and Duchamp undated

Scope and Content Note

Notes, photocopies, clippings, and miscellaneous pages from draft on surrealism.
Box 70, Folder 9

Week 1 intro 1999, 2002

Scope and Content Note

Art History 127/253 reading list, photocopies, notes, and correspondence.
Box 70, Folder 10

Week 2 - general sources undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 70, Folder 11

Week 3 - Dada sources (Zurich and Berlin) undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 70, Folder 12

Week 4 - Dada sources (New York) undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 70, Folder 13

Week 5 - Surrealism sources undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 71, Folder 1

Week 6 - Dali undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 71, Folder 2

Week 7 - Surrealism and Psychology undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 71, Folder 3

Week 8 - Surrealism, Feminism, and Dada undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 71, Folder 4

Week 9 - offbeat Surreal texts undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 71, Folder 5

Week 10 - Postmodern interpretation undated

Scope and Content Note

Photocopies for Surrealism seminar.
Box 71, Folder 6

Dada/Surrealism seminar 1998

Scope and Content Note

Correspondence, photocopies, notes, and bibliographies. Some materials in French.
Box 71, Folder 7

Dada/Surrealism seminar 1999

Scope and Content Note

Notes, photocopies, class roster, week 1 course outline with Boime's notes, and Surrealism exhibition catalog.
Box 71, Folder 8

Dada 1999

Scope and Content Note

Correspondence and bibliography.
Box 71, Folder 9

Dada 2000

Scope and Content Note

Photocopy, notes, clipping, and annotated bibliography by Acacia Warwick.
Box 72, Folder 1

Dada ca. 1998-1999

Scope and Content Note

Paper on Dada by Rachael Steele, photocopy of article about Marcel Duchamp, and exhibition brochure from "Joseph Cornell/Marcel Duchamp…in resonance" at the Philadelphia Museum of Art.
Box 72, Folder 2

Dada redux 2000-2002

Scope and Content Note

E-mail correspondence, photocopies of letters from 1914-1915, draft of "Dada's Dark Secret", and notes.
Box 72, Folder 3

Dada - Surrealism 2002, 2006

Scope and Content Note

Notes, photocopies, correspondence, and Hammer Museum Exhibition catalog.
Box 72, Folder 4

Surrealism 1980, 1989, 2002

Scope and Content Note

Notes, photocopies, clippings, pamphlet and related materials from exhibition "The Shadow of Gradiva" at the Getty Center (artists of interest include Salvador Dali and Max Ernst), and e-mail correspondence.
Box 72, Folder 5

Surrealism and Mexico 2001

Scope and Content Note

Dissertation prospectus for Acacia Warwick: "Prefabricated Desire: Surrealism, Mannequins, and the Fashioning of Modernity."
Box 72, Folder 6

Waintrub - Surrealism 1993

Scope and Content Note

PhD examination, bibliographies, and papers on surrealism for Alexander Waintrub.
Box 72, Folder 7

Dali - Angelus undated

Scope and Content Note

Copy of "Salvador Dali: Le Mythe Tragique de l'Angelus de Millet" by Jean-Jacques Pauvert. All materials in French.
Box 72, Folder 8

Marcel Duchamp undated

Scope and Content Note

Notes, photocopies, and clippings.
Box 72, Folder 9

Marcel Duchamp undated

Scope and Content Note

Notes and correspondence. Some materials in French.
Box 72, Folder 10

Leonardo, Freud, and Duchamp undated

Scope and Content Note

Notes on Leonardo, Freud, and Duchamp. Folder also includes Leonardo Da Vinci catalog from National Gallery of Art.
Box 72, Folder 11

Rene Magritte undated

Scope and Content Note

Photocopy of article by Michel Foucault about Rene Magritte. Some materials in French. Folder originally titled Sir Maggie.
Box 72, Folder 12

Magritte 1997

Scope and Content Note

Catalog of Magritte works by UCLA Hammer Museum.
 

Comics 1973-2006, bulk 1981-1995

Scope and Content Note

Materials include comic books collected by Boime and general research materials on comic strips, graphic novels, and animation, possibly for a class on comics. The subseries is filed by type of material beginning with comic books and ending with research files.
Box 72, Folder 13

Comic books 1 1985, 1992

Scope and Content Note

DC and Marvel comic books including Superman, Swamp Thing, Nomad, Kitty Pryde and Wolverine, Phoenix, and Spiderman.
Box 73, Folder 1

Comic books 2 1989-1990, 1993, 1995

Scope and Content Note

Assortment of comic books by Eightball, America's Best Comics, and Fantagraphics Books.
Box 73, Folder 2

Comic books 3 1996

Scope and Content Note

Comic book magazines Wizard, Amalgam, and Beautiful Decay.
Box 73, Folder 3

Comic books 4 1984-1986, 1993

Scope and Content Note

DC Comic books featuring Swamp Thing and The Sandman.
Box 73, Folder 4

Comic books 5 1986, 1992-1993

Scope and Content Note

Marvel comic books featuring The Fantastic Four and The Hood comic book by South Central Comics.
Box 73, Folder 5

Comic books 6 1991-1993

Scope and Content Note

DC comic books featuring Sandman character.
Box 73, Folder 6

Comic books 7 1989-1991, 1993, 1995

Scope and Content Note

Eightball comic books by Fantagraphic Books.
Box 73, Folder 7

Comics undated

Scope and Content Note

Notes.
Box 73, Folder 8

Comics undated

Scope and Content Note

Comics by Boime and photos.
Box 73, Folder 9

Comics undated

Scope and Content Note

Comics by Boime.
Box 74, Folder 1

Comic strip 1982, 1987

Scope and Content Note

Photocopies, correspondence, notes, clippings, and comic strip books.
Box 74, Folder 2

Comic strip II ca. 1981

Scope and Content Note

Clippings and proposal by Jeremy Kay for a comic book course.
Box 74, Folder 3

Comics miscellaneous 1981, 1988, 1993, 2003

Scope and Content Note

Photocopies, comic magazines, articles, clippings, correspondence, 4x5 transparencies, and copies of images.
Box 74, Folder 4

Comic book seminar 1992, 2000, 2006

Scope and Content Note

Photocopies, clippings, and correspondence.
Box 74, Folder 5

Comic book seminar 1973-1976, 1993-2003

Scope and Content Note

Clippings, notes, and articles.
Box 74, Folder 6

Art History 127 - comics 1997

Scope and Content Note

Clippings, notes, and student writings.
Box 75, Folder 1

Melodrama 1991-1998

Scope and Content Note

Copies of "From Hell" (melodrama in 16 parts) including Volumes 1-3, 6-7, and 11.
Box 75, Folder 2

Graphic novel seminar 2005-2006

Scope and Content Note

Hammer Museum Winter 2005-2006 Calendar of events/exhibitions, printouts on history of DC Comics, and comics.
Box 75, Folder 3

Animation 1979-1982

Scope and Content Note

Clippings.
Box 75, Folder 4

Feiffer undated

Scope and Content Note

Notes and slide.
Box 75, Folder 5

Cartoons undated

Scope and Content Note

Photo prints of cartoons, application for leave of absence, and notes.
 

Corporate Art 1980-2006

Scope and Content Note

Boime's research on corporations and corporate art collections, including brochures and catalogs about specific collections. The subseries is filed by topic.
Box 141, Folder 6

Corporate art 1982, 1984

Scope and Content Note

Brochures and correspondence regarding corporate art collecting (especially in Houston, Texas), photocopies, and notes.
Box 75, Folder 6

Corporate art 1982

Scope and Content Note

Prospectus for Art History 125 class on corporate art collecting and brochures regarding Cedars Sinai Medical Center.
Box 75, Folder 7

Corporate art (1 of 2) 1990, 1994

Scope and Content Note

Photocopies, booklets regarding Atlantic Richfield Foundation and its art patronage, reports and pamphlets regarding corporate art, and Art History 253 syllabi.
Box 75, Folder 8

Corporate art (2 of 2) 1990, 1994

Scope and Content Note

Photocopies, booklets regarding Atlantic Richfield Foundation and its art patronage, reports and pamphlets regarding corporate art, and Art History 253 syllabi.
Box 75, Folder 9

Corporate art ca. 1982

Scope and Content Note

Fine Art Services Incorporated program information and photocopies of articles regarding corporate art collecting.
Box 75, Folder 10

Corporate art ca. 1994

Scope and Content Note

Photocopies, class roster, notes, clippings, and flyer and bibliography for Boime's seminar on censorship.
Box 76, Folder 1

Art 253 Recasting bulk 1993-1994, 2001

Scope and Content Note

Photocopies, articles, clippings, notes, and correspondence.
Box 76, Folder 2

Corporate ca. 1991

Scope and Content Note

Transparency, photocopy of corporate art holdings by corporation, and clippings.
Box 76, Folder 3

Corporate 1984-1990

Scope and Content Note

Brochures and booklets for items in the CIGNA collection. Folder also includes correspondence and information about CIGNA Collection.
Box 76, Folder 4

Corporate 1984

Scope and Content Note

Materials from Conference on Corporate Art Collecting, articles, Sotheby's newsletter, booklets, and brochures.
Box 76, Folder 5

Economics - savings and loans ca. 1990, 1997, 2003

Scope and Content Note

Clippings.
Box 76, Folder 6

Corporation 1980-1981, 1991-1992, 1998, 2004-2005

Scope and Content Note

Student Papers, correspondence, photocopies and information on Philip Morris and art, clippings, and newsletters.
Box 76, Folder 7

Philip Morris 1994

Scope and Content Note

Clippings, catalog of art at Philip Morris, and correspondence.
Box 76, Folder 8

Cigarettes 1998, 2002

Scope and Content Note

Clippings and cigarette ads.
Box 76, Folder 9

Enron, Wal-Mart 2002, 2006

Scope and Content Note

Clipping and Issue No. 68 of Co-op America Quarterly.
Box 76, Folder 10

Disney 1997

Scope and Content Note

Internet Articles, essays, and blog posts regarding Disney.
Box 76, Folder 11

Disney parks ca. 1990

Scope and Content Note

Clippings and articles regarding Disney hotels.
Box 77, Folder 1

Consumerism 1993

Scope and Content Note

Clippings.
Box 77, Folder 2

Houston Art Dealer's Association undated

Scope and Content Note

Brochures and catalogs for various Houston-based art galleries.
 

Jewish Art and Anti-Semitism 1988-2003

Scope and Content Note

Materials related to Boime's research on Jewish art, artists, and anti-semitism. Subseries includes informational materials, drafts, and correspondence for Ken Aptekar's "Too Jewish" exhibition. The subseries is arranged by topic.
Box 77, Folder 3

"Too Jewish" exhibition 1996

Scope and Content Note

Notes, papers by Eunice Lipton including "The Pastry Shop and the Angel of Death: What's Jewish in Art History", instructional material, flyers, brochures, and press release for "Too Jewish" exhibition at the Hammer Museum.
Box 77, Folder 4

Aptekar - "Too Jewish" 1997

Scope and Content Note

Correspondence regarding an essay by Boime for the catalog of an exhibition by Ken Aptekar at the Corcoran Museum of Art (likely the "Too Jewish?" exhibition). Folder also includes multiple drafts of "Aptekar's Family Album" with edits (essay for catalog), notes, and photos/press releases for exhibition.
Box 77, Folder 5

"Too Jewish" exhibition correspondence 1993-1996

Box 77, Folder 6

Jewish art 1998

Scope and Content Note

Draft of Michael Blacher's paper "Russian Conceptions of Jewish Origins, 1893-1932: An Encyclopedic Examination" and brochures.
Box 77, Folder 7

Jewish art 1976, 1988, 1994

Scope and Content Note

Correspondence and copy of catalog essay on Sidney Chafetz by Henry Klein. Other materials include notes, class syllabi, and articles.
Box 77, Folder 8

Jewish art ca. 1999-2002

Scope and Content Note

Clippings, pamphlets, research project outline by Carol Zemel, correspondence, and photocopied articles.
Box 77, Folder 9

Jewish art in Russia undated

Scope and Content Note

Photocopies of works by M. Antokolsky.
Box 77, Folder 10

Chasidic art 2000

Scope and Content Note

Notes, photocopies, and correspondence.
Box 77, Folder 11

Jews and avant-garde ca. 1998

Scope and Content Note

Photocopies, brochures and pamphlets, and papers (likely by students).
Box 78, Folder 1

American Jewish identity undated

Scope and Content Note

Draft of "Chapter III: From Tragedy to Triumph: Demystifying American Jewish Identity."
Box 78, Folder 2

Jews - USA cinema bulk 1989-1990, 1997

Scope and Content Note

Jewish Museum brochure/newsletter, images, Jews in American Cinema conference schedule, correspondence, and student exam.
Box 78, Folder 3

Women - Jews undated

Scope and Content Note

Notes and annotated photocopies.
Box 78, Folder 4

Kabbalah 2002

Scope and Content Note

Correspondence, notes, and photocopies.
Box 78, Folder 5

Temple 2000-2002

Scope and Content Note

Correspondence, photocopies, notes, syllabus for Art History 127: The Temple Mount, Joshua Schwartz Curriculum Vitae, course outline, and general timeline of Temple Mount.
Box 78, Folder 6

Yiddish ca. 1993

Scope and Content Note

Photocopies, notes, and writings "Jews in the Ghetto." Some materials in Hebrew.
Box 78, Folder 7

Maus 1998

Scope and Content Note

Draft of chapter "Der Sturmer and the Stormtroopers", correspondence, library research printouts, notes, draft of "A Psychoanalytic View of Racial Myths in a Nazi Propaganda Film: Der ewige Jude (The Eternal Jew)" by John J. Hartman, and photocopies. Topics of materials are generally related to Art Spiegelman's MAUS books.
Box 78, Folder 8

Shica Greenberg undated

Scope and Content Note

Draft of "Shica Greenberg and Jewish Art" and photographic prints.
Box 78, Folder 9

Anti-Semitism 1998-2000

Scope and Content Note

Photocopies, draft of "Embetements semitiques: Author-Publisher Relations in fin-de-siècle France: The Case of Gyp and Calmann-Levy," copy of Journal of Jewish Art, History 191F syllabus, clippings, and e-mail correspondence.
Box 79, Folder 1

Anti-Semitism 2002-2003

Scope and Content Note

Photocopies, clippings, and e-mail correspondence.
Box 79, Folder 2

Anti-Semitism chapter undated

Scope and Content Note

Draft of "Chapter VI: British Modernism, Anti-Materialism, and Anti-Semitism."
Box 79, Folder 3

Art of the Third Reich 1997

Scope and Content Note

UCLA Library Research and dissertation proposal by Sandra Esslinger with edits.
 

German Art 1978-1992

Scope and Content Note

Boime's research on German art, including topics like Napoleon, Little Boney, and Alfred Rethel. Arranged by topic.
Box 79, Folder 4

German art 1978

Scope and Content Note

Notes, annotated photocopies (topics include Caspar David Friedrich and German naturalism), and draft of paper "Caspar David Friedrich: The Monk on the Seashore." Some materials in French and German.
Box 79, Folder 5

German art bulk 1979, 1988

Scope and Content Note

Photocopies, notes, and correspondence. Most materials in German.
Box 79, Folder 6

Germans 1985

Scope and Content Note

Notes and pages from untitled draft. Materials in German.
Box 79, Folder 7

Germans 1985

Scope and Content Note

Pages from untitled draft, notes, and photocopies.
Box 79, Folder 8

19th century Germany 1985-1986

Scope and Content Note

Notes and photocopies. Some materials in German.
Box 79, Folder 9

Napoleon 1989

Scope and Content Note

Notes and correspondence. Materials in German.
Box 80, Folder 1

Adolphe von Menzel undated

Scope and Content Note

Notes and untitled draft.
Box 80, Folder 2

Germany, Napoleon, and Romans 1985-1987

Scope and Content Note

Draft of untitled paper with edits, draft of "The Astory of Perth-Amboy," notes, draft of "Enlightenment to Romantic," and photocopies.
Box 80, Folder 3

Little Boney - 2nd edition 1992

Scope and Content Note

Draft of Prospectus "James Gilray's Little Boney 1803-1805: A Study in the Manipulation of Collective Attitudes," photocopies of Little Boney caricatures, draft of "Antoine-Jean Gros and the Napoleonic Image" by Ann Friedman, draft of paper by Peter Klein, and list of Napoleonic laws in Rome. Materials in German.
Box 80, Folder 4

Dusseldorf 1978-1979, 1988

Scope and Content Note

Correspondence, notes, copy of New York Historical Society Quarterly (Volume 58, No. 4), and annotated photocopies. Some materials in German.
Box 80, Folder 5

Hasenclave Dusseldorf 1978-1979, 1987-1988

Scope and Content Note

Notes, photocopies, and correspondence. Some materials in German
Box 80, Folder 6

Durkheim undated

Scope and Content Note

Notes.
Box 80, Folder 7

German prints 1988

Scope and Content Note

Copies of images requested by Boime from the German Information Center.
Box 80, Folder 8

Miscellaneous research 1978-1979

Scope and Content Note

Notes, photocopies, and correspondence. Topics of contents include Rethel, Dusseldorf, Hasenclaver, and German Romantic Painting.
Box 80, Folder 9

Slides and images 1988

Box 81, Folder 1

Alfred Rethel 1990

Scope and Content Note

Correspondence and draft of "Alfred Rethel's Counterrevolutionary Death Dance."
Box 81, Folder 2

Alfred Rethel undated

Scope and Content Note

Notes and annotated photocopies. Some materials in German.
Box 81, Folder 3

Alfred Rethel's Counterrevolutionary Death Dance undated

Scope and Content Note

Draft of "Alfred Rethel's Counterrevolutionary Death Dance" by Boime with some edits.
 

The French Commune 1990-2000

Scope and Content Note

Materials related to Boime's research on the French Commune, likely for his book "Art and the French Commune." Arranged topically.
Box 142, Folder 1

Commune 1973, 2000

Scope and Content Note

Slides, 4x5 transparencies, draft of "The Commune and the Impressionists" with edits, photocopies of card catalog index cards, and newspaper clipping.
Box 81, Folder 4

Art and the French Commune undated

Scope and Content Note

Photocopies of pages from "Art and the French Commune" with edits and notes.
Box 81, Folder 5

French Commune 1995-1996

Scope and Content Note

Correspondence, photocopies, notes, and proof pages from "Art and the French Commune" with edits. Some materials in French.
Box 81, Folder 6

Commune 1993

Scope and Content Note

Notes, photocopies, and correspondence. Some materials in Italian and French.
Box 81, Folder 7

Commune 1990s

Scope and Content Note

Copy of Paris Observer from 1971, photocopies, copies of images, 4x5 images, clippings, and notes.
Box 81, Folder 8

Commune - Olin undated

Scope and Content Note

Notes, draft of "AAA-OLW-Paris Commune" with edits, and photocopies.
Box 82, Folder 1

Commune additions 1994

Scope and Content Note

Notes, draft of introduction for volume, photocopies, proof of French Commune volume, and 4x5 transparencies. Some materials in French.
Box 82, Folder 2

SUNY - Commune 1990, 1993

Scope and Content Note

Photocopies, copies of images, notes, clippings, student paper, correspondence, images, and 4x5 transparencies. Some materials in French.
Box 82, Folder 3

The Commune and 1848 undated

Scope and Content Note

Notes.
Box 82, Folder 4

Illustrations 1993-1994

Scope and Content Note

Copies of photographs from the French Commune, illustration list, correspondence, 4x5 transparency, and notes.
Box 82, Folder 5

French Commune proof 1996

Scope and Content Note

Correspondence and proof of "Art and the French Commune" from Princeton University Press.
Box 82, Folder 6

Reader's reports 1994

Scope and Content Note

Notes, correspondence, and reader's reports for "Art and the French Commune."
Box 82, Folder 7

Princeton University correspondence bulk 1994-1996, 1991

 

Landscape 1988-1997

Scope and Content Note

Materials related to Boime's research on landscape painting, likely for one of his publications. The subseries also includes research on Walt Whitman and his relationship to landscape. Materials are filed by topic.
Box 142, Folder 2

The new American landscape ca. 1988-1990

Scope and Content Note

Notes, annotated photocopies, papers, and reprint request letters.
Box 142, Folder 3

Landscape photos ca. 1988

Scope and Content Note

Photos, correspondence, notes, and annotated photocopies.
Box 142, Folder 4

Landscape notes undated

Scope and Content Note

Photocopies and notes.
Box 142, Folder 5

Walt Whitman notes undated

Scope and Content Note

Notes on American Renaissance, Gustave Courbet, and Walt Whitman. Folder also includes a Whitman bibliography.
Box 82, Folder 8

Landscape undated

Scope and Content Note

Photocopies of slide labels by landscape artists, notes, and project description for proposed exhibition.
Box 82, Folder 9

Landscape project 1976, 1979

Scope and Content Note

Photocopies of "Der Mond" article, student paper, notes (topics include the moon and lunar society), class syllabus, correspondence, and call slips. Some materials in German.
Box 83, Folder 1

Landscape project part II undated

Scope and Content Note

Notes and photocopies. Folder also includes draft of "The Moon and Sixpence: Lunar Madness in the 19th Century Painting." Some materials in German.
Box 83, Folder 2

American landscape ca. 2000

Scope and Content Note

Notes, exhibition summary, and proposal from John Ott (Ph.D. candidate) for research.
Box 83, Folder 3

American landscape ca. 1988

Scope and Content Note

Notes and student paper.
Box 83, Folder 4

Landscape illustrations ca. 1980

Scope and Content Note

Photos, notes, photocopies, and correspondence.
Box 83, Folder 5

Landscape additions ca. 1990-1991

Scope and Content Note

Notes, photocopies, prospectus of book by Alan Wallach, annotated photocopies (topics include Thomas Cole), correspondence , and photo reproduction documents.
Box 83, Folder 6

Landscape permissions 1990-1991

Scope and Content Note

Correspondence regarding photo permissions and draft of book summary.
Box 83, Folder 7

Landscape contract and correspondence 1989-1990

Scope and Content Note

Correspondence and publishing contract for "Manifest Destiny and the Magisterial Gaze in 19th Century American Landscape Painting."
Box 83, Folder 8

Constable - Turner (English painting) undated

Scope and Content Note

Notes.
Box 83, Folder 9

Walt Whitman 1989

Scope and Content Note

Notes and draft of "Leaves of Grass and Real Allegory: A Case Study of International Rebellion." Some materials in French.
Box 83, Folder 10

Walt Whitman 1988

Scope and Content Note

Notes, photocopies, correspondence, and draft "Chapter Three: New England Transcendentalism and New York Rowdyism: Corot, Courbet, and the Search for the Poetic Style."
Box 83, Folder 11

Draft 1989

Scope and Content Note

Correspondence and draft of article titled "Leaves of Grass and Real Allegory: A Case Study of International Rebellion."
Box 83, Folder 12

West as America reviews ca. 1991, 1997

Scope and Content Note

Notes, photocopies of articles, proposal, brochure, and student research project proposal.
Box 83, Folder 13

Lecture undated

Scope and Content Note

Notes.
Box 83, Folder 14

Survey undated

Scope and Content Note

Notes.
Box 83, Folder 15

Crazies undated

Scope and Content Note

Notes.
Box 83, Folder 16

Expeditions undated

Scope and Content Note

Notes regarding various expeditions including the Washburn Expedition and Fremont Expedition.
 

July Monarchy 1981-2008

Scope and Content Note

The subseries is filed by subject as general July Monarchy, 1848 topics, and 1830 topics.
Box 142, Folder 6

July Monarchy 1991

Scope and Content Note

Photocopies, notes, and miscellaneous pages from paper on Delacroix and Ingres. Some materials in French.
Box 83, Folder 17

July Monarchy undated

Scope and Content Note

Drafts of articles and chapters, annotated photocopies, and notes. Folder also includes draft of "Chapter IV: The Counter-Revolution of the July monarchy: An Umbrella Organization (1830-1848)" and 2 other July Monarchy Papers.
Box 84, Folder 1

July Monarchy 1990

Scope and Content Note

Notes, photocopies of book, and correspondence regarding Boime's attendance at symposium about July Monarchy. Some materials in French.
Box 84, Folder 2

July Monarchy ca. 1993

Scope and Content Note

Dissertation proposal from Dennis Sexsmith and dissertation abstract from Barbara Ann Day.
Box 84, Folder 3

July Monarchy Press undated

Scope and Content Note

Notes. Some materials in French.
Box 84, Folder 4

Germany 1848 undated

Scope and Content Note

Articles, notes (topics include Romanticism and Friedrich), draft of paper "Social identity and Political Authority in the response of Two Prussian Painters to the Revolution of 1848." Some materials in German. See box 42 for additional research on this topic.
Box 84, Folder 5

1848 - Germany undated

Scope and Content Note

Draft of "Left, Right, and Center: The Response of Three Prussian Painters to t