Finding Aid for the Stanley Kramer papers, 1945-1984
Finding Aid for the Stanley Kramer Papers, 1945-1984
Collection number: 161
UCLA Library, Department of Special CollectionsManuscripts Division
Los Angeles, CA
- Manuscripts Division
- UCLA Library, Department of Special Collections
- Room A1713, Charles E. Young Research Library
- Box 951575
- Los Angeles, CA 90095-1575
- Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time)
- Email: spec-coll@library.ucla.edu
- URL: http://www.library.ucla.edu/libraries/special/scweb/
- Processed by:
- Charlotte Payne, October 1974
- Encoded by:
- Caroline Cubé
- Online finding aid edited by:
- Josh Fiala, July 2002
- Text converted and initial container list EAD tagging by:
- Apex Data Services
Restrictions on Use and Reproduction
Provenance/Source of Acquisition
Container List
Main Section
The Champion, (1949).
Final shooting script, annotated by Mark Robson.
Photo Play Magazine Award.
Note
Home of the Brave, 1949.
Final shooting script, heavily annotated by Carl Foreman.
Note
Folder of newsclippings.
Folder of awards.
Note
The Men, 1950.
Final shooting script.
Folder of newsclippings.
Folder of awards.
235 stills, 8" × 1C.
Note
Cyrano de Bergerac, 1950.
Final shooting script, heavily annotated by Carl Foreman.
Folder of newsclippings.
Folder of awards.
184 stills, 8 × 10.
Poster of Cyrano de Bergerac, Japan, 1950. One sheet.
Death of a Salesman, 1951.
Final shooting script, including all changes, cast lists, and production breakdown.
Folder of newsclippings.
Folder of awards.
Note
My Six Convicts, 1952.
Final shooting script.
Folder of newsclippings.
Folder of awards.
The Sniper, 1952.
Final shooting script.
Folder of newsclippings.
Production breakdown.
The Happy Time, 1952.
Final shooting script.
Folder of newsclippings.
Folder of awards.
33 stills.
The Four Poster, 1953.
Final shooting script, heavily annotated.
Folder of awards.
Note
Eight Iron Men, 1952.
Final shooting script.
Folder of newsclippings.
Member of the Wedding, 1952.
Final shooting script.
Folder of newsclippings.
Folder of awards.
The Juggler, 1953.
Final shooting script, annotated.
Folder of newsclippings.
The 5,000 Fingers of Doctor T., 1953.
Final shooting script, annotated, with stills.
Folder of newsclippings.
The Wild One, 1954.
Final shooting script, heavily annotated.
High Noon, 1952.
Final shooting script with story notes.
Folder of newsclippings.
File of 50 production stills.
Folder of awards.
Note
The Caine Mutiny, 1954.
Final shooting script, heavily annotated by Edward Dmytryk.
Folder of awards.
400 production stills, 8 × 10.
Note
Not as a Stranger, 1955.
Final shooting script, including all changes.
Folder of newsclippings.
230 production stills, 8 × 10.
Production files (Actors' Contracts - Music and songs).
Production files (Negative cost - United Artists).
The Pride and the Passion, 1957.
Piano score.
Music cue sheets and final dubbing.
Production files (Actors' Contracts - Dialogue continuity).
Production files (El Escorial - Publicity).
Production files (Sinatra, Frank - Wardrobe).
Story outline.
Second draft, shooting script.
Final shooting script.
Final shooting script, Spanish.
Display photograph with Stanley Kramer.
Folder of awards.
Note
The Defiant Ones, 1958.
106 production stills, 8 × 10.
Original first draft screenplay.
Final draft screenplay, heavily annotated by Stanley Kramer, with scene breakdown on each page.
Photograph of Stanley Kramer, 11 × 14.
Folder of awards.
Production files.
Holograph lead sheets for music, 28 leaves.
Note
On the Beach, 1959.
First draft screenplay, heavily annotated by Stanley Kramer.
First draft screenplay revised.
Draft of script from France by John Paxton, original typescript.
Folder of awards.
230 production stills.
230 production stills.
Production files (Actors' Contracts - Clearances).
Production files (Comments - M.P.P.A.).
Production files (Music cue sheets - Publicity).
Production files (Riverside International Raceway - Zagon).
Note
Inherit the Wind, 1960.
Treatment by Earl Felton, March 2, 1958, original typescript.
Story treatment, original typescript, heavily annotated by Earl Felton.
Synopsis by Earl Felton, April 3, 1957.
First draft screenplay by Nathan Douglas and Harold Smith, September 3, 1958.
Final draft screenplay by Nathan Douglas and Harold Smith, September 3, 1958.
Cutting continuity.
Dialogue continuity.
215 production stills.
215 production stills.
Production files (Actors' Contracts - Dialogue continuity.)
Production files (Distribution reports - M.P.P.A.)
Production files (Music - Publicity: Kaplan).
Production files (Publicity: Thomas - Zagon).
Production files ( Hollywood Reporter & Variety anniversary issues).
Note
Judgement at Nuremberg, 1961.
First draft screenplay, 1960.
Final draft screenplay, January 9, 1961.
Final draft screenplay, revised, July 7, 1961.
Parchment from Donatello - cinematography.
Cutting continuity and dialogue continuity files.
Saturday Review magazine, December 2, 1961.
Folder of awards.
Production files (Actors' Contracts - Credits).
Production files (M.P.P.A. - Music).
Production files (Music - Publicity).
Production files (Shooting schedules).
Judgement at Nuremberg, paperback book.
Preview (audience) cards.
Story outline by Abby Mann, original typescript.
First draft screenplay by Abby Mann, original typescript, annotated.
Second draft screenplay by Abby Mann, original typescript.
Publicity posters.
2090 production stills, various sizes.
Note
Pressure Point, 1962.
First draft teleplay by Dr. Robert Lindner, adapted for television by S. Lee Pogostin. Originally titled Destiny's Tot.
First draft revised teleplay by S. Lee Pogostin.
Final draft revised teleplay by S. Lee Pogostin.
Story notes for screenplay by Hubert Cornfield, July 28, 1961 and August 31, 1962.
First draft screenplay by Hubert Cornfield.
First draft revised by Hubert Cornfield.
First draft screenplay by Stanley Kramer, original typescript, annotated.
Final draft screenplay by Stanley Kramer.
Production files (Actors' Contracts - Continuities).
Production files (M.P.P.A. - Wardrobe).
Music cue sheets.
Cutting and dialogue continuities.
Cutting and dialogue continuities.
925 production stills, 8 × 10.
Note
A Child is Waiting, 1963.
Final draft screenplay, January 3, 1962.
Folder of awards.
Dialogue and cutting continuity scripts.
Production files (Actors' Contracts - Cast and crew lists).
Production files (Daily production reports - M.P.P.A.).
Production files (Music).
Production files (Publicity - Wardrobe).
360 production stills.
360 production stills.
Note
It's a Mad, Mad, Mad, Mad World, 1963.
Second draft screenplay, annotated by William and Tania Rose.
Second draft revised with script supervisor's annotations.
Awards.
Production files (Actors' Contracts - Budget).
Production files (Cast and Crew--Music cues).
Production files (Musicians - Publicity).
Production files (Screenings--Work schedule).
600 production stills, 8 × 10.
TV and radio spots.
175 original pen and ink sketches of the ladder sequence, 8 × 10.
250 process plates, 8 × 10.
Note
Invitation to a Gunfighter, 1964.
First draft teleplay for CBS Playhouse 90 by Hal Goodman and Larry Klein, February 11, 1957.
Second draft teleplay by Leslie Stevens, March 7, 1957.
First draft screenplay by Alvin Sopinsely, February 14, 1958.
First draft screenplay, revised, by Hubert Cornfield, original typescript, heavily annotated, October 1, 1962.
Second draft screenplay by James Lee Barrett, original typescript and annotated.
Final draft screenplay by Elizabeth and Richard Wilson, June 7, 1963.
Production files (Actors' Contracts - Credits).
Production files (Continuities - Writers).
Ship of Fools, 1965.
Final draft by Abby Mann.
Magnetic sound track, Bosley Crother.
Folder of awards.
Production files (Actors' Contracts - Biographies).
Production files (Call sheets - Music breakdown).
Production files (Music titles - Proofs of Porter novel).
Production files (Publicity - Zagon).
500 production stills, 8 × 10.
Note
Guess Who's Coming To Dinner, 1967.
Final draft by William Rose.
Final draft, heavily annotated by Stanley Kramer.
Final draft, Italian.
A Special Kind of Magic, history of the film, Guess Who's Coming to Dinner, by Roy Newquist.
Dialogue continuity script.
Folder of correspondence on awards.
Film clips of Kathy Houghton.
Production files (Actors' Contracts - Columbia Pictures).
Production files (Comments - De Vol, Frank).
Production files (Editorials - Publicity: Campaign reports).
Production files (Publicity: Beck - Wardrobe).
Publicity files (Academy Awards publicity material).
Rand-McNally book material.
Publicity files (Advertisements - New York Times).
Publicity files (Radio--Trailers).
Magazine clippings.
Newspaper clippings.
100 production stills, 8 × 10.
225 key set stills.
Note
Andersonville (not produced).
Copies of first draft: May 12, 1958.
Copies of first estimating draft by Abby Mann, February 14, 1966.
Production files (Breakdown sheets - Harper)
Production files (Honey - Reading file)
Production files (Scripts).
Production files (Sidney, George - Writers).
Research books and data:
Note
My Glorious Brothers (not produced).
Three drafts, original typescript, heavily annotated throughout by Ned Young and Harold Smith, 150 pages holograph by Ned Young.
First draft, annotated by Young and Smith, January 14, 1960.
First draft, revised, annotated by Young and Smith, April 25, 1960.
First draft, further revised, annotated by Young and Smith, 1960.
First draft, heavily annotated by Smith, 1960.
Second draft, annotated by Young and Smith, July 15, 1960.
Second draft, further revised, in orange cover, annotated by Young and Smith, 1960.
Third draft, annotated by Young and Smith, January 19, 1961.
Third, draft, revised, annotated by Young and Smith, February 2, 1961.
Miscellaneous revisions and work sheets.
53 original wardrobe sketches by Renie, 10½ × 13½.
Sample fabric swatches.
Note
Russian Film (produced and directed in Moscow by Stanley Kramer).
15 reels of film, interviews.
Correspondence.
Brochures and photographs.
Sale of Judgement at Nuremberg and The Defiant Ones.
Note
Tape Recordings
Fund for the Republic press conference, one hour.
Music for A Child Is Waiting.
Mad World, side one.
Mad World, A-2.
Judgement at Nuremberg.
Film Editors Seminar: interview of Stanley Kramer.
Dateline, July 21, 1957.
Mike Wallace interview.
Laugh tracks on running for UCLA students, two parts, March 11, 1963.
Hebrew. Israel.
The Changing Face of Hollywood,
On the Beach. Melbourne, Australia, radio station.
RPM. Lecture by Stanley Kramer at the University of the Pacific, December 1969.
United World Federation banquet, May 1, 1960.
Ship of Fools, spots one through five by Stan Freberg.
Whittinghill Show, November 11, 1963.
ABC Academy show re Irving Thalberg Award to Stanley Kramer, April 9, 1962.
Vivian Leigh Appreciation at USC, March 17, 1968.
Dialogue between Professor Feinstein, UC Berkeley, and Stanley Kramer on Guess Who's Coming to Dinner, 1968.
NYU Dinner, Plaza Hotel, New York City, December 4, 1968.
Joel Spivak and Stanley Kramer, December 6, 1967.
Dick Strout, Sidney Poitier and Katherine Hepburn, August 10, 1967.
Press conference: English Teachers' Seminar, March 2, 1968.
The Secret of Santa Vittoria.
Guess Who's Coming to Dinner promotion tapes.
Miscellaneous interviews.
Interview for Frank Tallman special on KOCE-TV. Tape cassette and typed transcription.
Correspondence and Memorabilia
Academy Awards and nominations correspondence, 1949-1968.
American Film Institute (George Stevens, Jr.) correspondence.
American Jewish Committee correspondence.
Big Town correspondence.
Fund for the Republic, Incorporated, correspondence.
Hollywood Museum Associates correspondence.
Knickerbocker (San Francisco Chronicle) correspondence, 1963.
Leigh, Vivien Appreciation at USC correspondence, March 17, 1968.
Thank you letters - Stanley Kramer.
USIA, Washington, D.C. (George Stevens, Jr.) correspondence.
Western Behavioral Sciences Institute.
Wilshire Boulevard Temple, Los Angeles.
50th Birthday book, September 29, 1963.
Stanley Kramer personal awards and miscellaneous correspondence, 92 pp.
UCLA Extension, 1963, correspondence, 101 pages.
UCLA Extension, 1963, correspondence, 34 pages.
UCLA Extension, 1963, correspondence, 71 pages
UC Berkeley correspondence, 11 pp.
UCLA Material donations correspondence.
USC correspondence.
American Legion, 214 letters.
American Legion, 16 letters.
American Legion newspaper and trade publication clippings, 72 files.
Ahab (Sidney Poitier), 10 letters.
Governor Ellis Arnoll, 4 letters.
Note of Appreciation brochure by Stanley Kramer to directors, writers and cast.
Esquire magazine article, The Summer Job I Had As a Boy, June 1968.
Saturday Review article on Stanley Kramer, March 14, 1953.
Jack Valenti to Kramer re trip to Moscow, two letters.
Katherine Hepburn, Katherine Houghton and Spencer Tracy to Karen Kramer on birth of baby.
Karlovy-Vary Festival certificate for Guess Who's Coming to Dinner,1968.
First draft of Final Verdict by Elizabeth Wilson. Screenplay, March 9, 1964.
First draft of Flotsam by David Loew and Albert Lewin, heavily annotated. Screenplay.
Awards and Memorabilia
The Albert Gallatin Award, December 4, 1968 at New York University.
Seven dinner program brochures, December 4, 1968.
Sixteen photographs of the dinner program. In scrapbook.
Bronze medallion given to Kramer at the dinner program.
New York University Achievement Award plaque, 17 May 1966.
Look magazine plaque for film achievement, 1950.
American Jewish Congress arts award, January 18, 1968.
Exhibitor Laurel Award for top ten producers and directors, 1966.
Chicago International Film Festival citation of merit.
Maschera d'Argento plaque, Rome, 1967-1968.
New York University Perstare et Praestare plaque (MDCCCXXXI).
Prix Femina du Cinema Hommage gold medallion, 1960.
La Mostra Internazionale d'Arte Cinema Diveneza gold medallion, 1960.
Cine-Revue gold medallion.
Silver-Sindacto Giorvalisti Cinema Italiani silver medallion, 1962.
Screen Directors' Guild bronze award.
La Mejor Pelicula Extranjera (MCMLIII) green and bronze award.
Norske Konosjefers Tildelt de Skalarve Vinden Forbund Solvklumpen silver plaque, 1965.
UCLA plexi-glass award, charter member, Murphy Associates.
Berlin Film Festival bronze medallion, 1952.
Producers' Guild plexi-glass award for Producer of the Year, 1967.
American Jewish Committee Human Relations--W.J. German Award, 1967.
New York University Citation for Outstanding Class of 1933, April 11, 1955.
Camp Kent medals.
Scrapbooks:
Stanley Kramer's family.
U.S. Army, World War II.
Note
Los Angeles Urban League plaque for Home of the Brave, 1950.
Christian Herald plaque for Cyrano de Bergerac, 1951, Home of the Brave, 1949, The Men, 1950.
Seventeen magazine Picture of the Month plaques for:
The Champion, 1949.
Judgement at Nuremberg, 1961.
Mad, Mad World, 1964.
The Pride and the Passion, 1957.
Inherit the Wind, 1960.
Guess Who's Coming to Dinner, 1968.
Limelight award plaques for On the Beach, 1960, and Inherit the Wind.
Jewish Home for the Aged The Guardians plaque, 1962.
Unity Award plaque for human relations, 1966.
Parent Magazine plaques for:
Home of the Brave.
Cyrano de Bergerac.
On the Beach.
The Pride and the Passion medal presented in Madrid, 1956.
Exhibitor Laurel Award plaque for Dramatic Presentation, 1959, Top Ten Producer-Director, 1963-1964, Cyrano de Bergerac, 1950-1951, High Noon, 1952-1953.
Port of Trinidad, Spain, silver plaque for On the Beach, 1960.
Valladolid, Spain, plaque for The Defiant Ones, April 1959.
Varsity magazine plaque for The Men, 1950.
Independent Film Journal plaque for Best Producer-Director, 1956-1957.
University of Southern California plaque for membership in the Cinema Circulus, 1967.
Los Angeles Urban League plaque for The Defiant Ones, 1958.
Medallion given by the Mayor of Anticoli Corrado, Italy, for The Secret of Santa Vittoria.
Note
M. Beck Publicity and Correspondence Files
Inherit the Wind.
Dayton premiers.
Reviews.
Lists of awards.
Play and Original Research Data
Featurette.
American Legion.
A Child is Waiting.
Releases.
Reviews.
Feature stories.
Tear sheets.
Mad, Mad World.
Advertising appropriations.
New York mail order reports.
Reviews.
Stories.
70mm. test print.
Tear sheets.
Ship of Fools.
Releases.
Reviews.
Schedules.
Tear sheets.
New York University.
The Defiant Ones.
Note
The Secret of Santa Vittoria.
Press books for High Noon, Cyrano de Bergerac, The Defiant Ones, Inherit the Wind, Pressure Point, Judgement at Nuremberg.
R. P. M. Featurette -- from Jack Atlas Columbia Pictures Hollywood Trailer Dept.
Supplement 1 - Cartons
The Champion
Statuette of prize fighter with one hand (Kirk Douglas).
The Men
National Rehabilitation Association Plaque, 1950-51.
The Four Poster
Silver Bed Award.
High Noon
Academy Award nomination plaque for best production, 1952.
Life and Ideas, Foreign Press Association plaque.
New York Film Critics plaque. Best Motion Picture, 1952.
The Caine Mutiny
30 stills, 10 × 13,on heavy board, bound together.
Academy Award nomination plaque for best picture, 1954.
Model ship.
The Pride and the Passion
Music.
Microgroove recording of Antheil's theme conducted by Ernest Gold.
Production stills.
Svenska Film Samfundet medallion, in case.
Screen Directors' Guild plaque for nomination for Best Director.
Small model cannon.
The Defiant Ones
Screen Directors' Guild plaque for nomination for Best Director.
Academy Award plaque for nomination for Best Director.
Academy Award plaque for nomination for Best Picture, 1958.
Screen Producers' Guild certificate for nomination for Best Producer, framed.
Page One Award plaque, June 26, 1959, in case.
Hollywood Foreign Press statue for Best Picture.
2-12 phono recordings, Long Gone.
New York Film Critics plaque for Best Picture, 1958.
New York Film Critics plaque for Best Director, 1958.
Sterling silver leg irons (Stanley Kramer, 1958).
On the Beach
Stills, 11 × 14. (112) in two albums.
Sterling silver cigarette box from crew, Melbourne, Australia.
Framed matchbook from Yacht Club, Australia.
Screen Producers Guild nomination for Best Production, 1959, framed.
Medal, Montevideo, Uruguay, April 1960.
Page One Award plaque, April 1, 1960, in case.
16 mm print of the press conference at the Premier Chinese Theatre, December 17, 1959.
Inherit the Wind
La Tercera Resena Mundial de los Festivales Cinematograficos Award, statue, 1960.
6 record albums.
10th International Berlin Film Festival, 2 certificates one of which is framed.
Screen Producers' Guild certificate of nomination for Best Production, 1960, framed.
Music notes and timing notes.
Music cue sheets.
Music score on ten 45 rpm records.
Music skins.
Music sketches and cue sheets.
Judgement at Nuremberg
Stills in red leather book (13).
Paperweight: National Conference of Christians and Jews, 1962.
Cigar and cigarette box from the cast and crew, 1961.
I.C.C. plaque for Premio al Merito Cinematografico Best Foreign picture, 1962, in velvet case.
Screen Producers' Guild nomination for Best Production award.
Academy Award plaque for nomination for Best Director.
Academy Award plaque for nomination for Best Motion Picture, 1961 (2)
Screen Directors' Guild plaque for nomination for Best Director and medal for award for Best Director.
4 phonograph records.
Recorded interviews on three records.
Photocopy of music score.
Photocopy of music score.
Lyric sheets and music timing and notes.
Mad, Mad World
4 interviews on phonograph records.
2 record albums of music for Mad, Mad World.
Orchestra score.
Eight record albums of music score.
Wardrobe: miscellaneous pieces worn by cast.
Ship of Fools
35 mm black and white print, credits only.
Six transcription records.
Guess Who's Coming to Dinner
Screen Directors' Guild Plaque.
Three Academy Award nomination plaques: two for best picture; one for best director.
Sterling silver plate--Kathy Houghton.
Council of Churches of Southern California plaque, 1968.
Andersonville
Phonograph records, music of the Civil War.
Russian Film
Note
Awards and Memorabilia
Gallatin Medal presentation speech, 1968.
New York University Man of the Year Testimonial Plaque, 1967.
Cork International Film Festival Silver Trophy, 1966.
California Teachers' Association Trophy, 1968.
Scholastic Magazine award for Judgement at Nuremberg.
Cup from Jose Ferrer ( Cyrano de Bergerac).
Los Angeles Film Teachers' Association Parchment, 1969.
Note
Scrapbook of So Ends Our Night and So This is New York, 1940-1946.
One book, Year of 1949 - Outstanding Man.
New York University B.S. degree, June 1933.
City of Hope Torch Bearer Award, 1955.
National Movie Poll Trophy for High Noon, 1952.
Cleveland Film Critics Trophy for Cyrano de Bergerac, 1951.
La Hova Finne Trophy for On the Beach, 1960.
United Jewish Welfare Plaque for Man of the Year, 1960.
American Weekly plaque for Death of A Salesman, 1952.
City of Hope statue for Outstanding Service, 1951.
Foreign Press Award for The Secret of Santa Vittoria, 1969.
Publishers' Award Plaque for Mad, Mad World, 1964.
Stanley Warner Theatres Plaque for Ship of Fools, 1965.
American Jewish Committee, Anti-Defamation League, B'nai Brith Plaque, 1961.
B'nai Brith Women's Plaque for Humanitarian, 1962.
John Anson Ford Plaque for The Defiant Ones, 1958.
Replica of a boat given by Spencer Tracy to Stanley Kramer for Ship of Fools.
Trophy, pendant and certificate, Phi Eta Sigma of UCLA, 1970, Honorary Life Member, Stanley Kramer.
Irving Thalberg Memorial Award, 1961.
Pewter mug - New York University Alumni Fun 1966.
Personal Memorabilia
16mm print of Kramer's lecture for the APA, 1962.
16mm print of Kramer family, 925 feet.
16mm print of Larry Kramer's family, 1,150 feet.
Scrapbooks: Larry Kramer; Stanley Kramer and family; Stanley Kramer pictures.
Additions, June 20, 1975.
Wood stand for statue (see below).
Framed B'nai B'rith Certificate of Membership presented to Stanley Kramer, June 1975.
Memorial book of the occasion of Kramer's award, paperback. We Are One.
Gold-painted plaster statue of David, 33 height. David Award Honoree, 1975.
Note
Supplement 2 - Cases
Death of a Salesman
Modern Photography plaque, 1952.
On the Beach
Model submarine, The Nautilus (damaged).
Note
Guess Who's Coming To Dinner
American Cinema Editors' statue, 1968.
Personal Awards and Memorabilia
Temple University, Philadelphia, Pennsylvania, plaque for distinguished Film Matter, Cinematography and Directing, 1968.
Note
Photograph: New York Yankees' Babe Ruth at Bat, 1927.
Note
Speech by Sidney Poitier to Stanley Kramer re: American Jewish Committee Humanitarian Award, 1967, on poster.
Note
Home of the Brave
Urban League of New York, plaque, 1949.
Note
The Pride and the Passion
Model cannon.
The Defiant Ones
Editors' Trophy, 1958.
A Child is Waiting
Johannesburg Film Society plaque.
Note
California Senate plaque, 1963.
Note
Awards and Memorabilia
World Peace Commendation Award, 1960.
Note
Jewish Federation Council of Los Angeles, plaque, 1968.
Note
California Fashion Creators Trophy, 1953.
Note
University Women of the University of Judaism, trophy, 1976.
Note
Scope and Content Note
Mad, Mad World
150 stills, 10½ x 13½.
Note
Press clippings.
Note
Film effects contact - sets.
Note
Ship Of Fools
Press clippings.
Note
Andersonville
Production manager's breakdown strips.
Note
Russian Film
Press clippings.
Note
Supplement 3 - Packages
The Champion
Scrapbook: The Champion and Home of the Brave.
Note
Home of the Brave
Scrapbook: The Champion and Home of the Brave.
Note
American Civil Liberties Union award.
Note
The Pride and the Passion
Scrapbook of newsclippings.
Note
The Defiant Ones
Berlin Film Festival scrapbook containing stills and publicity.
Note
British Film Academy plaque for best film.
16 phonograph record, music.
On the Beach
Music sketches.
Note
Inherit the Wind
Music sketches and lead sheets.
Note
Judgement at Nuremberg
Scrapbook of stills, World Premiere, Berlin, 1961.
National Conference of Christians and Jews Award.
Note
Press clippings.
Note
Music sketches and lead sheets.
Note
Pressure Point
Complete music score.
Note
A Child is Waiting
Press clippings.
Note
Music sketches and lead sheets.
Note
It's a Mad, Mad, Mad, Mad World
Complete music score.
Note
Guess Who's Coming to Dinner
Poster picture of cast, signed.
Note
My Glorious Brothers
100 original wardrobe sketches,
Note
Supplement 4
So This is New York
16 × 20 framed still photograph (Henry Morgan).
Note
The Champion
16 × 20 framed still photograph (Kirk Douglas).
Note
Home of the Brave
Jewish War Veterans Award, large brass plaque, 1949.
Note
Veterans of Foreign Wars Award, 1950.
Jewish War Veterans Award, framed, 1949.
Note
16 × 20 framed still photograph (James Edwards).
Note
The Men
Veterans of Foreign Wars Award, 1950.
Note
16 × 20 framed still photograph (Marlon Brando).
Cyrano de Bergerac
16 × 20 framed still photograph (Jose Ferrer)
Note
My Six Convicts
16 × 20 framed still photograph.
Note
The Sniper
16 × 20 framed still photograph (Arthur Franz).
Note
The Happy Time
16 × 20 framed still photograph (Charles Boyer).
Note
The Four Poster
16 × 20 framed still photograph (Rex Harrison).
Note
Eight Iron Men
16 × 20 framed still photograph.
Note
Member of the Wedding
16 × 20 framed still photograph (Julie Harris).
Note
The Juggler
16 × 20 framed still photograph (Kirk Douglas).
Note
The 5000 Fingers of Doctor T.
16 × 20 framed still photograph.
Note
The Wild One
16 × 20 framed still photograph (Marlon Brando).
Note
High Noon
Photoplay Magazine award, 1952.
16 × 20 framed still photograph (Gary Cooper).
Note
The Caine Mutiny
16 × 20 framed still photograph, autographed by the cast.
Not as a Stranger
16 × 20 framed still photograph (Frank Sinatra).
Note
The Pride and the Passion
16 × 20 framed still photograph (Cary Grant).
Note
The Defiant Ones
16 × 20 framed still photograph (Sidney Poitier).
Note
On the Beach
16 × 20 framed still photograph (Gregory Peck).
Inherit the Wind
Berlin Film Festival Award, bronze platter, 1960.
Note
Judgement at Nuremberg
Hollywood Foreign Press Award, 1961.
Framed address of Mayor Willy Brandt, 1961 premiere.
Note
The Secret of Santa Vittoria
Adamo Vaticano oil painting, 13 × 16.
Note
Caricature by Sante Barelli, 25 × 30, oil.
Note
Grazi Rotunno oil painting, 19 × 25, 1968.
Note
Tavoluaris montage.
Note
3 rolls of sketches.
Note
Awards and Memorabilia
B'nai Brith Man of the Year Award, encased medallion, 1970-1971.
Note
18 carat yellow gold Premio David Di Donatelli statuette.
PART 2: Additions, May 1978.
Note
I. Bless the Beasts and Children:
Folders
1. Cast & Crew.
2. Advertisements.
3. Program notes.
4. Production notes.
5. Releases.
6. Conservation Directory, 1971.
7. Telecompanion, July 1971.
8. Press, Radio, College Lists from A&M Records.
9. Salt Lake City Television Shows, Tape transcripts.
10. Phoenix.
11. New York.
12. Dallas.
13. Chicago.
14. Boston.
15. Book Reviews.
16. Billing.
17. Awards.
18. Book Correspondence.
19. Correspondence (Miscellaneous).
20. Correspondence file (DAILY).
21. Censorship controversies.
22. Key Set Stills (Captions).
23. Grosses.
24. Combined Continuities.
25. Actors--Stunt Players (Daily and Weekly Contracts).
26. Chapin, Miles [(Shecker)--Contract].
27. Glaser, Darel [(Goodenow)--Contract].
28. Ketchum, Dave [(Camp Director)--Contract].
29. Kramer, Bob [(Lally I)--Contract].
30. Leonard, Jack E. [(Sid Shecker)--Contract].
31. Mumy, Bill [(Teft)--Contract].
32. Robins, Barry [(Cotton)--Contract].
33. Swofford, Ken [(Wheaties)--Contract].
34. Vahanian, Marc [(Lally II)--Contract].
35. American Humane Association, The.
36. Awards.
37. Beck, Myer Page (Sales Representative--agreement).
38. Benoff, Mac (writer)--Contract.
39. Budget (Cost Reports)--Pre-production & production cost.
40. Budget--Estimated Detail.
41. Call Sheet.
42. Cast & Crew Lists.
43. Columbia Pictures--Correspondence.
44. Comments, Congratulations, Quotes, etc. (file #1).
45. Comments, Congratulations, Quotes, etc. (file #3).
46. Continuities Combined (Cutting & Dialogue).
47. Claim - Another Mother for Peace (re-advertisement logo).
48. Credits--Main Title & Advertising.
49. Comments, Congratulations, Quotes, etc. (file #2).
50. Crank letters.
51. Daily Production Reports.
52. Day out of days schedule.
53. Doubleday (Publisher) Advertisements.
54. Doubleday (Publisher) Correspondence.
55. Ferguson, Robert (V. Pages advertisements, publicity & Expl.) Correspondence.
56. Film Festivals - Canada (Stratford - Ontario) San Francisco, Cannes.
57. Film Festival - Berlin.
58. Gordon, Billy - Casting Director.
59. Toronto.
60. Film Festival - Moscow.
61. Expenses.
62. Educational Contacts.
63. Trade Clips.
64. Magazine clips.
65. Photography and photographers.
66. Photo captions.
67. Previews.
68. Playdates.
69. Music.
70. Locations.
71. Promotion (Ecology Organizations).
72. Promotion (New York screening).
73. Radio/TV Promotion.
74. Promotion (Miscellaneous).
75. Releases (Ed Fischer copy).
76. PReviews--Center for the Study of Democratic Institutions.
77. Trailers.
78. Synopsis (short).
79. Synopsis (long).
80. Study Guides.
81. Hidden Valley Ranch (Prescott, Arizona - Dr. R.B. Nichols) Location Contract.
82. Hotel Lists.
83. If Poem by Rudyard Kipling.
84. Income from picture.
85. Insurance.
86. Rothers, Incorporated (Denver, Colorado. re Bison herd).
87. Kramer, Stanley--Miscellaneous.
88. Kramer, Stanley.
89. Location Auditor--Harry Kohoyda--Correspondence).
90. Movement lists.
91. MPAA (Motion Picture Association of America) Title registration & code no.
92. Music - album.
93. Music - A&M Records.
94. Music - Barry DeVorzon and Perry Botkin, Jr.--Contract
Scope and Content Note
95. Music - Carpenters - Song, Bless the Beasts and Children Agreement.
96. Music - Music Breakdown.
97. Music Cue Sheet.
98. Music - Song, It's a Beautiful Day by Bill Mumy/Paul H. Gordon.
99. Music - Song, Bless the Beasts and the Children.
100. Music--Miscellaneous Correspondence.
100a. Film Festival - Moscow.
101. National Rifle Assocaition; Firearms Association.
102. Poems on Dining Room Wall; Hidden Valley Ranch A State of Mind.
103. Production Notes.
104. Preview Screening, New York Alice Tulley Hall June 21, 1971.
105. Programs.
106. Publicity - Advertisements.
107. Publicity - appearances: TV/Radio, Personal & Telephone Interviews.
108. Publicity - Beck, Myer P.--Correspondence.
109. Publicity - Glass, George--Correspondence.
110. Publicity - Columbia Pictures--Correspondence.
111. Publicity - Requests for Premiere, Special Screenings, etc.
112. Publicity - M. Kay (Booker)--Correspondence.
113. Reviews--Book.
114. Reviews--Trades - Magazines, Newspapers.
115. Screenings.
116. Shipments, Mailings.
117. Shooting Schedule.
118. Simon & Schuster, Incorporated--Publisher Novelization of Screen. Paperback).
119. Swarthout, Glendon (author)--agreement.
120. Swarthout, Glendon (author)--Correspondence.
121. Television spot censorship story.
122. Theatre openings.
123. Trailer (TV clips).
124. Television Spot 1 minute (Stan Freberg).
125. Editorial.
126. Ivan Volkman--Production Manager--Correspondence.
127. Weiss, Voisin, Cannon, Incorporated (Stockbrokers) - Beverly Hills - Location.
128. Zagon, Schiff, Hirsch, Levine, & Mark--Correspondence.
129. Press Kit.
130. Music - Spotting Notes.
131. Publicity - Press Releases.
132. Reviews.
Scripts
1. First draft: May 22, 1970; revised, June 12, 1970.
2. Revised first draft: June 12, 1970.
3. Final draft: June 18, 1970 (as shot). Revised, July 29, 1970.
4. Final draft: June 18, 1970 (as shot). Revised, July 29, 1970.
5. Final draft: June 18, 1970 (as shot). Revised, July 29, 1970.
6. Final draft: June 18, 1970 (as shot). Revised, July 29, 1970.
6a. Final draft: June 18, 1970 (as shot).
7. Final draft: June 18, 1970 (as shot).
8. Final draft: June 18, 1970 (as shot).
9. S. Kramer Personal Final draft: June 18, 1970. (Revised, September 10, 1970.
10. S. Kramer Personal Shooting Script. Page breakdown by scenes. Flashbacks in chronological order.
Note
Stills
1. Production Stills (Proof Sheets)
Tapes
1. Preview #1.
2. Preview #2.
3. Stan Freberg Radio Spot #1.
4. Stan Freberg Radio Spot #1.
5. Stan Freberg Radio Spot #1.
6. Stan Freberg Radio Spot #1.
7. Stan Freberg Radio Spot #1.
8. Preview #1, June 1971.
9. Preview #2, June 1971.
10. 11th Hour interview.
11. Interview with M. Jackson, April 9, 1972.
12. KABC Presentation October 21, 1960.
13. Face to Face.
Miscellany
1. Bless the Beasts and Children (1 vol.) - the story as it follows in the book without the flashbacks (Mac Benoff).
2. Bless the Beasts and Children (17 discs) - song recorded by The Carpenters: Bless the Beasts and the Children.
3. Swarthout,Glendon. Bless the Beasts and Children.
4. Editorials (Censorship).
5. Proofs 8×10 taken in New York.
6. Miscellaneous pages of revisions
7. Stickers
8. Student evaluations.
9. Audience reaction cards
II. Cyrano Corporation (Cyrano de Bergerac):
Film
1. Cyrano (Short). Sent to Film Archive, UCLA, Theatre Arts Department.
Folders
1. Black Tights--Correspondence.
2. Cyrano Corporation--Correspondence & Financial Statements, Minutes.
3. NTA - 4 Star Television Rights - High Noon.
4. Cyrano Corporation-- High Noon Anthology - Five Classic Screenplays.
5. Cyrano Corporation--David Merrick's Musical Play - Cyrano de Bergerac--Correspondence and agreement.
6. Cyrano - Never judge a man by his nose.
7. Cyrano - Saperstein--Magoo Cartoons) - Television Correspondence.
8. Cyrano--Van Loewen & O'Brien)--Correspondence.
9. Final Verdict Sale December 22, 1967.
Note
10. White, Onna (Choreographer--Contract).
Note
11. Story Development Fund.
Note
12. Segal, Erich (writer) Correspondence.
Note
13. Segal, Erich (writer) Contract.
Note
14. Publicity - Press Releases.
Note
15. MPAA (Motion Picture Association of America).
Note
16. Music - Artists (Performers, Composers & Agents).
Note
16a. Music--Miscellaneous correspondence.
Note
17. Mercer, Johnny (songwriter) Contract.
18. Legrand, Michel (composer & conductor) Contract.
19. Job Applications.
20. Harburg, E.Y. & Burton Lane.
21. Geller, Mike (Plagiarism).
22. Davis, Jr., Sammy--Contract.
23. Releases.
24. Clips--Newspapers.
25. Clips--Trades.
26. Crank letters.
27. Conflicts--Miscellaneous
28. Costumes--Correspondence.
29. Columbia Pictures Corporation - Purchase Agreement.
30. Comments, Congrats, quotes, etc.
31. Budget--Cost Reports.
32. Bart, Lionel--Correspondence.
33. Actors & Agents.
34. Agents - Technical Employment.
35. NBC-TV. Proposed musical Cyrano (Richard Graham).
36. Script. Cyrano de Bergerac by Edmond Rostand. Second draft screenplay by Carl Foreman.
37. Script. Screenplay by Carl Foreman. From the play by Edmond Rostand.
38. Cutting and dialogue continuity.
III. The Domino Principle:
Folders
1. Albert, Edward Jr. (Pine)--Contract, etc.
2. Bergen, Candice (Doris)--Contract, etc.
3. Rooney, Mickey (Spinenta)--Contract, etc.
4. Widmark, Richard (Tagge).
5. Avco Embassy.
6. The Domino Principle - Art Department.
7. Hackman, Gene--Tucker)--Contract, etc.
8. Wallach, Eli (Gen. Reser).
9. Call Sheets.
10. Actors & Agents.
11. Publicity on Prison (envelope/ads).
12. Revised scenes from Domino, pp. 9, 15, 57.
13. Location notes.
14. Theatre Openings.
15. Script Revisions--First Revised January 15 (Notations).
16. Gavin.
17. William S. Gilmore.
18. Editorial - Television version.
19. Daily Production Reports.
20. Credits--Main Title and Advertising.
21. Crew.
22. Kappoff Music Services (Nathan Kappoff).
23. Marstar.
24. Location - San Francisco.
25. Independent Casting.
26. Insurance.
27. Location - Puerta Vallarta.
28. Kennedy, Adam--Contract, etc.
29. Schedules.
30. Script Distribution.
31. Publicity, Press Correspondence.
32. Publicity, Advertisements.
33. Publicity, Beck, Meyer P., Correspondence.
34. General.
35. Location, San Quentin.
36. Comments, Congratulations, Quotes, etc.
37. Cast & Crew Lists.
38. Continuities Combined.
39. Hotel lists.
40. Box Office Receipts.
41. Brown - Kraft.
42. Business Expenses - S. Kramer.
43. Budget--Estimated Detail.
44. Crank Letters.
45. I.T.C.
46. Publicity, Strauss, John (CPR) Correspondence.
47. Location, Contracts (originals).
48. Morse, Terry (Associate Producer/ Production Manager).
49. Movement Lists.
50. MPAA.
51. Music (Miscellaneous Correspondence).
52. Music - Shirley Eikhard (Some Day Soon).
53. Publicity Releases.
54. Shooting Schedule.
55. Starger, Martin--Correspondence (MARSTAR).
56. Schiff, Hirsch & Levine--Correspondence.
57. Screenings.
58. Werner, Oscar.
59. Signed Work Permits.
60. Revised Pages November 28, 1975.
61. Actors--Day Player Contracts.
62. Actors--Weekly Contracts.
63. Actors--Daily & Weekly - Stuntmen.
64. Reviews.
65. Frank Waldman--Correspondence.
66. Production Board picture negatives.
Scripts
1. First draft: November 10, 1975.
2. Revised first draft: January 15, 1976.
3. Final draft: February 23, 1976.
Note
Stills
1. Production stills
2. Production stills
3. Production stills.
4. Production stills.
Note
Tapes
1. One 7½ tape - Some Day Soon - Main Title (2:35).
Miscellany
1. Advance Press Info.
Note
2. Photocopies of titles.
Note
3. Production slides--12.
4. Production notes (bound).
5. Notebook of production sketches (blueprints).
6. Accordion file--Miscellaneous script revisions.
Note
7. Stills.
8. Record. Some day soon. Theme from The Domino Principle. 3 copies. Shirley Eikhard.
9. Mounted photographs of Ku Klux Klan members.
10. Revisions. November 12, 1975.
IV. Guess Who's Coming to Dinner:
Folders
1. Preview Program and Sample Tix.
2. Previews, Premieres.
3. Yankee Magazine - Silhouette of a Wedding by Laurie Hillyer - Story Conflict.
4. Rose, William (writer)--Contract.
5. Kramer, Stanley - Expenses.
6. Insurance.
7. MPAA.
8. Claim - The People Web by M.R. Plunkett.
9. Cast & Crew Sheets.
10. Comments etc.
11. Hackett & Company, Samuel - Auditor, New York.
12. Box Office Receipts.
13. A Distant Light--Correspondence.
Scripts
1. First draft: January 7, 1967.
2. Final draft (2).
3. Script (3).
Note
Stills
1. 2 portfolios. Publicity material.
Note
Miscellany
1. Two albums - interviews.
Note
2. Cut 1-5
3. Picture Continuity - Reel 1A November 10, 1967.
4. Dialogue Continuity - Reel 1A October 28, 1967.
V. It's a Mad, Mad, Mad, Mad World:
Folders
1. Sale--Correspondence re. MW.
2. Zagon, Aaron & Schiff.
3. United Artists--Correspondence.
4. Insurance.
5. Gottlieb, Samuel - New York attorney.
6. Elliot, Walter.
7. Theatre Opening - Re-issue.
8. Film Effects of Hollywood, Incorporated.
9. Editorial.
10. Distribution Report (Last report, November 30, 1968), Comments, etc.
11. Brillig Production, Limited. Rese, William & Tania.
Scripts
1. First draft screenplay - Something a little less serious (2).
1a. First draft screenplay. Something a little less serious (1).
2. Second draft.
3. Script (two parts), November 9, 1962.
4. Script.
5. Script.
6. Continuity.
7. Combined continuity.
Note
8. Cutting continuity (2).
9. Dialogue continuity (3).
10. S. Kramer personal scripts, numbered 1 and 3.
Miscellany
1. Shooting schedule - Pre-production & Plates, April 5, 1962.
2. Shooting schedule, October 1, 1962.
3. Revised shooting schedule to finish: August 21, 1962-November 6, 1962.
VI. Judgment: The Court-Martial of Lieutenant William Calley:
Folders
1. Wolper Prod.
2. Calley (2).
3. Cast Lists.
4. Revisions--General.
Scripts
1. Calley original.
2. S. Kramer's original script.
3. Lt. Calley, June 24, 1971. By John Sack.
4. Second draft: July 2, 1974.
5. Second draft: July 2, 1974.
6. Final tape draft: August 13, 1974.
7. Revised script, n.d.
8. As Broadcast script, January 12, 1975.
9. First draft. Henry Denker. November 1, 1973 (2).
Transcripts (Calley vs. U.S. Army).
1. vol. 1, Book 1 (2).
2. vol. 1, Book 2 (2).
3. vol. 1, Book 3.
4. vol. 1, Book 4.
5. vol. 2, Book 1: Index (2).
6. vol. 3, Book 1: pp. 1-527 (2).
7. vol. 3, Book 2: pp. 528-917 (2).
8. vol. 3, Book 3: pp. 918-1073.
9. vol. 3, Book 3: pp. 918-1342.
10. vol. 3, Book 3: pp. 1074-1342.
11. vol. 3, Book 4: pp. 1343-1783.
12. vol. 3, Book 4: pp. 1369-1805.
13. vol. 3, Book 4: pp. 1343-1793.
14. vol. 3, Book 5: pp. 1794-2305.
15. vol. 3, Book 5: pp. 1806-1913.
16. vol. 3, Book 5: pp. 1914-1990.
17. vol. 3, Book 5: pp. 1991-2067.
18. vol. 3, Book 5: pp. 2068-2220.
19. vol. 3, Book 5: pp. 2069-2131.
20. vol. 3, Book 5: pp. 2221-2305.
21. vol. 3, Book 6: pp. 2306-2793.
22. vol. 3, Book 6: pp. 2306-2793. Incomplete.
23. vol. 3, Book 6: pp. 2328-2590.
24. vol. 3, Book 6: pp. 2591-2783.
25. vol. 3, Book 7: pp. 2794-3151.
26. vol. 3, Book 7: pp. 2804-2844.
27. vol. 3, Book 7: pp. 2794-3099.
28. vol. 3, Book 7: pp. 2845-3569.
29. vol. 3, Book 8: pp. 3152-3753.
30. vol. 3, Book 8: pp. 3162-3266.
31. vol. 3, Book 8: pp. 3267-3454.
32. vol. 3, Book 8: pp. 3455-3752.
33. vol. 3, Book 9: pp. 3754-4002.
34. vol. 3, Book 9: pp. 3754-4257.
35. vol. 3, Book 9: pp. 4004-4216.
36. vol. 3, Book 9: pp. 4217-4257.
37. vol. 3, Book 10: pp. 4258-4517.
38. vol. 3, Book 10: pp. 4475-4590.
39. vol. 3, Book 10: pp. 4258-4699.
40. vol. 3, Book 10: pp. 4591-4699.
41. vol. 3, Book 11: pp. 4700-5079.
42. vol. 3, Book 11: pp. 4700-4776.
43. vol. 3, Book 11: pp. 4777-4884.
44. vol. 3, Book 11: pp. 4885-4956.
45. vol. 3, Book 11: pp. 4857-5042.
46. vol. 3, Book 11: pp. 5043-5079 (2).
48. vol. 3, Book 11: pp. 331-1031. Exhibits included.
Miscellany
1. Poster.
Note
2. Clips--Lt. Calley.
3. Manuscript (John Sack's).
4. New York Times news articles, bound.
VII. Oklahoma Crude:
Folders
1. Actors & Agents.
2. Call Sheets.
3. Columbia Pictures Correspondence.
4. Comment, Congrats, Quotes etc.
5. Crank letters.
6. Daily Production Reports.
7. Day out of Days Schedule.
8. Dunaway, Faye (Contract).
9. Editorial.
10. Ferguson, Robert.
11. Job Application.
12. Mancini, Henry.
13. Moscow Film Festival.
14. Mills, John (Contract).
15. MPAA (Motion Picture Association of America).
16. Music - Anne Murray.
17. Music - Album.
18. Music - Cue Sheets.
19. Music - Timing, Spotting, Notes.
20. Music--Miscellaneous Correspondence.
21. Norman, Marc--Contract).
22. Oklahoma, State of--Contract).
23. Ospital Ranch - Location Agreement.
24. Panavision Contract.
25. Jack Palance (Contract).
26. Production Notes.
27. Publicity Advertisements.
28. Publicity - Beck, Myer Pages--Correspondence.
29. Photos--M. Cosindas (Cast & Crew Miscellaneous Leftover).
30. Publicity - Blowitz, John--Correspondence.
31. Publicity - Appearances - TV/Radio--Personal etc.
32. Publicity - Publicity releases.
33. Photo labs.
34. Photo mailers - Suggested.
35. Photo plants.
36. Premiere Requests.
37. Press Kit.
38. Press Visiting Location.
39. Production Notes.
40. Key Set - Stills.
41. Jason, Harvey.
42. Hotel Lists.
43. Griffin Show, The Merv.
44. Film Festivals--Miscellaneous
45. Film Log - Don Christie, Stillman.
46. Fact Sheet.
47. Featurette.
48. Featurette Releases.
49. NATO Presentation.
50. Magazines.
51. Levi-Strauss & Company.
52. Location--Stockton, California--Pete Ospital Ranch.
53. Lists--Miscellaneous
54. Photos--2 shots (Faye Dunaway & Jack Palance).
55. Photos--2 shots (G.C. Scott & Jack Palance).
56. Stockton--Phone calls, messages, miscellaneous correspondence.
57. Screening Invitations, Program notes etc.
58. Rough Lists.
59. Screenings--Invitations--Mailed.
60. Shooting Schedule.
61. Stills Killed.
62. Publicity Report--West Coast.
63. Publicity Advertising & Exploitation.
64. Screenings (2).
65. Promotions.
66. Publicity, Radio Stations.
67. Publicity - Requests for Premiers, Special Screenings, etc.
68. Publicity - Columbia Pictures Correspondence.
69. Reviews--Films.
70. Scott, George C. (Contract).
71. Shippings Mailings.
72. Surtees, Robert (cameraman)--Contract.
73. Technical Adviser.
74. Theatre Openings.
75. Trailers.
76. Volkman, Ivan--Production, Correspondence.
77. Billing.
78. Advertising--Gold Advertising, Incorporated.
79. Ad Requests.
80. Advertisements.
81. Biographies--G.C. Scott.
82. Biographies--Technicians & Crew.
83. Brochure.
84. Call Sheets.
85. Clips--Foreign.
86. Columbia Pictures--Personnel.
87. Contracts.
88. Correspondence--Daily.
89. Biographies--Jack Palance.
90. Biographies--Marc Norman.
91. Biographies--John Mills.
92. Biographies--Stanley Kramer.
93. Biographies--Karen Kramer.
94. Biographies--Faye Dunaway.
95. Oklahoma Crude.
96. Radio--BLORE.
97. Premiere, June 14, 1973 in Tulsa, Oklahoma.
98. Playdates.
99. Photographer--Special--Marie Cosindas.
100. Expenses, 1973.
101. Music.
102. Foreign.
103. Cast & Crew--Correspondence, 1973.
104. Television Special--Dick Strout Enterprises.
105. Feature Stories.
106. Releases.
107. Releases--Columbia Publicity Department.
108. Radio / Television.
109. Clips (Newspapers).
110. Clips (Magazines and trade)
111. Clips--Stockton & Local Breaks.
112. January 1, 1973 Miscellaneous Correspondence.
113. Correspondence--Cast & Crew, 1972.
114. Correspondence Miscellaneous, September 7-December 31, 1972.
115. Correspondence Miscellaneous, February 9-September 6, 1972.
116. Shooting Schedule.
117. Promotion--Radio / Television.
118. Program Notes.
119. Production Reports.
120. Promotion--Miscellaneous
121. Photo Captions.
122. Photos--Headshots--G.C. Scott.
123. Photos--2 shots, G.C. Scott & John Mills.
124. Photos--G.C. Scott.
125. Photos--Jack Palance.
126. Photos--Stunts.
127. Photos--2 shots (R. Campos & G.C. Scott; R. Campos & Faye Dunaway).
128. Photos--2 shots (John Mills & Faye Dunaway).
128a. Photos--Marc Norman.
128b. Photos--night fight scene.
129. Television scene clips.
130. Schedules--Travel.
131. Research Material.
132. Reviews--Novelization.
133. Stills Ordered.
134. Stockton, California--Location.
135. Synopsis.
136. Theatre Openings.
137. Trailers--Television & Theatre.
138. Novelization--Book & Paperback by Marc Norman.
139. Expenses, 1972.
140. Credits--Main Title and Advertising.
Scripts
1. First draft: January 11, 1972.
2. First draft: January 11, 1972.
3. First draft,
4. Final draft: June 1, 1972, with S. Kramer notations.
5. Final draft: June 1, 1972, with S. Kramer notations.
6. Final draft: July 31, 1972, with S. Kramer notations.
7. Revised script, August 23, 1972.
8. Continuities, combined (Cutting & Dialogue).
9. Incomplete revisions (Production #8246) outtakes.
10. Production script with notations.
11. Personal S. Kramer script.
Note
Slides
1. Maria Cosindas--Special Photographer.
2. Productions slides--envelope 23.
Stills and Photos (photos in Folders)
1. Production stills.
Note
2. Production stills (8 x 10).
3. Photos-- Oklahoma Crude (2 shots)--G.C. Scott & Faye Dunaway.
4. Photos--Featured players.
5. Photos--Group shots.
6. Photos--Faye Dunaway.
7. Photos--Faye Dunaway (head shots).
8. Photos--Color Contacts.
9. Photos--Off camera (miscellaneous).
10. Photos--Off camera (set stills without slates).
11. Photos--Off camera (principals).
12. Photos--John Mills.
13. Photos--Music personalities (Henry Mancini, Hal David & Anne Murray).
14. Large mounted photo of oil rig.
Note
Tape
1. Roll 2A.
2. T. Kratochuil July 16, 1973.
3. Send a little love my way. (2)
4. Five-minute feature with S. Kramer, Faye Dunaway & G.C. Scott.
5. Chuck Walsh review, August 1, 1973.
6. Five-minute featurettes.
7. Radio interview with S. Kramer--San Francisco.
8. Unmarked.
Film (Television clips) Sent to Film Archive, UCLA, Theatre Arts Department.
Miscellany
1. Production Board Picture Negatives (accordion folder).
Note
2. Contact prints, 1 - 2315 and 2316 - 4390.
3. Production notes
Note
4. Oklahoma Crude (record).
5. Costume designs for Faye Dunaway by Bill Thomas. (9).
Note
6. Marc Norman--Novelization manuscript.
7. Outtakes from S. Kramer's script.
8. Costume descriptions & pictures.
9. Photocopied articles on Oklahoma Crude.
10. Retyped--one copy for S. Kramer, April 26, 1972.
11. Pages deleted from original script.
12. Audience reactions cards.
13. Reviews.
14. Cast/crew.
15. Press visiting location.
16. Press book.
VIII. RPM
Folders
1. Segal, Erich (Plays, Incorporated writer)--Contract.
2. Serling, Rod (Finger Lokes Production, Incorporated)--Contract.
3. Set Continuity Lists.
4. Suski, George (Campus Media, Incorporated), New York.
5. Theatre Openings.
6. Title Designers.
7. University of the Pacific--Contract.
8. Volkman, Ivan (Production Manager)--Correspondence.
9. Wardrobe plot.
10. Zagon, Schiff, Hirsch & Levine--Correspondence.
11. Music - Barry DeVorzon (Songwriter), Perry Botkin, Jr. (Composer)--Contract.
12. Music Cue Sheet.
13. Music--Miscellaneous correspondence.
14. Music--Soundtrack Album--Bell Records.
15. Music--Songs--Melanie--Contract (Lyrics & Songs).
16. Music--Song--Rudy Vallee.
17. Publicity--Advertisements.
18. Publicity--Beck, Myer Pages--Correspondence.
19. Publicity--Glass, George--Correspondence.
20. Publicity--Press Conference.
21. Quinn, Anthony--Contract.
22. Credits--Main Title & Advertising.
23. Correspondence.
24. Mailings (Permanent Record).
25. Key Set Photos (Correspondence).
26. Location Travel Arrangements.
27. Photo Captions.
28. Playdates.
29. Premiere.
30. Photo Coverage (Photographers).
31. Photo Orders.
32. Previews.
33. Production Notes.
34. Progress Reports.
35. Release.
36. Reviews (2).
37. Promo - Radio / Television.
38. Promotion--Miscellaneous.
39. Promotion--Television Documentary.
40. Bob Yeager Copy.
41. Newspaper Clips.
42. Magazine Clips (Trade Clips).
42a. Trade clips.
43. Release Date.
44. Research (2).
44a. Research (1).
45. Screening.
46. Crank Letters.
47. Actors and Agents.
48. Ann-Margaret--Contract.
49. Actors--Day Player--ContractS.
50. Actors--Weekly Contracts.
51. Actors--Daily & Weekly--Stunt Men.
52. Box Office Receipts.
53. Brockman, Colin.
54. Budget--Cost Reports--Pre-production & Production Costs.
55. Budget--Estimated Detail.
56. Cast & Crew Lists.
57. Claim - Gary Rossiter vs. Columbia Pictures & S. Kramer.
58. Clatworthy, Bob (Production Designer)--Contract.
59. Columbia Pictures--Correspondence.
60. Comments, Congratulations, Quotes, etc.
61. Crew--Salary Agreements--Key Personnel.
62. Editorial.
63. Ferguson, Robert (Vice President of Advertising, Publicity & Expl.)--Correspondence.
64. Gordon, Billy (Casting Department).
65. Hotel lists.
66. Hugo, Michael (cameraman)--Contract.
67. Jaffe, Leo--Correspondence.
68. Kramer, Stanley & Earl - Los Angeles County Health Department Notice.
69. MPAA (Motion Picture Association of America).
70. Synopsis.
71. Book Novelization.
72. Advertisements.
73. Billing.
74. Lockwood, Gary (Rossiter).
Scripts
1. First draft: September 2, 1969.
2. First draft: September 2, 1969. With notations.
3. First draft: September 2, 1969. pp. 1-87.
Note
4. First draft: September 2, 1969. pp. 1-93.
5. Revised first draft: October 3, 1969.
6. Fifth draft: July 18, 1969. Screenplay by Rod Serling (2).
7. Script: October 19.
8. Final draft: November 3, 1969. Screenplay by Erich Segal. As shot (3).
9. Final draft: November 3, 1969. Screenplay by Erich Segal (2).
10. Final draft: November 3, 1969. As shot. Screenplay by Erich Segal (3).
11. Final draft: November 3, 1969. Close to as shot but not perfect. no. 152, 6, 153, 148, 158 (5).
12. Final draft: November 3, 1969. Screenplay by Erich Segal. no. 80, 138, 133, 2 (4).
13. Final draft: November 3, 1969. no. 73.
14. Final draft: November 20, 1969. no. 70.
15. Final draft. Screenplay by Erich Segal. November 3, 1969. Stanley Kramer's script. As shot. S. Kramer script editing.
16. Final draft: November 3, 1969. Screenplay by Erich Segal. no. 157. With added lines by Gary Lockwood.
17. Final draft: November 3, 1969. As shot. Screenplay by Erich Segal.
18. Final draft: November 3, 1969. S. Kramer personal shooting script. With notations. Screenplay by Erich Segal.
19. Script revisions. v.d., n.p.
20. Script revisions. v.d., n.p.
21. Discards. v.d.,n.p.
22. Script. pp. 3-93.
23. Second/final draft: November 3, 1969. pp. [1] - 128. With notations.
24. Final draft: November 3, 1969. As shot. S. Kramer script.
25. Script. With notations. n.d.
26. Script.revisions. November 17, 1969. With holograph notations.
27. Combined continuities (4).
28. Combined continuities (5).
29. Continuities combined (2).
Stills
1. Key set stills-- RPM.
2. Eight cards with stills of location.
Note
Miscellany.
1. Album. Music from RPM.
Note
2. Music.
IX. Secret of Santa Vittoria
Folders
1. Awards, Academy Nominations etc.
2. Audley, Michael (Dialogue Director).
3. Assets Recoverable.
4. Anticoli Corrado, Italy (Location).
5. Actors Hirec in Europe (ContractS).
6. Budget--Estimated Detail.
7. Budget--Cost Reports & Trial Balances.
8. Box Office Receipts.
9. Beck, Myer Pages--Correspondence, Sales, etc.
10. Beck, Myer Pages (Sales Representative)--Agreement.
11. Programs.
12. Production Notes.
13. Chuck Painter (Personal Data & Instructions).
Note
14. Los Angeles Premiere.
15. Jerry Pam & Associates.
16. Premieres / Previews--Correspondence.
17. Preview Lists.
18. Press Junkets.
19. Promotion--Miscellaneous Projects.
20. Pages A. Tours.
21. Television & Radio Promotion (2).
22. Book Promotion & Sales.
23. Promotion (Cinzano) thru December 31, 1968.
24. Promotion (Cinzano) from January 1, 1969.
25. Photographers & Photo Coverage.
26. Los Angeles Premiere Meetings.
27. Press Lists.
28. Press Conferences.
29. Photo Orders.
30. Photos--Key Set Correspondence.
31. Shooting Schedule.
32. United Artists Corporation--Financing & Distribution Agreement.
33. Editorial.
34. Dubbing - Foreign.
35. Dragon, Carmen.
36. Distribution Statements, monthly from UA.
37. Directors Guild of America.
38. de Rossi, Alberto (make-up man).
39. De Laurentiis, Dino.
40. Day out of Days.
41. DeFilippo, Eduardo.
42. Daily Production Reports (2).
43. Crichton, Robert (author)--Correspondence.
44. Crichton, Robert (author)--agreement.
45. Crew--Miscellaneous Correspondence.
46. Credits--Main Title & Advertising.
47. Comments, Congrats, Quotes, etc.
48. Clatworthy, Robert (Production Designer).
49. Claims - Gabriella Nardi & M. Coccioletti.
50. Credits--Conflict (Joe King).
51. Cinzano Vermouth.
52. Cinecitta Studios.
53. Chemical Bank New York Trust Company (Loan).
54. Cast & Crew Lists.
55. Casting Director - Rome (Anna Grisi).
56. Call Sheets (2).
57. Butler - Glouner Incorporated (Main Title Credits) Correspondence.
58. Lisi, Virna (Contract).
59. Lee, Danny (Special Effects).
60. La Bella, Joe (Prop. Man).
61. Kruger, Hardy (Contract).
62. Kramer, Stanley--Expense Accounts.
63. Kramer, Stanley--Correspondence.
64. Kramer, Stanley--Villas.
65. Kramer, Karen--Correspondence.
66. Kramer, Earl.
67. King, Joe (Costumer).
68. Insurance & Claims.
69. Hacker & Company, Samuel (New York).
70. Gosnell, Ray (1st Assistant Director).
71. Gold, Earnest (Composer) Contract.
72. Gifts, Thank You letters from Rome (Cast & Crew).
73. Giannini, Giancarlo--Contract.
74. Franchi, Sergio--Contract.
75. Film Effects of Hollywood.
76. Festival--San Francisco, October 22, 1969.
77. Reviews.
78. Releases--#1.
79. Releases--#2.
79a. Releases--#3.
80. Releases--Features, Column Items.
81. Releases--UA.
82. Releases--dates.
83. Synopsis.
84. Trailers.
85. United Artists Publicity Manual.
86. San Francisco Film Festival.
87. Roy Newquist Project.
88. Music.
89. Magazine Coverage.
90. Mailings, Correspondence--Lists.
91. Mailings, Perm, Record.
92. Machiavelli quotes.
93. Locations.
94. Grosses.
95. Film Clips.
96. Expenses--Italian Publicity Office.
97. Robert Crichton--Italian Assignment.
98. Correspondence--Miscellaneous (2).
99. Cast & Crew.
100. Budgets.
101. Billing.
102. Billboards.
103. Advertisements.
104. Academy Awards, 1969-1970.
105. Academy Awards and Golden Globe, 1969-1970 (accordion folder).
106. Screenings.
107. Seattle Opera Association.
108. Zagon, Schiff, Hirsch & Levine (correspondence).
109. Wyman, Don (Location Auditor).
110. Werner, Oskar--Contract.
111. Publicity--Campaign Outline.
112. Publicity--Appearances. Television, radio, personal and telephone interviews.
113. Programs & Invitations.
114. Production Notes--Synopsis etc.
115. Preview--Sneak (San Diego).
116. Premiere, Los Angeles.
117. Premiere--Correspondence.
118. Panavision--Rome--Agreement).
119. Newquist, Roy (Freelance Writer).
120. Negative--Technicolor--Rome.
121. Negative--Technicolor--Hollywood.
122. Publicity--Advertisements.
123. Negative--Technicolor--London.
124. Negative--Correspondence.
125. Music Spotting Notes.
126. Music--Miscellaneous Correspondence.
127. Music--Song, O Sole Mio.
128. Music--Conflict.
129. Music--Song, Ziggo Ziggo.
130. Music--Song from Santa Vittoria.
131. Music--Song, Tzigo Tzigo.
132. Music--Song, Stay.
133. Music--Song, Giovanezza.
134. Music--Song, Bella Bimba.
135. Music--Cue Sheet.
136. Music--Bob Tracy Music Cutter File.
137. MPAA (Motion Picture Association of America).
138. Morris Org. SPA.
139. Magnani, Anna (Contract).
140. Locations.
141. Maddow, Ben (writer)--Contract.
142. Volkman, Ivan--Production Manager.
143. United Artists Corporation--Contractual Delivery Requirements.
144. United Artists Corporation--Miscellaneous Correspondence.
145. Television Featurettes.
146. Theatre Openings.
147. Technicians--Italy.
148. Synopsis.
149. Speeches (S. Kramer).
150. Simon & Schuster--Publisher (correspondence).
151. Simon & Schuster - Publisher (Advertising).
152. Schlom, Marshall (Script Supervisor).
153. Salaries--Italian crew.
154. Rotunno, Pepe (cameraman) Contract.
155. Rose, William (writer) Contract.
156. Reviews--Book.
157. Research.
158. Rascel, Renato (Contract).
159. Quinn, Anthony (Contract).
159a. Publicity.
160. Publicity--United Artists--Correspondence.
161. Publicity--Miscellaneous from G. Glass (Rome).
162. Publicity--Tie-ups--Commercials.
163. Publicity--Sumner, Gabe--Correspondence.
164. Publicity--Spot Announcements.
165. Publicity--Press Releases.
166. Publicity--Press Correspondence.
167. Publicity--Pre-production and production budgets.
168. Publicity--News Clippings.
169. Publicity--Italian.
170. Publicity--Goldberg, Fred--Correspondence.
171. Publicity--George Glass.
172. Publicity--Foreign--General.
173. Signed releases for Television Special.
174. Stills, Captions.
175. Rose, William (writer)--Correspondence.
176. Publicity--United Artists release.
177. Artists and artwork. Anticoli.
Scripts
1. First rough draft (pp. 1-199).
2. First draft (pp. 1-199) with S. Kramer notations.
3. First draft: April 9, 1968 (6).
4. Script, April 18, 1968 (3).
5. Final, April 18, 1968 (1).
6. Exact Shooting Script (3).
7. Exact final shooting script (before retyping).
8. Exact final shooting script (after retyping).
9. S. Kramer's shooting script.
10. Continuity Combined (2).
11. Combined continuity. September 23, 1969 (5).
12. Combined continuity, September 23, 1969 (6).
13. Script (2) April 18, 1968.
14. Script, 8 parts (in Italian).
15. First draft. Ben Maddow.
16. First draft. Bill Rose.
17. Replacement from yellow draft. Ben Maddow.
Stills
1. Production stills
Tapes
1. Quinn Tape #1, #2 & #3.
2. Radio Commercial (Cinzano).
3. Interviews of major actors in Secret. (4)
Miscellany
1. Scores (2).
2. Stack of postcards (Location). (36)
3. Audience Reaction cards
4. Sample Invites and Tickets--Previews.
5. Stereo album--original score (2).
Note
6. Clippings, newspaper (1).
6a. Clippings, newspaper (1).
7. Clippings, Foreign, Trade, Magazine.
8. Press Kit.
9. Proofs. World premiere--Village Theatre, Westwood. October 17, 1969.
10. Il Segreto di Santa Vittoria. di Robert Crichton.
Scope and Content Note
X. Sheiks of Araby
Folders
1. Sherman, Stanford--Contract.
2. Schiff, Hirsch & Levine--Correspondence.
3. Universal.
4. Publicity Releases.
5. Publicity Releases--Beck, Meyer Pages--Correspondence.
6. William Morris--Correspondence.
7. Paramount Pictures--Agreement.
8. Movement Lists (Empty).
9. Music--Miscellaneous Correspondence (Empty).
10. MPAA (Motion Picture Association of America).
11. Kiliper, R. Smith.
12. General Correspondence.
13. Claim (Judy Belle and the Poorest Millionaire).
14. Cast & Crew Lists.
15. Howard Borris.
16. Budget--Estimated Detail.
17. Actors & Agents.
18. #10497--Correspondence.
Scripts
1. Draft B, It's a Bad, Bad, Bad, Bad World. (2).
2. Script - Revised pages, July 14, 1975.
3. First draft: July 28, 1975.
4. First draft - obsolete, July 28, 1975.
5. First revised draft - Revised pages, December 15, 1975 (with S. Kramer notes).
6. Revisions, December 17, 1975 (with S. Kramer notes).
7. First draft: May 20, 1976 (with S. Kramer notes).
8. Script - Frank Waldman.
9. First revised draft: July 1, 1976 (Waldman).
10. Second revision, July 19, 1976.
11. Second revision, July 28, 1976.
11a. Second revision. August 23, 1976.
12. Third revision, September 13, 1976.
13. First draft, revised with third and fourth revisions. September 17, 1976 and September 27, 1976.
14. First draft, revised, November 24, 1976 (2).
15. First draft, revised, December 1, 1976 (2).
15a. First draft, revised, December 1, 1976 (6).
16. Third revision.
17. Revised pages - General (folder).
18. Miscellaneous pages - approximately 200. From Sherman.
19. File Copies (Sanford Sherman). (5) First revised draft: December 15, 1975.
19a. First draft: July 28, 1975.
20. Various revised pages (SK) (accordion file).
21. Pp. 30-51.
22. Revised pages. Varied. Frank Waldman.
23. File copy. Second revision, March 11, 1976 and fourth revision, September 26, 1976.
Miscellany
1. Work order for first draft.
XI. Miscellaneous Film Productions
- Andersonville (not produced):
1. Script, n.d.
Note
2. First estimating draft: February 24, 1966.
A Child is Waiting:
1. Final draft: January 3, 1962 (3).
2. Final draft: January 3, 1962 (4).
3. Cutting continuity.
4. Dialogue continuity.
- The Defiant Ones:
1. Script, January 28, 1958.
2. Script. January 28, 1958.
3. Script. January 20, 1950.
4. Cutting continuity (3).
5. Cutting and dialogue.
6. Prof. Irwin R. Blacker.
7. Script. n.d.
- Inherit the Wind:
1. Script, October 21, 1958.
2. Script, August 13, 1959 (5).
2a. Script. August 13, 1959 (2).
3. Dialogue Continuity (2).
4. Cutting Continuity (2).
5. Cutting: Dialogue Continuity.
6. General Correspondence (folder).
7. Photos (production) of S. Kramer.
- Invitation to a Gunfighter:
1. Master Working Script--Supervisor's.
2. Dialogue continuity.
3. Cutting continuity.
4. Script. June 7, 1963. Final.
- Judgment at Nuremberg:
1. Script, January 9, 1961 (2).
2. Final Complete (I. Volkman's).
3. Revised final, July 7, 1961.
4. Dialogue Continuity (6).
5. Cutting Continuity (4).
6. Abby Mann re Broadway Play - General Correspondence (folder).
7. United Artists Corporation (Roxlom) - Financing & Distribution Agreement (folder).
8. Music Cue Sheets.
9. Script. Revised final. July 7, 1961.
- The Men:
1. Cutting and dialogue continuity.
2. Script. Carl Foreman.
- My Six Convicts:
1. Dialogue Continuity.
2. Script. September 10, 1951. Michael Blankfort.
- Not as a Stranger:
1. Cutting and dialogue continuity.
2. Script, September 2, 1954 (2).
- On the Beach:
1. Revised script, December 8, 1958 (2).
2. Revised script, December 8, 1958 (5).
3. Revised script, December 8, 1958 (2).
4. Dialogue script (4).
5. Cutting continuity (4).
6. Cutting and dialogue continuity.
- Pressure Point:
1. First draft - working title.
2. Script, n. d (2).
3. Final draft: September 13, 1961.
4. Dialogue Continuity.
5. Cutting continuity.
- The Pride and the Passion:
1. Second draft (2).
2. S. Kramer personal script.
3. Script in Spanish, Madrid 1956 - Additional scenes shot in Hollywood.
4. Final draft. Additional scenes shot in Hollywood.
- Ship of Fools:
1. Script, final.
2. Revised shooting schedule, August 13, 1964.
3. Horwitz, A1 - EXPENSES.
4. Comments, etc.
5. Budget--ESTIMATED DETAIL.
6. Budget--COST REPORTS.
7. Script. May 18, 1964.
8. Bech, Myer Pages--agreement.
- The Sniper:
1. Script, September 4, 1951 (2).
2. Dialogue continuity.
- Raise the Titanic:
1. MARSTAR TITANIC.
2. Schiff, Gunther Correspondence.
3. Loanout agreement.
XII. Miscellaneous Folders
1. Academy of Motion Picture Arts & Science--Correspondence.
2. Academy Award Nom. for SK, 1949 - to date.
3. A Miscellaneous A
4. Actors & Agents General.
5. Academy of Television Arts & Sc.--General Correspondence.
6. Columbia Pictures--S of F Andersonville Dinner--agreement, August 17, 1962.
7. Columbia Pic. Kramer, Stanley - Personal Loan, 1967-68.
8. Columbia Pic. Kramer, Stanley--agreement December 29, 1967.
9. W Miscellaneous W
10. XYZ Miscellaneous XYZ
11. After the Fall.
12. Aladdin.
13. Casey Productions, Incorporated--Minutes of Mettings.
14. Columbia Pictures--Guess - Personal Fin. Situation.
15. Columbia Pictures--Zagon & Schiff Contract Fees August 17, 1962.
16. Columbia Pictures--Compensation, August 17, 1962.
17. Werner, Oskar--General Correspondence.
18. V Miscellaneous V
19. Valenti, Jack - Gen Correspondence.
20. Variety Club.
21. Universities--General Correspondence.
22. U Miscellaneous U
23. United Artists Corp.--Correspondence.
24. United Artists Corporation--Distributors Domestic & Foreign.
25. University Donations Contemplated (Wisconsin, New York University, Wyoming) Correspondence.
26. T Miscellaneous T
27. Television Special - SK.
28. Speaking Engagements - Requests etc. - GEN.
29. My Glorious Brothers--General Correspondence.
30. Music--Miscellaneous General.
31. Agents, Literary - Stories, Scripts, Ideas, Correspondence--#8.
32. Agents, Literary - Stories, Scripts, Ideas, Correspondence--#9.
33. Agents, Literary - Stories, Scripts, Ideas, Correspondence--#10.
34. Articles, Stanley Kramer - Books, Newspapers, Magazines etc. MISC.
35. American International Pictures, Incorporated.
36. Agents, Publishers & Printed Literature, 1972.
37. AFI, The.
38. Beck, Meyer.
39. B Miscellaneous B
40. C Miscellaneous C
41. Book on S. Kramer by S. Kramer and Donald Spoto.
42. Biography S. Kramer.
43. Crank Letters--General.
44. Donations, Requests--General.
45. Director's Guild--General.
46. D Miscellaneous D
47. Columbia Pictures Corporation--Correspondence.
48. Cine Mobil Systems--Correspondence and Data.
49. Chicano Assoc. for Student Assistance (CASA) - UCLA.
50. Center for the Study of Democratic Institutions--Fund for the Republic, Incorporated).
51. Articles, Interviews, etc.
52. Biographies--S. Kramer.
53. Yamashita Clips & Correspondence.
54. Earl Kramer.
55. Karen Kramer (Sharpe).
56. Academy Awards & Nominations.
57. Tearsheets (3).
57a. Tearsheets (1).
58. Photos--Champion.
59. Article by S. Kramer about Spencer Tracy.
60. United Artists Corp (COMITAS) - OTB ITW TDO--Financing & distribution agreement.
61. United Artists Corporation--Television Film Sales.
62. United Artists Corporation--6 Pictures--Financing & distribution agreement.
63. Alfred H. Miller Company, Incorporated.
64. Montessori Schools, Incorporated (MMWIPP).
65. Morgan Camera Shop.
66. MPAA (Motion Picture Association of America).
67. Motion Picture Health & Welfare Fund.
68. Motion Picture Relief Fund.
69. Motion Picture Sound Editors.
70. Motion Picture Workshop of Bryant High School.
71. Patrick Murphy.
72. Muscular Dystrophy Association.
73. Musso & Frank Grill.
74. Newsweek.
75. David Orgell.
76. Jurgensen's.
77. Jewish Big Brothers.
78. Jewish War Veterans of the U.S.
79. JDA (Joint Defense Appeal).
80. Robert C. Jones.
81. Journals & Supporting Papers.
82. Mike Kaplan.
83. Kelly Girl Service.
84. Kerr's.
85. King James Steaks.
86. Fern Koenig.
87. L Miscellaneous L
88. K Miscellaneous K
89. Library of Congress, The (Wash., D.C.)
90. Locations--General.
91. King, Joe.
92. Kirkus, Service, Incorporated, The (Virginia) Book Reviews September 68).
93. Kramer, Earl (S. Kramer Letters) General 9-2.
94. Kramer, Earl (S. Kramer Letters) General K-3 File #2.
95. Job Applications, 1972-1976.
96. Job Applications, 1977.
97. Jackson, Michael--Show Mail.
98. Job Applications, 1967-1971.
99. I Miscellaneous I
100. Independent Financing--General.
101. International Federation of Knights of the Cinema.
102. Interviews - S. Kramer - Radio/TV/Taped/Live/Newspaper/General, etc.
103. Baddy Hackett.
104. H Miscellaneous H
105. J Miscellaneous J
106. Katherine Hepburn--General Correspondence.
107. Golden Door.
108. Glass, George--General Correspondence.
109. Film Festivals--Miscellaneous
110. Ivan Volkman.
111. Apollo Verlag.
112. Vendome.
113. Variety Heart Fund.
114. Variety.
115. U.S.C.
116. U.S. A. - U.S.S.R. - Track Meet.
117. Universal Pictures Company, Incorporated.
118. U.S. Department of Commerce--Bureau of the Census.
119. United Nations Association--U.S.A.
120. United Artists Corporation--Cash Requirements.
121. United Artists Corporation--Miscellaneous Correspondence.
122. Award--B'nai B'rith Man of the Year, 1970.
123. Biographies--Spencer Tracy.
124. Biographies--Katherine Hepburn.
125. Biographies--Sidney Poitier.
126. Biographies--Gary Lockwood.
127. Biographies--Anna Magnani.
128. Stanley Kramer Retrospective.
129. Stanley Kramer Television Documentary.
130. Judgment Television file--David Wolper--Stanley Kramer.
131. Film Inventory.
132. Biographies--Anthony Quinn.
133. B'nai B'rith Testimonial Dinner, February, 1971.
134. Kosherama.
135. Earl Kramer.
136. Stanley Kramer.
137. Lakeside Pharmacy.
138. Lambs Public Gambel.
139. Philip Langnor--A Child is Waiting.
140. Ede Robinson.
141. Roxlom Films, Incorporated.
142. Albert J. Ruben & Company.
143. Synanon Foundation, Incorporated.
144. Petty Cash Reimbursements.
145. Pickwick Bookshop.
146. Mel Pierce Camera.
147. Plaza Hotel--New York City.
148. Samuel Pop & Company.
149. Postmaster.
150. Producer--Written Guild of America--Pension Plan (2).
151. Screen Actors Guild--Producers' Pension Plan & Welfare.
152. Palm Springs Biltmore.
153. Pacific Telephone Company.
154. Parisian Florist.
155. Pathé Laboratories, Incorporated.
156. Gregory Peck.
157. Pension Plan--Motion Picture Industry.
158. Permanent Charities Committee.
159. S. Kramer Corporation--Payroll Account.
160. Directors-Producers Pension Trust Fund.
161. Pacific Title and Art Studio.
162. Occidental Life Insurance - Paid Bills.
163. Larcas Productions, Incorporated Production Account.
164. Larch-Mart Market.
165. Larry Productions, Incorporated.
166. La Scala.
167. Philip H. Leonard.
168. Jerry Lewis' Restaurant.
169. Little, Brown & Company.
170. Lomitas Productions, Incorporated Curtleigh Prod., Incorporated.
171. Scam Restaurant 9000.
172. Dan Scariano.
173. Schwab's Pharmacy.
174. Screen Producers Guild.
175. Saturday Review (subscription).
176. Selected Pictures Corporation (George J. Schaefer).
177. Shays, Incorporated.
178. Ship of Fools--Miscellaneous
179. Show (magazine) Renewal Subscription.
180. Mc Miscellaneous Mc
181. N Miscellaneous N
182. O Miscellaneous O
183. P Miscellaneous P
184. Q Miscellaneous Q
185. Quinn, Anthony--General Correspondence.
186. Russia--General Correspondence.
187. R Miscellaneous R
188. Radio Program for S. Kramer (Perets, O'Connor, etc.).
189. Stanley Kramer Retrospective.
190. S Miscellaneous S
191. Schiff, Gunther--General Correspondence.
192. Solaris / Syntar--New Filmakers.
193. Academy Awards Illustrated 27/28 - 64.
194. Agents, Literary Stories, Scripts, Ideas (File #1).
195. Agents, Literary Stories, Scripts, Ideas (3167-4160).
Note
196. Agents, Literary Stories, Scripts, Ideas (File #2) May-December 1968.
197. Agents, Literary Stories, Scripts, Ideas (File #3) 1969.
198. Agents, Literary Stories, Scripts, Ideas (File #4) 1970.
199. Agents, Literary Stories, Scripts, Ideas (File #5) 1971.
200. Agents, Literary Stories, Scripts, Ideas (File #6) 1972.
201. Agents, Literary Stories, Scripts, Ideas (File #7) 1973.
202. Slender Ama, Incorporated.
203. Smith, Harold J.
204. Sonoma County.
205. Southern California Committee of the Joint Defense Appeal of the American Jewish Committee.
206. The Stadium Club.
207. SK Corporation--Administrative Account.
208. SK Corporation--General Account.
209. Stanley Warner Theatre, Beverly Hills.
210. Rudolph Sternad.
211. Story of a Cheat, The--United Artists Notes.
212. Student Non-Violent Coordinating Committee.
213. Stuntmen's Association.
214. Production Report--Ship of Fools.
215. Radin's Liquor Store.
216. Railway Express Agency.
217. Rand - Fields.
218. Realities.
219. Revue Studios.
220. Revue Studios Contract.
221. United Artists Corporation Notes Payable (Inherit the Wind).
222. United Artists Corporation Notes Payable ( Judgment at Nuremberg).
223. United Artists Corporation Notes Payable (My Glorious Brothers).
224. Trial Balance, 1965.
225. Trial Balance, 1964.
226. Trial Balance, 1963.
227. Trial Balance, 1962.
228. Trial Balance, 1961.
229. Television Competitive Research, Incorporated.
230. Harvey Tyrrell - Buick (Bill of Sale).
231. Television Time Recordings, Incorporated.
232. Tanner Motor Livery.
233. Tavelman's.
234. Tax Returns.
235. Taylor, Jack--Loan.
236. Tele-Sound Service (Norelco Tape Recorder).
237. The Thallians.
238. Thermo-Fax Sales, Incorporated.
239. Spencer Tracy ( Judgment at Nuremberg).
240. Transport TC Clearings.
241. TWA - lines.
242. Adela Rogers St. Johns (Final Verdict).
243. San Fernando Valley Mental Health Association.
244. Saks Fifth Avenue.
245. The Sands.
246. George Glass - S. Kramer Corporation.
247. Horwits, Al--agreement.
248. Larcas Productions, Incorporated--Minutes of Meetings.
249. Larry Productions, Incorporated--Minutes of Meetings.
250. Lomitas Productions, Incorporated--Minutes of Meetings.
251. Morris Agency, W. & S. Kramer--agreement.
252. Revue Studios - S. Kramer Corp.--agreement & Correspondence.
253. Roxlom Films, Incorporated--Minutes of Meetings.
254. Search & Destroy Valley of Hanoi January 5, 1968.
255. Selected Pictures Corporation Agreement.
256. S. Kramer Corporation--Minutes of Meetings.
257. S. Kramer Productions, Limited--Profit Sharing Plan & Trust--Pension Plan & Trust.
258. S. Kramer Productions, Limited--Minutes of Meetings.
259. Sternad, Rudolph--agreement.
260. Story of a Cheat--agreement of Sale to Yul Brynner.
261. Story of a Cheat - United Artists Corporation--Finance & Distribution Agreement.
262. S. Kramer Corp.--agreements w/ Larcas-Roxlom-Larry-Casey.
263. S. Kramer Corp.--agreements w/ S. Kramer.
264. This Side of Innocence (Armand Deutsch) - Story Productions Limited.
265. United Artists Corporation--Larcas ITAG Pressure Point CIN--Financing & Distribution Agreement.
266. United Artists Corporation--Casey - Mad World--Financing & Distribution Agreement.
267. United Artists Corporation--Larry - My Glorious Brother--Financing & Distribution Agreement.
268. Zagon, Aaron & Schiff--agreement.
269. Ziffren & Ziffren - Tax Consultants.
270. Catering Services.
271. Artists 4 (Bill W.)--Correspondence.
272. California Public Interest Law Center.
273. MPAA (Motion Picture Association of America).
274. M Miscellaneous M
275. MPAA - Eugene Dougherty - Code & Rating Program.
276. Felton, Earl.
277. G Miscellaneous G
278. Film Festivals.
279. Dodgers, Incorporated Los Angeles.
280. E Miscellaneous E
281. F Miscellaneous F
282. Columbia Pictures--S. Kramer Productions, Limited--Zagon etc. Retainer & Fee Agreement January 12, 1968.
283. 10 Commandments.
284. Los Angeles Chapter of Waif (SK Corporation).
285. Los Angeles County Heart Association.
286. The Luau--SK Corporation.
287. Mac's Liquors (SK Corporation).
288. Magnetic Recorders Company.
289. I. Magnin & Company (SK Corporation).
290. Magnolia Bowling League (SK Corporation).
291. Abby Mann (in re Judgment at Nuremberg).
292. Manufacturers Hanover Trust Company ( Judgment at Nuremberg).
293. Martindale's Book Stores, Incorporated.
294. Martin's Ticket Agency.
295. Mary & Joseph League.
296. May Company.
297. Meadow's Travel Agency.
298. New York University.
299. U.S.C.
300. President John F. Kennedy.
301. Thalberg Award, Irving, April 9, 1962.
302. New York University--Gallatin Award (includes stills).
303. DGA.
304. DGA, Film negotiations, 1973.
305. American Film Institute, Seminar, July 1973.
306. Gladney Schrag Communications, 1977-78.
307. Gladney, Norman, Radio spot.
308. Awards, miscellaneous
309. UCLA, 1972.
310. UCLA, 1969-1971, Chancellor's Associates, S. Kramer.
311. UCLA Univ. Research Lib., 1970-1971 Stanley Kramer Donation, S. Kramer.
312. Bill Mull.
313. Rocket Messenger Service.
314. Stanley Kramer Show. Losers. #2.
315. Stanley Kramer Show. Winners. #3.
316. Kramer clips.
317. Stanley Kramer--Articles and correspondence.
318. Tracy--Clips-features-stories.
319. Stanley Kramer Show--Comedians. #1.
13. Miscellany
Awards
1. Look Award, 1950 (medallion).
2. Terneo preolimpico, 1949 (medallion).
3. NAACP Image Award. 1972 Special Award.
Note
4. Statues, male (2) Bookends.
5. Wisdom Society's Award of Honor.
6. Los Angeles International Film Exposition - Participation, March 21-April 4, 1976, for High Noon and The Member of the Wedding.
7. Brandeis University Library-- Learned Research Journal.
8. California Youth Gives a Damn Coalition, 1972-1976.
9. University of Southern California Citation of Appreciation.
Note
10. Black Filmmakers Hall of Fame Honorary Award, 1976.
11. in Russian, 1973.
Books
1. Crichton, Robert. The Secret of Santa Vittoria. (Advance Copy) New York: Simon & Schuster, 1966.
2. Groundswell: University of Bridgeport's Magazine of the Arts. University of Bridgeport, 1977.
3. Man of the Year Award Dinner--Beverly Hills: B'nai B'rith.
4. Klein, Alexander, ed. Natural Enemies. New York: Lippincott, 1969.
5. Porter, Katherine Anne. Ship of Fools. Boston: Little, Brown & Company, 1962.
6. We are One. 1975 David Award. B'nai B'rith. Beverly Hills Hotel, June 14, 1975.
7. Book on Chaplin, Russian language.
8. Book on S. Kramer, Russian language.
Periodicals
1. TV Guide, October 30-November 5, 1976.
2. Coronet, April 1969.
3. McCall's, May 1969.
4. Life, February 17, 1969.
5. Life, December 6, 1968.
6. McCall's, July 1967.
7. McCall's, June 1966.
8. Los Angeles, March 1977.
9. AFI Dialogue on Film, vol. 2, #9 July 1973.
10. Action, May/June 1976.
11. Daily Variety, April 19, 1976.
12. Hollywood Reporter, September 26, 1969 (2).
Note
13. TV Guide, June 8-14, 1974.
Records
1. Side one: Amazing Grace (from the Television file The Mancini Generation; Side two: Oklahoma Crude. (43)
2. Sides 1 and 2: Oklahoma Crude.
Scripts and Related Material.
1. Story of a Cheat, The. (3)
2. The Monday Man, by Ronny Pearlman (Second draft: December 1, 1971).
3. No Alternative, Preliminary draft: April 23, 1976 (2).
4. No Alternative, (First draft: May 19, 1976).
4a. No Alternative. Background material and story outline.
5. 40 Days of Musa Dagh, by F. Werfel.
6. Citizen Tom Paine, by H. Fast.
7. Judgment: The Court Martial of General Yamashita, (First tape draft: February 28, 1974).
Judgment: The Court Martial of General Yamashita.
1. Judgment: The Court Martial of General Yamashita, (General revisions).
2. Judgment: The Court Martial of General Yamashita, (Various revisions).
3. Judgment: The Court Martial of General Yamashita, (List of witnesses not included in First draft).
4. Clips.
5. Script--First draft: October 26, 1973. Screenplay by Norman Corwin.
6. Script--Amended first draft: November 7, 1973.
7. Script--First tape draft: February 28, 1974. Annotated.
8. Script--Final tape draft: April 5, 1974.
9. Script--Final tape draft: April 5, 1974. Annotated.
10. Script--Final tape draft: April 5, 1974. As broadcast.
Tapes
1. George Glass - Guess Who's Coming to Dinner - Reference Dubs - Not for Broadcast; (1) Sidney Poitier (2) Stanley Kramer (3) Cecil Kellaway. (7½)
2. Columbia Pictures--Ivan Volkman, Jim Merrick, May 2, 1967.
3. Columbia Pictures--G. Cambridge, S. Kramer, May 2, 1967.
4. Columbia Pictures--S. Kramer, K. Houghton, May 2, 1967.
Transcripts.
United States of America vs.. Tomoyuki Yamashita.
1. Pages 1-198.
2. Pages 199-449.
3. Pages 450-699.
4. Pages 700-951.
5. Pages 952-1124.
6. Pages 1125-1306
7. Pages 1307-1500.
8. Pages 1501-1651.
9. Pages 1652-1867.
10. Pages 1868-2062.
11. Pages 2063-2241.
12. Pages 2242-2468.
13. Pages 2469-2703.
14. Pages 2704-2906.
15. Pages 2907-3128.
16. Pages 3129-3312.
17. Pages 3313-3522.
18. Pages 3523-3759.
19. Pages 3760-4063.
Julius Rosenberg and Ethel Rosenberg, petitioners, vs.. The United States of America. no. 111.
1. Pages 1-666.
2. Pages 667-890.
3. Pages 891-1098.
4. Pages 1099-1306.
5. Pages 1307-1514.
6. Pages 1515-1715.
Depositions and Exhibits.
Joseph Than and Elick Moll, Plaintiffs, vs.. Columbia Pictures Corporation, Stanley Kramer, Sidney Poitier, William Rose, Defendants. no. 926,425, Superior Court of Los Angeles.
1. Trial brief and notes on depositions of Stanley Kramer and William Rose.
2. Deposition of E. Henry Lewis. October 17, 1969.
3. Deposition of Stanley Kramer. January 20, 1969. vol. 1.
4. Deposition of Stanley Kramer. January 24, 1969. vol. 2.
5. Deposition of Joseph Than. August 6, 1969. vol. 1.
6. Deposition of Joseph Than. August 7, 1969. vol. 2.
7. Deposition of Sidney Poitier. April 11, 1969.
8. Deposition of Elias (Elick) Moll. August 11-12, 1969.
9. Deposition of William Arthur Rose. London, May 28-29, 1969.
10. Exhibit A: A Distant Light by J. Than and Elick Moll.
11. Book of exhibits.
1. Wooden box. Gift to Stanley Kramer from U.S.S.R. Containing ashes from Hiroshima. (Ashes removed by Kramer.)
2. I hate everybody button.
3. Domino Principle. Cardboard acknowledgement from crew to Stanley Kramer. Inscribed by crew members.
4. Research. Rosenberg trial. 8, 1975. Wolper Productions.
5. Trials research. February 1973. Judgment file.
6. Envelope containing photographs of Karen Black (5). With note from Phil Kellogg.
7. Envelope containing photographs of Stanley Kramer (5).
8. Stills of Stanley Kramer. ca. 100.
9. Stills of Stanley Kramer and others (41).
10. Author Artist Album, vol. 10, 1976. University of Women of the University of Judaism.
11. Scientific or Technical Award Entries--50th Annual Academy Awards, 1977.
12. Southern California Council of Churches Award. March 13, 1968. Los Angeles Press Club. Proofs.
13. Klein, Barzman and Hecht. Description of company. April 3, 1969.
14. Letters to Kramer re his appearance on the David Frost television show concerning gun control. 24 items. ca. 1971-1972.
15. Memo re stills of various productions. August 11, 1971.
16. Brochure. U.S. Dept. of Labor. ca. 1967.
17. Judgment. Trials research. February 1973.
18. Judgment. Kramer/Wolper Productior. March 1973.
19. Judgment. Kramer/Wolper Production. April 1973.
20. Judgment research. ca. 1973.
Additional Production Material
Caine Mutiny
1. Script. Final draft: May 6, 1953. Screenplay by Stanley Roberts.
The Champion
1. Script. ca. 1948. Screenplay by Carl Foreman.
Death of a Salesman
1. Script. Final draft: August 3, 1951. Screenplay by Stanley Roberts.
Eight Iron Men
1. Dialogue continuity. n.d.
2. Script. Final draft: February 16, 1952. Screenplay by Harry Brown(?).
Final Verdict
1. First draft screenplay by Elizabeth Wilson. March 9, 1964.
2. Sale. December 22, 1967. Columbia Pictures Corporation.
5,000 Fingers of Dr. T
1. Dialogue continuity. n.d.
2. Script. Final draft: January 30, 1952. Screenplay by Allan Scott.
The Fourposter
1. Script. Final draft: August 13, 1951. By Allan Scott.
2. Dialogue continuity. n.d.
Guess Who's Coming to Dinner.
1. Income from picture.
2. Radio/TV schedules.
The Happy Time
1. Script. First estimating draft: November 27, 1951. By Earl Felton.
2. Dialogue continuity. n.d.
High Noon
1. Dialogue continuity. March 3, 1952.
2. Script. Screenplay by Carl Foreman.
3. Script. 1951.
Home of the Brave
1. Screenplay by Carl Foreman. n.d.
2. Screenplay by Carl Foreman. n.d.
The Juggler
1. Script. First estimating draft: May 7, 1952. Screenplay by Michael Blankfort.
It's a Mad, Mad, Mad, Mad World
1. Cutting continuity.
2. Comments.
3. William Morris Agency Incorporated--United Artists Corporation.
4. Brillig Productions, Limited. William Rose. Award presented to Stanley Kramer in Cannes, France. Summer 1960.
Member of the Wedding
1. Script. Final draft: May 26, 1952. Screenplay by Edward and Edna Anhalt.
My Glorious Brothers.
1. Script--Adaptation by Howard Fast, March 14, 1958.
2. Script--First draft screenplay, March 1966.
3. Script. Screenplay by Nathan E. Douglas and Harold Jacob Smith. From the novel by Howard Fast.
Oklahoma Crude
1. Script--First draft: January 11, 1972. Screenplay by Marc Norman.
RPM
1. Revised pages. n.d. With notations.
2. Script. First rough draft. pp. 1-46.
3. Script. Revised first draft: October 3, 1969.
4. Script. Revisions from script no. 1 and 2. October 16, 1969. Replaced by revisions dated October 17, 21 and 28.
5. Script. Further revisions for `first draft' plus new pages up to end of picture. September 3, 1969.
6. Script. Second rough draft. pp. 1-27. With notations.
7. Script. pp. 1-25. August 27, 1969.
8. Script. Revisions for revised first draft: October 13-28, 1969.
9. Script. pp. 1-71. October 3, 1969.
10. Script. pp. 1-128. Revisions. October 1969.
11. Script. pp. 72-105. With revisions. ca. October 1969.
The Secret of Santa Vittoria
1. Script. April 18, 1968. Screenplay by William (?) and Ron Maddow.
2. Envelope containing photographs (8) and color transparencies (11) of Stanley Kramer.
The Wild One
1. Script. Final draft: January 20, no year. Screenplay by John Paxton.
Bless the Beasts and the Children.
Scope and Content Note
Stills.
Guess Who's Coming to Dinner.
Judgment at Nuremberg.
On the Beach.
Ship of Fools.
Various.
Master list and film inventory.
Mike Beck - publicity and correspondence. Production material list.
My Six Convicts. Script. Final draft by Michael Blankfort. September 10, 1951.
Member of the Wedding. First estimating draft by Edward and Edna Anhalt. May 9, 1952.
Additions, February 1983.
Certificate of Recognition from the Directors Guild of America, presented to Stanley Kramer, November 28, 1982.
Resolution designating Stanley Kramer Artist-in-Residence. Bellevue Community College District 8. Bellevue, Washington, May 13, 1980. In black frame.
Medal. Ville de Deauville. Stanley Kramer, September 1979.
Certificate designating Gold Award at Moscow Film Festival for Oklahoma Crude, 1973.
Additions, June 1983.
Award. San Jose Film Society, n.d. Presented to Stanley Kramer for consistency and integrity in bringing motion pictures of social relevance to the screen. Mounted on walnut placque.
Honorary degree. Doctorate of Fine Arts. Linfield College, McMinnville, Oregon, May 29, 1983. 20 × 15 cm. In case. 1 item. With this: copy of remarks by Charles U. Walker, academic hood, and 2 copies of baccalaureate and commencement programs.
John Ford Medallion. Presented to Stanley Kramer. U.S. Film and Video Festival. Utah, January 30, 1982. 1 item. 2 bronze medallions mounted on oak plaque.
Note
Certificate of recognition awarded to Stanley Kramer, July 1983, at the Moscow Film Festival for Humanism in cinema art, For peace and friendship among nations!
Note
Festival Des Films Du Monde, Montreal. August, 1983. Includes newsclippings, film schedule, program, SK itinerary, correspondence re Film Makers Assembly, party invitation and 8 photos of SK and fans.
Note
Bronze medallion with brass trim presented To Stanley Kramer for Life Achievement. Montreal World Film Festival, 1983. In a bright blue velvet case.
Note
Certificate awarded to Stanley Kramer for life achievement in cinematography presented at the Festival Des Films Du Monde, Montréal, August 20, 1983, mounted on a wooden plaque.
Note
Cinema Circulus Achievement Award presented to Stanley Kramer on the occations of his 35th film, The Runner Stumbles. Division of Cinema/Television, University of Southern California, 9 November 1979. Laminated plaque.
Note
Israel Humanities Achievement Award presented to Stanley Kramer in recognition of his outstanding contributions to the arts, his firm support of human rights, and his devoted service to the State of Israel. New York City, May 14, 1984. In gilt wood frame with print by NGL(?) Stern.
Note
Poster of Cyrano de Bergerac. Japan, 1950.
Scope and Content Note
Andersonville--Production 8490.
Scope and Content Note
Production 8490 Prints [architectural drawings].
County of Los Angeles Resolution, 1970.
City of Los Angeles Resolution, 1971
Ship of Fools - dialogue continuity
Note
Ship of Fools - cutting continuity
Note
Guess Who's Coming to Dinner - dialogue continuity.
Note
Guess Who's Coming to Dinner - cutting continuity.
Note
Bless the Beasts & the Children - combined continuities.
Note
Oklahoma Crude - cutting & dialogue.
Note
Judgment - trials research.
Note
Judgment - [Proposed file & outline of trials, April 1973].
Note
Judgment - Yamashita - New York Times research.
Note
Judgment - Rosenberg & Sobell - research, September 1973.
Note
Judgment - Rosenberg & Sobell - New York Times research.
Note
Judgment - Rosenberg & Sobell - trials research
Note
Judgment - Rosenberg & Sobell Trial - screenplay by Harry Kleiner - first draft: October 26, 1973.
Note
Judgment - Rosenberg & Sobell Trial - screenplay by Harry Kleiner - first draft: October 26, 1973 [director's copy].
Note
Judgment - Rosenberg & Sobell Trial - first draft (another copy).
Note
Judgment - Rosenberg & Sobell Trial - first draft - annotated copy.
Note
Judgment - Rosenberg & Sobell Trial - second draft, December 11, 1973.
Note
Judgment - Rosenberg & Sobell Trial - first tape draft, December 17, 1973.
Note
Judgment - Rosenberg & Sobell Trial - final tape draft, January 17, 1973 [1974].
Note
Judgment - Rosenberg & Sobell Trial - tape & block schedule.
Note
Judgment - Rosenberg & Sobell trial - Kramer copy of first tape draft - annotated [from binder].
Note
Judgment - Rosenberg & Sobell Trial - Kramer copy - fina tape draft: January 17, 1973 [1974].
Note
18 carat yellow gold Premio David di Donatello statuette.
Note
Additions, 2002
Home of the Brave (1949)
33 Storyboards.
30 Storyboards.
8 Storyboards and 3 Photographs.
Champion (1949)
27 Set Stills
24 Storyboards.
1 Shooting Schedule
Men, The (1950)
30 Storyboards.
30 Storyboards.
10 Storyboards.
Cyrano (1950)
29 Storyboards.
28 Storyboards.
29 Storyboards.
30 Storyboards.
30 Storyboards.
24 Storyboards.
Four Poster, The (1952)
29 Storyboards from section labeled Nuptual Sequence.
14 Storyboards from section labeled sequence B.
15 Storyboards from section labled sequence C.
6 Storyboards from section labeled Her Son's Death.
9 Storyboards from section labeled Cod Liver Oil Episode.
12 Storyboards from section labeled The Daugther's Wedding.
19 Storyboards from section labeled Sequnce G.
6 Storyboards from section labeled Poisoned Brandy.
Death of a Salesman (1952)
30 Storyboards.
30 Storyboards.
21 Storyboards.
Eight Iron Men (1952)
31 Storyboards.
33 Storyboards.
44 Storyboards.
49 Storyboards.
67 Storyboards.
Sniper, The (1952)
35 Storyboards from section labeled Walk In Park, Drug Store.
38 Storyboards from section labeled Emergency Hospital
35 Storyboards from section labeled Eddie Over Sleeps.
35 Storyboards fromsection labeled Eddie Come Home Final.
16 Storyboards.
My Six Convicts (1952)
35 Storyboards.
29 Storyboards.
Happy Time, The (1952)
35 Stroyboards
35 Storyboards.
16 Storyboards.
Juggler, The (1953)
35 Storyboards.
35 Storyboards.
35 Storyboards.
14 Storyboards.
Not As A Stranger (1955)
3 Photographs
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
25 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
10 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
34 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
27 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
Pride And The Passion, The (1957)
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
9 Storyboards.
35 Storyboards, 4 pages describing shots.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
10 Storyboards.
35 Storyboards.
35 Storyboards.
34 Storyboards, 5 pages describing shots.
32 Storyboards.
35 Storyboards.
15 Storyboards.
Defiant Ones, The (1958)
35 Storyboards.
35 Storyboards.
35 Storyboards.
12 Storyboards.
35 Storyboards.
35 Storyboards.
50 stills and slides or transparencies.
On the Beach (1959)
35 Storyboards.
35 Storyboards.
42 Storyboards.
41 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
35 Storyboards.
14 Storyboards.
Inherit The Wind (1960)
35 Storyboards.
35 Storyboards.
21 Storyboards.
Runner Stumbles, The
12 Storyboards.
17 Storyboards.
19 Storyboards.
High Noon
20 Storyboards.