Series 1. Compositions
The Two Systems of Eleven Categories / 1:07:40 AM 3 X 67 - First Revision of "2-3 PM 12 XI 66 - 3:43 AM 28 XII 66 for John Cage" from "Vertical Hearing or Hearing in the Present Tense" 1967
Study 1 for Piano. 1959
Note
Vision 1959
Note
Series 2. Correspondence
2 Letters from Young and Zazeela to Robert Stevenson. 1971 January 29, 1973 May 20
Note
Handwritten letter to Gordon Stone, Performing Arts Special Collections, 23 December, 1959. 1959
Scope and Content Note
1 typed letter. To Robert Stevenson from La Monte and Marian. August 28, 2006.
Series 3. Publicity and Press Kits
Galerie Heiner Friedrich München. [sale catalog] 1970 March
Note
Performance advertisement? Composition 1960 #13. Performance 10 20 62.
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Press Kit for Young and Zazeela. 1964-1972
Publicity flyers, posters, press clippings. 1965-1968
Scope and Content Note
Series 4. Writings of Young and Zazeela
Selected Writings. 1969
Note
Lecture 1960. La Monte Young, from Tulane Drama Review, vol. 10, no. 2, 1965. 1965
An Anthology of Chance Operations. (Bronx, N.Y. : L. Young & J. Mac Low, 1963) 1963
Note
Celebrating MELA's 20th Year and La Monte Young's 70th. Collection of programs and program notes of concerts and events. 2005
On the Concept of Time and Eternity in our Work. La Monte Young. Marian Zazeela. 1987-2004. 2004
Series 5. Books and Articles about Young and Zazeela
La Monte Young, from Kostelanetz, Richard. The theatre of mixed means; an introduction to happenings, kinetic environments, and other mixed-means performances. (New York : Dial Press, 1968.) 1968
Sound and Light: La Monte Young. Marian Zazeela. Edited by William Duckworth and Richard Fleming. 1996
Series 6. Recordings and Video
Test Recording 1987 February 18
Scope and Content Note
Pandit Pran Nath. Midnight. Raga Malkauns. 4 VII 71 SF. 21 VIII 76 NYC. 2002
La Monte Young. Marian Zazeela. The Tamburas of Pandit Pran Nath. An Homage. 1999
The Well Tuned Piano in the Magenta Lights. 81 V 10 6:43:00 PM - 81 VI II 1:07:45 AM NYC. 2000