Description
This collection consists of holographs, ozalid and other copies of scores, short scores and parts of George Antheil's music
for motion picture and television productions.
Background
Antheil was born on June 8, 1900, in Trenton, NJ;
he began piano lessons at age six and later
studied composition under Ernest Bloch from
1919-21; after a successful tour of Europe as a
concert pianist in the early 1920s he took up
residence in Paris, and began composing, using
jazz rhythms and mechanical devices in symphonic
music; his most famous work, Ballet mécanique
(1924), intended as an accompaniment to the
experimental Fernand Leger film of that name, is a
score that calls for such unorthodox instruments
as mechanical pianos, airplane propellers, and
electric bells; his opera Transatlantic (1927-28)
was staged in Frankfurt in 1930; from 1929-33 he
divided his time between Europe and the US,
solidifying a fundamentally American style, using
a synthesis of American folk-like material that
appears in almost all of his later compositions;
returning permanently to the US in 1933, he
continued to write for musical theater and wrote
ballet scores for George Balanchine and Martha
Graham; he began composing for Hollywood films in
1935 while continuing his work for the concert
hall and settled in Hollywood in 1936; in the
1940s, he embraced a new romantic spirit in his
music, especially in his successful symphonies no.
4 & 5; wrote a set 4 operas in the early 1950s;
died in New York on Feb. 12, 1959.
Restrictions
Publication Rights
Copyright has not been assigned to the UCLA Performing Arts Special Collections. All requests
for permission to publish or quote from manuscripts must be submitted in
writing to the Librarian for Performing Arts Special Collections. Permission for
publication is given on behalf of the Performing Arts Special Collectionsas the owner of the
physical items and is not intended to include or imply permission of the
copyright holder(s), which must also be obtained.