Scope and Content
Title: Brady's National Photographic Portrait Galleries album of Civil War-era carte de visite portraits
Date (inclusive): 1861-1865
Possible range of dates of photographs based on date of 1862 on one photo, and military and dress styles of subjects.
Collection number: 94/71
Brady's National Photographic Portrait Galleries, photographer.
1 album (32 photographic prints on carte de visite mounts) : albumen, 16 x 13 cm (album)
Title-page bordered in purple and gilt frame, with title "Album for Photographs" in purple and gilt, with name along lower
margin of New York lithographer Frederick (Friedrich Ludwig) Heppenheimer (1826-1878): "Lith. of F. Heppenheimer, 22 & 24
N. William St., N.Y."
Album contains 32 carte de visite photographs (approx. 16.1 x 10.1 cm), consisting of paper photographs mounted on thin cardboard
backs, with printed logo on verso of Matthew Brady's New York and Washington, D.C. studios ( "Brady's National Photographic
Portrait Galleries, Broadway & Tenth Street, New York: and 352 Pennsylvania Av. Washington"), each of which is slipped into
a sleeve on recto and verso of 20 album leaves, in which a gilt-framed window has been cut. Eight of the windows are empty.
Bound in 19th-century light brown leather; both covers decorated with deeply-embossed cartouche within an embossed border
with ornamental corner-pieces; embossed decoration on spine; two large ornamental brass clasps; all edges gilt; gold and white
Spec. Coll. copy: in beige cloth clamshell box, with box label "Brady Portrait Album."
Abstract: Album of carte de visite photographs from the Civil War era, containing portraits, including many of Union Army soldiers and
officers, produced at the photography studio of Matthew B. Brady, the National Photographic Portrait Galleries, probably the
New York studio, including five portraits of women and two of young children.
Language: Finding aid is written in
Language of the Material:
Materials are in English.
University of California, Los Angeles. Library Special Collections.
Los Angeles, California 90095-1575
Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections
for paging information.
Restrictions on Access
Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library
Special Collections for paging information.
Restrictions on Use and Reproduction
Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the
creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright
owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
[Identification of item], Brady's National Photographic Portrait Galleries album of Civil War-era carte de visite portraits
(Collection 94/71). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.
Nineteenth-century American photographer, best known for his portraits and documentation of the American Civil War. Mathew
Brady came to New York as a young man of sixteen, worked as a jewelry case designer, and on the side studied photography with
various teachers, one of whom was the photography pioneer, Samuel F. B. Morse. He eventually established studios in New York
in 1844, and in Washington, D.C. in 1849, and began earning awards for his daguerrotypes portraits, and later, his ambrotypes
and albumen prints. His studios did a brisk business in producing carte de visite portraits for soldiers about to go to the
front, as the Civil War broke out in 1862. Brady set out to document the war, and organized a staff of travelling photographers,
including Alexander and James Gardner, T. H. O'Sullivan, T. C. Roche, S. C. Chester, and David Knox, whom he sent out into
the field to record the people, places, and battles of the war. Despite his great achievments and prominent place in the history
of photography, Brady died alone and impoverished on Jan. 15, 1896.
Scope and Content
Most of the portraits are men in military uniforms of the Union Army, many standing with their swords, and wearing hats, sashes,
gloves, and in one case, a caped overcoat. Two of the soldiers assume a Napoleonic pose, their hands inside their unbuttoned
jackets. Several of the men wear non-military dress--one, in a black satin robe appears to be a member of the clergy or an
academic, while others, in long dress coats, might be lawyers or businessmen. One photo, dated 1862, identifies its subject
as James Gillette, a private in the 71st Regiment of the New York State Militia, who was captured at Bull Run, held five months
in Richmond Prison as a prisoner of war with the Southern Confederates, and returned to New York in 1862. Other photos are
identified with names of Captain Isaac Nicoll of Company G of the 124th Regiment, who enlisted Aug. 20, 1862 in Goshen, N.Y.
at the age of 22 years, and who was killed in action on July 2, 1863 at Gettysburg; F.C. Green, and Corcoran. The women, one
of whom is identified as Mrs. Edwin May, wear satin gowns with broad pleated or ruffled skirts, their hair in clusters of
ringlets on each side, or drawn back smoothly in a snood. Also included are two portraits of young girls, perhaps three or
four years of age in white dresses.
The following terms have been used to index the description of this collection in the library's online public access catalog.
Gillette, James, fl. 1862-1864 --Photographs.
Nicoll, Isaac, 1840-1863 --Photographs.
United States. Army --History --Civil War, 1861-1865 --Photographs.
Soldiers --New York (State) --Photographs.
Carte de visite photographs --Specimens.
United States --History --Civil War, 1861-1865 --Photographs.
New York (State) --History --Civil War, 1861-1865 --Photographs.
Genres and Forms of Material
Cartes de visite.
Other Index Terms Related to this Collection
Album for photographs
Brady, Mathew B., approximately 1823-1896.